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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8ADE1D it is the complementary color #7521E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8ADE1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8ADE1D shade: #8FDE18, #A0F02B, #B1FF3E, #C2FF51 and #D3FF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8ADE1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8ADE1D shade: #8ADE1D, #79CC0A, #68BA00, #57A800 and #469600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8ADE1D shade: #89DD1D, #BDDD1D, #DDC91D, #DD951D and #DD611D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8ADE1D shade: #89DD1D, #56DD1D, #22DD1D, #1DDD4C and #1DDD80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8ADE1D shade matches the following richer shades: #89DD1D and #8CF109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8ADE1D shade: #89DD1D, #87C931, #84B545, #82A159 and #7F8C6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8ADE1D shade: #DDCA1D, #BDDD1D, #8ADD1D, #56DD1D and #23DD1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8ADE1D shade: #5C9413, #73B918, #89DD1D, #9DE63D and #AFEB62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8ADE1D shade: #8ADE1D, #1DDD97 and #DD1DD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8ADE1D shade: #8ADE1D, #1D8ADD and #DD1D8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8ADE1D shade: #8ADE1D, #1DDD97, #701DDD and #DD1D63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8ADE1D shade: #8ADE1D, #1DDDD0, #701DDD and #DD1D2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 87 / 13

HEX #8ADE1D

RGB 138 222 29

HSL 86.11, 0.77%, 0.49%

LAB 80.59, -51.84, 75.21

 

Complementary color

CMYK 48 / 85 / 0 / 11

HEX #7521E2

RGB 117 33 226

HSL 266.11, 0.77%, 0.51%

LAB 38.48, 70.32, -80.96

 

CMYK 36 / 0 / 89 / 13

HEX #8FDE18

RGB 143 222 24

HSL 83.94, 0.8%, 0.48%

LAB 80.82, -50.24, 76.38

 

CMYK 33 / 0 / 82 / 6

HEX #A0F02B

RGB 160 240 43

HSL 84.37, 0.87%, 0.55%

LAB 86.98, -51.06, 78.17

 

CMYK 31 / 0 / 76 / 0

HEX #B1FF3E

RGB 177 255 62

HSL 84.25, 1%, 0.62%

LAB 92.23, -50.44, 78.18

 

CMYK 24 / 0 / 68 / 0

HEX #C2FF51

RGB 194 255 81

HSL 81.03, 1%, 0.66%

LAB 93.27, -43.28, 73.24

 

CMYK 17 / 0 / 61 / 0

HEX #D3FF64

RGB 211 255 100

HSL 77.03, 1%, 0.7%

LAB 94.44, -35.67, 67.47

 

CMYK 38 / 0 / 87 / 13

HEX #8ADE1D

RGB 138 222 29

HSL 86.11, 0.77%, 0.49%

LAB 80.59, -51.84, 75.21

 

CMYK 41 / 0 / 95 / 20

HEX #79CC0A

RGB 121 204 10

HSL 85.67, 0.91%, 0.42%

LAB 74.36, -50.84, 72.54

 

CMYK 44 / 0 / 100 / 27

HEX #68BA00

RGB 104 186 0

HSL 86.45, 1%, 0.36%

LAB 68.07, -49.57, 68.33

 

CMYK 48 / 0 / 100 / 34

HEX #57A800

RGB 87 168 0

HSL 88.93, 1%, 0.33%

LAB 61.68, -48.06, 63.03

 

CMYK 53 / 0 / 100 / 41

HEX #469600

RGB 70 150 0

HSL 92, 1%, 0.29%

LAB 55.19, -46.42, 57.65

 

CMYK 38 / 0 / 87 / 13

HEX #89DD1D

RGB 137 221 29

HSL 86.25, 0.77%, 0.49%

LAB 80.25, -51.78, 74.9

 

CMYK 14 / 0 / 87 / 13

HEX #BDDD1D

RGB 189 221 29

HSL 70, 0.77%, 0.49%

LAB 83.24, -32.2, 78.62

 

