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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AE749 it is the complementary color #7518B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AE749. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AE749 shade: #8FE744, #A0F957, #B1FF6A, #C2FF7D and #D3FF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AE749. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AE749 shade: #8AE749, #79D536, #68C323, #57B110 and #469F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AE749 shade: #8BE84A, #B5E84A, #E0E84A, #E8C54A and #E89B4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AE749 shade: #8BE84A, #61E84A, #4AE85F, #4AE889 and #4AE8B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AE749 shade matches the following richer shades: #8BE84A and #88F83A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AE749 shade: #8BE84A, #8ED75B, #91C76B, #94B67C and #97A68C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AE749 shade: #E0E84A, #B6E84A, #8CE84A, #62E84A and #4AE85D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AE749 shade: #60C61A, #74E326, #8BE84A, #A3EC6F and #BAF193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AE749 shade: #8AE749, #4AE8C6 and #E84ACB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AE749 shade: #8AE749, #4A8CE8 and #E84A8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AE749 shade: #8AE749, #4AE8C6, #A64AE8 and #E84A6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AE749 shade: #8AE749, #4ADAE8, #A64AE8 and #E8584A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 68 / 9

HEX #8AE749

RGB 138 231 73

HSL 95.32, 0.77%, 0.6%

LAB 83.46, -53.21, 65.18

 

Complementary color

CMYK 36 / 87 / 0 / 29

HEX #7518B6

RGB 117 24 182

HSL 275.32, 0.77%, 0.4%

LAB 33.59, 62.94, -63.38

 

CMYK 38 / 0 / 71 / 9

HEX #8FE744

RGB 143 231 68

HSL 92.39, 0.77%, 0.59%

LAB 83.66, -51.93, 67.28

 

CMYK 36 / 0 / 65 / 2

HEX #A0F957

RGB 160 249 87

HSL 92.96, 0.93%, 0.66%

LAB 89.82, -52.24, 66.84

 

CMYK 31 / 0 / 58 / 0

HEX #B1FF6A

RGB 177 255 106

HSL 91.41, 1%, 0.71%

LAB 92.53, -47.43, 62.31

 

CMYK 24 / 0 / 51 / 0

HEX #C2FF7D

RGB 194 255 125

HSL 88.15, 1%, 0.75%

LAB 93.65, -39.69, 55.46

 

CMYK 17 / 0 / 44 / 0

HEX #D3FF90

RGB 211 255 144

HSL 83.78, 1%, 0.78%

LAB 94.9, -31.58, 48.34

 

CMYK 40 / 0 / 68 / 9

HEX #8AE749

RGB 138 231 73

HSL 95.32, 0.77%, 0.6%

LAB 83.46, -53.21, 65.18

 

CMYK 43 / 0 / 75 / 16

HEX #79D536

RGB 121 213 54

HSL 94.72, 0.65%, 0.52%

LAB 77.23, -52.78, 65.37

 

CMYK 47 / 0 / 82 / 24

HEX #68C323

RGB 104 195 35

HSL 94.13, 0.7%, 0.45%

LAB 70.94, -52.13, 64.85

 

CMYK 51 / 0 / 91 / 31

HEX #57B110

RGB 87 177 16

HSL 93.54, 0.83%, 0.38%

LAB 64.57, -51.15, 63.16

 

CMYK 56 / 0 / 100 / 38

HEX #469F00

RGB 70 159 0

HSL 93.58, 1%, 0.31%

LAB 58.13, -49.78, 59.96

 

CMYK 40 / 0 / 68 / 9

HEX #8BE84A

RGB 139 232 74

HSL 95.32, 0.77%, 0.6%

LAB 83.81, -53.21, 65.18

 

CMYK 22 / 0 / 68 / 9

HEX #B5E84A

RGB 181 232 74

HSL 79.37, 0.77%, 0.6%

LAB 86.02, -38.43, 68.16

 

