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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8ABC32 it is the complementary color #7543CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8ABC32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8ABC32 shade: #8FBC2D, #A0CE40, #B1E053, #C2F266 and #D3FF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8ABC32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8ABC32 shade: #8ABC32, #79AA1F, #68980C, #578600 and #467400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8ABC32 shade: #8BBD32, #B0BD32, #BDA532, #BD7F32 and #BD5A32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8ABC32 shade: #8BBD32, #65BD32, #40BD32, #32BD4A and #32BD70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8ABC32 shade matches the following richer shades: #8BBD32, #90D11F and #96E40C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8ABC32 shade: #8BBD32, #86AA46, #809759, #7B836D and #767080

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8ABC32 shade: #BDA432, #B2BD32, #8DBD32, #68BD32 and #43BD32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8ABC32 shade: #5B7C21, #739D2A, #8BBD32, #9FCF4A and #B0D86B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8ABC32 shade: #8ABC32, #32BD7F and #B632BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8ABC32 shade: #8ABC32, #328DBD and #BD328D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8ABC32 shade: #8ABC32, #32BD7F, #6332BD and #BD3271

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8ABC32 shade: #8ABC32, #32BDA9, #6332BD and #BD3247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 73 / 26

HEX #8ABC32

RGB 138 188 50

HSL 81.74, 0.58%, 0.47%

LAB 70.59, -36.49, 60.54

 

Complementary color

CMYK 43 / 67 / 0 / 20

HEX #7543CD

RGB 117 67 205

HSL 261.74, 0.58%, 0.53%

LAB 41.54, 51.17, -63.88

 

CMYK 24 / 0 / 76 / 26

HEX #8FBC2D

RGB 143 188 45

HSL 78.88, 0.61%, 0.46%

LAB 70.87, -34.81, 62.59

 

CMYK 22 / 0 / 69 / 19

HEX #A0CE40

RGB 160 206 64

HSL 79.44, 0.59%, 0.53%

LAB 77.27, -35.34, 62.56

 

CMYK 21 / 0 / 63 / 12

HEX #B1E053

RGB 177 224 83

HSL 80, 0.69%, 0.6%

LAB 83.59, -35.72, 62.03

 

CMYK 20 / 0 / 58 / 5

HEX #C2F266

RGB 194 242 102

HSL 80.57, 0.84%, 0.67%

LAB 89.83, -36, 61.22

 

CMYK 17 / 0 / 53 / 0

HEX #D3FF79

RGB 211 255 121

HSL 79.7, 1%, 0.74%

LAB 94.63, -33.93, 58.68

 

CMYK 27 / 0 / 73 / 26

HEX #8ABC32

RGB 138 188 50

HSL 81.74, 0.58%, 0.47%

LAB 70.59, -36.49, 60.54

 

CMYK 29 / 0 / 82 / 33

HEX #79AA1F

RGB 121 170 31

HSL 81.15, 0.69%, 0.39%

LAB 64.09, -35.88, 60.07

 

CMYK 32 / 0 / 92 / 40

HEX #68980C

RGB 104 152 12

HSL 80.57, 0.85%, 0.32%

LAB 57.49, -35.03, 58.28

 

CMYK 35 / 0 / 100 / 47

HEX #578600

RGB 87 134 0

HSL 81.04, 1%, 0.26%

LAB 50.78, -33.86, 54.55

 

CMYK 40 / 0 / 100 / 55

HEX #467400

RGB 70 116 0

HSL 83.79, 1%, 0.23%

LAB 43.93, -32.39, 48.86

 

CMYK 26 / 0 / 74 / 26

HEX #8BBD32

RGB 139 189 50

HSL 81.58, 0.58%, 0.47%

LAB 70.95, -36.56, 60.91

 

CMYK 7 / 0 / 74 / 26

HEX #B0BD32

RGB 176 189 50

HSL 65.61, 0.58%, 0.47%

LAB 73.45, -21.55, 64.19

 

