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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89EB56 it is the complementary color #7614A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89EB56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89EB56 shade: #8EEB51, #9FFD64, #B0FF77, #C1FF8A and #D2FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89EB56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89EB56 shade: #89EB56, #78D943, #67C730, #56B51D and #45A30A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89EB56 shade: #89EB56, #B1EB56, #DAEB56, #EBD556 and #EBAC56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89EB56 shade: #89EB56, #61EB56, #56EB73, #56EB9C and #56EBC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89EB56 shade matches the following richer shades: #89EB56 and #84FA47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89EB56 shade: #89EB56, #8EDC65, #93CD75, #98BD84 and #9CAE93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89EB56 shade: #DAEB56, #B2EB56, #8AEB56, #63EB56 and #56EB71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89EB56 shade: #5AD619, #6FE731, #89EB56, #A3F07B and #BDF4A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89EB56 shade: #89EB56, #56EBD5 and #EB56C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89EB56 shade: #89EB56, #568AEB and #EB568A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89EB56 shade: #89EB56, #56EBD5, #B756EB and #EB566C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89EB56 shade: #89EB56, #56D5EB, #B756EB and #EB6C56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 63 / 8

HEX #89EB56

RGB 137 235 86

HSL 99.46, 0.79%, 0.63%

LAB 84.69, -54.08, 61.4

 

Complementary color

CMYK 30 / 88 / 0 / 34

HEX #7614A9

RGB 118 20 169

HSL 279.46, 0.79%, 0.37%

LAB 32.29, 61.33, -57.72

 

CMYK 40 / 0 / 66 / 8

HEX #8EEB51

RGB 142 235 81

HSL 96.23, 0.79%, 0.62%

LAB 84.87, -52.91, 63.66

 

CMYK 37 / 0 / 60 / 1

HEX #9FFD64

RGB 159 253 100

HSL 96.86, 0.97%, 0.69%

LAB 91.03, -53.11, 62.9

 

CMYK 31 / 0 / 53 / 0

HEX #B0FF77

RGB 176 255 119

HSL 94.85, 1%, 0.73%

LAB 92.61, -46.52, 56.7

 

CMYK 24 / 0 / 46 / 0

HEX #C1FF8A

RGB 193 255 138

HSL 91.79, 1%, 0.77%

LAB 93.75, -38.64, 49.53

 

CMYK 18 / 0 / 38 / 0

HEX #D2FF9D

RGB 210 255 157

HSL 87.55, 1%, 0.81%

LAB 95.02, -30.4, 42.2

 

CMYK 42 / 0 / 63 / 8

HEX #89EB56

RGB 137 235 86

HSL 99.46, 0.79%, 0.63%

LAB 84.69, -54.08, 61.4

 

CMYK 45 / 0 / 69 / 15

HEX #78D943

RGB 120 217 67

HSL 98.8, 0.66%, 0.56%

LAB 78.48, -53.78, 62.02

 

CMYK 48 / 0 / 76 / 22

HEX #67C730

RGB 103 199 48

HSL 98.15, 0.61%, 0.48%

LAB 72.19, -53.28, 62.18

 

CMYK 52 / 0 / 84 / 29

HEX #56B51D

RGB 86 181 29

HSL 97.5, 0.72%, 0.41%

LAB 65.84, -52.49, 61.54

 

CMYK 58 / 0 / 94 / 36

HEX #45A30A

RGB 69 163 10

HSL 96.86, 0.88%, 0.34%

LAB 59.42, -51.28, 59.53

 

CMYK 42 / 0 / 63 / 8

HEX #89EB56

RGB 137 235 86

HSL 99.46, 0.79%, 0.63%

LAB 84.69, -54.08, 61.4

 

CMYK 25 / 0 / 63 / 8

HEX #B1EB56

RGB 177 235 86

HSL 83.36, 0.79%, 0.63%

LAB 86.72, -40.43, 64.18

 

CMYK 7 / 0 / 63 / 8

HEX #DAEB56

RGB 218 235 86

HSL 66.85, 0.79%, 0.63%

LAB 89.39, -24.63, 67.83

 

CMYK 0 / 9 / 63 / 8

HEX #EBD556

RGB 235 213 86

HSL 51.14, 0.79%, 0.63%

LAB 84.96, -6.87, 63.53

 

CMYK 0 / 27 / 63 / 8

HEX #EBAC56

RGB 235 172 86

HSL 34.63, 0.79%, 0.63%

LAB 74.72, 14.44, 52.29

 

CMYK 42 / 0 / 63 / 8

HEX #89EB56

RGB 137 235 86

HSL 99.46, 0.79%, 0.63%

LAB 84.69, -54.08, 61.4

 

CMYK 59 / 0 / 63 / 8

HEX #61EB56

RGB 97 235 86

HSL 115.57, 0.79%, 0.63%

LAB 83.25, -64.97, 59.4

 

CMYK 63 / 0 / 51 / 8

HEX #56EB73

RGB 86 235 115

HSL 131.68, 0.79%, 0.63%

LAB 83.25, -63.9, 46.44

 

CMYK 63 / 0 / 34 / 8

HEX #56EB9C

RGB 86 235 156

HSL 148.19, 0.79%, 0.63%

LAB 83.86, -57.15, 26.95

 

CMYK 63 / 0 / 17 / 8

HEX #56EBC4

RGB 86 235 196

HSL 164.3, 0.79%, 0.63%

LAB 84.68, -48.62, 7.33

 

CMYK 42 / 0 / 63 / 8

HEX #89EB56

RGB 137 235 86

HSL 99.46, 0.79%, 0.63%

LAB 84.69, -54.08, 61.4

 

CMYK 47 / 0 / 72 / 2

HEX #84FA47

RGB 132 250 71

HSL 99.55, 0.95%, 0.63%

LAB 88.8, -62.47, 71.26

 

