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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AE640 it is the complementary color #7519BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AE640. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AE640 shade: #8FE63B, #A0F84E, #B1FF61, #C2FF74 and #D3FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AE640. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AE640 shade: #8AE640, #79D42D, #68C21A, #57B007 and #469E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AE640 shade: #8BE641, #B7E641, #E4E641, #E6BC41 and #E69041

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AE640 shade: #8BE641, #5EE641, #41E651, #41E67D and #41E6AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AE640 shade matches the following richer shades: #8BE641 and #89F830

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AE640 shade: #8BE641, #8DD553, #8FC464, #91B275 and #92A187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AE640 shade: #E4E641, #B8E641, #8CE641, #60E641 and #41E64F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AE640 shade: #62BD19, #75E11D, #8BE641, #A1EB66 and #B8F08A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AE640 shade: #8AE640, #41E6BD and #E641CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AE640 shade: #8AE640, #418CE6 and #E6418C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AE640 shade: #8AE640, #41E6BD, #9C41E6 and #E6416B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AE640 shade: #8AE640, #41DEE6, #9C41E6 and #E64A41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 72 / 10

HEX #8AE640

RGB 138 230 64

HSL 93.25, 0.77%, 0.58%

LAB 83.11, -53.42, 68.05

 

Complementary color

CMYK 39 / 87 / 0 / 25

HEX #7519BF

RGB 117 25 191

HSL 273.25, 0.77%, 0.42%

LAB 34.48, 64.63, -67.25

 

CMYK 38 / 0 / 74 / 10

HEX #8FE63B

RGB 143 230 59

HSL 90.53, 0.77%, 0.57%

LAB 83.31, -52.08, 69.99

 

CMYK 35 / 0 / 69 / 3

HEX #A0F84E

RGB 160 248 78

HSL 91.06, 0.92%, 0.64%

LAB 89.47, -52.49, 69.86

 

CMYK 31 / 0 / 62 / 0

HEX #B1FF61

RGB 177 255 97

HSL 89.62, 1%, 0.69%

LAB 92.46, -48.19, 65.96

 

CMYK 24 / 0 / 55 / 0

HEX #C2FF74

RGB 194 255 116

HSL 86.33, 1%, 0.73%

LAB 93.56, -40.57, 59.39

 

CMYK 17 / 0 / 47 / 0

HEX #D3FF87

RGB 211 255 135

HSL 82, 1%, 0.76%

LAB 94.79, -32.55, 52.45

 

CMYK 40 / 0 / 72 / 10

HEX #8AE640

RGB 138 230 64

HSL 93.25, 0.77%, 0.58%

LAB 83.11, -53.42, 68.05

 

CMYK 43 / 0 / 79 / 17

HEX #79D42D

RGB 121 212 45

HSL 92.69, 0.66%, 0.5%

LAB 76.89, -52.89, 67.82

 

CMYK 46 / 0 / 87 / 24

HEX #68C21A

RGB 104 194 26

HSL 92.14, 0.76%, 0.43%

LAB 70.6, -52.1, 66.67

 

CMYK 51 / 0 / 96 / 31

HEX #57B007

RGB 87 176 7

HSL 91.6, 0.92%, 0.36%

LAB 64.24, -50.98, 64.13

 

CMYK 56 / 0 / 100 / 38

HEX #469E00

RGB 70 158 0

HSL 93.42, 1%, 0.31%

LAB 57.8, -49.42, 59.71

 

CMYK 40 / 0 / 72 / 10

HEX #8BE641

RGB 139 230 65

HSL 93.09, 0.77%, 0.58%

LAB 83.16, -53.04, 67.77

 

CMYK 20 / 0 / 72 / 10

HEX #B7E641

RGB 183 230 65

HSL 77.09, 0.77%, 0.58%

LAB 85.53, -37.29, 70.91

 

