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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A32CF it is the complementary color #75CD30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A32CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A32CF shade: #8F32CA, #A044DD, #B156F0, #C268FF and #D37AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A32CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A32CF shade: #8A32CF, #7920BC, #680EA9, #570096 and #460083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A32CF shade: #8930CF, #B430CF, #CF30BF, #CF3094 and #CF3069

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A32CF shade: #8930CF, #5E30CF, #3430CF and #3030CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A32CF shade matches the following richer shades: #8930CF, #8C1CE3 and #8E07F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A32CF shade: #8930CF, #8745BA, #845AA5, #826E91 and #7F837C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A32CF shade: #3330CF, #5D30CF, #8730CF, #B230CF and #CF30C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A32CF shade: #5D218C, #7329AD, #8930CF, #9C52D6 and #AF73DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A32CF shade: #8A32CF, #CF3058 and #30CF48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A32CF shade: #8A32CF, #CF8730 and #30CF87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A32CF shade: #8A32CF, #CF3058, #78CF30 and #30CFA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A32CF shade: #8A32CF, #CF3830, #78CF30 and #30C7CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 76 / 0 / 19

HEX #8A32CF

RGB 138 50 207

HSL 273.63, 0.62%, 0.5%

LAB 41.52, 63.14, -64.97

 

Complementary color

CMYK 43 / 0 / 77 / 20

HEX #75CD30

RGB 117 205 48

HSL 93.63, 0.62%, 0.5%

LAB 74.61, -51.26, 64.71

 

CMYK 29 / 75 / 0 / 21

HEX #8F32CA

RGB 143 50 202

HSL 276.71, 0.6%, 0.49%

LAB 41.82, 62.93, -61.54

 

CMYK 28 / 69 / 0 / 13

HEX #A044DD

RGB 160 68 221

HSL 276.08, 0.69%, 0.57%

LAB 48.04, 62.92, -62.27

 

CMYK 26 / 64 / 0 / 6

HEX #B156F0

RGB 177 86 240

HSL 275.45, 0.84%, 0.64%

LAB 54.34, 62.52, -62.73

 

CMYK 24 / 59 / 0 / 0

HEX #C268FF

RGB 194 104 255

HSL 275.76, 1%, 0.7%

LAB 60.42, 61.03, -61.18

 

CMYK 17 / 52 / 0 / 0

HEX #D37AFF

RGB 211 122 255

HSL 280.15, 1%, 0.74%

LAB 65.74, 56.28, -52.58

 

CMYK 33 / 76 / 0 / 19

HEX #8A32CF

RGB 138 50 207

HSL 273.63, 0.62%, 0.5%

LAB 41.52, 63.14, -64.97

 

CMYK 36 / 83 / 0 / 26

HEX #7920BC

RGB 121 32 188

HSL 274.23, 0.71%, 0.43%

LAB 35.46, 62.54, -63.86

 

CMYK 38 / 92 / 0 / 34

HEX #680EA9

RGB 104 14 169

HSL 274.84, 0.85%, 0.36%

LAB 29.72, 60.74, -62.03

 

CMYK 42 / 100 / 0 / 41

HEX #570096

RGB 87 0 150

HSL 274.8, 1%, 0.29%

LAB 24.41, 57.32, -59.26

 

CMYK 47 / 100 / 0 / 49

HEX #460083

RGB 70 0 131

HSL 272.06, 1%, 0.26%

LAB 19.81, 51.41, -55.07

 

CMYK 34 / 77 / 0 / 19

HEX #8930CF

RGB 137 48 207

HSL 273.58, 0.62%, 0.5%

LAB 41.12, 63.73, -65.62

 

CMYK 13 / 77 / 0 / 19

HEX #B430CF

RGB 180 48 207

HSL 289.81, 0.62%, 0.5%

LAB 47.39, 71.45, -55.16

 

