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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AC5E2 it is the complementary color #753A1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AC5E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AC5E2 shade: #8FC5DD, #A0D7F0, #B1E9FF, #C2FBFF and #D3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AC5E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AC5E2 shade: #8AC5E2, #79B3CF, #68A1BC, #578FA9 and #467D96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AC5E2 shade: #89C4E1, #89ACE1, #8994E1, #9589E1 and #AD89E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AC5E2 shade: #89C4E1, #89ACE1, #8994E1 and #8989E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AC5E2 shade matches the following richer shades: #89C4E1, #7DC8ED and #71CCF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AC5E2 shade: #89C4E1, #95C0D5, #A1BCC9, #ADB8BE and #B9B4B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AC5E2 shade: #89E1CE, #89DDE1, #89C5E1, #89AEE1 and #8996E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AC5E2 shade: #47A3D1, #68B4D9, #89C4E1, #AAD5EA and #CBE5F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AC5E2 shade: #8AC5E2, #B789E1 and #E1DA89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AC5E2 shade: #8AC5E2, #E189C5 and #C5E189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AC5E2 shade: #8AC5E2, #B789E1, #E1A589 and #B4E189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AC5E2 shade: #8AC5E2, #D189E1, #E1A589 and #99E189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 13 / 0 / 11

HEX #8AC5E2

RGB 138 197 226

HSL 199.77, 0.6%, 0.71%

LAB 76.57, -11.72, -20.43

 

Complementary color

CMYK 0 / 50 / 75 / 54

HEX #753A1D

RGB 117 58 29

HSL 19.77, 0.6%, 0.29%

LAB 31.57, 23.45, 29.11

 

CMYK 35 / 11 / 0 / 13

HEX #8FC5DD

RGB 143 197 221

HSL 198.46, 0.53%, 0.71%

LAB 76.67, -11.66, -17.56

 

CMYK 33 / 10 / 0 / 6

HEX #A0D7F0

RGB 160 215 240

HSL 198.75, 0.73%, 0.78%

LAB 83.11, -11.73, -17.93

 

CMYK 31 / 9 / 0 / 0

HEX #B1E9FF

RGB 177 233 255

HSL 196.92, 1%, 0.85%

LAB 89.32, -12.73, -16.39

 

CMYK 24 / 2 / 0 / 0

HEX #C2FBFF

RGB 194 251 255

HSL 183.93, 1%, 0.88%

LAB 95.03, -16.95, -7.78

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 39 / 13 / 0 / 11

HEX #8AC5E2

RGB 138 197 226

HSL 199.77, 0.6%, 0.71%

LAB 76.57, -11.72, -20.43

 

CMYK 42 / 14 / 0 / 19

HEX #79B3CF

RGB 121 179 207

HSL 199.53, 0.47%, 0.64%

LAB 70.04, -11.58, -20.1

 

CMYK 45 / 14 / 0 / 26

HEX #68A1BC

RGB 104 161 188

HSL 199.29, 0.39%, 0.57%

LAB 63.4, -11.4, -19.76

 

CMYK 49 / 15 / 0 / 34

HEX #578FA9

RGB 87 143 169

HSL 199.02, 0.32%, 0.5%

LAB 56.62, -11.16, -19.42

 

CMYK 53 / 17 / 0 / 41

HEX #467D96

RGB 70 125 150

HSL 198.75, 0.36%, 0.43%

LAB 49.7, -10.83, -19.07

 

CMYK 39 / 13 / 0 / 12

HEX #89C4E1

RGB 137 196 225

HSL 199.77, 0.59%, 0.71%

LAB 76.21, -11.72, -20.45

 

CMYK 39 / 24 / 0 / 12

HEX #89ACE1

RGB 137 172 225

HSL 216.14, 0.59%, 0.71%

LAB 69.65, 1.26, -30.48

 

