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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A3277 it is the complementary color #75CD88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A3277. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A3277 shade: #8F3272, #A04485, #B15698, #C268AB and #D37ABE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A3277. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A3277 shade: #8A3277, #792064, #680E51, #57003E and #46002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A3277 shade: #8B3278, #8B3260, #8B3248 and #8B3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A3277 shade: #8B3278, #86328B, #6E328B, #56328B and #3E328B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A3277 shade matches the following richer shades: #8B3278, #9A2380, #A91389 and #B80492

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A3277 shade: #8B3278, #7B416F, #6C5166, #5D605E and #4E6F55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A3277 shade: #6D328B, #85328B, #8B3279, #8B3261 and #8B324A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A3277 shade: #4E1C43, #6C275D, #8B3278, #A93D92 and #C04FA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A3277 shade: #8A3277, #8B5532 and #328B79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A3277 shade: #8A3277, #798B32 and #32798B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A3277 shade: #8A3277, #8B5532, #328B44 and #32678B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A3277 shade: #8A3277, #8B7032, #328B44 and #324D8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 14 / 46

HEX #8A3277

RGB 138 50 119

HSL 312.95, 0.47%, 0.37%

LAB 36.02, 45.7, -20.9

 

Complementary color

CMYK 43 / 0 / 34 / 20

HEX #75CD88

RGB 117 205 136

HSL 132.95, 0.47%, 0.63%

LAB 75.59, -41.2, 26.31

 

CMYK 0 / 65 / 20 / 44

HEX #8F3272

RGB 143 50 114

HSL 318.71, 0.48%, 0.38%

LAB 36.62, 46.38, -16.76

 

CMYK 0 / 58 / 17 / 37

HEX #A04485

RGB 160 68 133

HSL 317.61, 0.4%, 0.45%

LAB 43.21, 46.07, -18.15

 

CMYK 0 / 51 / 14 / 31

HEX #B15698

RGB 177 86 152

HSL 316.48, 0.37%, 0.52%

LAB 49.82, 45.48, -19.21

 

CMYK 0 / 46 / 12 / 24

HEX #C268AB

RGB 194 104 171

HSL 315.33, 0.42%, 0.58%

LAB 56.4, 44.78, -20.07

 

CMYK 0 / 42 / 10 / 17

HEX #D37ABE

RGB 211 122 190

HSL 314.16, 0.5%, 0.65%

LAB 62.92, 44.03, -20.79

 

CMYK 0 / 64 / 14 / 46

HEX #8A3277

RGB 138 50 119

HSL 312.95, 0.47%, 0.37%

LAB 36.02, 45.7, -20.9

 

CMYK 0 / 74 / 17 / 53

HEX #792064

RGB 121 32 100

HSL 314.16, 0.58%, 0.3%

LAB 29.46, 45.5, -19.23

 

CMYK 0 / 87 / 22 / 59

HEX #680E51

RGB 104 14 81

HSL 315.33, 0.76%, 0.23%

LAB 23.17, 44.18, -16.71

 

CMYK 0 / 100 / 29 / 66

HEX #57003E

RGB 87 0 62

HSL 317.24, 1%, 0.17%

LAB 17.34, 41.11, -12.99

 

CMYK 0 / 100 / 39 / 73

HEX #46002B

RGB 70 0 43

HSL 323.14, 1%, 0.14%

LAB 12.46, 34.68, -7.12

 

CMYK 0 / 64 / 14 / 45

HEX #8B3278

RGB 139 50 120

HSL 312.81, 0.47%, 0.37%

LAB 36.23, 46.15, -21.19

 

CMYK 0 / 64 / 31 / 45

HEX #8B3260

RGB 139 50 96

HSL 328.99, 0.47%, 0.37%

LAB 35.23, 42.6, -7.55

 

CMYK 0 / 64 / 48 / 45

HEX #8B3248

RGB 139 50 72

HSL 345.17, 0.47%, 0.37%

LAB 34.47, 39.78, 6.76

 

