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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A84C4 it is the complementary color #757B3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A84C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A84C4 shade: #8F84BF, #A096D2, #B1A8E5, #C2BAF8 and #D3CCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A84C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A84C4 shade: #8A84C4, #7972B1, #68609E, #574E8B and #463C78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A84C4 shade: #8983C3, #9A83C3, #AC83C3, #BD83C3 and #C383B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A84C4 shade: #8983C3 and #8383C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A84C4 shade matches the following richer shades: #8983C3, #7D74D2, #7165E1, #6557F0 and #5948FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A84C4 shade: #8983C3, #9592B4, #A1A1A6, #ADB097 and #B9BE88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A84C4 shade: #83A0C3, #838FC3, #8883C3, #9A83C3 and #AB83C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A84C4 shade: #574FA5, #6F67B6, #8983C3, #A49FD1 and #BEBBDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A84C4 shade: #8A84C4, #C383B1 and #97C383

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A84C4 shade: #8A84C4, #C38883 and #83C388

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A84C4 shade: #8A84C4, #C383B1, #BEC383 and #83C395

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A84C4 shade: #8A84C4, #C3839E, #BEC383 and #83C3A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 33 / 0 / 23

HEX #8A84C4

RGB 138 132 196

HSL 245.63, 0.35%, 0.64%

LAB 57.93, 16.75, -32.49

 

Complementary color

CMYK 5 / 0 / 52 / 52

HEX #757B3B

RGB 117 123 59

HSL 65.63, 0.35%, 0.36%

LAB 49.81, -12.23, 33.89

 

CMYK 25 / 31 / 0 / 25

HEX #8F84BF

RGB 143 132 191

HSL 251.19, 0.32%, 0.63%

LAB 58.14, 16.99, -29.31

 

CMYK 24 / 29 / 0 / 18

HEX #A096D2

RGB 160 150 210

HSL 250, 0.4%, 0.71%

LAB 64.91, 16.43, -29.39

 

CMYK 23 / 27 / 0 / 10

HEX #B1A8E5

RGB 177 168 229

HSL 248.85, 0.54%, 0.78%

LAB 71.56, 15.93, -29.5

 

CMYK 22 / 25 / 0 / 3

HEX #C2BAF8

RGB 194 186 248

HSL 247.74, 0.82%, 0.85%

LAB 78.09, 15.47, -29.63

 

CMYK 17 / 20 / 0 / 0

HEX #D3CCFF

RGB 211 204 255

HSL 248.24, 1%, 0.9%

LAB 84.1, 12.44, -24.07

 

CMYK 30 / 33 / 0 / 23

HEX #8A84C4

RGB 138 132 196

HSL 245.63, 0.35%, 0.64%

LAB 57.93, 16.75, -32.49

 

CMYK 32 / 36 / 0 / 31

HEX #7972B1

RGB 121 114 177

HSL 246.67, 0.29%, 0.57%

LAB 51.01, 17.42, -32.52

 

CMYK 34 / 39 / 0 / 38

HEX #68609E

RGB 104 96 158

HSL 247.74, 0.24%, 0.5%

LAB 43.91, 18.2, -32.6

 

CMYK 37 / 44 / 0 / 45

HEX #574E8B

RGB 87 78 139

HSL 248.85, 0.28%, 0.43%

LAB 36.63, 19.12, -32.75

 

CMYK 42 / 50 / 0 / 53

HEX #463C78

RGB 70 60 120

HSL 250, 0.33%, 0.35%

LAB 29.13, 20.22, -32.98

 

CMYK 30 / 33 / 0 / 24

HEX #8983C3

RGB 137 131 195

HSL 245.63, 0.35%, 0.64%

LAB 57.55, 16.78, -32.53

 

CMYK 21 / 33 / 0 / 24

HEX #9A83C3

RGB 154 131 195

HSL 261.56, 0.35%, 0.64%

LAB 59.01, 21.92, -30.14

 