CMYK 39 / 34 / 0 / 12

HEX #8994E1

RGB 137 148 225

HSL 232.5, 0.59%, 0.71%

LAB 63.29, 14.9, -40.38

 

CMYK 34 / 39 / 0 / 12

HEX #9589E1

RGB 149 137 225

HSL 248.18, 0.59%, 0.71%

LAB 61.41, 24.48, -43.27

 

CMYK 23 / 39 / 0 / 12

HEX #AD89E1

RGB 173 137 225

HSL 264.55, 0.59%, 0.71%

LAB 63.52, 31.23, -39.81

 

CMYK 39 / 13 / 0 / 12

HEX #89C4E1

RGB 137 196 225

HSL 199.77, 0.59%, 0.71%

LAB 76.21, -11.72, -20.45

 

CMYK 39 / 24 / 0 / 12

HEX #89ACE1

RGB 137 172 225

HSL 216.14, 0.59%, 0.71%

LAB 69.65, 1.26, -30.48

 

CMYK 39 / 34 / 0 / 12

HEX #8994E1

RGB 137 148 225

HSL 232.5, 0.59%, 0.71%

LAB 63.29, 14.9, -40.38

 

CMYK 39 / 39 / 0 / 12

HEX #8989E1

RGB 137 137 225

HSL 240, 0.59%, 0.71%

LAB 60.47, 21.3, -44.81

 

CMYK 39 / 13 / 0 / 12

HEX #89C4E1

RGB 137 196 225

HSL 199.77, 0.59%, 0.71%

LAB 76.21, -11.72, -20.45

 

CMYK 47 / 16 / 0 / 7

HEX #7DC8ED

RGB 125 200 237

HSL 199.82, 0.76%, 0.71%

LAB 77.15, -13.56, -25.53

 

CMYK 55 / 18 / 0 / 2

HEX #71CCF9

RGB 113 204 249

HSL 199.85, 0.92%, 0.71%

LAB 78.19, -14.85, -30.41

 

CMYK 39 / 13 / 0 / 12

HEX #89C4E1

RGB 137 196 225

HSL 199.77, 0.59%, 0.71%

LAB 76.21, -11.72, -20.45

 

CMYK 30 / 10 / 0 / 16

HEX #95C0D5

RGB 149 192 213

HSL 199.69, 0.43%, 0.71%

LAB 75.38, -9.31, -15.14

 

CMYK 20 / 6 / 0 / 21

HEX #A1BCC9

RGB 161 188 201

HSL 199.5, 0.27%, 0.71%

LAB 74.67, -6.33, -9.61

 

CMYK 9 / 3 / 0 / 25

HEX #ADB8BE

RGB 173 184 190

HSL 201.18, 0.12%, 0.71%

LAB 74.11, -2.61, -4.36

 

CMYK 0 / 3 / 4 / 27

HEX #B9B4B2

RGB 185 180 178

HSL 17.14, 0.05%, 0.71%

LAB 73.66, 1.41, 1.64

 

CMYK 39 / 0 / 8 / 12

HEX #89E1CE

RGB 137 225 206

HSL 167.05, 0.59%, 0.71%

LAB 83.77, -30.82, 0.96

 

CMYK 39 / 2 / 0 / 12

HEX #89DDE1

RGB 137 221 225

HSL 182.73, 0.59%, 0.71%

LAB 83.16, -24.43, -10

 

CMYK 39 / 12 / 0 / 12

HEX #89C5E1

RGB 137 197 225

HSL 199.09, 0.59%, 0.71%

LAB 76.49, -12.24, -20.03

 

CMYK 39 / 23 / 0 / 12

HEX #89AEE1

RGB 137 174 225

HSL 214.77, 0.59%, 0.71%

LAB 70.19, 0.15, -29.65

 

CMYK 39 / 33 / 0 / 12

HEX #8996E1

RGB 137 150 225

HSL 231.14, 0.59%, 0.71%

LAB 63.81, 13.74, -39.56

 

