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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AD861 it is the complementary color #75279E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AD861. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AD861 shade: #8FD85C, #A0EA6F, #B1FC82, #C2FF95 and #D3FFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AD861. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AD861 shade: #8AD861, #79C64E, #68B43B, #57A228 and #469015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AD861 shade: #89D760, #A9D760, #C9D760, #D7C560 and #D7A560

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AD861 shade: #89D760, #69D760, #60D777, #60D797 and #60D7B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AD861 shade matches the following richer shades: #89D760, #84E750 and #7FF740

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AD861 shade: #89D760, #8EC770, #93B780, #98A790 and #9D97A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AD861 shade: #C9D760, #A9D760, #8AD760, #6AD760 and #60D776

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AD861 shade: #5DB72E, #71CF3F, #89D760, #A1DF81 and #BAE8A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AD861 shade: #8AD861, #60D7C5 and #D760B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AD861 shade: #8AD861, #608AD7 and #D7608A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AD861 shade: #8AD861, #60D7C5, #AD60D7 and #D76072

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AD861 shade: #8AD861, #60C5D7, #AD60D7 and #D77260

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 55 / 15

HEX #8AD861

RGB 138 216 97

HSL 99.33, 0.6%, 0.61%

LAB 79.26, -44.88, 50.48

 

Complementary color

CMYK 26 / 75 / 0 / 38

HEX #75279E

RGB 117 39 158

HSL 279.33, 0.6%, 0.39%

LAB 33.35, 52.79, -49.36

 

CMYK 34 / 0 / 57 / 15

HEX #8FD85C

RGB 143 216 92

HSL 95.32, 0.61%, 0.6%

LAB 79.46, -43.71, 53.04

 

CMYK 32 / 0 / 53 / 8

HEX #A0EA6F

RGB 160 234 111

HSL 96.1, 0.75%, 0.68%

LAB 85.74, -43.74, 51.98

 

CMYK 30 / 0 / 48 / 1

HEX #B1FC82

RGB 177 252 130

HSL 96.89, 0.95%, 0.75%

LAB 91.94, -43.7, 50.87

 

CMYK 24 / 0 / 42 / 0

HEX #C2FF95

RGB 194 255 149

HSL 94.53, 1%, 0.79%

LAB 93.95, -36.98, 44.53

 

CMYK 17 / 0 / 34 / 0

HEX #D3FFA8

RGB 211 255 168

HSL 90.34, 1%, 0.83%

LAB 95.24, -28.63, 37.09

 

CMYK 36 / 0 / 55 / 15

HEX #8AD861

RGB 138 216 97

HSL 99.33, 0.6%, 0.61%

LAB 79.26, -44.88, 50.48

 

CMYK 39 / 0 / 61 / 22

HEX #79C64E

RGB 121 198 78

HSL 98.5, 0.51%, 0.54%

LAB 72.89, -44.81, 51.51

 

CMYK 42 / 0 / 67 / 29

HEX #68B43B

RGB 104 180 59

HSL 97.69, 0.51%, 0.47%

LAB 66.44, -44.6, 52.32

 

CMYK 46 / 0 / 75 / 36

HEX #57A228

RGB 87 162 40

HSL 96.89, 0.6%, 0.4%

LAB 59.91, -44.19, 52.68

 

CMYK 51 / 0 / 85 / 44

HEX #469015

RGB 70 144 21

HSL 96.1, 0.75%, 0.32%

LAB 53.28, -43.44, 52.11

 

CMYK 36 / 0 / 55 / 16

HEX #89D760

RGB 137 215 96

HSL 99.33, 0.6%, 0.61%

LAB 78.91, -44.89, 50.51

 

CMYK 21 / 0 / 55 / 16

HEX #A9D760

RGB 169 215 96

HSL 83.19, 0.6%, 0.61%

LAB 80.67, -33.53, 53.02

 

