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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89FEB2 it is the complementary color #76014D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89FEB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89FEB2 shade: #8EFEAD, #9FFFC0, #B0FFD3, #C1FFE6 and #D2FFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89FEB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89FEB2 shade: #89FEB2, #78EC9F, #67DA8C, #56C879 and #45B666

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89FEB2 shade: #8BFEB3, #8BFE94, #A1FE8B, #C0FE8B and #DFFE8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89FEB2 shade: #8BFEB3, #8BFED2, #8BFEF1, #8BEBFE and #8BCCFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89FEB2 shade matches the following richer shades: #8BFEB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89FEB2 shade: #8BFEB3, #94F4B6, #9EEBB9, #A7E1BC and #B1D8BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89FEB2 shade: #A0FE8B, #8BFE94, #8BFEB3, #8BFED2 and #8BFEF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89FEB2 shade: #39FD7E, #62FD98, #8BFEB3, #B4FECE and #DDFFE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89FEB2 shade: #89FEB2, #8BBFFE and #FE8B91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89FEB2 shade: #89FEB2, #B38BFE and #FEB38B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89FEB2 shade: #89FEB2, #8BBFFE, #FE8BD6 and #FECA8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89FEB2 shade: #89FEB2, #8B9CFE, #FE8BD6 and #FEED8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 30 / 0

HEX #89FEB2

RGB 137 254 178

HSL 141.03, 0.98%, 0.77%

LAB 91.42, -49.44, 26.3

 

Complementary color

CMYK 0 / 99 / 35 / 54

HEX #76014D

RGB 118 1 77

HSL 321.03, 0.98%, 0.23%

LAB 24.98, 49.74, -10.99

 

CMYK 44 / 0 / 32 / 0

HEX #8EFEAD

RGB 142 254 173

HSL 136.61, 0.98%, 0.78%

LAB 91.53, -49.01, 29.01

 

CMYK 38 / 0 / 25 / 0

HEX #9FFFC0

RGB 159 255 192

HSL 140.63, 1%, 0.81%

LAB 92.88, -41.42, 21.34

 

CMYK 31 / 0 / 17 / 0

HEX #B0FFD3

RGB 176 255 211

HSL 146.58, 1%, 0.85%

LAB 94.08, -33.01, 13.42

 

CMYK 24 / 0 / 10 / 0

HEX #C1FFE6

RGB 193 255 230

HSL 155.81, 1%, 0.88%

LAB 95.4, -24.31, 5.66

 

CMYK 18 / 0 / 2 / 0

HEX #D2FFF9

RGB 210 255 249

HSL 172, 1%, 0.91%

LAB 96.85, -15.43, -1.9

 

CMYK 46 / 0 / 30 / 0

HEX #89FEB2

RGB 137 254 178

HSL 141.03, 0.98%, 0.77%

LAB 91.42, -49.44, 26.3

 

CMYK 49 / 0 / 33 / 7

HEX #78EC9F

RGB 120 236 159

HSL 140.17, 0.75%, 0.7%

LAB 85.24, -49.61, 27.47

 

CMYK 53 / 0 / 36 / 15

HEX #67DA8C

RGB 103 218 140

HSL 139.3, 0.61%, 0.63%

LAB 79, -49.72, 28.71

 

CMYK 57 / 0 / 40 / 22

HEX #56C879

RGB 86 200 121

HSL 138.42, 0.51%, 0.56%

LAB 72.67, -49.74, 30.03

 

CMYK 62 / 0 / 44 / 29

HEX #45B666

RGB 69 182 102

HSL 137.52, 0.45%, 0.49%

LAB 66.28, -49.6, 31.44

 

CMYK 45 / 0 / 30 / 0

HEX #8BFEB3

RGB 139 254 179

HSL 140.87, 0.98%, 0.77%

LAB 91.52, -48.74, 25.94

 

