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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AACD6 it is the complementary color #755329. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AACD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AACD6 shade: #8FACD1, #A0BEE4, #B1D0F7, #C2E2FF and #D3F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AACD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AACD6 shade: #8AACD6, #799AC3, #6888B0, #57769D and #46648A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AACD6 shade: #8AACD6, #8A97D6, #918AD6, #A58AD6 and #BA8AD6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AACD6 shade: #8AACD6, #8A97D6 and #8A8AD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AACD6 shade matches the following richer shades: #8AACD6, #7DABE3, #70A9EF and #64A8FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AACD6 shade: #8AACD6, #97ADC9, #A4AFBC, #B0B0B0 and #BDB1A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AACD6 shade: #8AD5D6, #8AC0D6, #8AACD6, #8A98D6 and #908AD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AACD6 shade: #4D81C0, #6B96CB, #8AACD6, #A9C2E1 and #C7D7EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AACD6 shade: #8AACD6, #C38AD6 and #CBD68A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AACD6 shade: #8AACD6, #D68AAC and #ACD68A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AACD6 shade: #8AACD6, #C38AD6, #D6B48A and #9DD68A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AACD6 shade: #8AACD6, #D68AD2, #D6B48A and #8AD68E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 20 / 0 / 16

HEX #8AACD6

RGB 138 172 214

HSL 213.16, 0.48%, 0.69%

LAB 69.3, -1.38, -24.99

 

Complementary color

CMYK 0 / 29 / 65 / 54

HEX #755329

RGB 117 83 41

HSL 33.16, 0.48%, 0.31%

LAB 38.07, 9.33, 29.75

 

CMYK 32 / 18 / 0 / 18

HEX #8FACD1

RGB 143 172 209

HSL 213.64, 0.42%, 0.69%

LAB 69.43, -1.23, -22.01

 

CMYK 30 / 17 / 0 / 11

HEX #A0BEE4

RGB 160 190 228

HSL 213.53, 0.56%, 0.76%

LAB 76.01, -1.44, -22.25

 

CMYK 28 / 16 / 0 / 3

HEX #B1D0F7

RGB 177 208 247

HSL 213.43, 0.81%, 0.83%

LAB 82.47, -1.63, -22.51

 

CMYK 24 / 11 / 0 / 0

HEX #C2E2FF

RGB 194 226 255

HSL 208.52, 1%, 0.88%

LAB 88.49, -4.29, -17.54

 

CMYK 17 / 4 / 0 / 0

HEX #D3F4FF

RGB 211 244 255

HSL 195, 1%, 0.91%

LAB 94.21, -8.42, -8.87

 

CMYK 36 / 20 / 0 / 16

HEX #8AACD6

RGB 138 172 214

HSL 213.16, 0.48%, 0.69%

LAB 69.3, -1.38, -24.99

 

CMYK 38 / 21 / 0 / 24

HEX #799AC3

RGB 121 154 195

HSL 213.24, 0.38%, 0.62%

LAB 62.61, -1.09, -24.8

 

CMYK 41 / 23 / 0 / 31

HEX #6888B0

RGB 104 136 176

HSL 213.33, 0.31%, 0.55%

LAB 55.77, -0.75, -24.64

 

CMYK 45 / 25 / 0 / 38

HEX #57769D

RGB 87 118 157

HSL 213.43, 0.29%, 0.48%

LAB 48.78, -0.34, -24.51

 

CMYK 49 / 28 / 0 / 46

HEX #46648A

RGB 70 100 138

HSL 213.53, 0.33%, 0.41%

LAB 41.61, 0.18, -24.42

 

CMYK 36 / 20 / 0 / 16

HEX #8AACD6

RGB 138 172 214

HSL 213.16, 0.48%, 0.69%

LAB 69.3, -1.38, -24.99

 

CMYK 36 / 29 / 0 / 16

HEX #8A97D6

RGB 138 151 214

HSL 229.74, 0.48%, 0.69%

LAB 63.67, 10.45, -33.68

 

