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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AD580 it is the complementary color #752A7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AD580. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AD580 shade: #8FD57B, #A0E78E, #B1F9A1, #C2FFB4 and #D3FFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AD580. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AD580 shade: #8AD580, #79C36D, #68B15A, #579F47 and #468D34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AD580 shade: #8BD581, #A1D581, #B8D581, #CFD581 and #D5C481

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AD580 shade: #8BD581, #81D58E, #81D5A4, #81D5BB and #81D5D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AD580 shade matches the following richer shades: #8BD581, #80E373, #76F066 and #6BFE58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AD580 shade: #8BD581, #95C78E, #9FBA9C, #AAACAA and #B49EB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AD580 shade: #B9D581, #A2D581, #8CD581, #81D58C and #81D5A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AD580 shade: #52C043, #6ECB62, #8BD581, #A7DFA0 and #C4EABF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AD580 shade: #8AD580, #81CFD5 and #D581AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AD580 shade: #8AD580, #818CD5 and #D5818C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AD580 shade: #8AD580, #81CFD5, #CA81D5 and #D58681

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AD580 shade: #8AD580, #81B6D5, #CA81D5 and #D5A081

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 40 / 16

HEX #8AD580

RGB 138 213 128

HSL 112.94, 0.5%, 0.67%

LAB 78.78, -39.64, 34.83

 

Complementary color

CMYK 8 / 67 / 0 / 50

HEX #752A7F

RGB 117 42 127

HSL 292.94, 0.5%, 0.33%

LAB 31.74, 45.03, -32.86

 

CMYK 33 / 0 / 42 / 16

HEX #8FD57B

RGB 143 213 123

HSL 106.67, 0.52%, 0.66%

LAB 78.96, -38.73, 37.63

 

CMYK 31 / 0 / 39 / 9

HEX #A0E78E

RGB 160 231 142

HSL 107.87, 0.65%, 0.73%

LAB 85.29, -38.55, 36.45

 

CMYK 29 / 0 / 35 / 2

HEX #B1F9A1

RGB 177 249 161

HSL 109.09, 0.88%, 0.8%

LAB 91.54, -38.35, 35.32

 

CMYK 24 / 0 / 29 / 0

HEX #C2FFB4

RGB 194 255 180

HSL 108.8, 1%, 0.85%

LAB 94.43, -32.69, 29.84

 

CMYK 17 / 0 / 22 / 0

HEX #D3FFC7

RGB 211 255 199

HSL 107.14, 1%, 0.89%

LAB 95.79, -24.08, 22.23

 

CMYK 35 / 0 / 40 / 16

HEX #8AD580

RGB 138 213 128

HSL 112.94, 0.5%, 0.67%

LAB 78.78, -39.64, 34.83

 

CMYK 38 / 0 / 44 / 24

HEX #79C36D

RGB 121 195 109

HSL 111.63, 0.42%, 0.6%

LAB 72.36, -39.83, 36.05

 

CMYK 41 / 0 / 49 / 31

HEX #68B15A

RGB 104 177 90

HSL 110.34, 0.36%, 0.52%

LAB 65.85, -39.96, 37.3

 

CMYK 45 / 0 / 55 / 38

HEX #579F47

RGB 87 159 71

HSL 109.09, 0.38%, 0.45%

LAB 59.23, -40, 38.56

 

CMYK 50 / 0 / 63 / 45

HEX #468D34

RGB 70 141 52

HSL 107.87, 0.46%, 0.38%

LAB 52.51, -39.88, 39.72

 

CMYK 35 / 0 / 39 / 16

HEX #8BD581

RGB 139 213 129

HSL 112.86, 0.5%, 0.67%

LAB 78.85, -39.18, 34.41

 

CMYK 24 / 0 / 39 / 16

HEX #A1D581

RGB 161 213 129

HSL 97.14, 0.5%, 0.67%

LAB 80.04, -31.75, 36.19

 

CMYK 14 / 0 / 39 / 16

HEX #B8D581

RGB 184 213 129

HSL 80.71, 0.5%, 0.67%

LAB 81.49, -23.37, 38.35

 

