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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89D12C it is the complementary color #762ED3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89D12C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89D12C shade: #8ED127, #9FE33A, #B0F54D, #C1FF60 and #D2FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89D12C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89D12C shade: #89D12C, #78BF19, #67AD06, #569B00 and #458900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89D12C shade: #8AD22C, #B6D22C, #D2C12C, #D2942C and #D2672C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89D12C shade: #8AD22C, #5DD22C, #30D22C, #2CD255 and #2CD281

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89D12C shade matches the following richer shades: #8AD22C, #8CE717 and #8FFB03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89D12C shade: #8AD22C, #87BD41, #84A955, #82946A and #7F7F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89D12C shade: #D2C12C, #B6D22C, #8AD22C, #5ED22C and #32D22C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89D12C shade: #5D8E1E, #73B025, #8AD22C, #9CD94E and #AFE070

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89D12C shade: #89D12C, #2CD295 and #D22CCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89D12C shade: #89D12C, #2C8AD2 and #D22C8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89D12C shade: #89D12C, #2CD295, #742CD2 and #D22C69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89D12C shade: #89D12C, #2CD2C7, #742CD2 and #D22C37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 79 / 18

HEX #89D12C

RGB 137 209 44

HSL 86.18, 0.65%, 0.5%

LAB 76.74, -46.3, 68.25

 

Complementary color

CMYK 44 / 78 / 0 / 17

HEX #762ED3

RGB 118 46 211

HSL 266.18, 0.65%, 0.5%

LAB 38.74, 62.46, -71.92

 

CMYK 32 / 0 / 81 / 18

HEX #8ED127

RGB 142 209 39

HSL 83.65, 0.69%, 0.49%

LAB 76.98, -44.72, 69.92

 

CMYK 30 / 0 / 74 / 11

HEX #9FE33A

RGB 159 227 58

HSL 84.14, 0.75%, 0.56%

LAB 83.24, -45.32, 70.53

 

CMYK 28 / 0 / 69 / 4

HEX #B0F54D

RGB 176 245 77

HSL 84.64, 0.89%, 0.63%

LAB 89.43, -45.76, 70.45

 

CMYK 24 / 0 / 62 / 0

HEX #C1FF60

RGB 193 255 96

HSL 83.4, 1%, 0.69%

LAB 93.32, -42.62, 67.56

 

CMYK 18 / 0 / 55 / 0

HEX #D2FF73

RGB 210 255 115

HSL 79.29, 1%, 0.73%

LAB 94.51, -34.84, 61.18

 

CMYK 34 / 0 / 79 / 18

HEX #89D12C

RGB 137 209 44

HSL 86.18, 0.65%, 0.5%

LAB 76.74, -46.3, 68.25

 

CMYK 37 / 0 / 87 / 25

HEX #78BF19

RGB 120 191 25

HSL 85.66, 0.77%, 0.42%

LAB 70.4, -45.57, 67

 

CMYK 40 / 0 / 97 / 32

HEX #67AD06

RGB 103 173 6

HSL 85.15, 0.93%, 0.35%

LAB 63.99, -44.57, 64.35

 

CMYK 45 / 0 / 100 / 39

HEX #569B00

RGB 86 155 0

HSL 86.71, 1%, 0.3%

LAB 57.48, -43.22, 59.73

 

CMYK 50 / 0 / 100 / 46

HEX #458900

RGB 69 137 0

HSL 89.78, 1%, 0.27%

LAB 50.87, -41.65, 54.24

 

CMYK 34 / 0 / 79 / 18

HEX #8AD22C

RGB 138 210 44

HSL 86.02, 0.65%, 0.5%

LAB 77.09, -46.37, 68.59

 

CMYK 13 / 0 / 79 / 18

HEX #B6D22C

RGB 182 210 44

HSL 70.12, 0.65%, 0.5%

LAB 79.74, -29.45, 71.98

 

