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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A736A it is the complementary color #758C95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A736A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A736A shade: #8F7365, #A08578, #B1978B, #C2A99E and #D3BBB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A736A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A736A shade: #8A736A, #796157, #684F44, #573D31 and #462B1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A736A shade: #8A736A, #8A6B6A and #8A6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A736A shade: #8A736A, #8A7C6A, #8A856A, #878A6A and #7F8A6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A736A shade matches the following richer shades: #8A736A, #9E6B57, #B26243, #C6592F and #DA511B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A736A shade: #8A736A, #777C7E, #638592, #4F8DA6 and #3B96BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A736A shade: #8A6A73, #8A6A6A, #8A736A, #8A7B6A and #8A846A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A736A shade: #5C4D47, #736059, #8A736A, #9E8980 and #B09E98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A736A shade: #8A736A, #7B8A6A and #6A6F8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A736A shade: #8A736A, #6A8A73 and #736A8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A736A shade: #8A736A, #7B8A6A, #6A828A and #796A8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A736A shade: #8A736A, #728A6A, #6A828A and #836A8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 23 / 46

HEX #8A736A

RGB 138 115 106

HSL 16.88, 0.13%, 0.48%

LAB 50.34, 7.49, 8.33

 

Complementary color

CMYK 21 / 6 / 0 / 42

HEX #758C95

RGB 117 140 149

HSL 196.88, 0.13%, 0.52%

LAB 56.79, -6.11, -7.52

 

CMYK 0 / 20 / 29 / 44

HEX #8F7365

RGB 143 115 101

HSL 20, 0.17%, 0.48%

LAB 50.73, 8.79, 11.9

 

CMYK 0 / 17 / 25 / 37

HEX #A08578

RGB 160 133 120

HSL 19.5, 0.17%, 0.55%

LAB 57.66, 8.22, 10.85

 

CMYK 0 / 15 / 21 / 31

HEX #B1978B

RGB 177 151 139

HSL 18.95, 0.2%, 0.62%

LAB 64.44, 7.72, 9.89

 

CMYK 0 / 13 / 19 / 24

HEX #C2A99E

RGB 194 169 158

HSL 18.33, 0.23%, 0.69%

LAB 71.09, 7.29, 9.01

 

CMYK 0 / 11 / 16 / 17

HEX #D3BBB1

RGB 211 187 177

HSL 17.65, 0.28%, 0.76%

LAB 77.62, 6.91, 8.17

 

CMYK 0 / 17 / 23 / 46

HEX #8A736A

RGB 138 115 106

HSL 16.88, 0.13%, 0.48%

LAB 50.34, 7.49, 8.33

 

CMYK 0 / 20 / 28 / 53

HEX #796157

RGB 121 97 87

HSL 17.65, 0.16%, 0.41%

LAB 43.22, 8.06, 9.36

 

CMYK 0 / 24 / 35 / 59

HEX #684F44

RGB 104 79 68

HSL 18.33, 0.21%, 0.34%

LAB 35.89, 8.76, 10.54

 

CMYK 0 / 30 / 44 / 66

HEX #573D31

RGB 87 61 49

HSL 18.95, 0.28%, 0.27%

LAB 28.34, 9.64, 11.91

 

CMYK 0 / 39 / 57 / 73

HEX #462B1E

RGB 70 43 30

HSL 19.5, 0.4%, 0.2%

LAB 20.53, 10.82, 13.59

 

CMYK 0 / 17 / 23 / 46

HEX #8A736A

RGB 138 115 106

HSL 16.88, 0.13%, 0.48%

LAB 50.34, 7.49, 8.33

 

CMYK 0 / 22 / 23 / 46

HEX #8A6B6A

RGB 138 107 106

HSL 1.87, 0.13%, 0.48%

LAB 48.21, 12.17, 5.29

 

CMYK 0 / 23 / 23 / 46

HEX #8A6A6A

RGB 138 106 106

HSL 0, 0.13%, 0.48%

LAB 47.95, 12.76, 4.91

 