CMYK 45 / 0 / 42 / 0

HEX #8BFE94

RGB 139 254 148

HSL 124.7, 0.98%, 0.77%

LAB 91.01, -53.81, 40.72

 

CMYK 37 / 0 / 45 / 0

HEX #A1FE8B

RGB 161 254 139

HSL 108.52, 0.98%, 0.77%

LAB 91.83, -48.64, 46.3

 

CMYK 24 / 0 / 45 / 0

HEX #C0FE8B

RGB 192 254 139

HSL 92.35, 0.98%, 0.77%

LAB 93.43, -38.42, 48.64

 

CMYK 12 / 0 / 45 / 0

HEX #DFFE8B

RGB 223 254 139

HSL 76.17, 0.98%, 0.77%

LAB 95.34, -27.25, 51.44

 

CMYK 45 / 0 / 30 / 0

HEX #8BFEB3

RGB 139 254 179

HSL 140.87, 0.98%, 0.77%

LAB 91.52, -48.74, 25.94

 

CMYK 45 / 0 / 17 / 0

HEX #8BFED2

RGB 139 254 210

HSL 157.04, 0.98%, 0.77%

LAB 92.14, -42.71, 10.95

 

CMYK 45 / 0 / 5 / 0

HEX #8BFEF1

RGB 139 254 241

HSL 173.22, 0.98%, 0.77%

LAB 92.89, -35.81, -3.98

 

CMYK 45 / 7 / 0 / 0

HEX #8BEBFE

RGB 139 235 254

HSL 189.91, 0.98%, 0.77%

LAB 88, -23.57, -18.04

 

CMYK 45 / 20 / 0 / 0

HEX #8BCCFE

RGB 139 204 254

HSL 206.09, 0.98%, 0.77%

LAB 79.52, -7.74, -30.94

 

CMYK 45 / 0 / 30 / 0

HEX #8BFEB3

RGB 139 254 179

HSL 140.87, 0.98%, 0.77%

LAB 91.52, -48.74, 25.94

 

CMYK 45 / 0 / 30 / 0

HEX #8BFEB3

RGB 139 254 179

HSL 140.87, 0.98%, 0.77%

LAB 91.52, -48.74, 25.94

 

CMYK 39 / 0 / 25 / 4

HEX #94F4B6

RGB 148 244 182

HSL 141.25, 0.81%, 0.77%

LAB 89.1, -41.45, 21.14

 

CMYK 33 / 0 / 21 / 8

HEX #9EEBB9

RGB 158 235 185

HSL 141.04, 0.66%, 0.77%

LAB 87.09, -33.93, 16.86

 

CMYK 26 / 0 / 16 / 12

HEX #A7E1BC

RGB 167 225 188

HSL 141.72, 0.49%, 0.77%

LAB 84.84, -25.88, 12.19

 

CMYK 18 / 0 / 12 / 15

HEX #B1D8BF

RGB 177 216 191

HSL 141.54, 0.33%, 0.77%

LAB 83.03, -17.68, 8.1

 

CMYK 37 / 0 / 45 / 0

HEX #A0FE8B

RGB 160 254 139

HSL 109.04, 0.98%, 0.77%

LAB 91.78, -48.94, 46.23

 

CMYK 45 / 0 / 42 / 0

HEX #8BFE94

RGB 139 254 148

HSL 124.7, 0.98%, 0.77%

LAB 91.01, -53.81, 40.72

 

CMYK 45 / 0 / 30 / 0

HEX #8BFEB3

RGB 139 254 179

HSL 140.87, 0.98%, 0.77%

LAB 91.52, -48.74, 25.94

 

CMYK 45 / 0 / 17 / 0

HEX #8BFED2

RGB 139 254 210

HSL 157.04, 0.98%, 0.77%

LAB 92.14, -42.71, 10.95

 

CMYK 45 / 0 / 6 / 0

HEX #8BFEF0

RGB 139 254 240

HSL 172.7, 0.98%, 0.77%

LAB 92.87, -36.05, -3.5

 