CMYK 0 / 77 / 8 / 19

HEX #CF30BF

RGB 207 48 191

HSL 306.04, 0.62%, 0.5%

LAB 50.85, 74.26, -40.14

 

CMYK 0 / 77 / 29 / 19

HEX #CF3094

RGB 207 48 148

HSL 322.26, 0.62%, 0.5%

LAB 48.91, 68.56, -17.81

 

CMYK 0 / 77 / 49 / 19

HEX #CF3069

RGB 207 48 105

HSL 338.49, 0.62%, 0.5%

LAB 47.49, 64.23, 6.22

 

CMYK 34 / 77 / 0 / 19

HEX #8930CF

RGB 137 48 207

HSL 273.58, 0.62%, 0.5%

LAB 41.12, 63.73, -65.62

 

CMYK 55 / 77 / 0 / 19

HEX #5E30CF

RGB 94 48 207

HSL 257.36, 0.62%, 0.5%

LAB 35.98, 57.3, -74.23

 

CMYK 75 / 77 / 0 / 19

HEX #3430CF

RGB 52 48 207

HSL 241.51, 0.62%, 0.5%

LAB 32.59, 52.95, -79.95

 

CMYK 77 / 77 / 0 / 19

HEX #3030CF

RGB 48 48 207

HSL 240, 0.62%, 0.5%

LAB 32.36, 52.66, -80.33

 

CMYK 34 / 77 / 0 / 19

HEX #8930CF

RGB 137 48 207

HSL 273.58, 0.62%, 0.5%

LAB 41.12, 63.73, -65.62

 

CMYK 38 / 88 / 0 / 11

HEX #8C1CE3

RGB 140 28 227

HSL 273.77, 0.78%, 0.5%

LAB 41.14, 74.48, -77.05

 

CMYK 43 / 97 / 0 / 3

HEX #8E07F8

RGB 142 7 248

HSL 273.61, 0.95%, 0.5%

LAB 42.28, 82.19, -87.06

 

CMYK 34 / 77 / 0 / 19

HEX #8930CF

RGB 137 48 207

HSL 273.58, 0.62%, 0.5%

LAB 41.12, 63.73, -65.62

 

CMYK 27 / 63 / 0 / 27

HEX #8745BA

RGB 135 69 186

HSL 273.85, 0.46%, 0.5%

LAB 42.69, 49.21, -50.86

 

CMYK 20 / 45 / 0 / 35

HEX #845AA5

RGB 132 90 165

HSL 273.6, 0.29%, 0.5%

LAB 45.54, 31.94, -33.99

 

CMYK 10 / 24 / 0 / 43

HEX #826E91

RGB 130 110 145

HSL 274.29, 0.14%, 0.5%

LAB 49.43, 14.85, -16.18

 

CMYK 3 / 0 / 5 / 49

HEX #7F837C

RGB 127 131 124

HSL 94.29, 0.03%, 0.5%

LAB 54.24, -2.87, 3.26

 

CMYK 75 / 77 / 0 / 19

HEX #3330CF

RGB 51 48 207

HSL 241.13, 0.62%, 0.5%

LAB 32.53, 52.88, -80.04

 

CMYK 55 / 77 / 0 / 19

HEX #5D30CF

RGB 93 48 207

HSL 256.98, 0.62%, 0.5%

LAB 35.88, 57.17, -74.4

 

CMYK 35 / 77 / 0 / 19

HEX #8730CF

RGB 135 48 207

HSL 272.83, 0.62%, 0.5%

LAB 40.85, 63.4, -66.07

 

CMYK 14 / 77 / 0 / 19

HEX #B230CF

RGB 178 48 207

HSL 289.06, 0.62%, 0.5%

LAB 47.08, 71.07, -55.67

 

CMYK 0 / 77 / 7 / 19

HEX #CF30C1

RGB 207 48 193

HSL 305.28, 0.62%, 0.5%

LAB 50.95, 74.55, -41.14

 