CMYK 0 / 9 / 87 / 13

HEX #DDC91D

RGB 221 201 29

HSL 53.75, 0.77%, 0.49%

LAB 80.31, -9.03, 77.27

 

CMYK 0 / 33 / 87 / 13

HEX #DD951D

RGB 221 149 29

HSL 37.5, 0.77%, 0.49%

LAB 67.24, 18.33, 66.8

 

CMYK 0 / 56 / 87 / 13

HEX #DD611D

RGB 221 97 29

HSL 21.25, 0.77%, 0.49%

LAB 56.1, 45.26, 57.89

 

CMYK 38 / 0 / 87 / 13

HEX #89DD1D

RGB 137 221 29

HSL 86.25, 0.77%, 0.49%

LAB 80.25, -51.78, 74.9

 

CMYK 61 / 0 / 87 / 13

HEX #56DD1D

RGB 86 221 29

HSL 102.19, 0.77%, 0.49%

LAB 78.33, -66.49, 72.51

 

CMYK 85 / 0 / 87 / 13

HEX #22DD1D

RGB 34 221 29

HSL 118.44, 0.77%, 0.49%

LAB 77.37, -74.82, 71.29

 

CMYK 87 / 0 / 66 / 13

HEX #1DDD4C

RGB 29 221 76

HSL 134.69, 0.77%, 0.49%

LAB 77.58, -71.98, 56.88

 

CMYK 87 / 0 / 42 / 13

HEX #1DDD80

RGB 29 221 128

HSL 150.94, 0.77%, 0.49%

LAB 78.19, -64.57, 33.48

 

CMYK 38 / 0 / 87 / 13

HEX #89DD1D

RGB 137 221 29

HSL 86.25, 0.77%, 0.49%

LAB 80.25, -51.78, 74.9

 

CMYK 42 / 0 / 96 / 5

HEX #8CF109

RGB 140 241 9

HSL 86.12, 0.93%, 0.49%

LAB 86.26, -58.97, 82.46

 

CMYK 38 / 0 / 87 / 13

HEX #89DD1D

RGB 137 221 29

HSL 86.25, 0.77%, 0.49%

LAB 80.25, -51.78, 74.9

 

CMYK 33 / 0 / 76 / 21

HEX #87C931

RGB 135 201 49

HSL 86.05, 0.61%, 0.49%

LAB 74.28, -43.38, 64.39

 

CMYK 27 / 0 / 62 / 29

HEX #84B545

RGB 132 181 69

HSL 86.25, 0.45%, 0.49%

LAB 68.3, -34.23, 50.51

 

CMYK 19 / 0 / 45 / 37

HEX #82A159

RGB 130 161 89

HSL 85.83, 0.29%, 0.49%

LAB 62.47, -23.29, 33.93

 

CMYK 9 / 0 / 21 / 45

HEX #7F8C6E

RGB 127 140 110

HSL 86, 0.12%, 0.49%

LAB 56.48, -10.41, 14.48

 

CMYK 0 / 9 / 87 / 13

HEX #DDCA1D

RGB 221 202 29

HSL 54.06, 0.77%, 0.49%

LAB 80.57, -9.53, 77.48

 

CMYK 14 / 0 / 87 / 13

HEX #BDDD1D

RGB 189 221 29

HSL 70, 0.77%, 0.49%

LAB 83.24, -32.2, 78.62

 

CMYK 38 / 0 / 87 / 13

HEX #8ADD1D

RGB 138 221 29

HSL 85.94, 0.77%, 0.49%

LAB 80.29, -51.44, 74.96

 

CMYK 61 / 0 / 87 / 13

HEX #56DD1D

RGB 86 221 29

HSL 102.19, 0.77%, 0.49%

LAB 78.33, -66.49, 72.51

 

CMYK 84 / 0 / 87 / 13

HEX #23DD1D

RGB 35 221 29

HSL 118.13, 0.77%, 0.49%

LAB 77.38, -74.73, 71.3

 