CMYK 77 / 0 / 50 / 1

HEX #39FD7E

RGB 57 253 126

HSL 141.12, 0.98%, 0.61%

LAB 88.27, -72.94, 47.33

 

CMYK 61 / 0 / 40 / 1

HEX #62FD98

RGB 98 253 152

HSL 140.9, 0.97%, 0.69%

LAB 89.45, -62.43, 36.46

 

CMYK 45 / 0 / 30 / 0

HEX #8BFEB3

RGB 139 254 179

HSL 140.87, 0.98%, 0.77%

LAB 91.52, -48.74, 25.94

 

CMYK 29 / 0 / 19 / 0

HEX #B4FECE

RGB 180 254 206

HSL 141.08, 0.97%, 0.85%

LAB 93.9, -32.29, 15.76

 

CMYK 13 / 0 / 9 / 0

HEX #DDFFE9

RGB 221 255 233

HSL 141.18, 1%, 0.93%

LAB 97.14, -15.01, 6.83

 

CMYK 46 / 0 / 30 / 0

HEX #89FEB2

RGB 137 254 178

HSL 141.03, 0.98%, 0.77%

LAB 91.42, -49.44, 26.3

 

CMYK 45 / 25 / 0 / 0

HEX #8BBFFE

RGB 139 191 254

HSL 212.87, 0.98%, 0.77%

LAB 76.01, -0.75, -36.35

 

CMYK 0 / 45 / 43 / 0

HEX #FE8B91

RGB 254 139 145

HSL 356.87, 0.98%, 0.77%

LAB 70.58, 44.01, 16.44

 

CMYK 46 / 0 / 30 / 0

HEX #89FEB2

RGB 137 254 178

HSL 141.03, 0.98%, 0.77%

LAB 91.42, -49.44, 26.3

 

CMYK 30 / 45 / 0 / 0

HEX #B38BFE

RGB 179 139 254

HSL 260.87, 0.98%, 0.77%

LAB 65.91, 38.69, -51.98

 

CMYK 0 / 30 / 45 / 0

HEX #FEB38B

RGB 254 179 139

HSL 20.87, 0.98%, 0.77%

LAB 79.14, 22.73, 31.31

 

CMYK 46 / 0 / 30 / 0

HEX #89FEB2

RGB 137 254 178

HSL 141.03, 0.98%, 0.77%

LAB 91.42, -49.44, 26.3

 

CMYK 45 / 25 / 0 / 0

HEX #8BBFFE

RGB 139 191 254

HSL 212.87, 0.98%, 0.77%

LAB 76.01, -0.75, -36.35

 

CMYK 0 / 45 / 16 / 0

HEX #FE8BD6

RGB 254 139 214

HSL 320.87, 0.98%, 0.77%

LAB 72.49, 52.78, -19.14

 

CMYK 0 / 20 / 45 / 0

HEX #FECA8B

RGB 254 202 139

HSL 32.87, 0.98%, 0.77%

LAB 84.57, 10.71, 38.4

 

CMYK 46 / 0 / 30 / 0

HEX #89FEB2

RGB 137 254 178

HSL 141.03, 0.98%, 0.77%

LAB 91.42, -49.44, 26.3

 

CMYK 45 / 39 / 0 / 0

HEX #8B9CFE

RGB 139 156 254

HSL 231.13, 0.98%, 0.77%

LAB 66.84, 18.95, -50.71

 

CMYK 0 / 45 / 16 / 0

HEX #FE8BD6

RGB 254 139 214

HSL 320.87, 0.98%, 0.77%

LAB 72.49, 52.78, -19.14

 

CMYK 0 / 7 / 45 / 0

HEX #FEED8B

RGB 254 237 139

HSL 51.13, 0.98%, 0.77%

LAB 93.23, -7.13, 49.34

 

Description

Color code: HEX #89FEB2 | qconv.com Color code: HEX #89FEB2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 254 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 254 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 30 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 30% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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