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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8ACB0D it is the complementary color #7534F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8ACB0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8ACB0D shade: #8FCB08, #A0DD1B, #B1EF2E, #C2FF41 and #D3FF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8ACB0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8ACB0D shade: #8ACB0D, #79B900, #68A700, #579500 and #468300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8ACB0D shade: #89C90D, #BCC90D, #C9A40D, #C9710D and #C93F0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8ACB0D shade: #89C90D, #56C90D, #23C90D, #0DC929 and #0DC95C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8ACB0D shade matches the following richer shades: #89C90D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8ACB0D shade: #89C90D, #83B81E, #7EA730, #789541 and #738452

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8ACB0D shade: #C9A40D, #BDC90D, #8BC90D, #58C90D and #26C90D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8ACB0D shade: #547C08, #6EA30A, #89C90D, #A3F010 and #B2F237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8ACB0D shade: #8ACB0D, #0DC971 and #BD0DC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8ACB0D shade: #8ACB0D, #0D8BC9 and #C90D8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8ACB0D shade: #8ACB0D, #0DC971, #4C0DC9 and #C90D65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8ACB0D shade: #8ACB0D, #0DC9AA, #4C0DC9 and #C90D2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 94 / 20

HEX #8ACB0D

RGB 138 203 13

HSL 80.53, 0.88%, 0.42%

LAB 74.92, -44.37, 73.01

 

Complementary color

CMYK 52 / 79 / 0 / 5

HEX #7534F2

RGB 117 52 242

HSL 260.53, 0.88%, 0.58%

LAB 42.23, 67.62, -83.87

 

CMYK 30 / 0 / 96 / 20

HEX #8FCB08

RGB 143 203 8

HSL 78.46, 0.92%, 0.41%

LAB 75.18, -42.58, 73.87

 

CMYK 28 / 0 / 88 / 13

HEX #A0DD1B

RGB 160 221 27

HSL 78.87, 0.78%, 0.49%

LAB 81.44, -43.58, 76.75

 

CMYK 26 / 0 / 81 / 6

HEX #B1EF2E

RGB 177 239 46

HSL 79.27, 0.86%, 0.56%

LAB 87.62, -44.38, 78.35

 

CMYK 24 / 0 / 75 / 0

HEX #C2FF41

RGB 194 255 65

HSL 79.26, 1%, 0.63%

LAB 93.18, -44.16, 78.5

 

CMYK 17 / 0 / 67 / 0

HEX #D3FF54

RGB 211 255 84

HSL 75.44, 1%, 0.66%

LAB 94.32, -36.74, 73.55

 

CMYK 32 / 0 / 94 / 20

HEX #8ACB0D

RGB 138 203 13

HSL 80.53, 0.88%, 0.42%

LAB 74.92, -44.37, 73.01

 

CMYK 35 / 0 / 100 / 27

HEX #79B900

RGB 121 185 0

HSL 80.76, 1%, 0.36%

LAB 68.58, -43.21, 69.08

 

CMYK 38 / 0 / 100 / 35

HEX #68A700

RGB 104 167 0

HSL 82.63, 1%, 0.33%

LAB 62.15, -41.83, 63.73

 

CMYK 42 / 0 / 100 / 42

HEX #579500

RGB 87 149 0

HSL 84.97, 1%, 0.29%

LAB 55.61, -40.39, 58.29

 

CMYK 47 / 0 / 100 / 49

HEX #468300

RGB 70 131 0

HSL 87.94, 1%, 0.26%

LAB 48.93, -38.87, 52.74

 

CMYK 32 / 0 / 94 / 21

HEX #89C90D

RGB 137 201 13

HSL 80.43, 0.88%, 0.42%

LAB 74.27, -43.89, 72.47

 

CMYK 6 / 0 / 94 / 21

HEX #BCC90D

RGB 188 201 13

HSL 64.15, 0.88%, 0.42%

LAB 77.58, -23.42, 76.48

 

CMYK 0 / 18 / 94 / 21

HEX #C9A40D

RGB 201 164 13

HSL 48.19, 0.88%, 0.42%

LAB 68.75, 1.21, 70.29

 

CMYK 0 / 44 / 94 / 21

HEX #C9710D

RGB 201 113 13

HSL 31.91, 0.88%, 0.42%

LAB 56.34, 28.85, 61.27

 

CMYK 0 / 69 / 94 / 21

HEX #C93F0D

RGB 201 63 13

HSL 15.96, 0.88%, 0.42%

LAB 46.98, 52.86, 54.93

 

CMYK 32 / 0 / 94 / 21

HEX #89C90D

RGB 137 201 13

HSL 80.43, 0.88%, 0.42%

LAB 74.27, -43.89, 72.47

 

CMYK 57 / 0 / 94 / 21

HEX #56C90D

RGB 86 201 13

HSL 96.7, 0.88%, 0.42%

LAB 72.08, -60.17, 69.79

 

CMYK 83 / 0 / 94 / 21

HEX #23C90D

RGB 35 201 13

HSL 112.98, 0.88%, 0.42%

LAB 70.98, -69.55, 68.43

 

CMYK 94 / 0 / 80 / 21

HEX #0DC929

RGB 13 201 41

HSL 128.94, 0.88%, 0.42%

LAB 70.88, -70.07, 62.43

 

CMYK 94 / 0 / 54 / 21

HEX #0DC95C

RGB 13 201 92

HSL 145.21, 0.88%, 0.42%

LAB 71.3, -64.8, 42.53

 

CMYK 32 / 0 / 94 / 21

HEX #89C90D

RGB 137 201 13

HSL 80.43, 0.88%, 0.42%

LAB 74.27, -43.89, 72.47

 

