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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AE050 it is the complementary color #751FAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AE050. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AE050 shade: #8FE04B, #A0F25E, #B1FF71, #C2FF84 and #D3FF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AE050. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AE050 shade: #8AE050, #79CE3D, #68BC2A, #57AA17 and #469804

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AE050 shade: #8BE052, #B2E052, #D8E052, #E0C252 and #E09C52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AE050 shade: #8BE052, #65E052, #52E065, #52E08C and #52E0B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AE050 shade matches the following richer shades: #8BE052 and #88F141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AE050 shade: #8BE052, #8ED062, #92BF73, #95AF83 and #989E94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AE050 shade: #D9E052, #B3E052, #8DE052, #67E052 and #52E062

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AE050 shade: #61BE22, #74DA2F, #8BE052, #A3E775 and #BAED98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AE050 shade: #8AE050, #52E0C1 and #E052C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AE050 shade: #8AE050, #528DE0 and #E0528D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AE050 shade: #8AE050, #52E0C1, #A552E0 and #E05271

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AE050 shade: #8AE050, #52D5E0, #A552E0 and #E05E52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 64 / 12

HEX #8AE050

RGB 138 224 80

HSL 95.83, 0.7%, 0.6%

LAB 81.45, -49.83, 60.33

 

Complementary color

CMYK 33 / 82 / 0 / 31

HEX #751FAF

RGB 117 31 175

HSL 275.83, 0.7%, 0.4%

LAB 33.68, 59.39, -59.06

 

CMYK 36 / 0 / 67 / 12

HEX #8FE04B

RGB 143 224 75

HSL 92.62, 0.71%, 0.59%

LAB 81.65, -48.57, 62.6

 

CMYK 34 / 0 / 61 / 5

HEX #A0F25E

RGB 160 242 94

HSL 93.24, 0.85%, 0.66%

LAB 87.87, -48.78, 61.89

 

CMYK 31 / 0 / 56 / 0

HEX #B1FF71

RGB 177 255 113

HSL 92.96, 1%, 0.72%

LAB 92.6, -46.78, 59.36

 

CMYK 24 / 0 / 48 / 0

HEX #C2FF84

RGB 194 255 132

HSL 89.76, 1%, 0.76%

LAB 93.73, -38.96, 52.33

 

CMYK 17 / 0 / 41 / 0

HEX #D3FF97

RGB 211 255 151

HSL 85.38, 1%, 0.8%

LAB 94.99, -30.77, 45.1

 

CMYK 38 / 0 / 64 / 12

HEX #8AE050

RGB 138 224 80

HSL 95.83, 0.7%, 0.6%

LAB 81.45, -49.83, 60.33

 

CMYK 41 / 0 / 70 / 19

HEX #79CE3D

RGB 121 206 61

HSL 95.17, 0.6%, 0.52%

LAB 75.17, -49.53, 60.87

 

CMYK 45 / 0 / 78 / 26

HEX #68BC2A

RGB 104 188 42

HSL 94.52, 0.63%, 0.45%

LAB 68.81, -49.03, 60.87

 

CMYK 49 / 0 / 86 / 33

HEX #57AA17

RGB 87 170 23

HSL 93.88, 0.76%, 0.38%

LAB 62.37, -48.25, 59.91

 

CMYK 54 / 0 / 97 / 40

HEX #469804

RGB 70 152 4

HSL 93.24, 0.95%, 0.31%

LAB 55.85, -47.07, 57.53

 

CMYK 38 / 0 / 63 / 12

HEX #8BE052

RGB 139 224 82

HSL 95.92, 0.7%, 0.6%

LAB 81.52, -49.34, 59.59

 

CMYK 21 / 0 / 63 / 12

HEX #B2E052

RGB 178 224 82

HSL 79.44, 0.7%, 0.6%

LAB 83.64, -35.41, 62.52

 

