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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89FD2A it is the complementary color #7602D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89FD2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89FD2A shade: #8EFD25, #9FFF38, #B0FF4B, #C1FF5E and #D2FF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89FD2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89FD2A shade: #89FD2A, #78EB17, #67D904, #56C700 and #45B500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89FD2A shade: #89FD2B, #C2FD2B, #FBFD2B, #FDC62B and #FD8E2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89FD2A shade: #89FD2B, #51FD2B, #2BFD3E, #2BFD76 and #2BFDAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89FD2A shade matches the following richer shades: #89FD2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89FD2A shade: #89FD2B, #8BEC3C, #8DDA4E, #8FC95F and #90B870

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89FD2A shade: #FDFD2B, #C5FD2B, #8DFD2B, #55FD2B and #2BFD39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89FD2A shade: #60D302, #73FC03, #89FD2B, #A0FD54 and #B7FE7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89FD2A shade: #89FD2A, #2BFDC5 and #FD2BE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89FD2A shade: #89FD2A, #2B8DFD and #FD2B8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89FD2A shade: #89FD2A, #2BFDC5, #9B2BFD and #FD2B63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89FD2A shade: #89FD2A, #2BF6FD, #9B2BFD and #FD322B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 83 / 1

HEX #89FD2A

RGB 137 253 42

HSL 92.99, 0.98%, 0.58%

LAB 89.74, -63.6, 80.43

 

Complementary color

CMYK 45 / 99 / 0 / 16

HEX #7602D5

RGB 118 2 213

HSL 272.99, 0.98%, 0.42%

LAB 35.4, 73.37, -78.57

 

CMYK 44 / 0 / 85 / 1

HEX #8EFD25

RGB 142 253 37

HSL 90.83, 0.98%, 0.57%

LAB 89.92, -62.26, 81.71

 

CMYK 38 / 0 / 78 / 0

HEX #9FFF38

RGB 159 255 56

HSL 88.94, 1%, 0.61%

LAB 91.31, -56.87, 78.72

 

CMYK 31 / 0 / 71 / 0

HEX #B0FF4B

RGB 176 255 75

HSL 86.33, 1%, 0.65%

LAB 92.25, -50.09, 74

 

CMYK 24 / 0 / 63 / 0

HEX #C1FF5E

RGB 193 255 94

HSL 83.11, 1%, 0.68%

LAB 93.31, -42.77, 68.34

 

CMYK 18 / 0 / 56 / 0

HEX #D2FF71

RGB 210 255 113

HSL 79.01, 1%, 0.72%

LAB 94.49, -35.01, 62.03

 

CMYK 46 / 0 / 83 / 1

HEX #89FD2A

RGB 137 253 42

HSL 92.99, 0.98%, 0.58%

LAB 89.74, -63.6, 80.43

 

CMYK 49 / 0 / 90 / 8

HEX #78EB17

RGB 120 235 23

HSL 92.55, 0.84%, 0.51%

LAB 83.69, -62.62, 78.51

 

CMYK 53 / 0 / 98 / 15

HEX #67D904

RGB 103 217 4

HSL 92.11, 0.96%, 0.43%

LAB 77.59, -61.36, 75.39

 

CMYK 57 / 0 / 100 / 22

HEX #56C700

RGB 86 199 0

HSL 94.07, 1%, 0.39%

LAB 71.44, -59.71, 70.68

 

CMYK 62 / 0 / 100 / 29

HEX #45B500

RGB 69 181 0

HSL 97.13, 1%, 0.35%

LAB 65.21, -57.8, 65.54

 

CMYK 46 / 0 / 83 / 1

HEX #89FD2B

RGB 137 253 43

HSL 93.14, 0.98%, 0.58%

LAB 89.74, -63.56, 80.21

 

CMYK 23 / 0 / 83 / 1

HEX #C2FD2B

RGB 194 253 43

HSL 76.86, 0.98%, 0.58%

LAB 92.53, -44.16, 83.72

 

CMYK 1 / 0 / 83 / 1

HEX #FBFD2B

RGB 251 253 43

HSL 60.57, 0.98%, 0.58%

LAB 96.38, -21.66, 88.52

 

CMYK 0 / 22 / 83 / 1

HEX #FDC62B

RGB 253 198 43

HSL 44.29, 0.98%, 0.58%

LAB 82.62, 6.54, 77.1

 

CMYK 0 / 44 / 83 / 1

HEX #FD8E2B

RGB 253 142 43

HSL 28.29, 0.98%, 0.58%

LAB 69.76, 35.64, 66.18

 

CMYK 46 / 0 / 83 / 1

HEX #89FD2B

RGB 137 253 43

HSL 93.14, 0.98%, 0.58%

LAB 89.74, -63.56, 80.21

 

CMYK 68 / 0 / 83 / 1

HEX #51FD2B

RGB 81 253 43

HSL 109.14, 0.98%, 0.58%

LAB 88.05, -77.1, 78.06

 

CMYK 83 / 0 / 75 / 1

HEX #2BFD3E

RGB 43 253 62

HSL 125.43, 0.98%, 0.58%

LAB 87.54, -81.24, 72.25

 

CMYK 83 / 0 / 53 / 1

HEX #2BFD76

RGB 43 253 118

HSL 141.43, 0.98%, 0.58%

LAB 88, -75.51, 50.67

 

CMYK 83 / 0 / 31 / 1

HEX #2BFDAF

RGB 43 253 175

HSL 157.71, 0.98%, 0.58%

LAB 88.86, -65.59, 23.95

 

CMYK 46 / 0 / 83 / 1

HEX #89FD2B

RGB 137 253 43

HSL 93.14, 0.98%, 0.58%

LAB 89.74, -63.56, 80.21

 