CMYK 32 / 0 / 94 / 21

HEX #89C90D

RGB 137 201 13

HSL 80.43, 0.88%, 0.42%

LAB 74.27, -43.89, 72.47

 

CMYK 29 / 0 / 84 / 28

HEX #83B81E

RGB 131 184 30

HSL 80.65, 0.72%, 0.42%

LAB 68.9, -38.33, 64.81

 

CMYK 25 / 0 / 71 / 35

HEX #7EA730

RGB 126 167 48

HSL 80.67, 0.55%, 0.42%

LAB 63.58, -31.63, 54.08

 

CMYK 19 / 0 / 56 / 42

HEX #789541

RGB 120 149 65

HSL 80.71, 0.39%, 0.42%

LAB 57.91, -23.96, 40.41

 

CMYK 13 / 0 / 38 / 48

HEX #738452

RGB 115 132 82

HSL 80.4, 0.23%, 0.42%

LAB 52.68, -15.19, 24.98

 

CMYK 0 / 18 / 94 / 21

HEX #C9A40D

RGB 201 164 13

HSL 48.19, 0.88%, 0.42%

LAB 68.75, 1.21, 70.29

 

CMYK 6 / 0 / 94 / 21

HEX #BDC90D

RGB 189 201 13

HSL 63.83, 0.88%, 0.42%

LAB 77.65, -22.99, 76.57

 

CMYK 31 / 0 / 94 / 21

HEX #8BC90D

RGB 139 201 13

HSL 79.79, 0.88%, 0.42%

LAB 74.38, -43.15, 72.6

 

CMYK 56 / 0 / 94 / 21

HEX #58C90D

RGB 88 201 13

HSL 96.06, 0.88%, 0.42%

LAB 72.15, -59.65, 69.87

 

CMYK 81 / 0 / 94 / 21

HEX #26C90D

RGB 38 201 13

HSL 112.02, 0.88%, 0.42%

LAB 71.02, -69.21, 68.48

 

CMYK 32 / 0 / 94 / 51

HEX #547C08

RGB 84 124 8

HSL 80.69, 0.88%, 0.26%

LAB 47.39, -30.25, 50.23

 

CMYK 33 / 0 / 94 / 36

HEX #6EA30A

RGB 110 163 10

HSL 80.78, 0.88%, 0.34%

LAB 61.25, -37.65, 61.78

 

CMYK 32 / 0 / 94 / 21

HEX #89C90D

RGB 137 201 13

HSL 80.43, 0.88%, 0.42%

LAB 74.27, -43.89, 72.47

 

CMYK 32 / 0 / 93 / 6

HEX #A3F010

RGB 163 240 16

HSL 80.63, 0.88%, 0.5%

LAB 87.07, -50.68, 82.93

 

CMYK 26 / 0 / 77 / 5

HEX #B2F237

RGB 178 242 55

HSL 80.53, 0.88%, 0.58%

LAB 88.56, -44.94, 76.82

 

CMYK 32 / 0 / 94 / 20

HEX #8ACB0D

RGB 138 203 13

HSL 80.53, 0.88%, 0.42%

LAB 74.92, -44.37, 73.01

 

CMYK 94 / 0 / 44 / 21

HEX #0DC971

RGB 13 201 113

HSL 151.91, 0.88%, 0.42%

LAB 71.59, -61.37, 32.49

 

CMYK 6 / 94 / 0 / 21

HEX #BD0DC9

RGB 189 13 201

HSL 296.17, 0.88%, 0.42%

LAB 46.07, 79.08, -53.74

 

CMYK 32 / 0 / 94 / 20

HEX #8ACB0D

RGB 138 203 13

HSL 80.53, 0.88%, 0.42%

LAB 74.92, -44.37, 73.01

 

CMYK 94 / 31 / 0 / 21

HEX #0D8BC9

RGB 13 139 201

HSL 199.79, 0.88%, 0.42%

LAB 54.83, -8.21, -40.56

 

CMYK 0 / 94 / 31 / 21

HEX #C90D8B

RGB 201 13 139

HSL 319.79, 0.88%, 0.42%

LAB 45.04, 73.09, -18.39

 

CMYK 32 / 0 / 94 / 20

HEX #8ACB0D

RGB 138 203 13

HSL 80.53, 0.88%, 0.42%

LAB 74.92, -44.37, 73.01

 

CMYK 94 / 0 / 44 / 21

HEX #0DC971

RGB 13 201 113

HSL 151.91, 0.88%, 0.42%

LAB 71.59, -61.37, 32.49

 

CMYK 62 / 94 / 0 / 21

HEX #4C0DC9

RGB 76 13 201

HSL 260.11, 0.88%, 0.42%

LAB 29.52, 65.76, -81.48

 

CMYK 0 / 94 / 50 / 21

HEX #C90D65

RGB 201 13 101

HSL 331.91, 0.88%, 0.42%

LAB 43.72, 69.56, 3.13

 

CMYK 32 / 0 / 94 / 20

HEX #8ACB0D

RGB 138 203 13

HSL 80.53, 0.88%, 0.42%

LAB 74.92, -44.37, 73.01

 

CMYK 94 / 0 / 15 / 21

HEX #0DC9AA

RGB 13 201 170

HSL 170.11, 0.88%, 0.42%

LAB 72.73, -48.57, 3.82

 

CMYK 62 / 94 / 0 / 21

HEX #4C0DC9

RGB 76 13 201

HSL 260.11, 0.88%, 0.42%

LAB 29.52, 65.76, -81.48

 

CMYK 0 / 94 / 78 / 21

HEX #C90D2C

RGB 201 13 44

HSL 350.11, 0.88%, 0.42%

LAB 42.59, 66.46, 37.01

 

Description

Color code: HEX #8ACB0D | qconv.com Color code: HEX #8ACB0D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 203 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 203 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 94 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 94% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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