CMYK 0 / 17 / 23 / 46

HEX #8A736A

RGB 138 115 106

HSL 16.88, 0.13%, 0.48%

LAB 50.34, 7.49, 8.33

 

CMYK 0 / 10 / 23 / 46

HEX #8A7C6A

RGB 138 124 106

HSL 33.75, 0.13%, 0.48%

LAB 52.8, 2.3, 11.79

 

CMYK 0 / 4 / 23 / 46

HEX #8A856A

RGB 138 133 106

HSL 50.63, 0.13%, 0.48%

LAB 55.3, -2.8, 15.26

 

CMYK 2 / 0 / 23 / 46

HEX #878A6A

RGB 135 138 106

HSL 65.63, 0.13%, 0.48%

LAB 56.45, -6.8, 16.81

 

CMYK 8 / 0 / 23 / 46

HEX #7F8A6A

RGB 127 138 106

HSL 80.63, 0.13%, 0.48%

LAB 55.82, -9.98, 15.83

 

CMYK 0 / 17 / 23 / 46

HEX #8A736A

RGB 138 115 106

HSL 16.88, 0.13%, 0.48%

LAB 50.34, 7.49, 8.33

 

CMYK 0 / 32 / 45 / 38

HEX #9E6B57

RGB 158 107 87

HSL 16.9, 0.29%, 0.48%

LAB 50.06, 17.89, 19.44

 

CMYK 0 / 45 / 62 / 30

HEX #B26243

RGB 178 98 67

HSL 16.76, 0.45%, 0.48%

LAB 50.22, 29.45, 31.65

 

CMYK 0 / 55 / 76 / 22

HEX #C6592F

RGB 198 89 47

HSL 16.69, 0.62%, 0.48%

LAB 51.1, 40.97, 44.15

 

CMYK 0 / 63 / 88 / 15

HEX #DA511B

RGB 218 81 27

HSL 16.96, 0.78%, 0.48%

LAB 52.81, 51.45, 55.8

 

CMYK 0 / 17 / 23 / 46

HEX #8A736A

RGB 138 115 106

HSL 16.88, 0.13%, 0.48%

LAB 50.34, 7.49, 8.33

 

CMYK 6 / 2 / 0 / 51

HEX #777C7E

RGB 119 124 126

HSL 197.14, 0.03%, 0.48%

LAB 51.66, -1.45, -1.74

 

CMYK 32 / 9 / 0 / 43

HEX #638592

RGB 99 133 146

HSL 196.6, 0.19%, 0.48%

LAB 53.5, -8.63, -10.84

 

CMYK 52 / 15 / 0 / 35

HEX #4F8DA6

RGB 79 141 166

HSL 197.24, 0.36%, 0.48%

LAB 55.55, -12.84, -19.37

 

CMYK 68 / 19 / 0 / 27

HEX #3B96BA

RGB 59 150 186

HSL 197.01, 0.52%, 0.48%

LAB 58.31, -15.3, -26.58

 

CMYK 0 / 23 / 17 / 46

HEX #8A6A73

RGB 138 106 115

HSL 343.13, 0.13%, 0.48%

LAB 48.2, 14.25, -0.1

 

CMYK 0 / 23 / 23 / 46

HEX #8A6A6A

RGB 138 106 106

HSL 0, 0.13%, 0.48%

LAB 47.95, 12.76, 4.91

 

CMYK 0 / 17 / 23 / 46

HEX #8A736A

RGB 138 115 106

HSL 16.88, 0.13%, 0.48%

LAB 50.34, 7.49, 8.33

 

CMYK 0 / 11 / 23 / 46

HEX #8A7B6A

RGB 138 123 106

HSL 31.88, 0.13%, 0.48%

LAB 52.52, 2.87, 11.4

 

CMYK 0 / 4 / 23 / 46

HEX #8A846A

RGB 138 132 106

HSL 48.75, 0.13%, 0.48%

LAB 55.02, -2.24, 14.88

 

