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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A4263 it is the complementary color #75BD9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A4263. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A4263 shade: #8F425E, #A05471, #B16684, #C27897 and #D38AAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A4263. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A4263 shade: #8A4263, #793050, #681E3D, #570C2A and #460017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A4263 shade: #8A4263, #8A4250 and #8A4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A4263 shade: #8A4263, #8A4276, #8A428A, #77428A and #63428A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A4263 shade matches the following richer shades: #8A4263, #9A3262, #AB2160, #BB115F and #CC005E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A4263 shade: #8A4263, #795364, #696366, #587467 and #488469

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A4263 shade: #8A428A, #8A4277, #8A4264, #8A4251 and #8A4742

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A4263 shade: #52273B, #6E354F, #8A4263, #A65077 and #B6688C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A4263 shade: #8A4263, #8A7742 and #42808A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A4263 shade: #8A4263, #648A42 and #42648A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A4263 shade: #8A4263, #8A7742, #428A68 and #42558A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A4263 shade: #8A4263, #878A42, #428A68 and #45428A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 28 / 46

HEX #8A4263

RGB 138 66 99

HSL 332.5, 0.35%, 0.4%

LAB 38.2, 34.66, -5.03

 

Complementary color

CMYK 38 / 0 / 17 / 26

HEX #75BD9C

RGB 117 189 156

HSL 152.5, 0.35%, 0.6%

LAB 71.27, -30.01, 9.64

 

CMYK 0 / 54 / 34 / 44

HEX #8F425E

RGB 143 66 94

HSL 338.18, 0.37%, 0.41%

LAB 38.8, 35.75, -0.92

 

CMYK 0 / 48 / 29 / 37

HEX #A05471

RGB 160 84 113

HSL 337.11, 0.31%, 0.48%

LAB 45.64, 34.87, -2.32

 

CMYK 0 / 42 / 25 / 31

HEX #B16684

RGB 177 102 132

HSL 336, 0.32%, 0.55%

LAB 52.42, 33.98, -3.46

 

CMYK 0 / 38 / 22 / 24

HEX #C27897

RGB 194 120 151

HSL 334.86, 0.38%, 0.62%

LAB 59.1, 33.13, -4.44

 

CMYK 0 / 35 / 19 / 17

HEX #D38AAA

RGB 211 138 170

HSL 333.7, 0.45%, 0.68%

LAB 65.69, 32.33, -5.31

 

CMYK 0 / 52 / 28 / 46

HEX #8A4263

RGB 138 66 99

HSL 332.5, 0.35%, 0.4%

LAB 38.2, 34.66, -5.03

 

CMYK 0 / 60 / 34 / 53

HEX #793050

RGB 121 48 80

HSL 333.7, 0.43%, 0.33%

LAB 31.25, 35.41, -3.49

 

CMYK 0 / 71 / 41 / 59

HEX #681E3D

RGB 104 30 61

HSL 334.86, 0.55%, 0.26%

LAB 24.35, 35.82, -1.37

 

CMYK 0 / 86 / 52 / 66

HEX #570C2A

RGB 87 12 42

HSL 336, 0.76%, 0.19%

LAB 17.72, 35.27, 1.84

 

CMYK 0 / 100 / 67 / 73

HEX #460017

RGB 70 0 23

HSL 340.29, 1%, 0.14%

LAB 11.72, 32.73, 6.86

 

CMYK 0 / 52 / 28 / 46

HEX #8A4263

RGB 138 66 99

HSL 332.5, 0.35%, 0.4%

LAB 38.2, 34.66, -5.03

 

CMYK 0 / 52 / 42 / 46

HEX #8A4250

RGB 138 66 80

HSL 348.33, 0.35%, 0.4%

LAB 37.62, 32.15, 6.1

 

CMYK 0 / 52 / 52 / 46

HEX #8A4242

RGB 138 66 66

HSL 0, 0.35%, 0.4%

LAB 37.29, 30.63, 14.44

 