CMYK 1 / 0 / 72 / 10

HEX #E4E641

RGB 228 230 65

HSL 60.73, 0.77%, 0.58%

LAB 88.67, -19.3, 75.03

 

CMYK 0 / 18 / 72 / 10

HEX #E6BC41

RGB 230 188 65

HSL 44.73, 0.77%, 0.58%

LAB 77.98, 2.74, 64.71

 

CMYK 0 / 37 / 72 / 10

HEX #E69041

RGB 230 144 65

HSL 28.73, 0.77%, 0.58%

LAB 67.39, 26.06, 53.92

 

CMYK 40 / 0 / 72 / 10

HEX #8BE641

RGB 139 230 65

HSL 93.09, 0.77%, 0.58%

LAB 83.16, -53.04, 67.77

 

CMYK 59 / 0 / 72 / 10

HEX #5EE641

RGB 94 230 65

HSL 109.45, 0.77%, 0.58%

LAB 81.49, -65.73, 65.54

 

CMYK 72 / 0 / 65 / 10

HEX #41E651

RGB 65 230 81

HSL 125.82, 0.77%, 0.58%

LAB 80.91, -70.03, 58.65

 

CMYK 72 / 0 / 46 / 10

HEX #41E67D

RGB 65 230 125

HSL 141.82, 0.77%, 0.58%

LAB 81.4, -64.27, 39.21

 

CMYK 72 / 0 / 26 / 10

HEX #41E6AA

RGB 65 230 170

HSL 158.18, 0.77%, 0.58%

LAB 82.17, -55.69, 17.32

 

CMYK 40 / 0 / 72 / 10

HEX #8BE641

RGB 139 230 65

HSL 93.09, 0.77%, 0.58%

LAB 83.16, -53.04, 67.77

 

CMYK 45 / 0 / 81 / 3

HEX #89F830

RGB 137 248 48

HSL 93.3, 0.93%, 0.58%

LAB 88.29, -61.51, 77.72

 

CMYK 40 / 0 / 72 / 10

HEX #8BE641

RGB 139 230 65

HSL 93.09, 0.77%, 0.58%

LAB 83.16, -53.04, 67.77

 

CMYK 34 / 0 / 61 / 16

HEX #8DD553

RGB 141 213 83

HSL 93.23, 0.61%, 0.58%

LAB 78.39, -43.95, 55.75

 

CMYK 27 / 0 / 49 / 23

HEX #8FC464

RGB 143 196 100

HSL 93.13, 0.45%, 0.58%

LAB 73.7, -33.92, 42.46

 

CMYK 19 / 0 / 34 / 30

HEX #91B275

RGB 145 178 117

HSL 92.46, 0.28%, 0.58%

LAB 68.86, -22.3, 27.61

 

CMYK 9 / 0 / 16 / 37

HEX #92A187

RGB 146 161 135

HSL 94.62, 0.12%, 0.58%

LAB 64.44, -10.24, 11.77

 

CMYK 1 / 0 / 72 / 10

HEX #E4E641

RGB 228 230 65

HSL 60.73, 0.77%, 0.58%

LAB 88.67, -19.3, 75.03

 

CMYK 20 / 0 / 72 / 10

HEX #B8E641

RGB 184 230 65

HSL 76.73, 0.77%, 0.58%

LAB 85.59, -36.91, 70.99

 

CMYK 39 / 0 / 72 / 10

HEX #8CE641

RGB 140 230 65

HSL 92.73, 0.77%, 0.58%

LAB 83.21, -52.71, 67.84

 

CMYK 58 / 0 / 72 / 10

HEX #60E641

RGB 96 230 65

HSL 108.73, 0.77%, 0.58%

LAB 81.54, -65.26, 65.62

 

CMYK 72 / 0 / 66 / 10

HEX #41E64F

RGB 65 230 79

HSL 125.09, 0.77%, 0.58%

LAB 80.9, -70.22, 59.44

 