CMYK 3 / 0 / 39 / 16

HEX #CFD581

RGB 207 213 129

HSL 64.29, 0.5%, 0.67%

LAB 83.15, -14.55, 40.8

 

CMYK 0 / 8 / 39 / 16

HEX #D5C481

RGB 213 196 129

HSL 47.86, 0.5%, 0.67%

LAB 79.16, -3.5, 35.79

 

CMYK 35 / 0 / 39 / 16

HEX #8BD581

RGB 139 213 129

HSL 112.86, 0.5%, 0.67%

LAB 78.85, -39.18, 34.41

 

CMYK 39 / 0 / 33 / 16

HEX #81D58E

RGB 129 213 142

HSL 129.29, 0.5%, 0.67%

LAB 78.58, -40.22, 27.3

 

CMYK 39 / 0 / 23 / 16

HEX #81D5A4

RGB 129 213 164

HSL 145, 0.5%, 0.67%

LAB 79, -36.22, 16.34

 

CMYK 39 / 0 / 12 / 16

HEX #81D5BB

RGB 129 213 187

HSL 161.43, 0.5%, 0.67%

LAB 79.52, -31.46, 4.85

 

CMYK 39 / 0 / 1 / 16

HEX #81D5D2

RGB 129 213 210

HSL 177.86, 0.5%, 0.67%

LAB 80.13, -26.15, -6.56

 

CMYK 35 / 0 / 39 / 16

HEX #8BD581

RGB 139 213 129

HSL 112.86, 0.5%, 0.67%

LAB 78.85, -39.18, 34.41

 

CMYK 44 / 0 / 49 / 11

HEX #80E373

RGB 128 227 115

HSL 113.04, 0.67%, 0.67%

LAB 82.25, -50.48, 45.53

 

CMYK 51 / 0 / 58 / 6

HEX #76F066

RGB 118 240 102

HSL 113.04, 0.82%, 0.67%

LAB 85.57, -59.92, 55.38

 

CMYK 58 / 0 / 65 / 0

HEX #6BFE58

RGB 107 254 88

HSL 113.13, 0.99%, 0.67%

LAB 89.26, -69.07, 65.25

 

CMYK 35 / 0 / 39 / 16

HEX #8BD581

RGB 139 213 129

HSL 112.86, 0.5%, 0.67%

LAB 78.85, -39.18, 34.41

 

CMYK 25 / 0 / 29 / 22

HEX #95C78E

RGB 149 199 142

HSL 112.63, 0.34%, 0.67%

LAB 75.57, -27.32, 23.4

 

CMYK 15 / 0 / 16 / 27

HEX #9FBA9C

RGB 159 186 156

HSL 114, 0.18%, 0.67%

LAB 72.82, -14.96, 12.17

 

CMYK 1 / 0 / 1 / 33

HEX #AAACAA

RGB 170 172 170

HSL 120, 0.01%, 0.67%

LAB 70.14, -1.08, 0.77

 

CMYK 2 / 14 / 0 / 28

HEX #B49EB7

RGB 180 158 183

HSL 292.8, 0.15%, 0.67%

LAB 67.71, 12.62, -9.94

 

CMYK 13 / 0 / 39 / 16

HEX #B9D581

RGB 185 213 129

HSL 80, 0.5%, 0.67%

LAB 81.56, -22.99, 38.45

 

CMYK 24 / 0 / 39 / 16

HEX #A2D581

RGB 162 213 129

HSL 96.43, 0.5%, 0.67%

LAB 80.1, -31.4, 36.28

 

CMYK 34 / 0 / 39 / 16

HEX #8CD581

RGB 140 213 129

HSL 112.14, 0.5%, 0.67%

LAB 78.9, -38.86, 34.49

 

CMYK 39 / 0 / 34 / 16

HEX #81D58C

RGB 129 213 140

HSL 127.86, 0.5%, 0.67%

LAB 78.55, -40.55, 28.29

 

