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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AB7E2 it is the complementary color #75481D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AB7E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AB7E2 shade: #8FB7DD, #A0C9F0, #B1DBFF, #C2EDFF and #D3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AB7E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AB7E2 shade: #8AB7E2, #79A5CF, #6893BC, #5781A9 and #466F96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AB7E2 shade: #88B6E1, #889EE1, #8B88E1, #A388E1 and #BB88E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AB7E2 shade: #88B6E1, #889EE1 and #8888E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AB7E2 shade matches the following richer shades: #88B6E1, #7CB6ED and #70B6F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AB7E2 shade: #88B6E1, #94B5D5, #A0B5C9, #ACB5BD and #B8B4B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AB7E2 shade: #88E1DC, #88CEE1, #88B6E1, #889EE1 and #8A88E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AB7E2 shade: #468DD0, #67A1D9, #88B6E1, #A9CAE9 and #CADEF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AB7E2 shade: #8AB7E2, #C588E1 and #DAE188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AB7E2 shade: #8AB7E2, #E188B6 and #B6E188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AB7E2 shade: #8AB7E2, #C588E1, #E1B388 and #A4E188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AB7E2 shade: #8AB7E2, #DF88E1, #E1B388 and #8AE188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 19 / 0 / 11

HEX #8AB7E2

RGB 138 183 226

HSL 209.32, 0.6%, 0.71%

LAB 72.73, -4.25, -26.29

 

Complementary color

CMYK 0 / 38 / 75 / 54

HEX #75481D

RGB 117 72 29

HSL 29.32, 0.6%, 0.29%

LAB 35.01, 15.17, 32.8

 

CMYK 35 / 17 / 0 / 13

HEX #8FB7DD

RGB 143 183 221

HSL 209.23, 0.53%, 0.71%

LAB 72.84, -4.2, -23.37

 

CMYK 33 / 16 / 0 / 6

HEX #A0C9F0

RGB 160 201 240

HSL 209.25, 0.73%, 0.78%

LAB 79.35, -4.39, -23.62

 

CMYK 31 / 14 / 0 / 0

HEX #B1DBFF

RGB 177 219 255

HSL 207.69, 1%, 0.85%

LAB 85.62, -5.52, -21.97

 

CMYK 24 / 7 / 0 / 0

HEX #C2EDFF

RGB 194 237 255

HSL 197.7, 1%, 0.88%

LAB 91.35, -9.94, -13.25

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 39 / 19 / 0 / 11

HEX #8AB7E2

RGB 138 183 226

HSL 209.32, 0.6%, 0.71%

LAB 72.73, -4.25, -26.29

 

CMYK 42 / 20 / 0 / 19

HEX #79A5CF

RGB 121 165 207

HSL 209.3, 0.47%, 0.64%

LAB 66.12, -3.96, -26.09

 

CMYK 45 / 22 / 0 / 26

HEX #6893BC

RGB 104 147 188

HSL 209.29, 0.39%, 0.57%

LAB 59.38, -3.62, -25.91

 

CMYK 49 / 24 / 0 / 34

HEX #5781A9

RGB 87 129 169

HSL 209.27, 0.32%, 0.5%

LAB 52.5, -3.2, -25.75

 

CMYK 53 / 26 / 0 / 41

HEX #466F96

RGB 70 111 150

HSL 209.25, 0.36%, 0.43%

LAB 45.46, -2.66, -25.61

 

CMYK 40 / 19 / 0 / 12

HEX #88B6E1

RGB 136 182 225

HSL 208.99, 0.6%, 0.71%

LAB 72.31, -4.5, -26.4

 

CMYK 40 / 30 / 0 / 12

HEX #889EE1

RGB 136 158 225

HSL 225.17, 0.6%, 0.71%

LAB 65.85, 8.88, -36.39

 

CMYK 38 / 40 / 0 / 12

HEX #8B88E1

RGB 139 136 225

HSL 242.02, 0.6%, 0.71%

LAB 60.37, 22.4, -44.96

 

CMYK 28 / 40 / 0 / 12

HEX #A388E1

RGB 163 136 225

HSL 258.2, 0.6%, 0.71%

LAB 62.36, 28.94, -41.68

 

CMYK 17 / 40 / 0 / 12

HEX #BB88E1

RGB 187 136 225

HSL 274.38, 0.6%, 0.71%

LAB 64.65, 35.87, -37.94

 

CMYK 40 / 19 / 0 / 12

HEX #88B6E1

RGB 136 182 225

HSL 208.99, 0.6%, 0.71%

LAB 72.31, -4.5, -26.4

 

CMYK 40 / 30 / 0 / 12

HEX #889EE1

RGB 136 158 225

HSL 225.17, 0.6%, 0.71%

LAB 65.85, 8.88, -36.39

 

CMYK 40 / 40 / 0 / 12

HEX #8888E1

RGB 136 136 225

HSL 240, 0.6%, 0.71%

LAB 60.14, 21.62, -45.34

 

CMYK 40 / 19 / 0 / 12

HEX #88B6E1

RGB 136 182 225

HSL 208.99, 0.6%, 0.71%

LAB 72.31, -4.5, -26.4

 

CMYK 48 / 23 / 0 / 7

HEX #7CB6ED

RGB 124 182 237

HSL 209.2, 0.76%, 0.71%

LAB 72.13, -4.17, -33.25

 

CMYK 55 / 27 / 0 / 2

HEX #70B6F9

RGB 112 182 249

HSL 209.34, 0.92%, 0.71%

LAB 72.05, -3.27, -39.91

 

CMYK 40 / 19 / 0 / 12

HEX #88B6E1

RGB 136 182 225

HSL 208.99, 0.6%, 0.71%

LAB 72.31, -4.5, -26.4

 