CMYK 0 / 8 / 79 / 18

HEX #D2C12C

RGB 210 193 44

HSL 53.86, 0.65%, 0.5%

LAB 77.29, -9.28, 70.63

 

CMYK 0 / 30 / 79 / 18

HEX #D2942C

RGB 210 148 44

HSL 37.59, 0.65%, 0.5%

LAB 65.8, 14.54, 60.28

 

CMYK 0 / 51 / 79 / 18

HEX #D2672C

RGB 210 103 44

HSL 21.33, 0.65%, 0.5%

LAB 55.67, 38.49, 50.75

 

CMYK 34 / 0 / 79 / 18

HEX #8AD22C

RGB 138 210 44

HSL 86.02, 0.65%, 0.5%

LAB 77.09, -46.37, 68.59

 

CMYK 56 / 0 / 79 / 18

HEX #5DD22C

RGB 93 210 44

HSL 102.29, 0.65%, 0.5%

LAB 75.2, -60.36, 66.16

 

CMYK 77 / 0 / 79 / 18

HEX #30D22C

RGB 48 210 44

HSL 118.55, 0.65%, 0.5%

LAB 74.13, -69.32, 64.76

 

CMYK 79 / 0 / 60 / 18

HEX #2CD255

RGB 44 210 85

HSL 134.82, 0.65%, 0.5%

LAB 74.37, -66.11, 49.48

 

CMYK 79 / 0 / 39 / 18

HEX #2CD281

RGB 44 210 129

HSL 150.72, 0.65%, 0.5%

LAB 74.96, -59.19, 28.75

 

CMYK 34 / 0 / 79 / 18

HEX #8AD22C

RGB 138 210 44

HSL 86.02, 0.65%, 0.5%

LAB 77.09, -46.37, 68.59

 

CMYK 39 / 0 / 90 / 9

HEX #8CE717

RGB 140 231 23

HSL 86.25, 0.82%, 0.5%

LAB 83.33, -54.88, 78.55

 

CMYK 43 / 0 / 99 / 2

HEX #8FFB03

RGB 143 251 3

HSL 86.13, 0.98%, 0.5%

LAB 89.32, -61.85, 85.39

 

CMYK 34 / 0 / 79 / 18

HEX #8AD22C

RGB 138 210 44

HSL 86.02, 0.65%, 0.5%

LAB 77.09, -46.37, 68.59

 

CMYK 29 / 0 / 66 / 26

HEX #87BD41

RGB 135 189 65

HSL 86.13, 0.49%, 0.5%

LAB 70.82, -37.07, 54.99

 

CMYK 22 / 0 / 50 / 34

HEX #84A955

RGB 132 169 85

HSL 86.43, 0.33%, 0.5%

LAB 64.91, -26.94, 39.02

 

CMYK 12 / 0 / 28 / 42

HEX #82946A

RGB 130 148 106

HSL 85.71, 0.17%, 0.5%

LAB 58.94, -14.2, 20.14

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 0 / 8 / 79 / 18

HEX #D2C12C

RGB 210 193 44

HSL 53.86, 0.65%, 0.5%

LAB 77.29, -9.28, 70.63

 

CMYK 13 / 0 / 79 / 18

HEX #B6D22C

RGB 182 210 44

HSL 70.12, 0.65%, 0.5%

LAB 79.74, -29.45, 71.98

 

CMYK 34 / 0 / 79 / 18

HEX #8AD22C

RGB 138 210 44

HSL 86.02, 0.65%, 0.5%

LAB 77.09, -46.37, 68.59

 

CMYK 55 / 0 / 79 / 18

HEX #5ED22C

RGB 94 210 44

HSL 101.93, 0.65%, 0.5%

LAB 75.24, -60.1, 66.2

 

CMYK 76 / 0 / 79 / 18

HEX #32D22C

RGB 50 210 44

HSL 117.83, 0.65%, 0.5%

LAB 74.16, -69.05, 64.8

 