CMYK 12 / 33 / 0 / 24

HEX #AC83C3

RGB 172 131 195

HSL 278.44, 0.35%, 0.64%

LAB 60.73, 27.57, -27.34

 

CMYK 3 / 33 / 0 / 24

HEX #BD83C3

RGB 189 131 195

HSL 294.38, 0.35%, 0.64%

LAB 62.5, 33.03, -24.47

 

CMYK 0 / 33 / 6 / 24

HEX #C383B8

RGB 195 131 184

HSL 310.31, 0.35%, 0.64%

LAB 62.76, 32.95, -17.81

 

CMYK 30 / 33 / 0 / 24

HEX #8983C3

RGB 137 131 195

HSL 245.63, 0.35%, 0.64%

LAB 57.55, 16.78, -32.53

 

CMYK 33 / 33 / 0 / 24

HEX #8383C3

RGB 131 131 195

HSL 240, 0.35%, 0.64%

LAB 57.07, 15.03, -33.31

 

CMYK 30 / 33 / 0 / 24

HEX #8983C3

RGB 137 131 195

HSL 245.63, 0.35%, 0.64%

LAB 57.55, 16.78, -32.53

 

CMYK 40 / 45 / 0 / 18

HEX #7D74D2

RGB 125 116 210

HSL 245.74, 0.51%, 0.64%

LAB 53.5, 26.41, -47.48

 

CMYK 50 / 55 / 0 / 12

HEX #7165E1

RGB 113 101 225

HSL 245.81, 0.67%, 0.64%

LAB 49.8, 36.96, -61.94

 

CMYK 58 / 64 / 0 / 6

HEX #6557F0

RGB 101 87 240

HSL 245.49, 0.84%, 0.64%

LAB 46.81, 47.49, -75.29

 

CMYK 65 / 72 / 0 / 0

HEX #5948FF

RGB 89 72 255

HSL 245.57, 1%, 0.64%

LAB 44.2, 58.66, -87.99

 

CMYK 30 / 33 / 0 / 24

HEX #8983C3

RGB 137 131 195

HSL 245.63, 0.35%, 0.64%

LAB 57.55, 16.78, -32.53

 

CMYK 17 / 19 / 0 / 29

HEX #9592B4

RGB 149 146 180

HSL 245.29, 0.18%, 0.64%

LAB 61.86, 8.23, -17.32

 

CMYK 3 / 3 / 0 / 35

HEX #A1A1A6

RGB 161 161 166

HSL 240, 0.03%, 0.64%

LAB 66.38, 0.97, -2.6

 

CMYK 2 / 0 / 14 / 31

HEX #ADB097

RGB 173 176 151

HSL 67.2, 0.14%, 0.64%

LAB 70.99, -5.49, 12.46

 

CMYK 3 / 0 / 28 / 25

HEX #B9BE88

RGB 185 190 136

HSL 65.56, 0.29%, 0.64%

LAB 75.4, -10.53, 26.76

 

CMYK 33 / 18 / 0 / 24

HEX #83A0C3

RGB 131 160 195

HSL 212.81, 0.35%, 0.64%

LAB 64.89, -1.62, -21.25

 

CMYK 33 / 27 / 0 / 24

HEX #838FC3

RGB 131 143 195

HSL 228.75, 0.35%, 0.64%

LAB 60.26, 8.04, -28.36

 

CMYK 30 / 33 / 0 / 24

HEX #8883C3

RGB 136 131 195

HSL 244.69, 0.35%, 0.64%

LAB 57.47, 16.49, -32.66

 

CMYK 21 / 33 / 0 / 24

HEX #9A83C3

RGB 154 131 195

HSL 261.56, 0.35%, 0.64%

LAB 59.01, 21.92, -30.14

 

CMYK 12 / 33 / 0 / 24

HEX #AB83C3

RGB 171 131 195

HSL 277.5, 0.35%, 0.64%

LAB 60.63, 27.26, -27.51

 

