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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A37F0 it is the complementary color #75C80F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A37F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A37F0 shade: #8F37EB, #A049FE, #B15BFF, #C26DFF and #D37FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A37F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A37F0 shade: #8A37F0, #7925DD, #6813CA, #5701B7 and #4600A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A37F0 shade: #8A38F0, #BC38F0, #EE38F0, #F038C1 and #F0388F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A37F0 shade: #8A38F0, #5938F0 and #3838F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A37F0 shade matches the following richer shades: #8A38F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A37F0 shade: #8A38F0, #8C49DF, #8E5ACD, #906CBC and #927DAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A37F0 shade: #384AF0, #5638F0, #8838F0, #B938F0 and #EA38F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A37F0 shade: #610FC6, #7412ED, #8A38F0, #A15EF3 and #B785F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A37F0 shade: #8A37F0, #F0387B and #38F03E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A37F0 shade: #8A37F0, #F08838 and #38F088

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A37F0 shade: #8A37F0, #F0387B, #A0F038 and #38F0AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A37F0 shade: #8A37F0, #F03844, #A0F038 and #38F0E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 77 / 0 / 6

HEX #8A37F0

RGB 138 55 240

HSL 266.92, 0.86%, 0.58%

LAB 44.84, 68.77, -78.37

 

Complementary color

CMYK 42 / 0 / 93 / 22

HEX #75C80F

RGB 117 200 15

HSL 86.92, 0.86%, 0.42%

LAB 72.97, -50.51, 70.76

 

CMYK 39 / 77 / 0 / 8

HEX #8F37EB

RGB 143 55 235

HSL 269.33, 0.82%, 0.57%

LAB 45.04, 68.35, -75.19

 

CMYK 37 / 71 / 0 / 0

HEX #A049FE

RGB 160 73 254

HSL 268.84, 0.99%, 0.64%

LAB 51.15, 68.17, -75.8

 

CMYK 31 / 64 / 0 / 0

HEX #B15BFF

RGB 177 91 255

HSL 271.46, 1%, 0.68%

LAB 56.14, 63.52, -68.16

 

CMYK 24 / 57 / 0 / 0

HEX #C26DFF

RGB 194 109 255

HSL 274.93, 1%, 0.71%

LAB 61.33, 58.58, -59.72

 

CMYK 17 / 50 / 0 / 0

HEX #D37FFF

RGB 211 127 255

HSL 279.38, 1%, 0.75%

LAB 66.71, 53.75, -51.05

 

CMYK 43 / 77 / 0 / 6

HEX #8A37F0

RGB 138 55 240

HSL 266.92, 0.86%, 0.58%

LAB 44.84, 68.77, -78.37

 

CMYK 45 / 83 / 0 / 13

HEX #7925DD

RGB 121 37 221

HSL 267.39, 0.73%, 0.51%

LAB 38.91, 68.42, -77.37

 

CMYK 49 / 91 / 0 / 21

HEX #6813CA

RGB 104 19 202

HSL 267.87, 0.83%, 0.43%

LAB 33.29, 67.03, -75.71

 

CMYK 52 / 99 / 0 / 28

HEX #5701B7

RGB 87 1 183

HSL 268.35, 0.99%, 0.36%

LAB 28.03, 64.43, -73.29

 

CMYK 57 / 100 / 0 / 36

HEX #4600A4

RGB 70 0 164

HSL 265.61, 1%, 0.32%

LAB 23.61, 59.05, -69.23

 

CMYK 43 / 77 / 0 / 6

HEX #8A38F0

RGB 138 56 240

HSL 266.74, 0.86%, 0.58%

LAB 44.97, 68.38, -78.15

 

CMYK 22 / 77 / 0 / 6

HEX #BC38F0

RGB 188 56 240

HSL 283.04, 0.86%, 0.58%

LAB 51.62, 76.48, -67.03

 

CMYK 1 / 77 / 0 / 6

HEX #EE38F0

RGB 238 56 240

HSL 299.35, 0.86%, 0.58%

LAB 59.25, 85.65, -54.38

 

CMYK 0 / 77 / 20 / 6

HEX #F038C1

RGB 240 56 193

HSL 315.33, 0.86%, 0.58%

LAB 57.27, 79.48, -30.84

 

CMYK 0 / 77 / 40 / 6

HEX #F0388F

RGB 240 56 143

HSL 331.63, 0.86%, 0.58%

LAB 55.42, 73.93, -4.44

 

CMYK 43 / 77 / 0 / 6

HEX #8A38F0

RGB 138 56 240

HSL 266.74, 0.86%, 0.58%

LAB 44.97, 68.38, -78.15

 

CMYK 63 / 77 / 0 / 6

HEX #5938F0

RGB 89 56 240

HSL 250.76, 0.86%, 0.58%

LAB 39.99, 62.2, -86.53

 

CMYK 77 / 77 / 0 / 6

HEX #3838F0

RGB 56 56 240

HSL 240, 0.86%, 0.58%

LAB 37.77, 59.41, -90.26

 

CMYK 43 / 77 / 0 / 6

HEX #8A38F0

RGB 138 56 240

HSL 266.74, 0.86%, 0.58%

LAB 44.97, 68.38, -78.15

 

CMYK 43 / 77 / 0 / 6

HEX #8A38F0

RGB 138 56 240

HSL 266.74, 0.86%, 0.58%

LAB 44.97, 68.38, -78.15

 

CMYK 37 / 67 / 0 / 13

HEX #8C49DF

RGB 140 73 223

HSL 266.8, 0.7%, 0.58%

LAB 46.54, 57.16, -65.97

 

