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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89EDB9 it is the complementary color #761246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89EDB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89EDB9 shade: #8EEDB4, #9FFFC7, #B0FFDA, #C1FFED and #D2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89EDB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89EDB9 shade: #89EDB9, #78DBA6, #67C993, #56B780 and #45A56D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89EDB9 shade: #87EDB8, #87ED9D, #8DED87, #A9ED87 and #C4ED87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89EDB9 shade: #87EDB8, #87EDD4, #87EBED, #87D0ED and #87B4ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89EDB9 shade matches the following richer shades: #87EDB8 and #7CF8B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89EDB9 shade: #87EDB8, #92E2B9, #9DD7B9, #A9CCB9 and #B4C1BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89EDB9 shade: #8EED87, #87ED9C, #87EDB7, #87EDD2 and #87EDED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89EDB9 shade: #3FE28E, #63E8A3, #87EDB8, #ABF2CD and #CFF8E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89EDB9 shade: #89EDB9, #87A9ED and #ED8E87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89EDB9 shade: #89EDB9, #B787ED and #EDB787

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89EDB9 shade: #89EDB9, #87A9ED, #ED87BE and #EDCB87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89EDB9 shade: #89EDB9, #878BED, #ED87BE and #EDEA87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 22 / 7

HEX #89EDB9

RGB 137 237 185

HSL 148.8, 0.74%, 0.73%

LAB 86.7, -40.77, 16.17

 

Complementary color

CMYK 0 / 85 / 41 / 54

HEX #761246

RGB 118 18 70

HSL 328.8, 0.74%, 0.27%

LAB 25.94, 45.36, -4.81

 

CMYK 40 / 0 / 24 / 7

HEX #8EEDB4

RGB 142 237 180

HSL 144, 0.73%, 0.74%

LAB 86.81, -40.38, 18.95

 

CMYK 38 / 0 / 22 / 0

HEX #9FFFC7

RGB 159 255 199

HSL 145, 1%, 0.81%

LAB 93.02, -40.13, 17.96

 

CMYK 31 / 0 / 15 / 0

HEX #B0FFDA

RGB 176 255 218

HSL 151.9, 1%, 0.85%

LAB 94.23, -31.66, 10.04

 

CMYK 24 / 0 / 7 / 0

HEX #C1FFED

RGB 193 255 237

HSL 162.58, 1%, 0.88%

LAB 95.57, -22.93, 2.3

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 42 / 0 / 22 / 7

HEX #89EDB9

RGB 137 237 185

HSL 148.8, 0.74%, 0.73%

LAB 86.7, -40.77, 16.17

 

CMYK 45 / 0 / 24 / 14

HEX #78DBA6

RGB 120 219 166

HSL 147.88, 0.58%, 0.66%

LAB 80.41, -40.99, 17.19

 

CMYK 49 / 0 / 27 / 21

HEX #67C993

RGB 103 201 147

HSL 146.94, 0.48%, 0.6%

LAB 74.04, -41.18, 18.29

 

CMYK 53 / 0 / 30 / 28

HEX #56B780

RGB 86 183 128

HSL 145.98, 0.4%, 0.53%

LAB 67.58, -41.32, 19.48

 

CMYK 58 / 0 / 34 / 35

HEX #45A56D

RGB 69 165 109

HSL 145, 0.41%, 0.46%

LAB 61.03, -41.37, 20.78

 

CMYK 43 / 0 / 22 / 7

HEX #87EDB8

RGB 135 237 184

HSL 148.82, 0.74%, 0.73%

LAB 86.59, -41.49, 16.53

 

CMYK 43 / 0 / 34 / 7

HEX #87ED9D

RGB 135 237 157

HSL 132.94, 0.74%, 0.73%

LAB 86.08, -46.42, 29.72

 

CMYK 41 / 0 / 43 / 7

HEX #8DED87

RGB 141 237 135

HSL 116.47, 0.74%, 0.73%

LAB 86, -48.1, 40.65

 

