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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8ADE4F it is the complementary color #7521B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8ADE4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8ADE4F shade: #8FDE4A, #A0F05D, #B1FF70, #C2FF83 and #D3FF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8ADE4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8ADE4F shade: #8ADE4F, #79CC3C, #68BA29, #57A816 and #469603

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8ADE4F shade: #8ADE4F, #B0DE4F, #D7DE4F, #DEBE4F and #DE984F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8ADE4F shade: #8ADE4F, #64DE4F, #4FDE61, #4FDE88 and #4FDEAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8ADE4F shade matches the following richer shades: #8ADE4F and #87EE3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8ADE4F shade: #8ADE4F, #8DCD60, #90BC71, #93AB82 and #969A93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8ADE4F shade: #D6DE4F, #B1DE4F, #8BDE4F, #65DE4F and #4FDE60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8ADE4F shade: #60B723, #73D72D, #8ADE4F, #A1E472 and #B8EB95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8ADE4F shade: #8ADE4F, #4FDEBF and #DE4FC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8ADE4F shade: #8ADE4F, #4F8BDE and #DE4F8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8ADE4F shade: #8ADE4F, #4FDEBF, #A24FDE and #DE4F6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8ADE4F shade: #8ADE4F, #4FD2DE, #A24FDE and #DE5B4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 64 / 13

HEX #8ADE4F

RGB 138 222 79

HSL 95.24, 0.68%, 0.59%

LAB 80.86, -49.09, 60.09

 

Complementary color

CMYK 34 / 81 / 0 / 31

HEX #7521B0

RGB 117 33 176

HSL 275.24, 0.68%, 0.41%

LAB 33.99, 58.96, -59.15

 

CMYK 36 / 0 / 67 / 13

HEX #8FDE4A

RGB 143 222 74

HSL 92.03, 0.69%, 0.58%

LAB 81.06, -47.81, 62.36

 

CMYK 33 / 0 / 61 / 6

HEX #A0F05D

RGB 160 240 93

HSL 92.65, 0.83%, 0.65%

LAB 87.28, -48.03, 61.67

 

CMYK 31 / 0 / 56 / 0

HEX #B1FF70

RGB 177 255 112

HSL 92.73, 1%, 0.72%

LAB 92.59, -46.87, 59.79

 

CMYK 24 / 0 / 49 / 0

HEX #C2FF83

RGB 194 255 131

HSL 89.52, 1%, 0.76%

LAB 93.72, -39.07, 52.78

 

CMYK 17 / 0 / 41 / 0

HEX #D3FF96

RGB 211 255 150

HSL 85.14, 1%, 0.79%

LAB 94.98, -30.89, 45.56

 

CMYK 38 / 0 / 64 / 13

HEX #8ADE4F

RGB 138 222 79

HSL 95.24, 0.68%, 0.59%

LAB 80.86, -49.09, 60.09

 

CMYK 41 / 0 / 71 / 20

HEX #79CC3C

RGB 121 204 60

HSL 94.58, 0.59%, 0.52%

LAB 74.56, -48.79, 60.61

 

CMYK 44 / 0 / 78 / 27

HEX #68BA29

RGB 104 186 41

HSL 93.93, 0.64%, 0.45%

LAB 68.18, -48.29, 60.59

 

CMYK 48 / 0 / 87 / 34

HEX #57A816

RGB 87 168 22

HSL 93.29, 0.77%, 0.37%

LAB 61.73, -47.5, 59.58

 

CMYK 53 / 0 / 98 / 41

HEX #469603

RGB 70 150 3

HSL 92.65, 0.96%, 0.3%

LAB 55.2, -46.34, 57.17

 

CMYK 38 / 0 / 64 / 13

HEX #8ADE4F

RGB 138 222 79

HSL 95.24, 0.68%, 0.59%

LAB 80.86, -49.09, 60.09

 

CMYK 21 / 0 / 64 / 13

HEX #B0DE4F

RGB 176 222 79

HSL 79.3, 0.68%, 0.59%

LAB 82.93, -35.48, 62.93

 