CMYK 31 / 56 / 0 / 20

HEX #8E5ACD

RGB 142 90 205

HSL 267.13, 0.53%, 0.58%

LAB 48.85, 44.35, -51.95

 

CMYK 23 / 43 / 0 / 26

HEX #906CBC

RGB 144 108 188

HSL 267, 0.37%, 0.58%

LAB 52.16, 30.54, -36.91

 

CMYK 15 / 27 / 0 / 33

HEX #927DAB

RGB 146 125 171

HSL 267.39, 0.21%, 0.58%

LAB 55.8, 17.3, -21.45

 

CMYK 77 / 69 / 0 / 6

HEX #384AF0

RGB 56 74 240

HSL 234.13, 0.86%, 0.58%

LAB 41.26, 49.62, -84.49

 

CMYK 64 / 77 / 0 / 6

HEX #5638F0

RGB 86 56 240

HSL 249.78, 0.86%, 0.58%

LAB 39.75, 61.9, -86.93

 

CMYK 43 / 77 / 0 / 6

HEX #8838F0

RGB 136 56 240

HSL 266.09, 0.86%, 0.58%

LAB 44.74, 68.09, -78.54

 

CMYK 23 / 77 / 0 / 6

HEX #B938F0

RGB 185 56 240

HSL 282.07, 0.86%, 0.58%

LAB 51.19, 75.96, -67.75

 

CMYK 3 / 77 / 0 / 6

HEX #EA38F0

RGB 234 56 240

HSL 298.04, 0.86%, 0.58%

LAB 58.61, 84.89, -55.43

 

CMYK 51 / 92 / 0 / 22

HEX #610FC6

RGB 97 15 198

HSL 266.89, 0.86%, 0.42%

LAB 31.72, 66.28, -76

 

CMYK 51 / 92 / 0 / 7

HEX #7412ED

RGB 116 18 237

HSL 266.85, 0.86%, 0.5%

LAB 38.31, 76.17, -87.52

 

CMYK 43 / 77 / 0 / 6

HEX #8A38F0

RGB 138 56 240

HSL 266.74, 0.86%, 0.58%

LAB 44.97, 68.38, -78.15

 

CMYK 34 / 61 / 0 / 5

HEX #A15EF3

RGB 161 94 243

HSL 266.98, 0.86%, 0.66%

LAB 54.08, 55.88, -64.9

 

CMYK 26 / 46 / 0 / 4

HEX #B785F6

RGB 183 133 246

HSL 266.55, 0.86%, 0.74%

LAB 64.56, 41.15, -49.7

 

CMYK 43 / 77 / 0 / 6

HEX #8A37F0

RGB 138 55 240

HSL 266.92, 0.86%, 0.58%

LAB 44.84, 68.77, -78.37

 

CMYK 0 / 77 / 49 / 6

HEX #F0387B

RGB 240 56 123

HSL 338.15, 0.86%, 0.58%

LAB 54.85, 72.18, 6.64

 

CMYK 77 / 0 / 74 / 6

HEX #38F03E

RGB 56 240 62

HSL 121.96, 0.86%, 0.58%

LAB 83.71, -76.03, 68.52

 

CMYK 43 / 77 / 0 / 6

HEX #8A37F0

RGB 138 55 240

HSL 266.92, 0.86%, 0.58%

LAB 44.84, 68.77, -78.37

 

CMYK 0 / 43 / 77 / 6

HEX #F08838

RGB 240 136 56

HSL 26.09, 0.86%, 0.58%

LAB 66.84, 33.94, 57.77

 

CMYK 77 / 0 / 43 / 6

HEX #38F088

RGB 56 240 136

HSL 146.09, 0.86%, 0.58%

LAB 84.45, -67.13, 37.69

 

CMYK 43 / 77 / 0 / 6

HEX #8A37F0

RGB 138 55 240

HSL 266.92, 0.86%, 0.58%

LAB 44.84, 68.77, -78.37

 

CMYK 0 / 77 / 49 / 6

HEX #F0387B

RGB 240 56 123

HSL 338.15, 0.86%, 0.58%

LAB 54.85, 72.18, 6.64

 

CMYK 33 / 0 / 77 / 6

HEX #A0F038

RGB 160 240 56

HSL 86.09, 0.86%, 0.58%

LAB 87.04, -50.5, 74.76

 

CMYK 77 / 0 / 28 / 6

HEX #38F0AC

RGB 56 240 172

HSL 157.83, 0.86%, 0.58%

LAB 85.07, -60.2, 20.29

 

CMYK 43 / 77 / 0 / 6

HEX #8A37F0

RGB 138 55 240

HSL 266.92, 0.86%, 0.58%

LAB 44.84, 68.77, -78.37

 

CMYK 0 / 77 / 72 / 6

HEX #F03844

RGB 240 56 68

HSL 356.09, 0.86%, 0.58%

LAB 53.78, 68.82, 37.8

 

CMYK 33 / 0 / 77 / 6

HEX #A0F038

RGB 160 240 56

HSL 86.09, 0.86%, 0.58%

LAB 87.04, -50.5, 74.76

 

CMYK 77 / 0 / 5 / 6

HEX #38F0E4

RGB 56 240 228

HSL 176.09, 0.86%, 0.58%

LAB 86.39, -46.51, -7.05

 

Description

Color code: HEX #8A37F0 | qconv.com Color code: HEX #8A37F0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 55 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 55 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 77 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 77% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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