CMYK 7 / 0 / 55 / 16

HEX #C9D760

RGB 201 215 96

HSL 67.06, 0.6%, 0.61%

LAB 82.84, -21.07, 56.07

 

CMYK 0 / 8 / 55 / 16

HEX #D7C560

RGB 215 197 96

HSL 50.92, 0.6%, 0.61%

LAB 79.17, -6.31, 52.16

 

CMYK 0 / 23 / 55 / 16

HEX #D7A560

RGB 215 165 96

HSL 34.79, 0.6%, 0.61%

LAB 71.01, 10.54, 42.5

 

CMYK 36 / 0 / 55 / 16

HEX #89D760

RGB 137 215 96

HSL 99.33, 0.6%, 0.61%

LAB 78.91, -44.89, 50.51

 

CMYK 51 / 0 / 55 / 16

HEX #69D760

RGB 105 215 96

HSL 115.46, 0.6%, 0.61%

LAB 77.55, -54.53, 48.57

 

CMYK 55 / 0 / 45 / 16

HEX #60D777

RGB 96 215 119

HSL 131.6, 0.6%, 0.61%

LAB 77.53, -53.68, 37.4

 

CMYK 55 / 0 / 30 / 16

HEX #60D797

RGB 96 215 151

HSL 147.73, 0.6%, 0.61%

LAB 78.06, -48.06, 21.69

 

CMYK 55 / 0 / 15 / 16

HEX #60D7B7

RGB 96 215 183

HSL 163.87, 0.6%, 0.61%

LAB 78.76, -41.15, 5.72

 

CMYK 36 / 0 / 55 / 16

HEX #89D760

RGB 137 215 96

HSL 99.33, 0.6%, 0.61%

LAB 78.91, -44.89, 50.51

 

CMYK 43 / 0 / 65 / 9

HEX #84E750

RGB 132 231 80

HSL 99.34, 0.76%, 0.61%

LAB 83.25, -54.55, 62.18

 

CMYK 49 / 0 / 74 / 3

HEX #7FF740

RGB 127 247 64

HSL 99.34, 0.92%, 0.61%

LAB 87.68, -63.25, 72.41

 

CMYK 36 / 0 / 55 / 16

HEX #89D760

RGB 137 215 96

HSL 99.33, 0.6%, 0.61%

LAB 78.91, -44.89, 50.51

 

CMYK 29 / 0 / 44 / 22

HEX #8EC770

RGB 142 199 112

HSL 99.31, 0.44%, 0.61%

LAB 74.68, -34.17, 37.7

 

CMYK 20 / 0 / 30 / 28

HEX #93B780

RGB 147 183 128

HSL 99.27, 0.28%, 0.61%

LAB 70.61, -22.4, 24.11

 

CMYK 9 / 0 / 14 / 35

HEX #98A790

RGB 152 167 144

HSL 99.13, 0.12%, 0.61%

LAB 66.77, -9.65, 10.12

 

CMYK 2 / 6 / 0 / 37

HEX #9D97A0

RGB 157 151 160

HSL 280, 0.05%, 0.61%

LAB 63.21, 3.92, -3.94

 

CMYK 7 / 0 / 55 / 16

HEX #C9D760

RGB 201 215 96

HSL 67.06, 0.6%, 0.61%

LAB 82.84, -21.07, 56.07

 

CMYK 21 / 0 / 55 / 16

HEX #A9D760

RGB 169 215 96

HSL 83.19, 0.6%, 0.61%

LAB 80.67, -33.53, 53.02

 

CMYK 36 / 0 / 55 / 16

HEX #8AD760

RGB 138 215 96

HSL 98.82, 0.6%, 0.61%

LAB 78.95, -44.55, 50.58

 

CMYK 51 / 0 / 55 / 16

HEX #6AD760

RGB 106 215 96

HSL 114.96, 0.6%, 0.61%

LAB 77.58, -54.26, 48.63

 

CMYK 55 / 0 / 45 / 16

HEX #60D776

RGB 96 215 118

HSL 131.09, 0.6%, 0.61%

LAB 77.52, -53.83, 37.88

 

