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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AC820 it is the complementary color #7537DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AC820. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AC820 shade: #8FC81B, #A0DA2E, #B1EC41, #C2FE54 and #D3FF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AC820. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AC820 shade: #8AC820, #79B60D, #68A400, #579200 and #468000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AC820 shade: #88C520, #B5C520, #C5A920, #C57D20 and #C55020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AC820 shade: #88C520, #5CC520, #2FC520, #20C53E and #20C56A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AC820 shade matches the following richer shades: #88C520 and #8DD80E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AC820 shade: #88C520, #84B333, #7FA045, #7A8E58 and #757B6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AC820 shade: #C5AA20, #B5C520, #89C520, #5DC520 and #31C520

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AC820 shade: #577E15, #70A21A, #88C520, #9EDE31 and #AFE355

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AC820 shade: #8AC820, #20C57E and #C020C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AC820 shade: #8AC820, #2089C5 and #C52089

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AC820 shade: #8AC820, #20C57E, #5D20C5 and #C52068

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AC820 shade: #8AC820, #20C5AF, #5D20C5 and #C52036

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 84 / 22

HEX #8AC820

RGB 138 200 32

HSL 82.14, 0.72%, 0.45%

LAB 74.07, -42.61, 69

 

Complementary color

CMYK 48 / 75 / 0 / 13

HEX #7537DF

RGB 117 55 223

HSL 262.14, 0.72%, 0.55%

LAB 40.96, 61.56, -75.17

 

CMYK 29 / 0 / 87 / 22

HEX #8FC81B

RGB 143 200 27

HSL 79.77, 0.76%, 0.45%

LAB 74.33, -40.89, 70.42

 

CMYK 27 / 0 / 79 / 15

HEX #A0DA2E

RGB 160 218 46

HSL 80.23, 0.7%, 0.52%

LAB 80.64, -41.64, 71.71

 

CMYK 25 / 0 / 72 / 7

HEX #B1EC41

RGB 177 236 65

HSL 80.7, 0.82%, 0.59%

LAB 86.86, -42.22, 72.09

 

CMYK 24 / 0 / 67 / 0

HEX #C2FE54

RGB 194 254 84

HSL 81.18, 0.99%, 0.66%

LAB 93.01, -42.66, 71.88

 

CMYK 17 / 0 / 60 / 0

HEX #D3FF67

RGB 211 255 103

HSL 77.37, 1%, 0.7%

LAB 94.46, -35.45, 66.26

 

CMYK 31 / 0 / 84 / 22

HEX #8AC820

RGB 138 200 32

HSL 82.14, 0.72%, 0.45%

LAB 74.07, -42.61, 69

 

CMYK 34 / 0 / 93 / 29

HEX #79B60D

RGB 121 182 13

HSL 81.66, 0.87%, 0.38%

LAB 67.69, -41.71, 66.82

 

CMYK 37 / 0 / 100 / 36

HEX #68A400

RGB 104 164 0

HSL 81.95, 1%, 0.32%

LAB 61.22, -40.55, 63.01

 

CMYK 40 / 0 / 100 / 43

HEX #579200

RGB 87 146 0

HSL 84.25, 1%, 0.29%

LAB 54.64, -39.12, 57.54

 

CMYK 45 / 0 / 100 / 50

HEX #468000

RGB 70 128 0

HSL 87.19, 1%, 0.25%

LAB 47.93, -37.61, 51.97

 

CMYK 31 / 0 / 84 / 23

HEX #88C520

RGB 136 197 32

HSL 82.18, 0.72%, 0.45%

LAB 73.07, -42.06, 68.08

 

CMYK 8 / 0 / 84 / 23

HEX #B5C520

RGB 181 197 32

HSL 65.82, 0.72%, 0.45%

LAB 75.98, -24.04, 71.73

 

CMYK 0 / 14 / 84 / 23

HEX #C5A920

RGB 197 169 32

HSL 49.82, 0.72%, 0.45%

LAB 69.72, -2.84, 66.99

 

CMYK 0 / 37 / 84 / 23

HEX #C57D20

RGB 197 125 32

HSL 33.82, 0.72%, 0.45%

LAB 58.64, 21.03, 57.58

 

CMYK 0 / 59 / 84 / 23

HEX #C55020

RGB 197 80 32

HSL 17.45, 0.72%, 0.45%

LAB 49.14, 44.42, 49.3

 

CMYK 31 / 0 / 84 / 23

HEX #88C520

RGB 136 197 32

HSL 82.18, 0.72%, 0.45%

LAB 73.07, -42.06, 68.08

 

CMYK 53 / 0 / 84 / 23

HEX #5CC520

RGB 92 197 32

HSL 98.18, 0.72%, 0.45%

LAB 71.09, -56.55, 65.57

 

CMYK 76 / 0 / 84 / 23

HEX #2FC520

RGB 47 197 32

HSL 114.55, 0.72%, 0.45%

LAB 69.92, -66.19, 64.09

 

CMYK 84 / 0 / 69 / 23

HEX #20C53E

RGB 32 197 62

HSL 130.91, 0.72%, 0.45%

LAB 69.89, -65.87, 54.2

 

CMYK 84 / 0 / 46 / 23

HEX #20C56A

RGB 32 197 106

HSL 146.91, 0.72%, 0.45%

LAB 70.37, -59.98, 34.51

 

CMYK 31 / 0 / 84 / 23

HEX #88C520

RGB 136 197 32

HSL 82.18, 0.72%, 0.45%

LAB 73.07, -42.06, 68.08

 

CMYK 35 / 0 / 94 / 15

HEX #8DD80E

RGB 141 216 14

HSL 82.28, 0.88%, 0.45%

LAB 78.93, -48.69, 76.18

 