CMYK 46 / 0 / 83 / 1

HEX #89FD2B

RGB 137 253 43

HSL 93.14, 0.98%, 0.58%

LAB 89.74, -63.56, 80.21

 

CMYK 41 / 0 / 75 / 7

HEX #8BEC3C

RGB 139 236 60

HSL 93.07, 0.82%, 0.58%

LAB 84.9, -55.71, 71.15

 

CMYK 35 / 0 / 64 / 15

HEX #8DDA4E

RGB 141 218 78

HSL 93, 0.65%, 0.58%

LAB 79.82, -46.5, 59.41

 

CMYK 29 / 0 / 53 / 21

HEX #8FC95F

RGB 143 201 95

HSL 92.83, 0.5%, 0.58%

LAB 75.1, -36.77, 46.56

 

CMYK 22 / 0 / 39 / 28

HEX #90B870

RGB 144 184 112

HSL 93.33, 0.34%, 0.58%

LAB 70.44, -26.33, 32.3

 

CMYK 0 / 0 / 83 / 1

HEX #FDFD2B

RGB 253 253 43

HSL 60, 0.98%, 0.58%

LAB 96.54, -20.85, 88.71

 

CMYK 22 / 0 / 83 / 1

HEX #C5FD2B

RGB 197 253 43

HSL 76, 0.98%, 0.58%

LAB 92.71, -43.03, 83.94

 

CMYK 44 / 0 / 83 / 1

HEX #8DFD2B

RGB 141 253 43

HSL 92, 0.98%, 0.58%

LAB 89.9, -62.36, 80.41

 

CMYK 66 / 0 / 83 / 1

HEX #55FD2B

RGB 85 253 43

HSL 108, 0.98%, 0.58%

LAB 88.14, -76.36, 78.18

 

CMYK 83 / 0 / 77 / 1

HEX #2BFD39

RGB 43 253 57

HSL 124, 0.98%, 0.58%

LAB 87.51, -81.56, 73.72

 

CMYK 55 / 0 / 99 / 17

HEX #60D302

RGB 96 211 2

HSL 93.01, 0.98%, 0.42%

LAB 75.5, -61.2, 73.83

 

CMYK 54 / 0 / 99 / 1

HEX #73FC03

RGB 115 252 3

HSL 93.01, 0.98%, 0.5%

LAB 88.58, -70.24, 84.36

 

CMYK 46 / 0 / 83 / 1

HEX #89FD2B

RGB 137 253 43

HSL 93.14, 0.98%, 0.58%

LAB 89.74, -63.56, 80.21

 

CMYK 37 / 0 / 67 / 1

HEX #A0FD54

RGB 160 253 84

HSL 93.02, 0.98%, 0.66%

LAB 90.95, -54.08, 69.18

 

CMYK 28 / 0 / 51 / 0

HEX #B7FE7D

RGB 183 254 125

HSL 93.02, 0.98%, 0.74%

LAB 92.77, -43.08, 54.25

 

CMYK 46 / 0 / 83 / 1

HEX #89FD2A

RGB 137 253 42

HSL 92.99, 0.98%, 0.58%

LAB 89.74, -63.6, 80.43

 

CMYK 83 / 0 / 22 / 1

HEX #2BFDC5

RGB 43 253 197

HSL 164, 0.98%, 0.58%

LAB 89.3, -60.74, 13.3

 

CMYK 0 / 83 / 11 / 1

HEX #FD2BE1

RGB 253 43 225

HSL 308, 0.98%, 0.58%

LAB 59.93, 89.27, -44.73

 

CMYK 46 / 0 / 83 / 1

HEX #89FD2A

RGB 137 253 42

HSL 92.99, 0.98%, 0.58%

LAB 89.74, -63.6, 80.43

 

CMYK 83 / 44 / 0 / 1

HEX #2B8DFD

RGB 43 141 253

HSL 212, 0.98%, 0.58%

LAB 58.65, 11.9, -63.45

 

CMYK 0 / 83 / 44 / 1

HEX #FD2B8D

RGB 253 43 141

HSL 332, 0.98%, 0.58%

LAB 56.62, 80.06, -1.22

 

CMYK 46 / 0 / 83 / 1

HEX #89FD2A

RGB 137 253 42

HSL 92.99, 0.98%, 0.58%

LAB 89.74, -63.6, 80.43

 

CMYK 83 / 0 / 22 / 1

HEX #2BFDC5

RGB 43 253 197

HSL 164, 0.98%, 0.58%

LAB 89.3, -60.74, 13.3

 

CMYK 39 / 83 / 0 / 1

HEX #9B2BFD

RGB 155 43 253

HSL 272, 0.98%, 0.58%

LAB 46.7, 78, -82.53

 

CMYK 0 / 83 / 61 / 1

HEX #FD2B63

RGB 253 43 99

HSL 344, 0.98%, 0.58%

LAB 55.6, 77.09, 22.39

 

CMYK 46 / 0 / 83 / 1

HEX #89FD2A

RGB 137 253 42

HSL 92.99, 0.98%, 0.58%

LAB 89.74, -63.6, 80.43

 

CMYK 83 / 3 / 0 / 1

HEX #2BF6FD

RGB 43 246 253

HSL 182, 0.98%, 0.58%

LAB 88.69, -43.16, -16.71

 

CMYK 39 / 83 / 0 / 1

HEX #9B2BFD

RGB 155 43 253

HSL 272, 0.98%, 0.58%

LAB 46.7, 78, -82.53

 

CMYK 0 / 80 / 83 / 1

HEX #FD322B

RGB 253 50 43

HSL 2, 0.98%, 0.58%

LAB 55.42, 73.25, 53.62

 

Description

Color code: HEX #89FD2A | qconv.com Color code: HEX #89FD2A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 253 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 253 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 83 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 83% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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