CMYK 3 / 0 / 64 / 13

HEX #D7DE4F

RGB 215 222 79

HSL 62.94, 0.68%, 0.59%

LAB 85.63, -20.01, 66.59

 

CMYK 0 / 14 / 64 / 13

HEX #DEBE4F

RGB 222 190 79

HSL 46.57, 0.68%, 0.59%

LAB 77.83, -0.94, 58.53

 

CMYK 0 / 32 / 64 / 13

HEX #DE984F

RGB 222 152 79

HSL 30.63, 0.68%, 0.59%

LAB 68.42, 19.23, 48.14

 

CMYK 38 / 0 / 64 / 13

HEX #8ADE4F

RGB 138 222 79

HSL 95.24, 0.68%, 0.59%

LAB 80.86, -49.09, 60.09

 

CMYK 55 / 0 / 64 / 13

HEX #64DE4F

RGB 100 222 79

HSL 111.19, 0.68%, 0.59%

LAB 79.34, -60.27, 58

 

CMYK 64 / 0 / 56 / 13

HEX #4FDE61

RGB 79 222 97

HSL 127.55, 0.68%, 0.59%

LAB 78.91, -63.06, 49.53

 

CMYK 64 / 0 / 39 / 13

HEX #4FDE88

RGB 79 222 136

HSL 143.92, 0.68%, 0.59%

LAB 79.43, -57.15, 31.21

 

CMYK 64 / 0 / 22 / 13

HEX #4FDEAE

RGB 79 222 174

HSL 159.86, 0.68%, 0.59%

LAB 80.16, -49.44, 12.43

 

CMYK 38 / 0 / 64 / 13

HEX #8ADE4F

RGB 138 222 79

HSL 95.24, 0.68%, 0.59%

LAB 80.86, -49.09, 60.09

 

CMYK 43 / 0 / 74 / 7

HEX #87EE3E

RGB 135 238 62

HSL 95.11, 0.84%, 0.59%

LAB 85.33, -57.62, 70.86

 

CMYK 38 / 0 / 64 / 13

HEX #8ADE4F

RGB 138 222 79

HSL 95.24, 0.68%, 0.59%

LAB 80.86, -49.09, 60.09

 

CMYK 31 / 0 / 53 / 20

HEX #8DCD60

RGB 141 205 96

HSL 95.23, 0.52%, 0.59%

LAB 76.17, -39.17, 47.34

 

CMYK 23 / 0 / 40 / 26

HEX #90BC71

RGB 144 188 113

HSL 95.2, 0.36%, 0.59%

LAB 71.61, -28.14, 33.3

 

CMYK 14 / 0 / 24 / 33

HEX #93AB82

RGB 147 171 130

HSL 95.12, 0.2%, 0.59%

LAB 67.23, -15.98, 18.42

 

CMYK 3 / 0 / 5 / 40

HEX #969A93

RGB 150 154 147

HSL 94.29, 0.03%, 0.59%

LAB 63.1, -2.78, 3.16

 

CMYK 4 / 0 / 64 / 13

HEX #D6DE4F

RGB 214 222 79

HSL 63.36, 0.68%, 0.59%

LAB 85.56, -20.42, 66.49

 

CMYK 20 / 0 / 64 / 13

HEX #B1DE4F

RGB 177 222 79

HSL 78.88, 0.68%, 0.59%

LAB 83, -35.1, 63.01

 

CMYK 37 / 0 / 64 / 13

HEX #8BDE4F

RGB 139 222 79

HSL 94.83, 0.68%, 0.59%

LAB 80.9, -48.76, 60.15

 

CMYK 55 / 0 / 64 / 13

HEX #65DE4F

RGB 101 222 79

HSL 110.77, 0.68%, 0.59%

LAB 79.37, -60.02, 58.04

 

CMYK 64 / 0 / 57 / 13

HEX #4FDE60

RGB 79 222 96

HSL 127.13, 0.68%, 0.59%

LAB 78.9, -63.18, 49.97

 