CMYK 35 / 0 / 79 / 44

HEX #5D8E1E

RGB 93 142 30

HSL 86.25, 0.65%, 0.34%

LAB 53.78, -34.09, 50.3

 

CMYK 35 / 0 / 79 / 31

HEX #73B025

RGB 115 176 37

HSL 86.33, 0.65%, 0.42%

LAB 65.62, -40.53, 59.6

 

CMYK 34 / 0 / 79 / 18

HEX #8AD22C

RGB 138 210 44

HSL 86.02, 0.65%, 0.5%

LAB 77.09, -46.37, 68.59

 

CMYK 28 / 0 / 64 / 15

HEX #9CD94E

RGB 156 217 78

HSL 86.33, 0.65%, 0.58%

LAB 80.32, -40.78, 60.19

 

CMYK 22 / 0 / 50 / 12

HEX #AFE070

RGB 175 224 112

HSL 86.25, 0.64%, 0.66%

LAB 83.75, -33.86, 49.34

 

CMYK 34 / 0 / 79 / 18

HEX #89D12C

RGB 137 209 44

HSL 86.18, 0.65%, 0.5%

LAB 76.74, -46.3, 68.25

 

CMYK 79 / 0 / 29 / 18

HEX #2CD295

RGB 44 210 149

HSL 157.95, 0.65%, 0.5%

LAB 75.33, -55.08, 18.78

 

CMYK 0 / 79 / 3 / 18

HEX #D22CCC

RGB 210 44 204

HSL 302.17, 0.65%, 0.5%

LAB 51.68, 77.83, -46.3

 

CMYK 34 / 0 / 79 / 18

HEX #89D12C

RGB 137 209 44

HSL 86.18, 0.65%, 0.5%

LAB 76.74, -46.3, 68.25

 

CMYK 79 / 34 / 0 / 18

HEX #2C8AD2

RGB 44 138 210

HSL 206.02, 0.65%, 0.5%

LAB 55.45, -2.09, -44.64

 

CMYK 0 / 79 / 34 / 18

HEX #D22C8A

RGB 210 44 138

HSL 326.02, 0.65%, 0.5%

LAB 48.68, 69.27, -12.08

 

CMYK 34 / 0 / 79 / 18

HEX #89D12C

RGB 137 209 44

HSL 86.18, 0.65%, 0.5%

LAB 76.74, -46.3, 68.25

 

CMYK 79 / 0 / 29 / 18

HEX #2CD295

RGB 44 210 149

HSL 157.95, 0.65%, 0.5%

LAB 75.33, -55.08, 18.78

 

CMYK 45 / 79 / 0 / 18

HEX #742CD2

RGB 116 44 210

HSL 266.02, 0.65%, 0.5%

LAB 38.14, 62.71, -72.33

 

CMYK 0 / 79 / 50 / 18

HEX #D22C69

RGB 210 44 105

HSL 337.95, 0.65%, 0.5%

LAB 47.65, 66.17, 6.52

 

CMYK 34 / 0 / 79 / 18

HEX #89D12C

RGB 137 209 44

HSL 86.18, 0.65%, 0.5%

LAB 76.74, -46.3, 68.25

 

CMYK 79 / 0 / 5 / 18

HEX #2CD2C7

RGB 44 210 199

HSL 176.02, 0.65%, 0.5%

LAB 76.53, -42.53, -6.25

 

CMYK 45 / 79 / 0 / 18

HEX #742CD2

RGB 116 44 210

HSL 266.02, 0.65%, 0.5%

LAB 38.14, 62.71, -72.33

 

CMYK 0 / 79 / 74 / 18

HEX #D22C37

RGB 210 44 55

HSL 356.02, 0.65%, 0.5%

LAB 46.68, 63.17, 35.63

 

Description

Color code: HEX #89d12c | qconv.com Color code: HEX #89d12c | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 209 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 209 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 79 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 79% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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