CMYK 4 / 0 / 63 / 12

HEX #D8E052

RGB 216 224 82

HSL 63.38, 0.7%, 0.6%

LAB 86.27, -20.4, 66.09

 

CMYK 0 / 13 / 63 / 12

HEX #E0C252

RGB 224 194 82

HSL 47.32, 0.7%, 0.6%

LAB 79.06, -1.99, 58.61

 

CMYK 0 / 30 / 63 / 12

HEX #E09C52

RGB 224 156 82

HSL 31.27, 0.7%, 0.6%

LAB 69.64, 18.12, 48.11

 

CMYK 38 / 0 / 63 / 12

HEX #8BE052

RGB 139 224 82

HSL 95.92, 0.7%, 0.6%

LAB 81.52, -49.34, 59.59

 

CMYK 55 / 0 / 63 / 12

HEX #65E052

RGB 101 224 82

HSL 111.97, 0.7%, 0.6%

LAB 80, -60.46, 57.5

 

CMYK 63 / 0 / 55 / 12

HEX #52E065

RGB 82 224 101

HSL 128.03, 0.7%, 0.6%

LAB 79.64, -62.66, 48.58

 

CMYK 63 / 0 / 38 / 12

HEX #52E08C

RGB 82 224 140

HSL 144.51, 0.7%, 0.6%

LAB 80.18, -56.63, 30.17

 

CMYK 63 / 0 / 21 / 12

HEX #52E0B2

RGB 82 224 178

HSL 160.56, 0.7%, 0.6%

LAB 80.92, -48.85, 11.41

 

CMYK 38 / 0 / 63 / 12

HEX #8BE052

RGB 139 224 82

HSL 95.92, 0.7%, 0.6%

LAB 81.52, -49.34, 59.59

 

CMYK 44 / 0 / 73 / 5

HEX #88F141

RGB 136 241 65

HSL 95.8, 0.86%, 0.6%

LAB 86.27, -58.28, 70.82

 

CMYK 38 / 0 / 63 / 12

HEX #8BE052

RGB 139 224 82

HSL 95.92, 0.7%, 0.6%

LAB 81.52, -49.34, 59.59

 

CMYK 32 / 0 / 53 / 18

HEX #8ED062

RGB 142 208 98

HSL 96, 0.54%, 0.6%

LAB 77.13, -39.93, 47.54

 

CMYK 24 / 0 / 40 / 25

HEX #92BF73

RGB 146 191 115

HSL 95.53, 0.37%, 0.6%

LAB 72.63, -28.58, 33.6

 

CMYK 15 / 0 / 25 / 31

HEX #95AF83

RGB 149 175 131

HSL 95.45, 0.22%, 0.6%

LAB 68.52, -17.14, 19.67

 

CMYK 4 / 0 / 6 / 38

HEX #989E94

RGB 152 158 148

HSL 96, 0.05%, 0.6%

LAB 64.38, -4.06, 4.47

 

CMYK 3 / 0 / 63 / 12

HEX #D9E052

RGB 217 224 82

HSL 62.96, 0.7%, 0.6%

LAB 86.34, -19.99, 66.19

 

CMYK 20 / 0 / 63 / 12

HEX #B3E052

RGB 179 224 82

HSL 79.01, 0.7%, 0.6%

LAB 83.71, -35.03, 62.6

 

CMYK 37 / 0 / 63 / 12

HEX #8DE052

RGB 141 224 82

HSL 95.07, 0.7%, 0.6%

LAB 81.61, -48.67, 59.72

 

CMYK 54 / 0 / 63 / 12

HEX #67E052

RGB 103 224 82

HSL 111.13, 0.7%, 0.6%

LAB 80.07, -59.95, 57.59

 

CMYK 63 / 0 / 56 / 12

HEX #52E062

RGB 82 224 98

HSL 126.76, 0.7%, 0.6%

LAB 79.61, -63.03, 49.92

 