CMYK 48 / 0 / 81 / 28

HEX #60B723

RGB 96 183 35

HSL 95.27, 0.68%, 0.43%

LAB 66.88, -49.97, 61.03

 

CMYK 47 / 0 / 79 / 16

HEX #73D72D

RGB 115 215 45

HSL 95.29, 0.68%, 0.51%

LAB 77.54, -55.92, 68.34

 

CMYK 38 / 0 / 64 / 13

HEX #8ADE4F

RGB 138 222 79

HSL 95.24, 0.68%, 0.59%

LAB 80.86, -49.09, 60.09

 

CMYK 29 / 0 / 50 / 11

HEX #A1E472

RGB 161 228 114

HSL 95.26, 0.68%, 0.67%

LAB 84.11, -40.44, 48.64

 

CMYK 22 / 0 / 37 / 8

HEX #B8EB95

RGB 184 235 149

HSL 95.58, 0.68%, 0.75%

LAB 87.86, -31.27, 36.56

 

CMYK 38 / 0 / 64 / 13

HEX #8ADE4F

RGB 138 222 79

HSL 95.24, 0.68%, 0.59%

LAB 80.86, -49.09, 60.09

 

CMYK 64 / 0 / 14 / 13

HEX #4FDEBF

RGB 79 222 191

HSL 166.99, 0.68%, 0.59%

LAB 80.55, -45.43, 3.99

 

CMYK 0 / 64 / 12 / 13

HEX #DE4FC3

RGB 222 79 195

HSL 311.33, 0.68%, 0.59%

LAB 57.14, 67.91, -32.42

 

CMYK 38 / 0 / 64 / 13

HEX #8ADE4F

RGB 138 222 79

HSL 95.24, 0.68%, 0.59%

LAB 80.86, -49.09, 60.09

 

CMYK 64 / 37 / 0 / 13

HEX #4F8BDE

RGB 79 139 222

HSL 214.83, 0.68%, 0.59%

LAB 57.46, 6.42, -48.11

 

CMYK 0 / 64 / 37 / 13

HEX #DE4F8B

RGB 222 79 139

HSL 334.83, 0.68%, 0.59%

LAB 55.06, 60.7, -2.95

 

CMYK 38 / 0 / 64 / 13

HEX #8ADE4F

RGB 138 222 79

HSL 95.24, 0.68%, 0.59%

LAB 80.86, -49.09, 60.09

 

CMYK 64 / 0 / 14 / 13

HEX #4FDEBF

RGB 79 222 191

HSL 166.99, 0.68%, 0.59%

LAB 80.55, -45.43, 3.99

 

CMYK 27 / 64 / 0 / 13

HEX #A24FDE

RGB 162 79 222

HSL 274.83, 0.68%, 0.59%

LAB 50.15, 58.59, -59.42

 

CMYK 0 / 64 / 50 / 13

HEX #DE4F6E

RGB 222 79 110

HSL 346.99, 0.68%, 0.59%

LAB 54.29, 57.9, 13.15

 

CMYK 38 / 0 / 64 / 13

HEX #8ADE4F

RGB 138 222 79

HSL 95.24, 0.68%, 0.59%

LAB 80.86, -49.09, 60.09

 

CMYK 64 / 5 / 0 / 13

HEX #4FD2DE

RGB 79 210 222

HSL 185.03, 0.68%, 0.59%

LAB 77.89, -31.72, -16.51

 

CMYK 27 / 64 / 0 / 13

HEX #A24FDE

RGB 162 79 222

HSL 274.83, 0.68%, 0.59%

LAB 50.15, 58.59, -59.42

 

CMYK 0 / 59 / 64 / 13

HEX #DE5B4F

RGB 222 91 79

HSL 5.03, 0.68%, 0.59%

LAB 55.66, 50.44, 33.05

 

Description

Color code: HEX #8ADE4F | qconv.com Color code: HEX #8ADE4F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 222 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 222 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 64 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 64% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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