CMYK 3 / 0 / 68 / 9

HEX #E0E84A

RGB 224 232 74

HSL 63.04, 0.77%, 0.6%

LAB 88.95, -21.47, 72.07

 

CMYK 0 / 15 / 68 / 9

HEX #E8C54A

RGB 232 197 74

HSL 46.71, 0.77%, 0.6%

LAB 80.51, -0.63, 63.74

 

CMYK 0 / 33 / 68 / 9

HEX #E89B4A

RGB 232 155 74

HSL 30.76, 0.77%, 0.6%

LAB 70.24, 21.51, 52.87

 

CMYK 40 / 0 / 68 / 9

HEX #8BE84A

RGB 139 232 74

HSL 95.32, 0.77%, 0.6%

LAB 83.81, -53.21, 65.18

 

CMYK 58 / 0 / 68 / 9

HEX #61E84A

RGB 97 232 74

HSL 111.27, 0.77%, 0.6%

LAB 82.24, -65.01, 63.06

 

CMYK 68 / 0 / 59 / 9

HEX #4AE85F

RGB 74 232 95

HSL 127.97, 0.77%, 0.6%

LAB 81.84, -67.65, 53.81

 

CMYK 68 / 0 / 41 / 9

HEX #4AE889

RGB 74 232 137

HSL 143.92, 0.77%, 0.6%

LAB 82.37, -61.57, 34.54

 

CMYK 68 / 0 / 23 / 9

HEX #4AE8B3

RGB 74 232 179

HSL 159.87, 0.77%, 0.6%

LAB 83.14, -53.2, 14

 

CMYK 40 / 0 / 68 / 9

HEX #8BE84A

RGB 139 232 74

HSL 95.32, 0.77%, 0.6%

LAB 83.81, -53.21, 65.18

 

CMYK 45 / 0 / 77 / 3

HEX #88F83A

RGB 136 248 58

HSL 95.37, 0.93%, 0.6%

LAB 88.29, -61.33, 74.97

 

CMYK 40 / 0 / 68 / 9

HEX #8BE84A

RGB 139 232 74

HSL 95.32, 0.77%, 0.6%

LAB 83.81, -53.21, 65.18

 

CMYK 34 / 0 / 58 / 16

HEX #8ED75B

RGB 142 215 91

HSL 95.32, 0.61%, 0.6%

LAB 79.1, -43.72, 53.07

 

CMYK 27 / 0 / 46 / 22

HEX #91C76B

RGB 145 199 107

HSL 95.22, 0.45%, 0.6%

LAB 74.78, -33.75, 40.36

 

CMYK 19 / 0 / 32 / 29

HEX #94B67C

RGB 148 182 124

HSL 95.17, 0.28%, 0.6%

LAB 70.32, -22.15, 25.86

 

CMYK 9 / 0 / 16 / 35

HEX #97A68C

RGB 151 166 140

HSL 94.62, 0.13%, 0.6%

LAB 66.32, -10.19, 11.7

 

CMYK 3 / 0 / 68 / 9

HEX #E0E84A

RGB 224 232 74

HSL 63.04, 0.77%, 0.6%

LAB 88.95, -21.47, 72.07

 

CMYK 22 / 0 / 68 / 9

HEX #B6E84A

RGB 182 232 74

HSL 78.99, 0.77%, 0.6%

LAB 86.08, -38.05, 68.25

 

CMYK 40 / 0 / 68 / 9

HEX #8CE84A

RGB 140 232 74

HSL 94.94, 0.77%, 0.6%

LAB 83.85, -52.89, 65.24

 

CMYK 58 / 0 / 68 / 9

HEX #62E84A

RGB 98 232 74

HSL 110.89, 0.77%, 0.6%

LAB 82.27, -64.77, 63.1

 

CMYK 68 / 0 / 60 / 9

HEX #4AE85D

RGB 74 232 93

HSL 127.22, 0.77%, 0.6%

LAB 81.82, -67.88, 54.67

 