CMYK 38 / 0 / 87 / 42

HEX #5C9413

RGB 92 148 19

HSL 86.05, 0.77%, 0.33%

LAB 55.59, -37.63, 55.02

 

CMYK 38 / 0 / 87 / 27

HEX #73B918

RGB 115 185 24

HSL 86.09, 0.77%, 0.41%

LAB 68.32, -44.88, 65.33

 

CMYK 38 / 0 / 87 / 13

HEX #89DD1D

RGB 137 221 29

HSL 86.25, 0.77%, 0.49%

LAB 80.25, -51.78, 74.9

 

CMYK 32 / 0 / 73 / 10

HEX #9DE63D

RGB 157 230 61

HSL 85.92, 0.77%, 0.57%

LAB 84.02, -47.14, 70.27

 

CMYK 26 / 0 / 58 / 8

HEX #AFEB62

RGB 175 235 98

HSL 86.28, 0.77%, 0.65%

LAB 86.71, -40.18, 59.12

 

CMYK 38 / 0 / 87 / 13

HEX #8ADE1D

RGB 138 222 29

HSL 86.11, 0.77%, 0.49%

LAB 80.59, -51.84, 75.21

 

CMYK 87 / 0 / 32 / 13

HEX #1DDD97

RGB 29 221 151

HSL 158.13, 0.77%, 0.49%

LAB 78.58, -60.04, 22.19

 

CMYK 0 / 87 / 3 / 13

HEX #DD1DD7

RGB 221 29 215

HSL 301.88, 0.77%, 0.49%

LAB 53.12, 84.48, -50.2

 

CMYK 38 / 0 / 87 / 13

HEX #8ADE1D

RGB 138 222 29

HSL 86.11, 0.77%, 0.49%

LAB 80.59, -51.84, 75.21

 

CMYK 87 / 38 / 0 / 13

HEX #1D8ADD

RGB 29 138 221

HSL 205.94, 0.77%, 0.49%

LAB 55.74, 0.73, -50.37

 

CMYK 0 / 87 / 38 / 13

HEX #DD1D8A

RGB 221 29 138

HSL 325.94, 0.77%, 0.49%

LAB 49.6, 75.1, -10.5

 

CMYK 38 / 0 / 87 / 13

HEX #8ADE1D

RGB 138 222 29

HSL 86.11, 0.77%, 0.49%

LAB 80.59, -51.84, 75.21

 

CMYK 87 / 0 / 32 / 13

HEX #1DDD97

RGB 29 221 151

HSL 158.13, 0.77%, 0.49%

LAB 78.58, -60.04, 22.19

 

CMYK 49 / 87 / 0 / 13

HEX #701DDD

RGB 112 29 221

HSL 265.94, 0.77%, 0.49%

LAB 37.01, 69.75, -80.54

 

CMYK 0 / 87 / 55 / 13

HEX #DD1D63

RGB 221 29 99

HSL 338.13, 0.77%, 0.49%

LAB 48.45, 71.87, 11.64

 

CMYK 38 / 0 / 87 / 13

HEX #8ADE1D

RGB 138 222 29

HSL 86.11, 0.77%, 0.49%

LAB 80.59, -51.84, 75.21

 

CMYK 87 / 0 / 6 / 13

HEX #1DDDD0

RGB 29 221 208

HSL 175.94, 0.77%, 0.49%

LAB 79.91, -45.89, -6.08

 

CMYK 49 / 87 / 0 / 13

HEX #701DDD

RGB 112 29 221

HSL 265.94, 0.77%, 0.49%

LAB 37.01, 69.75, -80.54

 

CMYK 0 / 87 / 81 / 13

HEX #DD1D2A

RGB 221 29 42

HSL 355.94, 0.77%, 0.49%

LAB 47.52, 69.19, 44.49

 

Description

Color code: HEX #8ADE1D | qconv.com Color code: HEX #8ADE1D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 222 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 222 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 87 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 87% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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