CMYK 0 / 13 / 74 / 26

HEX #BDA532

RGB 189 165 50

HSL 49.64, 0.58%, 0.47%

LAB 67.99, -3.59, 59.34

 

CMYK 0 / 33 / 74 / 26

HEX #BD7F32

RGB 189 127 50

HSL 33.24, 0.58%, 0.47%

LAB 58.25, 17.14, 49.68

 

CMYK 0 / 52 / 74 / 26

HEX #BD5A32

RGB 189 90 50

HSL 17.27, 0.58%, 0.47%

LAB 49.93, 37.1, 40.96

 

CMYK 26 / 0 / 74 / 26

HEX #8BBD32

RGB 139 189 50

HSL 81.58, 0.58%, 0.47%

LAB 70.95, -36.56, 60.91

 

CMYK 47 / 0 / 74 / 26

HEX #65BD32

RGB 101 189 50

HSL 97.99, 0.58%, 0.47%

LAB 69.03, -49.88, 58.38

 

CMYK 66 / 0 / 74 / 26

HEX #40BD32

RGB 64 189 50

HSL 113.96, 0.58%, 0.47%

LAB 67.81, -59.52, 56.75

 

CMYK 74 / 0 / 61 / 26

HEX #32BD4A

RGB 50 189 74

HSL 130.36, 0.58%, 0.47%

LAB 67.7, -59.72, 46.76

 

CMYK 74 / 0 / 41 / 26

HEX #32BD70

RGB 50 189 112

HSL 146.76, 0.58%, 0.47%

LAB 68.2, -53.91, 28.66

 

CMYK 26 / 0 / 74 / 26

HEX #8BBD32

RGB 139 189 50

HSL 81.58, 0.58%, 0.47%

LAB 70.95, -36.56, 60.91

 

CMYK 31 / 0 / 85 / 18

HEX #90D11F

RGB 144 209 31

HSL 81.91, 0.74%, 0.47%

LAB 77.06, -44.28, 71.92

 

CMYK 34 / 0 / 95 / 11

HEX #96E40C

RGB 150 228 12

HSL 81.67, 0.9%, 0.47%

LAB 82.91, -50.44, 79.75

 

CMYK 26 / 0 / 74 / 26

HEX #8BBD32

RGB 139 189 50

HSL 81.58, 0.58%, 0.47%

LAB 70.95, -36.56, 60.91

 

CMYK 21 / 0 / 59 / 33

HEX #86AA46

RGB 134 170 70

HSL 81.6, 0.42%, 0.47%

LAB 65.17, -28.18, 46.59

 

CMYK 15 / 0 / 41 / 41

HEX #809759

RGB 128 151 89

HSL 82.26, 0.26%, 0.47%

LAB 59.38, -19, 29.99

 

CMYK 6 / 0 / 17 / 49

HEX #7B836D

RGB 123 131 109

HSL 81.82, 0.09%, 0.47%

LAB 53.54, -7.17, 10.91

 

CMYK 8 / 13 / 0 / 50

HEX #767080

RGB 118 112 128

HSL 262.5, 0.07%, 0.47%

LAB 48.26, 5.63, -7.97

 

CMYK 0 / 13 / 74 / 26

HEX #BDA432

RGB 189 164 50

HSL 49.21, 0.58%, 0.47%

LAB 67.72, -3.06, 59.08

 

CMYK 6 / 0 / 74 / 26

HEX #B2BD32

RGB 178 189 50

HSL 64.75, 0.58%, 0.47%

LAB 73.6, -20.7, 64.38

 

CMYK 25 / 0 / 74 / 26

HEX #8DBD32

RGB 141 189 50

HSL 80.72, 0.58%, 0.47%

LAB 71.07, -35.78, 61.07

 

CMYK 45 / 0 / 74 / 26

HEX #68BD32

RGB 104 189 50

HSL 96.69, 0.58%, 0.47%

LAB 69.16, -48.94, 58.55

 

CMYK 65 / 0 / 74 / 26

HEX #43BD32

RGB 67 189 50

HSL 112.66, 0.58%, 0.47%

LAB 67.89, -58.89, 56.85

 