CMYK 0 / 52 / 28 / 46

HEX #8A4263

RGB 138 66 99

HSL 332.5, 0.35%, 0.4%

LAB 38.2, 34.66, -5.03

 

CMYK 0 / 52 / 14 / 46

HEX #8A4276

RGB 138 66 118

HSL 316.67, 0.35%, 0.4%

LAB 38.91, 37.65, -15.82

 

CMYK 0 / 52 / 0 / 46

HEX #8A428A

RGB 138 66 138

HSL 300, 0.35%, 0.4%

LAB 39.81, 41.26, -26.73

 

CMYK 14 / 52 / 0 / 46

HEX #77428A

RGB 119 66 138

HSL 284.17, 0.35%, 0.4%

LAB 37.21, 35.59, -30.99

 

CMYK 28 / 52 / 0 / 46

HEX #63428A

RGB 99 66 138

HSL 267.5, 0.35%, 0.4%

LAB 34.77, 29.75, -35.01

 

CMYK 0 / 52 / 28 / 46

HEX #8A4263

RGB 138 66 99

HSL 332.5, 0.35%, 0.4%

LAB 38.2, 34.66, -5.03

 

CMYK 0 / 68 / 36 / 40

HEX #9A3262

RGB 154 50 98

HSL 332.31, 0.51%, 0.4%

LAB 37.9, 47.55, -4.56

 

CMYK 0 / 81 / 44 / 33

HEX #AB2160

RGB 171 33 96

HSL 332.61, 0.68%, 0.4%

LAB 38.88, 58.08, -1.49

 

CMYK 0 / 91 / 49 / 27

HEX #BB115F

RGB 187 17 95

HSL 332.47, 0.83%, 0.4%

LAB 40.88, 65.3, 2.44

 

CMYK 0 / 100 / 54 / 20

HEX #CC005E

RGB 204 0 94

HSL 332.35, 1%, 0.4%

LAB 43.72, 70.95, 7.6

 

CMYK 0 / 52 / 28 / 46

HEX #8A4263

RGB 138 66 99

HSL 332.5, 0.35%, 0.4%

LAB 38.2, 34.66, -5.03

 

CMYK 0 / 31 / 17 / 53

HEX #795364

RGB 121 83 100

HSL 333.16, 0.19%, 0.4%

LAB 39.87, 18.63, -3.44

 

CMYK 0 / 6 / 3 / 59

HEX #696366

RGB 105 99 102

HSL 330, 0.03%, 0.4%

LAB 42.59, 2.97, -0.85

 

CMYK 24 / 0 / 11 / 55

HEX #587467

RGB 88 116 103

HSL 152.14, 0.14%, 0.4%

LAB 46.37, -13.1, 3.87

 

CMYK 45 / 0 / 20 / 48

HEX #488469

RGB 72 132 105

HSL 153, 0.29%, 0.4%

LAB 50.57, -26.23, 8.58

 

CMYK 0 / 52 / 0 / 46

HEX #8A428A

RGB 138 66 138

HSL 300, 0.35%, 0.4%

LAB 39.81, 41.26, -26.73

 

CMYK 0 / 52 / 14 / 46

HEX #8A4277

RGB 138 66 119

HSL 315.83, 0.35%, 0.4%

LAB 38.95, 37.82, -16.37

 

CMYK 0 / 52 / 28 / 46

HEX #8A4264

RGB 138 66 100

HSL 331.67, 0.35%, 0.4%

LAB 38.23, 34.8, -5.61

 

CMYK 0 / 52 / 41 / 46

HEX #8A4251

RGB 138 66 81

HSL 347.5, 0.35%, 0.4%

LAB 37.65, 32.27, 5.51

 

CMYK 0 / 49 / 52 / 46

HEX #8A4742

RGB 138 71 66

HSL 4.17, 0.35%, 0.4%

LAB 38.38, 27.87, 15.92

 