CMYK 32 / 36 / 0 / 16

HEX #918AD6

RGB 145 138 214

HSL 245.53, 0.48%, 0.69%

LAB 60.83, 19.93, -38.07

 

CMYK 23 / 36 / 0 / 16

HEX #A58AD6

RGB 165 138 214

HSL 261.32, 0.48%, 0.69%

LAB 62.53, 25.73, -35.27

 

CMYK 13 / 36 / 0 / 16

HEX #BA8AD6

RGB 186 138 214

HSL 277.89, 0.48%, 0.69%

LAB 64.54, 32.09, -32

 

CMYK 36 / 20 / 0 / 16

HEX #8AACD6

RGB 138 172 214

HSL 213.16, 0.48%, 0.69%

LAB 69.3, -1.38, -24.99

 

CMYK 36 / 29 / 0 / 16

HEX #8A97D6

RGB 138 151 214

HSL 229.74, 0.48%, 0.69%

LAB 63.67, 10.45, -33.68

 

CMYK 36 / 36 / 0 / 16

HEX #8A8AD6

RGB 138 138 214

HSL 240, 0.48%, 0.69%

LAB 60.28, 17.98, -38.96

 

CMYK 36 / 20 / 0 / 16

HEX #8AACD6

RGB 138 172 214

HSL 213.16, 0.48%, 0.69%

LAB 69.3, -1.38, -24.99

 

CMYK 45 / 25 / 0 / 11

HEX #7DABE3

RGB 125 171 227

HSL 212.94, 0.65%, 0.69%

LAB 68.77, -0.7, -32.99

 

CMYK 53 / 29 / 0 / 6

HEX #70A9EF

RGB 112 169 239

HSL 213.07, 0.8%, 0.69%

LAB 68.06, 0.94, -40.72

 

CMYK 60 / 33 / 0 / 1

HEX #64A8FC

RGB 100 168 252

HSL 213.16, 0.96%, 0.69%

LAB 67.83, 3.18, -48.2

 

CMYK 36 / 20 / 0 / 16

HEX #8AACD6

RGB 138 172 214

HSL 213.16, 0.48%, 0.69%

LAB 69.3, -1.38, -24.99

 

CMYK 25 / 14 / 0 / 21

HEX #97ADC9

RGB 151 173 201

HSL 213.6, 0.32%, 0.69%

LAB 69.95, -1.35, -16.76

 

CMYK 13 / 7 / 0 / 26

HEX #A4AFBC

RGB 164 175 188

HSL 212.5, 0.15%, 0.69%

LAB 71, -1.18, -7.95

 

CMYK 0 / 0 / 0 / 31

HEX #B0B0B0

RGB 176 176 176

HSL 0, 0%, 0.69%

LAB 71.84, 0, -0.01

 

CMYK 0 / 6 / 14 / 26

HEX #BDB1A3

RGB 189 177 163

HSL 32.31, 0.16%, 0.69%

LAB 72.83, 1.89, 8.69

 

CMYK 36 / 0 / 0 / 16

HEX #8AD5D6

RGB 138 213 214

HSL 180.79, 0.48%, 0.69%

LAB 80.65, -22.88, -7.87

 

CMYK 36 / 10 / 0 / 16

HEX #8AC0D6

RGB 138 192 214

HSL 197.37, 0.48%, 0.69%

LAB 74.8, -12.15, -16.63

 

CMYK 36 / 20 / 0 / 16

HEX #8AACD6

RGB 138 172 214

HSL 213.16, 0.48%, 0.69%

LAB 69.3, -1.38, -24.99

 

CMYK 36 / 29 / 0 / 16

HEX #8A98D6

RGB 138 152 214

HSL 228.95, 0.48%, 0.69%

LAB 63.93, 9.88, -33.27

 

CMYK 33 / 36 / 0 / 16

HEX #908AD6

RGB 144 138 214

HSL 244.74, 0.48%, 0.69%

LAB 60.75, 19.64, -38.2

 