CMYK 66 / 22 / 0 / 18

HEX #47A3D1

RGB 71 163 209

HSL 200, 0.6%, 0.55%

LAB 63.46, -12.97, -31.49

 

CMYK 52 / 17 / 0 / 15

HEX #68B4D9

RGB 104 180 217

HSL 199.65, 0.6%, 0.63%

LAB 69.89, -13.37, -25.88

 

CMYK 39 / 13 / 0 / 12

HEX #89C4E1

RGB 137 196 225

HSL 199.77, 0.59%, 0.71%

LAB 76.21, -11.72, -20.45

 

CMYK 27 / 9 / 0 / 8

HEX #AAD5EA

RGB 170 213 234

HSL 199.69, 0.6%, 0.79%

LAB 82.95, -9.3, -14.92

 

CMYK 16 / 5 / 0 / 5

HEX #CBE5F2

RGB 203 229 242

HSL 200, 0.6%, 0.87%

LAB 89.46, -5.91, -9.21

 

CMYK 39 / 13 / 0 / 11

HEX #8AC5E2

RGB 138 197 226

HSL 199.77, 0.6%, 0.71%

LAB 76.57, -11.72, -20.43

 

CMYK 19 / 39 / 0 / 12

HEX #B789E1

RGB 183 137 225

HSL 271.36, 0.59%, 0.71%

LAB 64.48, 34.14, -38.23

 

CMYK 0 / 3 / 39 / 12

HEX #E1DA89

RGB 225 218 137

HSL 55.23, 0.59%, 0.71%

LAB 85.98, -9.16, 40.7

 

CMYK 39 / 13 / 0 / 11

HEX #8AC5E2

RGB 138 197 226

HSL 199.77, 0.6%, 0.71%

LAB 76.57, -11.72, -20.43

 

CMYK 0 / 39 / 12 / 12

HEX #E189C5

RGB 225 137 197

HSL 319.09, 0.59%, 0.71%

LAB 67.97, 41.89, -16.89

 

CMYK 12 / 0 / 39 / 12

HEX #C5E189

RGB 197 225 137

HSL 79.09, 0.59%, 0.71%

LAB 85.77, -23.36, 40

 

CMYK 39 / 13 / 0 / 11

HEX #8AC5E2

RGB 138 197 226

HSL 199.77, 0.6%, 0.71%

LAB 76.57, -11.72, -20.43

 

CMYK 19 / 39 / 0 / 12

HEX #B789E1

RGB 183 137 225

HSL 271.36, 0.59%, 0.71%

LAB 64.48, 34.14, -38.23

 

CMYK 0 / 27 / 39 / 12

HEX #E1A589

RGB 225 165 137

HSL 19.09, 0.59%, 0.71%

LAB 72.71, 18.61, 23.22

 

CMYK 20 / 0 / 39 / 12

HEX #B4E189

RGB 180 225 137

HSL 90.68, 0.59%, 0.71%

LAB 84.67, -29.58, 38.37

 

CMYK 39 / 13 / 0 / 11

HEX #8AC5E2

RGB 138 197 226

HSL 199.77, 0.6%, 0.71%

LAB 76.57, -11.72, -20.43

 

CMYK 7 / 39 / 0 / 12

HEX #D189E1

RGB 209 137 225

HSL 289.09, 0.59%, 0.71%

LAB 67.19, 41.88, -33.81

 

CMYK 0 / 27 / 39 / 12

HEX #E1A589

RGB 225 165 137

HSL 19.09, 0.59%, 0.71%

LAB 72.71, 18.61, 23.22

 

CMYK 32 / 0 / 39 / 12

HEX #99E189

RGB 153 225 137

HSL 109.09, 0.59%, 0.71%

LAB 83.14, -38.86, 36.09

 

Description

Color code: HEX #8AC5E2 | qconv.com Color code: HEX #8AC5E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 197 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 197 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 13 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 13% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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