CMYK 34 / 76 / 0 / 45

HEX #5D218C

RGB 93 33 140

HSL 273.64, 0.62%, 0.34%

LAB 27.6, 46.48, -47.82

 

CMYK 34 / 76 / 0 / 32

HEX #7329AD

RGB 115 41 173

HSL 273.64, 0.62%, 0.42%

LAB 34.49, 54.97, -56.56

 

CMYK 34 / 77 / 0 / 19

HEX #8930CF

RGB 137 48 207

HSL 273.58, 0.62%, 0.5%

LAB 41.12, 63.73, -65.62

 

CMYK 27 / 62 / 0 / 16

HEX #9C52D6

RGB 156 82 214

HSL 273.64, 0.62%, 0.58%

LAB 49.44, 54, -56.05

 

CMYK 21 / 48 / 0 / 13

HEX #AF73DE

RGB 175 115 222

HSL 273.64, 0.62%, 0.66%

LAB 58.65, 43.31, -45.78

 

CMYK 33 / 76 / 0 / 19

HEX #8A32CF

RGB 138 50 207

HSL 273.63, 0.62%, 0.5%

LAB 41.52, 63.14, -64.97

 

CMYK 0 / 77 / 57 / 19

HEX #CF3058

RGB 207 48 88

HSL 344.91, 0.62%, 0.5%

LAB 47.08, 62.94, 16.09

 

CMYK 77 / 0 / 65 / 19

HEX #30CF48

RGB 48 207 72

HSL 129.06, 0.62%, 0.5%

LAB 73.36, -66.11, 53.97

 

CMYK 33 / 76 / 0 / 19

HEX #8A32CF

RGB 138 50 207

HSL 273.63, 0.62%, 0.5%

LAB 41.52, 63.14, -64.97

 

CMYK 0 / 35 / 77 / 19

HEX #CF8730

RGB 207 135 48

HSL 32.83, 0.62%, 0.5%

LAB 62.34, 20.45, 55.33

 

CMYK 77 / 0 / 35 / 19

HEX #30CF87

RGB 48 207 135

HSL 152.83, 0.62%, 0.5%

LAB 74.19, -56.44, 24.61

 

CMYK 33 / 76 / 0 / 19

HEX #8A32CF

RGB 138 50 207

HSL 273.63, 0.62%, 0.5%

LAB 41.52, 63.14, -64.97

 

CMYK 0 / 77 / 57 / 19

HEX #CF3058

RGB 207 48 88

HSL 344.91, 0.62%, 0.5%

LAB 47.08, 62.94, 16.09

 

CMYK 42 / 0 / 77 / 19

HEX #78CF30

RGB 120 207 48

HSL 92.83, 0.62%, 0.5%

LAB 75.35, -51.08, 65.46

 

CMYK 77 / 0 / 19 / 19

HEX #30CFA7

RGB 48 207 167

HSL 164.91, 0.62%, 0.5%

LAB 74.85, -49.27, 8.53

 

CMYK 33 / 76 / 0 / 19

HEX #8A32CF

RGB 138 50 207

HSL 273.63, 0.62%, 0.5%

LAB 41.52, 63.14, -64.97

 

CMYK 0 / 73 / 77 / 19

HEX #CF3830

RGB 207 56 48

HSL 3.02, 0.62%, 0.5%

LAB 47.37, 58.25, 40.2

 

CMYK 42 / 0 / 77 / 19

HEX #78CF30

RGB 120 207 48

HSL 92.83, 0.62%, 0.5%

LAB 75.35, -51.08, 65.46

 

CMYK 77 / 4 / 0 / 19

HEX #30C7CF

RGB 48 199 207

HSL 183.02, 0.62%, 0.5%

LAB 73.53, -34.83, -15.04

 

Description

Color code: HEX #8A32CF | qconv.com Color code: HEX #8A32CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 50 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 50 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 76 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 76% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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