CMYK 0 / 52 / 28 / 68

HEX #52273B

RGB 82 39 59

HSL 332.09, 0.36%, 0.24%

LAB 22.16, 22.79, -3.67

 

CMYK 0 / 52 / 28 / 57

HEX #6E354F

RGB 110 53 79

HSL 332.63, 0.35%, 0.32%

LAB 30.46, 28.59, -4.2

 

CMYK 0 / 52 / 28 / 46

HEX #8A4263

RGB 138 66 99

HSL 332.5, 0.35%, 0.4%

LAB 38.2, 34.66, -5.03

 

CMYK 0 / 52 / 28 / 35

HEX #A65077

RGB 166 80 119

HSL 332.79, 0.35%, 0.48%

LAB 45.87, 39.94, -5.52

 

CMYK 0 / 43 / 23 / 29

HEX #B6688C

RGB 182 104 140

HSL 332.31, 0.35%, 0.56%

LAB 53.75, 35.87, -6.13

 

CMYK 0 / 52 / 28 / 46

HEX #8A4263

RGB 138 66 99

HSL 332.5, 0.35%, 0.4%

LAB 38.2, 34.66, -5.03

 

CMYK 0 / 14 / 52 / 46

HEX #8A7742

RGB 138 119 66

HSL 44.17, 0.35%, 0.4%

LAB 50.68, 0.06, 31.66

 

CMYK 52 / 7 / 0 / 46

HEX #42808A

RGB 66 128 138

HSL 188.33, 0.35%, 0.4%

LAB 50.02, -17.06, -11.57

 

CMYK 0 / 52 / 28 / 46

HEX #8A4263

RGB 138 66 99

HSL 332.5, 0.35%, 0.4%

LAB 38.2, 34.66, -5.03

 

CMYK 28 / 0 / 52 / 46

HEX #648A42

RGB 100 138 66

HSL 91.67, 0.35%, 0.4%

LAB 53.25, -26.36, 34.08

 

CMYK 52 / 28 / 0 / 46

HEX #42648A

RGB 66 100 138

HSL 211.67, 0.35%, 0.4%

LAB 41.39, -0.84, -24.79

 

CMYK 0 / 52 / 28 / 46

HEX #8A4263

RGB 138 66 99

HSL 332.5, 0.35%, 0.4%

LAB 38.2, 34.66, -5.03

 

CMYK 0 / 14 / 52 / 46

HEX #8A7742

RGB 138 119 66

HSL 44.17, 0.35%, 0.4%

LAB 50.68, 0.06, 31.66

 

CMYK 52 / 0 / 25 / 46

HEX #428A68

RGB 66 138 104

HSL 151.67, 0.35%, 0.4%

LAB 52.21, -31.01, 11.43

 

CMYK 52 / 38 / 0 / 46

HEX #42558A

RGB 66 85 138

HSL 224.17, 0.35%, 0.4%

LAB 36.91, 8.62, -31.8

 

CMYK 0 / 52 / 28 / 46

HEX #8A4263

RGB 138 66 99

HSL 332.5, 0.35%, 0.4%

LAB 38.2, 34.66, -5.03

 

CMYK 2 / 0 / 52 / 46

HEX #878A42

RGB 135 138 66

HSL 62.5, 0.35%, 0.4%

LAB 55.81, -11.81, 37.74

 

CMYK 52 / 0 / 25 / 46

HEX #428A68

RGB 66 138 104

HSL 151.67, 0.35%, 0.4%

LAB 52.21, -31.01, 11.43

 

CMYK 50 / 52 / 0 / 46

HEX #45428A

RGB 69 66 138

HSL 242.5, 0.35%, 0.4%

LAB 31.8, 21.78, -39.93

 

Description

Color code: HEX #8A4263 | qconv.com Color code: HEX #8A4263 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 66 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 66 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 28 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 28% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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