CMYK 52 / 0 / 87 / 22

HEX #60C61A

RGB 96 198 26

HSL 95.58, 0.77%, 0.44%

LAB 71.52, -56.01, 67.34

 

CMYK 49 / 0 / 83 / 11

HEX #74E326

RGB 116 227 38

HSL 95.24, 0.77%, 0.52%

LAB 81.18, -60.41, 73.46

 

CMYK 40 / 0 / 68 / 9

HEX #8BE84A

RGB 139 232 74

HSL 95.32, 0.77%, 0.6%

LAB 83.81, -53.21, 65.18

 

CMYK 31 / 0 / 53 / 7

HEX #A3EC6F

RGB 163 236 111

HSL 95.04, 0.77%, 0.68%

LAB 86.47, -43.58, 52.88

 

CMYK 23 / 0 / 39 / 5

HEX #BAF193

RGB 186 241 147

HSL 95.11, 0.77%, 0.76%

LAB 89.61, -33.62, 39.84

 

CMYK 40 / 0 / 68 / 9

HEX #8AE749

RGB 138 231 73

HSL 95.32, 0.77%, 0.6%

LAB 83.46, -53.21, 65.18

 

CMYK 68 / 0 / 15 / 9

HEX #4AE8C6

RGB 74 232 198

HSL 167.09, 0.77%, 0.6%

LAB 83.57, -48.73, 4.64

 

CMYK 0 / 68 / 13 / 9

HEX #E84ACB

RGB 232 74 203

HSL 311.01, 0.77%, 0.6%

LAB 58.38, 73.39, -34.93

 

CMYK 40 / 0 / 68 / 9

HEX #8AE749

RGB 138 231 73

HSL 95.32, 0.77%, 0.6%

LAB 83.46, -53.21, 65.18

 

CMYK 68 / 40 / 0 / 9

HEX #4A8CE8

RGB 74 140 232

HSL 214.94, 0.77%, 0.6%

LAB 58.07, 8.46, -52.73

 

CMYK 0 / 68 / 40 / 9

HEX #E84A8C

RGB 232 74 140

HSL 334.94, 0.77%, 0.6%

LAB 56.03, 65.64, -1.92

 

CMYK 40 / 0 / 68 / 9

HEX #8AE749

RGB 138 231 73

HSL 95.32, 0.77%, 0.6%

LAB 83.46, -53.21, 65.18

 

CMYK 68 / 0 / 15 / 9

HEX #4AE8C6

RGB 74 232 198

HSL 167.09, 0.77%, 0.6%

LAB 83.57, -48.73, 4.64

 

CMYK 28 / 68 / 0 / 9

HEX #A64AE8

RGB 166 74 232

HSL 274.94, 0.77%, 0.6%

LAB 50.49, 63.91, -64.51

 

CMYK 0 / 68 / 53 / 9

HEX #E84A6C

RGB 232 74 108

HSL 347.09, 0.77%, 0.6%

LAB 55.21, 62.79, 15.88

 

CMYK 40 / 0 / 68 / 9

HEX #8AE749

RGB 138 231 73

HSL 95.32, 0.77%, 0.6%

LAB 83.46, -53.21, 65.18

 

CMYK 68 / 6 / 0 / 9

HEX #4ADAE8

RGB 74 218 232

HSL 185.32, 0.77%, 0.6%

LAB 80.42, -33.37, -18.05

 

CMYK 28 / 68 / 0 / 9

HEX #A64AE8

RGB 166 74 232

HSL 274.94, 0.77%, 0.6%

LAB 50.49, 63.91, -64.51

 

CMYK 0 / 62 / 68 / 9

HEX #E8584A

RGB 232 88 74

HSL 5.32, 0.77%, 0.6%

LAB 56.71, 54.94, 37.51

 

Description

Color code: HEX #8AE749 | qconv.com Color code: HEX #8AE749 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 231 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 231 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 68 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 68% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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