CMYK 39 / 0 / 24 / 16

HEX #81D5A2

RGB 129 213 162

HSL 143.57, 0.5%, 0.67%

LAB 78.96, -36.61, 17.34

 

CMYK 57 / 0 / 65 / 25

HEX #52C043

RGB 82 192 67

HSL 112.8, 0.5%, 0.51%

LAB 69.4, -54.97, 51.93

 

CMYK 46 / 0 / 52 / 20

HEX #6ECB62

RGB 110 203 98

HSL 113.14, 0.5%, 0.59%

LAB 74.13, -48.1, 43.58

 

CMYK 35 / 0 / 39 / 16

HEX #8BD581

RGB 139 213 129

HSL 112.86, 0.5%, 0.67%

LAB 78.85, -39.18, 34.41

 

CMYK 25 / 0 / 28 / 13

HEX #A7DFA0

RGB 167 223 160

HSL 113.33, 0.5%, 0.75%

LAB 83.72, -29.81, 25.25

 

CMYK 16 / 0 / 18 / 8

HEX #C4EABF

RGB 196 234 191

HSL 113.02, 0.51%, 0.83%

LAB 89.08, -20.27, 16.85

 

CMYK 35 / 0 / 40 / 16

HEX #8AD580

RGB 138 213 128

HSL 112.94, 0.5%, 0.67%

LAB 78.78, -39.64, 34.83

 

CMYK 39 / 3 / 0 / 16

HEX #81CFD5

RGB 129 207 213

HSL 184.29, 0.5%, 0.67%

LAB 78.52, -22.45, -10.56

 

CMYK 0 / 39 / 18 / 16

HEX #D581AE

RGB 213 129 174

HSL 327.86, 0.5%, 0.67%

LAB 64.08, 38.45, -9.94

 

CMYK 35 / 0 / 40 / 16

HEX #8AD580

RGB 138 213 128

HSL 112.94, 0.5%, 0.67%

LAB 78.78, -39.64, 34.83

 

CMYK 39 / 34 / 0 / 16

HEX #818CD5

RGB 129 140 213

HSL 232.14, 0.5%, 0.67%

LAB 60.09, 14.1, -38.74

 

CMYK 0 / 39 / 34 / 16

HEX #D5818C

RGB 213 129 140

HSL 352.14, 0.5%, 0.67%

LAB 63.13, 33.7, 8

 

CMYK 35 / 0 / 40 / 16

HEX #8AD580

RGB 138 213 128

HSL 112.94, 0.5%, 0.67%

LAB 78.78, -39.64, 34.83

 

CMYK 39 / 3 / 0 / 16

HEX #81CFD5

RGB 129 207 213

HSL 184.29, 0.5%, 0.67%

LAB 78.52, -22.45, -10.56

 

CMYK 5 / 39 / 0 / 16

HEX #CA81D5

RGB 202 129 213

HSL 292.14, 0.5%, 0.67%

LAB 64.21, 41.69, -31.82

 

CMYK 0 / 37 / 39 / 16

HEX #D58681

RGB 213 134 129

HSL 3.57, 0.5%, 0.67%

LAB 63.98, 29.71, 15.45

 

CMYK 35 / 0 / 40 / 16

HEX #8AD580

RGB 138 213 128

HSL 112.94, 0.5%, 0.67%

LAB 78.78, -39.64, 34.83

 

CMYK 39 / 15 / 0 / 16

HEX #81B6D5

RGB 129 182 213

HSL 202.14, 0.5%, 0.67%

LAB 71.51, -9.51, -21.12

 

CMYK 5 / 39 / 0 / 16

HEX #CA81D5

RGB 202 129 213

HSL 292.14, 0.5%, 0.67%

LAB 64.21, 41.69, -31.82

 

CMYK 0 / 25 / 39 / 16

HEX #D5A081

RGB 213 160 129

HSL 22.14, 0.5%, 0.67%

LAB 70.09, 15.65, 23.81

 

Description

Color code: HEX #8AD580 | qconv.com Color code: HEX #8AD580 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 213 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 213 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 40 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 40% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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