CMYK 31 / 0 / 84 / 23

HEX #88C520

RGB 136 197 32

HSL 82.18, 0.72%, 0.45%

LAB 73.07, -42.06, 68.08

 

CMYK 26 / 0 / 72 / 30

HEX #84B333

RGB 132 179 51

HSL 82.03, 0.56%, 0.45%

LAB 67.56, -34.65, 57.07

 

CMYK 21 / 0 / 57 / 37

HEX #7FA045

RGB 127 160 69

HSL 81.76, 0.4%, 0.45%

LAB 61.73, -26.19, 43.01

 

CMYK 14 / 0 / 38 / 44

HEX #7A8E58

RGB 122 142 88

HSL 82.22, 0.23%, 0.45%

LAB 56.28, -16.84, 26.45

 

CMYK 5 / 0 / 14 / 52

HEX #757B6A

RGB 117 123 106

HSL 81.18, 0.07%, 0.45%

LAB 50.67, -5.56, 8.53

 

CMYK 0 / 14 / 84 / 23

HEX #C5AA20

RGB 197 170 32

HSL 50.18, 0.72%, 0.45%

LAB 69.98, -3.37, 67.21

 

CMYK 8 / 0 / 84 / 23

HEX #B5C520

RGB 181 197 32

HSL 65.82, 0.72%, 0.45%

LAB 75.98, -24.04, 71.73

 

CMYK 30 / 0 / 84 / 23

HEX #89C520

RGB 137 197 32

HSL 81.82, 0.72%, 0.45%

LAB 73.13, -41.68, 68.15

 

CMYK 53 / 0 / 84 / 23

HEX #5DC520

RGB 93 197 32

HSL 97.82, 0.72%, 0.45%

LAB 71.12, -56.27, 65.61

 

CMYK 75 / 0 / 84 / 23

HEX #31C520

RGB 49 197 32

HSL 113.82, 0.72%, 0.45%

LAB 69.96, -65.89, 64.13

 

CMYK 31 / 0 / 83 / 51

HEX #577E15

RGB 87 126 21

HSL 82.29, 0.71%, 0.29%

LAB 48.26, -29.5, 47.92

 

CMYK 31 / 0 / 84 / 36

HEX #70A21A

RGB 112 162 26

HSL 82.06, 0.72%, 0.37%

LAB 61.1, -35.97, 58.54

 

CMYK 31 / 0 / 84 / 23

HEX #88C520

RGB 136 197 32

HSL 82.18, 0.72%, 0.45%

LAB 73.07, -42.06, 68.08

 

CMYK 29 / 0 / 78 / 13

HEX #9EDE31

RGB 158 222 49

HSL 82.2, 0.72%, 0.53%

LAB 81.69, -43.99, 71.79

 

CMYK 23 / 0 / 63 / 11

HEX #AFE355

RGB 175 227 85

HSL 81.97, 0.72%, 0.61%

LAB 84.33, -37.68, 61.98

 

CMYK 31 / 0 / 84 / 22

HEX #8AC820

RGB 138 200 32

HSL 82.14, 0.72%, 0.45%

LAB 74.07, -42.61, 69

 

CMYK 84 / 0 / 36 / 23

HEX #20C57E

RGB 32 197 126

HSL 154.18, 0.72%, 0.45%

LAB 70.7, -56.23, 24.58

 

CMYK 3 / 84 / 0 / 23

HEX #C020C5

RGB 192 32 197

HSL 298.18, 0.72%, 0.45%

LAB 47.33, 76.07, -49.38

 

CMYK 31 / 0 / 84 / 22

HEX #8AC820

RGB 138 200 32

HSL 82.14, 0.72%, 0.45%

LAB 74.07, -42.61, 69

 

CMYK 84 / 30 / 0 / 23

HEX #2089C5

RGB 32 137 197

HSL 201.82, 0.72%, 0.45%

LAB 54.27, -7.39, -39.16

 

CMYK 0 / 84 / 30 / 23

HEX #C52089

RGB 197 32 137

HSL 321.82, 0.72%, 0.45%

LAB 45.23, 68.98, -16.94

 

CMYK 31 / 0 / 84 / 22

HEX #8AC820

RGB 138 200 32

HSL 82.14, 0.72%, 0.45%

LAB 74.07, -42.61, 69

 

CMYK 84 / 0 / 36 / 23

HEX #20C57E

RGB 32 197 126

HSL 154.18, 0.72%, 0.45%

LAB 70.7, -56.23, 24.58

 

CMYK 53 / 84 / 0 / 23

HEX #5D20C5

RGB 93 32 197

HSL 262.18, 0.72%, 0.45%

LAB 32.68, 61.02, -73.84

 

CMYK 0 / 84 / 47 / 23

HEX #C52068

RGB 197 32 104

HSL 333.82, 0.72%, 0.45%

LAB 44.09, 65.72, 1.69

 

CMYK 31 / 0 / 84 / 22

HEX #8AC820

RGB 138 200 32

HSL 82.14, 0.72%, 0.45%

LAB 74.07, -42.61, 69

 

CMYK 84 / 0 / 11 / 23

HEX #20C5AF

RGB 32 197 175

HSL 172, 0.72%, 0.45%

LAB 71.78, -44.49, -0.26

 

CMYK 53 / 84 / 0 / 23

HEX #5D20C5

RGB 93 32 197

HSL 262.18, 0.72%, 0.45%

LAB 32.68, 61.02, -73.84

 

CMYK 0 / 84 / 73 / 23

HEX #C52036

RGB 197 32 54

HSL 352, 0.72%, 0.45%

LAB 43.02, 62.55, 31.32

 

Description

Color code: HEX #8AC820 | qconv.com Color code: HEX #8AC820 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 200 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 200 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 84 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 84% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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