CMYK 31 / 15 / 0 / 16

HEX #94B5D5

RGB 148 181 213

HSL 209.54, 0.44%, 0.71%

LAB 72.33, -3.71, -19.77

 

CMYK 20 / 10 / 0 / 21

HEX #A0B5C9

RGB 160 181 201

HSL 209.27, 0.28%, 0.71%

LAB 72.72, -2.9, -12.54

 

CMYK 9 / 4 / 0 / 26

HEX #ACB5BD

RGB 172 181 189

HSL 208.24, 0.11%, 0.71%

LAB 73.22, -1.54, -5.15

 

CMYK 0 / 2 / 4 / 28

HEX #B8B4B1

RGB 184 180 177

HSL 25.71, 0.05%, 0.71%

LAB 73.55, 0.87, 2.02

 

CMYK 40 / 0 / 2 / 12

HEX #88E1DC

RGB 136 225 220

HSL 176.63, 0.6%, 0.71%

LAB 84.1, -27.83, -5.97

 

CMYK 40 / 8 / 0 / 12

HEX #88CEE1

RGB 136 206 225

HSL 192.81, 0.6%, 0.71%

LAB 78.93, -17.16, -16.34

 

CMYK 40 / 19 / 0 / 12

HEX #88B6E1

RGB 136 182 225

HSL 208.99, 0.6%, 0.71%

LAB 72.31, -4.5, -26.4

 

CMYK 40 / 30 / 0 / 12

HEX #889EE1

RGB 136 158 225

HSL 225.17, 0.6%, 0.71%

LAB 65.85, 8.88, -36.39

 

CMYK 39 / 40 / 0 / 12

HEX #8A88E1

RGB 138 136 225

HSL 241.35, 0.6%, 0.71%

LAB 60.29, 22.14, -45.09

 

CMYK 66 / 32 / 0 / 18

HEX #468DD0

RGB 70 141 208

HSL 209.13, 0.59%, 0.55%

LAB 56.98, -1.05, -41.04

 

CMYK 53 / 26 / 0 / 15

HEX #67A1D9

RGB 103 161 217

HSL 209.47, 0.6%, 0.63%

LAB 64.47, -3.19, -34.25

 

CMYK 40 / 19 / 0 / 12

HEX #88B6E1

RGB 136 182 225

HSL 208.99, 0.6%, 0.71%

LAB 72.31, -4.5, -26.4

 

CMYK 27 / 13 / 0 / 9

HEX #A9CAE9

RGB 169 202 233

HSL 209.06, 0.59%, 0.79%

LAB 79.93, -4.06, -18.94

 

CMYK 16 / 8 / 0 / 5

HEX #CADEF1

RGB 202 222 241

HSL 209.23, 0.58%, 0.87%

LAB 87.56, -2.81, -11.52

 

CMYK 39 / 19 / 0 / 11

HEX #8AB7E2

RGB 138 183 226

HSL 209.32, 0.6%, 0.71%

LAB 72.73, -4.25, -26.29

 

CMYK 12 / 40 / 0 / 12

HEX #C588E1

RGB 197 136 225

HSL 281.12, 0.6%, 0.71%

LAB 65.68, 38.83, -36.25

 

CMYK 3 / 0 / 40 / 12

HEX #DAE188

RGB 218 225 136

HSL 64.72, 0.6%, 0.71%

LAB 87.26, -15.49, 42.7

 

CMYK 39 / 19 / 0 / 11

HEX #8AB7E2

RGB 138 183 226

HSL 209.32, 0.6%, 0.71%

LAB 72.73, -4.25, -26.29

 

CMYK 0 / 40 / 19 / 12

HEX #E188B6

RGB 225 136 182

HSL 328.99, 0.6%, 0.71%

LAB 67.27, 40.07, -9.54

 

CMYK 19 / 0 / 40 / 12

HEX #B6E188

RGB 182 225 136

HSL 88.99, 0.6%, 0.71%

LAB 84.78, -28.99, 39.03

 

CMYK 39 / 19 / 0 / 11

HEX #8AB7E2

RGB 138 183 226

HSL 209.32, 0.6%, 0.71%

LAB 72.73, -4.25, -26.29

 

CMYK 12 / 40 / 0 / 12

HEX #C588E1

RGB 197 136 225

HSL 281.12, 0.6%, 0.71%

LAB 65.68, 38.83, -36.25

 

CMYK 0 / 20 / 40 / 12

HEX #E1B388

RGB 225 179 136

HSL 28.99, 0.6%, 0.71%

LAB 76.08, 11.01, 28.3

 

CMYK 27 / 0 / 40 / 12

HEX #A4E188

RGB 164 225 136

HSL 101.12, 0.6%, 0.71%

LAB 83.72, -35.32, 37.45

 

CMYK 39 / 19 / 0 / 11

HEX #8AB7E2

RGB 138 183 226

HSL 209.32, 0.6%, 0.71%

LAB 72.73, -4.25, -26.29

 

CMYK 1 / 40 / 0 / 12

HEX #DF88E1

RGB 223 136 225

HSL 298.65, 0.6%, 0.71%

LAB 68.56, 46.62, -31.57

 

CMYK 0 / 20 / 40 / 12

HEX #E1B388

RGB 225 179 136

HSL 28.99, 0.6%, 0.71%

LAB 76.08, 11.01, 28.3

 

CMYK 39 / 0 / 40 / 12

HEX #8AE188

RGB 138 225 136

HSL 118.65, 0.6%, 0.71%

LAB 82.4, -43.73, 35.49

 

Description

Color code: HEX #8AB7E2 | qconv.com Color code: HEX #8AB7E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 183 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 183 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 19 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 19% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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