CMYK 48 / 0 / 87 / 26

HEX #62BD19

RGB 98 189 25

HSL 93.29, 0.77%, 0.42%

LAB 68.8, -52.08, 65.23

 

CMYK 48 / 0 / 87 / 12

HEX #75E11D

RGB 117 225 29

HSL 93.06, 0.77%, 0.5%

LAB 80.58, -59.7, 74.85

 

CMYK 40 / 0 / 72 / 10

HEX #8BE641

RGB 139 230 65

HSL 93.09, 0.77%, 0.58%

LAB 83.16, -53.04, 67.77

 

CMYK 31 / 0 / 57 / 8

HEX #A1EB66

RGB 161 235 102

HSL 93.38, 0.77%, 0.66%

LAB 85.98, -44.74, 56.34

 

CMYK 23 / 0 / 43 / 6

HEX #B8F08A

RGB 184 240 138

HSL 92.94, 0.77%, 0.74%

LAB 89.09, -35, 43.57

 

CMYK 40 / 0 / 72 / 10

HEX #8AE640

RGB 138 230 64

HSL 93.25, 0.77%, 0.58%

LAB 83.11, -53.42, 68.05

 

CMYK 72 / 0 / 18 / 10

HEX #41E6BD

RGB 65 230 189

HSL 165.09, 0.77%, 0.58%

LAB 82.59, -51.32, 7.94

 

CMYK 0 / 72 / 10 / 10

HEX #E641CE

RGB 230 65 206

HSL 308.73, 0.77%, 0.58%

LAB 57.13, 76.37, -38.62

 

CMYK 40 / 0 / 72 / 10

HEX #8AE640

RGB 138 230 64

HSL 93.25, 0.77%, 0.58%

LAB 83.11, -53.42, 68.05

 

CMYK 72 / 39 / 0 / 10

HEX #418CE6

RGB 65 140 230

HSL 212.73, 0.77%, 0.58%

LAB 57.65, 6.46, -52.31

 

CMYK 0 / 72 / 39 / 10

HEX #E6418C

RGB 230 65 140

HSL 332.73, 0.77%, 0.58%

LAB 54.55, 68.26, -4.14

 

CMYK 40 / 0 / 72 / 10

HEX #8AE640

RGB 138 230 64

HSL 93.25, 0.77%, 0.58%

LAB 83.11, -53.42, 68.05

 

CMYK 72 / 0 / 18 / 10

HEX #41E6BD

RGB 65 230 189

HSL 165.09, 0.77%, 0.58%

LAB 82.59, -51.32, 7.94

 

CMYK 32 / 72 / 0 / 10

HEX #9C41E6

RGB 156 65 230

HSL 273.09, 0.77%, 0.58%

LAB 47.7, 65.41, -67.95

 

CMYK 0 / 72 / 53 / 10

HEX #E6416B

RGB 230 65 107

HSL 344.73, 0.77%, 0.58%

LAB 53.67, 65.36, 14.29

 

CMYK 40 / 0 / 72 / 10

HEX #8AE640

RGB 138 230 64

HSL 93.25, 0.77%, 0.58%

LAB 83.11, -53.42, 68.05

 

CMYK 72 / 3 / 0 / 10

HEX #41DEE6

RGB 65 222 230

HSL 182.91, 0.77%, 0.58%

LAB 81.34, -36.95, -15.63

 

CMYK 32 / 72 / 0 / 10

HEX #9C41E6

RGB 156 65 230

HSL 273.09, 0.77%, 0.58%

LAB 47.7, 65.41, -67.95

 

CMYK 0 / 68 / 72 / 10

HEX #E64A41

RGB 230 74 65

HSL 3.27, 0.77%, 0.58%

LAB 54.14, 59.58, 39.42

 

Description

Color code: HEX #8AE640 | qconv.com Color code: HEX #8AE640 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 230 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 230 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 72 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 72% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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