CMYK 49 / 0 / 75 / 28

HEX #5DB72E

RGB 93 183 46

HSL 99.42, 0.6%, 0.45%

LAB 66.82, -50.25, 57.47

 

CMYK 45 / 0 / 70 / 19

HEX #71CF3F

RGB 113 207 63

HSL 99.17, 0.6%, 0.53%

LAB 75.14, -52.32, 59.98

 

CMYK 36 / 0 / 55 / 16

HEX #89D760

RGB 137 215 96

HSL 99.33, 0.6%, 0.61%

LAB 78.91, -44.89, 50.51

 

CMYK 28 / 0 / 42 / 13

HEX #A1DF81

RGB 161 223 129

HSL 99.57, 0.59%, 0.69%

LAB 82.88, -36.37, 39.84

 

CMYK 20 / 0 / 30 / 9

HEX #BAE8A2

RGB 186 232 162

HSL 99.43, 0.6%, 0.77%

LAB 87.37, -27.32, 29.35

 

CMYK 36 / 0 / 55 / 15

HEX #8AD861

RGB 138 216 97

HSL 99.33, 0.6%, 0.61%

LAB 79.26, -44.88, 50.48

 

CMYK 55 / 0 / 8 / 16

HEX #60D7C5

RGB 96 215 197

HSL 170.92, 0.6%, 0.61%

LAB 79.11, -37.77, -1.25

 

CMYK 0 / 55 / 14 / 16

HEX #D760B9

RGB 215 96 185

HSL 315.13, 0.6%, 0.61%

LAB 58.34, 57.27, -24.91

 

CMYK 36 / 0 / 55 / 15

HEX #8AD861

RGB 138 216 97

HSL 99.33, 0.6%, 0.61%

LAB 79.26, -44.88, 50.48

 

CMYK 55 / 36 / 0 / 16

HEX #608AD7

RGB 96 138 215

HSL 218.82, 0.6%, 0.61%

LAB 57.63, 7.96, -43.88

 

CMYK 0 / 55 / 36 / 16

HEX #D7608A

RGB 215 96 138

HSL 338.82, 0.6%, 0.61%

LAB 56.73, 50.91, -0.04

 

CMYK 36 / 0 / 55 / 15

HEX #8AD861

RGB 138 216 97

HSL 99.33, 0.6%, 0.61%

LAB 79.26, -44.88, 50.48

 

CMYK 55 / 0 / 8 / 16

HEX #60D7C5

RGB 96 215 197

HSL 170.92, 0.6%, 0.61%

LAB 79.11, -37.77, -1.25

 

CMYK 20 / 55 / 0 / 16

HEX #AD60D7

RGB 173 96 215

HSL 278.82, 0.6%, 0.61%

LAB 54.19, 51.27, -48.91

 

CMYK 0 / 55 / 47 / 16

HEX #D76072

RGB 215 96 114

HSL 350.92, 0.6%, 0.61%

LAB 56.12, 48.37, 13.17

 

CMYK 36 / 0 / 55 / 15

HEX #8AD861

RGB 138 216 97

HSL 99.33, 0.6%, 0.61%

LAB 79.26, -44.88, 50.48

 

CMYK 55 / 8 / 0 / 16

HEX #60C5D7

RGB 96 197 215

HSL 189.08, 0.6%, 0.61%

LAB 74.4, -24.38, -17.96

 

CMYK 20 / 55 / 0 / 16

HEX #AD60D7

RGB 173 96 215

HSL 278.82, 0.6%, 0.61%

LAB 54.19, 51.27, -48.91

 

CMYK 0 / 47 / 55 / 16

HEX #D77260

RGB 215 114 96

HSL 9.08, 0.6%, 0.61%

LAB 59.28, 37.81, 27.8

 

Description

Color code: HEX #8AD861 | qconv.com Color code: HEX #8AD861 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 216 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 216 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 55 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 55% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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