CMYK 0 / 64 / 64 / 45

HEX #8B3232

RGB 139 50 50

HSL 0, 0.47%, 0.37%

LAB 33.98, 37.89, 20.19

 

CMYK 0 / 64 / 14 / 45

HEX #8B3278

RGB 139 50 120

HSL 312.81, 0.47%, 0.37%

LAB 36.23, 46.15, -21.19

 

CMYK 4 / 64 / 0 / 45

HEX #86328B

RGB 134 50 139

HSL 296.63, 0.47%, 0.37%

LAB 36.39, 48.12, -32.75

 

CMYK 21 / 64 / 0 / 45

HEX #6E328B

RGB 110 50 139

HSL 280.45, 0.47%, 0.37%

LAB 32.83, 41.95, -38.63

 

CMYK 38 / 64 / 0 / 45

HEX #56328B

RGB 86 50 139

HSL 264.27, 0.47%, 0.37%

LAB 29.72, 36.08, -43.8

 

CMYK 55 / 64 / 0 / 45

HEX #3E328B

RGB 62 50 139

HSL 248.09, 0.47%, 0.37%

LAB 27.21, 30.91, -47.99

 

CMYK 0 / 64 / 14 / 45

HEX #8B3278

RGB 139 50 120

HSL 312.81, 0.47%, 0.37%

LAB 36.23, 46.15, -21.19

 

CMYK 0 / 77 / 17 / 40

HEX #9A2380

RGB 154 35 128

HSL 313.11, 0.63%, 0.37%

LAB 37.17, 57.01, -24.5

 

CMYK 0 / 89 / 19 / 34

HEX #A91389

RGB 169 19 137

HSL 312.8, 0.8%, 0.37%

LAB 39.08, 65.38, -26.88

 

CMYK 0 / 98 / 21 / 28

HEX #B80492

RGB 184 4 146

HSL 312.67, 0.96%, 0.37%

LAB 41.77, 71.34, -27.97

 

CMYK 0 / 64 / 14 / 45

HEX #8B3278

RGB 139 50 120

HSL 312.81, 0.47%, 0.37%

LAB 36.23, 46.15, -21.19

 

CMYK 0 / 47 / 10 / 52

HEX #7B416F

RGB 123 65 111

HSL 312.41, 0.31%, 0.37%

LAB 36.25, 31.92, -15.72

 

CMYK 0 / 25 / 6 / 58

HEX #6C5166

RGB 108 81 102

HSL 313.33, 0.14%, 0.37%

LAB 37.9, 15.15, -7.77

 

CMYK 3 / 0 / 2 / 62

HEX #5D605E

RGB 93 96 94

HSL 140, 0.02%, 0.37%

LAB 40.41, -1.6, 0.73

 

CMYK 30 / 0 / 23 / 56

HEX #4E6F55

RGB 78 111 85

HSL 132.73, 0.17%, 0.37%

LAB 43.72, -17.75, 10.74

 

CMYK 22 / 64 / 0 / 45

HEX #6D328B

RGB 109 50 139

HSL 279.78, 0.47%, 0.37%

LAB 32.69, 41.7, -38.87

 

CMYK 4 / 64 / 0 / 45

HEX #85328B

RGB 133 50 139

HSL 295.96, 0.47%, 0.37%

LAB 36.24, 47.86, -33.01

 

CMYK 0 / 64 / 13 / 45

HEX #8B3279

RGB 139 50 121

HSL 312.13, 0.47%, 0.37%

LAB 36.27, 46.32, -21.74

 

CMYK 0 / 64 / 30 / 45

HEX #8B3261

RGB 139 50 97

HSL 328.31, 0.47%, 0.37%

LAB 35.27, 42.73, -8.13

 

CMYK 0 / 64 / 47 / 45

HEX #8B324A

RGB 139 50 74

HSL 343.82, 0.47%, 0.37%

LAB 34.53, 39.98, 5.55

 