CMYK 27 / 0 / 73 / 51

HEX #5B7C21

RGB 91 124 33

HSL 81.76, 0.58%, 0.31%

LAB 47.94, -26.21, 43.48

 

CMYK 27 / 0 / 73 / 38

HEX #739D2A

RGB 115 157 42

HSL 81.91, 0.58%, 0.39%

LAB 59.82, -31.69, 52.36

 

CMYK 26 / 0 / 74 / 26

HEX #8BBD32

RGB 139 189 50

HSL 81.58, 0.58%, 0.47%

LAB 70.95, -36.56, 60.91

 

CMYK 23 / 0 / 64 / 19

HEX #9FCF4A

RGB 159 207 74

HSL 81.65, 0.58%, 0.55%

LAB 77.57, -35.49, 58.93

 

CMYK 19 / 0 / 50 / 15

HEX #B0D86B

RGB 176 216 107

HSL 82.02, 0.58%, 0.63%

LAB 81.51, -30.29, 49.02

 

CMYK 27 / 0 / 73 / 26

HEX #8ABC32

RGB 138 188 50

HSL 81.74, 0.58%, 0.47%

LAB 70.59, -36.49, 60.54

 

CMYK 74 / 0 / 33 / 26

HEX #32BD7F

RGB 50 189 127

HSL 153.24, 0.58%, 0.47%

LAB 68.46, -50.95, 21.07

 

CMYK 4 / 74 / 0 / 26

HEX #B632BD

RGB 182 50 189

HSL 296.98, 0.58%, 0.47%

LAB 46.84, 68.1, -45.59

 

CMYK 27 / 0 / 73 / 26

HEX #8ABC32

RGB 138 188 50

HSL 81.74, 0.58%, 0.47%

LAB 70.59, -36.49, 60.54

 

CMYK 74 / 25 / 0 / 26

HEX #328DBD

RGB 50 141 189

HSL 200.72, 0.58%, 0.47%

LAB 55.48, -10.6, -32.69

 

CMYK 0 / 74 / 25 / 26

HEX #BD328D

RGB 189 50 141

HSL 320.72, 0.58%, 0.47%

LAB 45.67, 62.62, -18.83

 

CMYK 27 / 0 / 73 / 26

HEX #8ABC32

RGB 138 188 50

HSL 81.74, 0.58%, 0.47%

LAB 70.59, -36.49, 60.54

 

CMYK 74 / 0 / 33 / 26

HEX #32BD7F

RGB 50 189 127

HSL 153.24, 0.58%, 0.47%

LAB 68.46, -50.95, 21.07

 

CMYK 48 / 74 / 0 / 26

HEX #6332BD

RGB 99 50 189

HSL 261.15, 0.58%, 0.47%

LAB 35.22, 52.23, -64.95

 

CMYK 0 / 74 / 40 / 26

HEX #BD3271

RGB 189 50 113

HSL 332.81, 0.58%, 0.47%

LAB 44.65, 59.4, -3.25

 

CMYK 27 / 0 / 73 / 26

HEX #8ABC32

RGB 138 188 50

HSL 81.74, 0.58%, 0.47%

LAB 70.59, -36.49, 60.54

 

CMYK 74 / 0 / 11 / 26

HEX #32BDA9

RGB 50 189 169

HSL 171.37, 0.58%, 0.47%

LAB 69.43, -40.85, -0.4

 

CMYK 48 / 74 / 0 / 26

HEX #6332BD

RGB 99 50 189

HSL 261.15, 0.58%, 0.47%

LAB 35.22, 52.23, -64.95

 

CMYK 0 / 74 / 62 / 26

HEX #BD3247

RGB 189 50 71

HSL 350.94, 0.58%, 0.47%

LAB 43.59, 55.92, 21.3

 

Description

Color code: HEX #8ABC32 | qconv.com Color code: HEX #8ABC32 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 188 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 188 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 73 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 73% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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