CMYK 60 / 33 / 0 / 25

HEX #4D81C0

RGB 77 129 192

HSL 212.87, 0.48%, 0.53%

LAB 53.04, 1.9, -38.15

 

CMYK 47 / 26 / 0 / 20

HEX #6B96CB

RGB 107 150 203

HSL 213.13, 0.48%, 0.61%

LAB 61, -0.21, -31.83

 

CMYK 36 / 20 / 0 / 16

HEX #8AACD6

RGB 138 172 214

HSL 213.16, 0.48%, 0.69%

LAB 69.3, -1.38, -24.99

 

CMYK 25 / 14 / 0 / 12

HEX #A9C2E1

RGB 169 194 225

HSL 213.21, 0.48%, 0.77%

LAB 77.55, -1.66, -18.24

 

CMYK 15 / 9 / 0 / 8

HEX #C7D7EB

RGB 199 215 235

HSL 213.33, 0.47%, 0.85%

LAB 85.37, -1.35, -11.63

 

CMYK 36 / 20 / 0 / 16

HEX #8AACD6

RGB 138 172 214

HSL 213.16, 0.48%, 0.69%

LAB 69.3, -1.38, -24.99

 

CMYK 9 / 36 / 0 / 16

HEX #C38AD6

RGB 195 138 214

HSL 285, 0.48%, 0.69%

LAB 65.46, 34.87, -30.5

 

CMYK 5 / 0 / 36 / 16

HEX #CBD68A

RGB 203 214 138

HSL 68.68, 0.48%, 0.69%

LAB 83.24, -15.56, 36.33

 

CMYK 36 / 20 / 0 / 16

HEX #8AACD6

RGB 138 172 214

HSL 213.16, 0.48%, 0.69%

LAB 69.3, -1.38, -24.99

 

CMYK 0 / 36 / 20 / 16

HEX #D68AAC

RGB 214 138 172

HSL 333.16, 0.48%, 0.69%

LAB 66.1, 33.69, -5.8

 

CMYK 20 / 0 / 36 / 16

HEX #ACD68A

RGB 172 214 138

HSL 93.16, 0.48%, 0.69%

LAB 81.13, -27.09, 33.16

 

CMYK 36 / 20 / 0 / 16

HEX #8AACD6

RGB 138 172 214

HSL 213.16, 0.48%, 0.69%

LAB 69.3, -1.38, -24.99

 

CMYK 9 / 36 / 0 / 16

HEX #C38AD6

RGB 195 138 214

HSL 285, 0.48%, 0.69%

LAB 65.46, 34.87, -30.5

 

CMYK 0 / 16 / 36 / 16

HEX #D6B48A

RGB 214 180 138

HSL 33.16, 0.48%, 0.69%

LAB 75.31, 6.36, 26.01

 

CMYK 27 / 0 / 36 / 16

HEX #9DD68A

RGB 157 214 138

HSL 105, 0.48%, 0.69%

LAB 80.23, -32.34, 31.82

 

CMYK 36 / 20 / 0 / 16

HEX #8AACD6

RGB 138 172 214

HSL 213.16, 0.48%, 0.69%

LAB 69.3, -1.38, -24.99

 

CMYK 0 / 36 / 2 / 16

HEX #D68AD2

RGB 214 138 210

HSL 303.16, 0.48%, 0.69%

LAB 67.37, 40.06, -25.16

 

CMYK 0 / 16 / 36 / 16

HEX #D6B48A

RGB 214 180 138

HSL 33.16, 0.48%, 0.69%

LAB 75.31, 6.36, 26.01

 

CMYK 36 / 0 / 34 / 16

HEX #8AD68E

RGB 138 214 142

HSL 123.16, 0.48%, 0.69%

LAB 79.3, -37.93, 28.34

 

Description

Color code: HEX #8AACD6 | qconv.com Color code: HEX #8AACD6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 172 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 172 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 20 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 20% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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