CMYK 49 / 0 / 82 / 25

HEX #61BE22

RGB 97 190 34

HSL 95.77, 0.7%, 0.44%

LAB 69.1, -52.41, 63.35

 

CMYK 47 / 0 / 78 / 15

HEX #74DA2F

RGB 116 218 47

HSL 95.79, 0.7%, 0.52%

LAB 78.5, -56.65, 68.67

 

CMYK 38 / 0 / 63 / 12

HEX #8BE052

RGB 139 224 82

HSL 95.92, 0.7%, 0.6%

LAB 81.52, -49.34, 59.59

 

CMYK 29 / 0 / 49 / 9

HEX #A3E775

RGB 163 231 117

HSL 95.79, 0.7%, 0.68%

LAB 85.11, -40.74, 48.46

 

CMYK 22 / 0 / 36 / 7

HEX #BAED98

RGB 186 237 152

HSL 96, 0.7%, 0.76%

LAB 88.58, -31.1, 36.02

 

CMYK 38 / 0 / 64 / 12

HEX #8AE050

RGB 138 224 80

HSL 95.83, 0.7%, 0.6%

LAB 81.45, -49.83, 60.33

 

CMYK 63 / 0 / 14 / 12

HEX #52E0C1

RGB 82 224 193

HSL 166.9, 0.7%, 0.6%

LAB 81.27, -45.31, 3.97

 

CMYK 0 / 63 / 12 / 12

HEX #E052C6

RGB 224 82 198

HSL 310.99, 0.7%, 0.6%

LAB 58, 67.69, -32.77

 

CMYK 38 / 0 / 64 / 12

HEX #8AE050

RGB 138 224 80

HSL 95.83, 0.7%, 0.6%

LAB 81.45, -49.83, 60.33

 

CMYK 63 / 37 / 0 / 12

HEX #528DE0

RGB 82 141 224

HSL 215.07, 0.7%, 0.6%

LAB 58.25, 6.43, -47.97

 

CMYK 0 / 63 / 37 / 12

HEX #E0528D

RGB 224 82 141

HSL 335.07, 0.7%, 0.6%

LAB 55.89, 60.28, -2.87

 

CMYK 38 / 0 / 64 / 12

HEX #8AE050

RGB 138 224 80

HSL 95.83, 0.7%, 0.6%

LAB 81.45, -49.83, 60.33

 

CMYK 63 / 0 / 14 / 12

HEX #52E0C1

RGB 82 224 193

HSL 166.9, 0.7%, 0.6%

LAB 81.27, -45.31, 3.97

 

CMYK 26 / 63 / 0 / 12

HEX #A552E0

RGB 165 82 224

HSL 275.07, 0.7%, 0.6%

LAB 51.17, 58.27, -58.9

 

CMYK 0 / 63 / 50 / 12

HEX #E05271

RGB 224 82 113

HSL 346.9, 0.7%, 0.6%

LAB 55.15, 57.55, 12.62

 

CMYK 38 / 0 / 64 / 12

HEX #8AE050

RGB 138 224 80

HSL 95.83, 0.7%, 0.6%

LAB 81.45, -49.83, 60.33

 

CMYK 63 / 5 / 0 / 12

HEX #52D5E0

RGB 82 213 224

HSL 184.65, 0.7%, 0.6%

LAB 78.91, -32.12, -16.04

 

CMYK 26 / 63 / 0 / 12

HEX #A552E0

RGB 165 82 224

HSL 275.07, 0.7%, 0.6%

LAB 51.17, 58.27, -58.9

 

CMYK 0 / 58 / 63 / 12

HEX #E05E52

RGB 224 94 82

HSL 5.07, 0.7%, 0.6%

LAB 56.55, 49.95, 32.52

 

Description

Color code: HEX #8AE050 | qconv.com Color code: HEX #8AE050 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 224 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 224 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 64 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 64% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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