CMYK 0 / 16 / 23 / 64

HEX #5C4D47

RGB 92 77 71

HSL 17.14, 0.13%, 0.32%

LAB 34.06, 5.19, 5.89

 

CMYK 0 / 17 / 23 / 55

HEX #736059

RGB 115 96 89

HSL 16.15, 0.13%, 0.4%

LAB 42.36, 6.45, 6.85

 

CMYK 0 / 17 / 23 / 46

HEX #8A736A

RGB 138 115 106

HSL 16.88, 0.13%, 0.48%

LAB 50.34, 7.49, 8.33

 

CMYK 0 / 13 / 19 / 38

HEX #9E8980

RGB 158 137 128

HSL 18, 0.13%, 0.56%

LAB 58.71, 6.41, 7.74

 

CMYK 0 / 10 / 14 / 31

HEX #B09E98

RGB 176 158 152

HSL 15, 0.13%, 0.64%

LAB 66.48, 5.56, 5.52

 

CMYK 0 / 17 / 23 / 46

HEX #8A736A

RGB 138 115 106

HSL 16.88, 0.13%, 0.48%

LAB 50.34, 7.49, 8.33

 

CMYK 11 / 0 / 23 / 46

HEX #7B8A6A

RGB 123 138 106

HSL 88.13, 0.13%, 0.48%

LAB 55.51, -11.55, 15.37

 

CMYK 23 / 20 / 0 / 46

HEX #6A6F8A

RGB 106 111 138

HSL 230.63, 0.13%, 0.48%

LAB 47.32, 4.36, -15.42

 

CMYK 0 / 17 / 23 / 46

HEX #8A736A

RGB 138 115 106

HSL 16.88, 0.13%, 0.48%

LAB 50.34, 7.49, 8.33

 

CMYK 23 / 0 / 17 / 46

HEX #6A8A73

RGB 106 138 115

HSL 136.88, 0.13%, 0.48%

LAB 54.53, -16.21, 8.67

 

CMYK 17 / 23 / 0 / 46

HEX #736A8A

RGB 115 106 138

HSL 256.88, 0.13%, 0.48%

LAB 46.69, 10.43, -16.31

 

CMYK 0 / 17 / 23 / 46

HEX #8A736A

RGB 138 115 106

HSL 16.88, 0.13%, 0.48%

LAB 50.34, 7.49, 8.33

 

CMYK 11 / 0 / 23 / 46

HEX #7B8A6A

RGB 123 138 106

HSL 88.13, 0.13%, 0.48%

LAB 55.51, -11.55, 15.37

 

CMYK 23 / 6 / 0 / 46

HEX #6A828A

RGB 106 130 138

HSL 195, 0.13%, 0.48%

LAB 52.8, -6.72, -7.18

 

CMYK 12 / 23 / 0 / 46

HEX #796A8A

RGB 121 106 138

HSL 268.13, 0.13%, 0.48%

LAB 47.25, 12.52, -15.42

 

CMYK 0 / 17 / 23 / 46

HEX #8A736A

RGB 138 115 106

HSL 16.88, 0.13%, 0.48%

LAB 50.34, 7.49, 8.33

 

CMYK 17 / 0 / 23 / 46

HEX #728A6A

RGB 114 138 106

HSL 105, 0.13%, 0.48%

LAB 54.86, -14.99, 14.37

 

CMYK 23 / 6 / 0 / 46

HEX #6A828A

RGB 106 130 138

HSL 195, 0.13%, 0.48%

LAB 52.8, -6.72, -7.18

 

CMYK 5 / 23 / 0 / 46

HEX #836A8A

RGB 131 106 138

HSL 286.88, 0.13%, 0.48%

LAB 48.22, 16.06, -13.85

 

Description

Color code: HEX #8A736A | qconv.com Color code: HEX #8A736A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 115 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 115 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 23 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 23% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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