CMYK 47 / 52 / 0 / 35

HEX #574FA5

RGB 87 79 165

HSL 245.58, 0.35%, 0.48%

LAB 38.44, 26.35, -45.56

 

CMYK 39 / 43 / 0 / 29

HEX #6F67B6

RGB 111 103 182

HSL 246.08, 0.35%, 0.56%

LAB 47.57, 22.64, -40.89

 

CMYK 30 / 33 / 0 / 24

HEX #8983C3

RGB 137 131 195

HSL 245.63, 0.35%, 0.64%

LAB 57.55, 16.78, -32.53

 

CMYK 22 / 24 / 0 / 18

HEX #A49FD1

RGB 164 159 209

HSL 246, 0.35%, 0.72%

LAB 67.5, 12.34, -24.83

 

CMYK 14 / 16 / 0 / 13

HEX #BEBBDE

RGB 190 187 222

HSL 245.14, 0.35%, 0.8%

LAB 77.14, 7.98, -17.1

 

CMYK 30 / 33 / 0 / 23

HEX #8A84C4

RGB 138 132 196

HSL 245.63, 0.35%, 0.64%

LAB 57.93, 16.75, -32.49

 

CMYK 0 / 33 / 9 / 24

HEX #C383B1

RGB 195 131 177

HSL 316.88, 0.35%, 0.64%

LAB 62.52, 31.71, -14.21

 

CMYK 23 / 0 / 33 / 24

HEX #97C383

RGB 151 195 131

HSL 101.25, 0.35%, 0.64%

LAB 74.35, -26.42, 27.58

 

CMYK 30 / 33 / 0 / 23

HEX #8A84C4

RGB 138 132 196

HSL 245.63, 0.35%, 0.64%

LAB 57.93, 16.75, -32.49

 

CMYK 0 / 30 / 33 / 24

HEX #C38883

RGB 195 136 131

HSL 4.69, 0.35%, 0.64%

LAB 62.38, 21.92, 11.76

 

CMYK 33 / 0 / 30 / 24

HEX #83C388

RGB 131 195 136

HSL 124.69, 0.35%, 0.64%

LAB 73.31, -32.39, 23.34

 

CMYK 30 / 33 / 0 / 23

HEX #8A84C4

RGB 138 132 196

HSL 245.63, 0.35%, 0.64%

LAB 57.93, 16.75, -32.49

 

CMYK 0 / 33 / 9 / 24

HEX #C383B1

RGB 195 131 177

HSL 316.88, 0.35%, 0.64%

LAB 62.52, 31.71, -14.21

 

CMYK 3 / 0 / 33 / 24

HEX #BEC383

RGB 190 195 131

HSL 64.69, 0.35%, 0.64%

LAB 77.05, -11.82, 31.65

 

CMYK 33 / 0 / 24 / 24

HEX #83C395

RGB 131 195 149

HSL 136.88, 0.35%, 0.64%

LAB 73.56, -30.07, 16.75

 

CMYK 30 / 33 / 0 / 23

HEX #8A84C4

RGB 138 132 196

HSL 245.63, 0.35%, 0.64%

LAB 57.93, 16.75, -32.49

 

CMYK 0 / 33 / 19 / 24

HEX #C3839E

RGB 195 131 158

HSL 334.69, 0.35%, 0.64%

LAB 61.92, 28.56, -4.29

 

CMYK 3 / 0 / 33 / 24

HEX #BEC383

RGB 190 195 131

HSL 64.69, 0.35%, 0.64%

LAB 77.05, -11.82, 31.65

 

CMYK 33 / 0 / 13 / 24

HEX #83C3A9

RGB 131 195 169

HSL 155.63, 0.35%, 0.64%

LAB 74.01, -26.09, 6.6

 

Description

Color code: HEX #8A84C4 | qconv.com Color code: HEX #8A84C4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 132 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 132 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 33 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 33% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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