CMYK 29 / 0 / 43 / 7

HEX #A9ED87

RGB 169 237 135

HSL 100, 0.74%, 0.73%

LAB 87.36, -39.19, 42.68

 

CMYK 17 / 0 / 43 / 7

HEX #C4ED87

RGB 196 237 135

HSL 84.12, 0.74%, 0.73%

LAB 88.95, -29.68, 45.01

 

CMYK 43 / 0 / 22 / 7

HEX #87EDB8

RGB 135 237 184

HSL 148.82, 0.74%, 0.73%

LAB 86.59, -41.49, 16.53

 

CMYK 43 / 0 / 11 / 7

HEX #87EDD4

RGB 135 237 212

HSL 165.29, 0.74%, 0.73%

LAB 87.23, -35.59, 2.82

 

CMYK 43 / 1 / 0 / 7

HEX #87EBED

RGB 135 235 237

HSL 181.18, 0.74%, 0.73%

LAB 87.33, -28.77, -10.14

 

CMYK 43 / 12 / 0 / 7

HEX #87D0ED

RGB 135 208 237

HSL 197.06, 0.74%, 0.73%

LAB 79.83, -15.34, -21.41

 

CMYK 43 / 24 / 0 / 7

HEX #87B4ED

RGB 135 180 237

HSL 213.53, 0.74%, 0.73%

LAB 72.17, -0.41, -33.15

 

CMYK 43 / 0 / 22 / 7

HEX #87EDB8

RGB 135 237 184

HSL 148.82, 0.74%, 0.73%

LAB 86.59, -41.49, 16.53

 

CMYK 50 / 0 / 26 / 3

HEX #7CF8B8

RGB 124 248 184

HSL 149.03, 0.9%, 0.73%

LAB 89.34, -48.99, 20.3

 

CMYK 43 / 0 / 22 / 7

HEX #87EDB8

RGB 135 237 184

HSL 148.82, 0.74%, 0.73%

LAB 86.59, -41.49, 16.53

 

CMYK 35 / 0 / 18 / 11

HEX #92E2B9

RGB 146 226 185

HSL 149.25, 0.58%, 0.73%

LAB 83.97, -33.26, 12.37

 

CMYK 27 / 0 / 14 / 16

HEX #9DD7B9

RGB 157 215 185

HSL 148.97, 0.42%, 0.73%

LAB 81.44, -24.72, 8.85

 

CMYK 17 / 0 / 9 / 20

HEX #A9CCB9

RGB 169 204 185

HSL 147.43, 0.26%, 0.73%

LAB 79.11, -15.39, 5.6

 

CMYK 7 / 0 / 4 / 24

HEX #B4C1BA

RGB 180 193 186

HSL 147.69, 0.09%, 0.73%

LAB 76.91, -5.79, 1.98

 

CMYK 40 / 0 / 43 / 7

HEX #8EED87

RGB 142 237 135

HSL 115.88, 0.74%, 0.73%

LAB 86.04, -47.8, 40.72

 

CMYK 43 / 0 / 34 / 7

HEX #87ED9C

RGB 135 237 156

HSL 132.35, 0.74%, 0.73%

LAB 86.07, -46.59, 30.2

 

CMYK 43 / 0 / 23 / 7

HEX #87EDB7

RGB 135 237 183

HSL 148.24, 0.74%, 0.73%

LAB 86.57, -41.69, 17.02

 

CMYK 43 / 0 / 11 / 7

HEX #87EDD2

RGB 135 237 210

HSL 164.12, 0.74%, 0.73%

LAB 87.18, -36.04, 3.8

 

CMYK 43 / 0 / 0 / 7

HEX #87EDED

RGB 135 237 237

HSL 180, 0.74%, 0.73%

LAB 87.89, -29.72, -9.31

 