CMYK 0 / 64 / 14 / 69

HEX #4E1C43

RGB 78 28 67

HSL 313.2, 0.47%, 0.21%

LAB 19.46, 28.99, -13.34

 

CMYK 0 / 64 / 14 / 58

HEX #6C275D

RGB 108 39 93

HSL 313.04, 0.47%, 0.29%

LAB 27.92, 37.6, -17.23

 

CMYK 0 / 64 / 14 / 45

HEX #8B3278

RGB 139 50 120

HSL 312.81, 0.47%, 0.37%

LAB 36.23, 46.15, -21.19

 

CMYK 0 / 64 / 14 / 34

HEX #A93D92

RGB 169 61 146

HSL 312.78, 0.47%, 0.45%

LAB 44.01, 53.88, -24.68

 

CMYK 0 / 59 / 13 / 25

HEX #C04FA8

RGB 192 79 168

HSL 312.74, 0.47%, 0.53%

LAB 51.41, 55.82, -26.01

 

CMYK 0 / 64 / 14 / 46

HEX #8A3277

RGB 138 50 119

HSL 312.95, 0.47%, 0.37%

LAB 36.02, 45.7, -20.9

 

CMYK 0 / 39 / 64 / 45

HEX #8B5532

RGB 139 85 50

HSL 23.6, 0.47%, 0.37%

LAB 41.56, 18.9, 29.52

 

CMYK 64 / 0 / 13 / 45

HEX #328B79

RGB 50 139 121

HSL 167.87, 0.47%, 0.37%

LAB 52.42, -30.88, 1.85

 

CMYK 0 / 64 / 14 / 46

HEX #8A3277

RGB 138 50 119

HSL 312.95, 0.47%, 0.37%

LAB 36.02, 45.7, -20.9

 

CMYK 13 / 0 / 64 / 45

HEX #798B32

RGB 121 139 50

HSL 72.13, 0.47%, 0.37%

LAB 54.82, -19.79, 44.03

 

CMYK 64 / 13 / 0 / 45

HEX #32798B

RGB 50 121 139

HSL 192.13, 0.47%, 0.37%

LAB 47.26, -16.29, -16.4

 

CMYK 0 / 64 / 14 / 46

HEX #8A3277

RGB 138 50 119

HSL 312.95, 0.47%, 0.37%

LAB 36.02, 45.7, -20.9

 

CMYK 0 / 39 / 64 / 45

HEX #8B5532

RGB 139 85 50

HSL 23.6, 0.47%, 0.37%

LAB 41.56, 18.9, 29.52

 

CMYK 64 / 0 / 51 / 45

HEX #328B44

RGB 50 139 68

HSL 132.13, 0.47%, 0.37%

LAB 51.34, -42.29, 30.18

 

CMYK 64 / 26 / 0 / 45

HEX #32678B

RGB 50 103 139

HSL 204.27, 0.47%, 0.37%

LAB 41.6, -5.9, -25.12

 

CMYK 0 / 64 / 14 / 46

HEX #8A3277

RGB 138 50 119

HSL 312.95, 0.47%, 0.37%

LAB 36.02, 45.7, -20.9

 

CMYK 0 / 19 / 64 / 45

HEX #8B7032

RGB 139 112 50

HSL 41.8, 0.47%, 0.37%

LAB 48.65, 3.17, 37.7

 

CMYK 64 / 0 / 51 / 45

HEX #328B44

RGB 50 139 68

HSL 132.13, 0.47%, 0.37%

LAB 51.34, -42.29, 30.18

 

CMYK 64 / 45 / 0 / 45

HEX #324D8B

RGB 50 77 139

HSL 221.8, 0.47%, 0.37%

LAB 33.67, 10.64, -37.62

 

Description

Color code: HEX #8A3277 | qconv.com Color code: HEX #8A3277 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 50 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 50 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 14 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 14% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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