CMYK 72 / 0 / 37 / 11

HEX #3FE28E

RGB 63 226 142

HSL 149.08, 0.74%, 0.57%

LAB 80.41, -60.16, 29.38

 

CMYK 57 / 0 / 30 / 9

HEX #63E8A3

RGB 99 232 163

HSL 148.87, 0.74%, 0.65%

LAB 83.45, -52.06, 22.85

 

CMYK 43 / 0 / 22 / 7

HEX #87EDB8

RGB 135 237 184

HSL 148.82, 0.74%, 0.73%

LAB 86.59, -41.49, 16.53

 

CMYK 29 / 0 / 15 / 5

HEX #ABF2CD

RGB 171 242 205

HSL 148.73, 0.73%, 0.81%

LAB 90.12, -29.55, 10.85

 

CMYK 17 / 0 / 8 / 3

HEX #CFF8E3

RGB 207 248 227

HSL 149.27, 0.75%, 0.89%

LAB 94.29, -17.15, 5.71

 

CMYK 42 / 0 / 22 / 7

HEX #89EDB9

RGB 137 237 185

HSL 148.8, 0.74%, 0.73%

LAB 86.7, -40.77, 16.17

 

CMYK 43 / 29 / 0 / 7

HEX #87A9ED

RGB 135 169 237

HSL 220, 0.74%, 0.73%

LAB 69.21, 5.72, -37.73

 

CMYK 0 / 40 / 43 / 7

HEX #ED8E87

RGB 237 142 135

HSL 4.12, 0.74%, 0.73%

LAB 68.82, 35.22, 19.23

 

CMYK 42 / 0 / 22 / 7

HEX #89EDB9

RGB 137 237 185

HSL 148.8, 0.74%, 0.73%

LAB 86.7, -40.77, 16.17

 

CMYK 23 / 43 / 0 / 7

HEX #B787ED

RGB 183 135 237

HSL 268.24, 0.74%, 0.73%

LAB 64.57, 37.96, -44.73

 

CMYK 0 / 23 / 43 / 7

HEX #EDB787

RGB 237 183 135

HSL 28.24, 0.74%, 0.73%

LAB 78.24, 13.54, 31.9

 

CMYK 42 / 0 / 22 / 7

HEX #89EDB9

RGB 137 237 185

HSL 148.8, 0.74%, 0.73%

LAB 86.7, -40.77, 16.17

 

CMYK 43 / 29 / 0 / 7

HEX #87A9ED

RGB 135 169 237

HSL 220, 0.74%, 0.73%

LAB 69.21, 5.72, -37.73

 

CMYK 0 / 43 / 20 / 7

HEX #ED87BE

RGB 237 135 190

HSL 327.65, 0.74%, 0.73%

LAB 68.79, 45.78, -11.6

 

CMYK 0 / 14 / 43 / 7

HEX #EDCB87

RGB 237 203 135

HSL 40, 0.74%, 0.73%

LAB 83.16, 3.06, 38.3

 

CMYK 42 / 0 / 22 / 7

HEX #89EDB9

RGB 137 237 185

HSL 148.8, 0.74%, 0.73%

LAB 86.7, -40.77, 16.17

 

CMYK 43 / 41 / 0 / 7

HEX #878BED

RGB 135 139 237

HSL 237.65, 0.74%, 0.73%

LAB 61.42, 22.99, -49.97

 

CMYK 0 / 43 / 20 / 7

HEX #ED87BE

RGB 237 135 190

HSL 327.65, 0.74%, 0.73%

LAB 68.79, 45.78, -11.6

 

CMYK 0 / 1 / 43 / 7

HEX #EDEA87

RGB 237 234 135

HSL 58.24, 0.74%, 0.73%

LAB 91.05, -12.67, 48.26

 

Description

Color code: HEX #89EDB9 | qconv.com Color code: HEX #89EDB9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 237 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 237 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 22 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 22% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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