CMYK 42 / 0 / 63 / 8

HEX #89EB56

RGB 137 235 86

HSL 99.46, 0.79%, 0.63%

LAB 84.69, -54.08, 61.4

 

CMYK 35 / 0 / 54 / 14

HEX #8EDC65

RGB 142 220 101

HSL 99.33, 0.63%, 0.63%

LAB 80.67, -44.83, 50.35

 

CMYK 28 / 0 / 43 / 20

HEX #93CD75

RGB 147 205 117

HSL 99.55, 0.47%, 0.63%

LAB 76.77, -34.54, 37.89

 

CMYK 20 / 0 / 30 / 26

HEX #98BD84

RGB 152 189 132

HSL 98.95, 0.3%, 0.63%

LAB 72.72, -22.96, 24.87

 

CMYK 10 / 0 / 16 / 32

HEX #9CAE93

RGB 156 174 147

HSL 100, 0.14%, 0.63%

LAB 69.07, -11.37, 11.77

 

CMYK 7 / 0 / 63 / 8

HEX #DAEB56

RGB 218 235 86

HSL 66.85, 0.79%, 0.63%

LAB 89.39, -24.63, 67.83

 

CMYK 24 / 0 / 63 / 8

HEX #B2EB56

RGB 178 235 86

HSL 82.95, 0.79%, 0.63%

LAB 86.78, -40.06, 64.26

 

CMYK 41 / 0 / 63 / 8

HEX #8AEB56

RGB 138 235 86

HSL 99.06, 0.79%, 0.63%

LAB 84.74, -53.77, 61.46

 

CMYK 58 / 0 / 63 / 8

HEX #63EB56

RGB 99 235 86

HSL 114.77, 0.79%, 0.63%

LAB 83.31, -64.5, 59.48

 

CMYK 63 / 0 / 52 / 8

HEX #56EB71

RGB 86 235 113

HSL 130.87, 0.79%, 0.63%

LAB 83.22, -64.17, 47.35

 

CMYK 58 / 0 / 88 / 16

HEX #5AD619

RGB 90 214 25

HSL 99.37, 0.79%, 0.47%

LAB 76.28, -63.32, 71.54

 

CMYK 52 / 0 / 79 / 9

HEX #6FE731

RGB 111 231 49

HSL 99.56, 0.79%, 0.55%

LAB 82.25, -62.77, 71.54

 

CMYK 42 / 0 / 63 / 8

HEX #89EB56

RGB 137 235 86

HSL 99.46, 0.79%, 0.63%

LAB 84.69, -54.08, 61.4

 

CMYK 32 / 0 / 49 / 6

HEX #A3F07B

RGB 163 240 123

HSL 99.49, 0.8%, 0.71%

LAB 87.75, -43.98, 48.84

 

CMYK 23 / 0 / 34 / 4

HEX #BDF4A0

RGB 189 244 160

HSL 99.29, 0.79%, 0.79%

LAB 90.81, -32.21, 34.98

 

CMYK 42 / 0 / 63 / 8

HEX #89EB56

RGB 137 235 86

HSL 99.46, 0.79%, 0.63%

LAB 84.69, -54.08, 61.4

 

CMYK 63 / 0 / 9 / 8

HEX #56EBD5

RGB 86 235 213

HSL 171.14, 0.79%, 0.63%

LAB 85.1, -44.47, -1

 

CMYK 0 / 63 / 16 / 8

HEX #EB56C6

RGB 235 86 198

HSL 314.9, 0.79%, 0.63%

LAB 60.24, 68.93, -29.16

 

CMYK 42 / 0 / 63 / 8

HEX #89EB56

RGB 137 235 86

HSL 99.46, 0.79%, 0.63%

LAB 84.69, -54.08, 61.4

 

CMYK 63 / 41 / 0 / 8

HEX #568AEB

RGB 86 138 235

HSL 219.06, 0.79%, 0.63%

LAB 58.18, 12.63, -54.19

 

CMYK 0 / 63 / 41 / 8

HEX #EB568A

RGB 235 86 138

HSL 339.06, 0.79%, 0.63%

LAB 58.18, 61.62, 2.45

 

CMYK 42 / 0 / 63 / 8

HEX #89EB56

RGB 137 235 86

HSL 99.46, 0.79%, 0.63%

LAB 84.69, -54.08, 61.4

 

CMYK 63 / 0 / 9 / 8

HEX #56EBD5

RGB 86 235 213

HSL 171.14, 0.79%, 0.63%

LAB 85.1, -44.47, -1

 

CMYK 22 / 63 / 0 / 8

HEX #B756EB

RGB 183 86 235

HSL 279.06, 0.79%, 0.63%

LAB 54.78, 62.76, -59.17

 

CMYK 0 / 63 / 54 / 8

HEX #EB566C

RGB 235 86 108

HSL 351.14, 0.79%, 0.63%

LAB 57.46, 58.96, 19.04

 

CMYK 42 / 0 / 63 / 8

HEX #89EB56

RGB 137 235 86

HSL 99.46, 0.79%, 0.63%

LAB 84.69, -54.08, 61.4

 

CMYK 63 / 9 / 0 / 8

HEX #56D5EB

RGB 86 213 235

HSL 188.86, 0.79%, 0.63%

LAB 79.37, -28.33, -21.22

 

CMYK 22 / 63 / 0 / 8

HEX #B756EB

RGB 183 86 235

HSL 279.06, 0.79%, 0.63%

LAB 54.78, 62.76, -59.17

 

CMYK 0 / 54 / 63 / 8

HEX #EB6C56

RGB 235 108 86

HSL 8.86, 0.79%, 0.63%

LAB 60.83, 47.54, 35.96

 

Description

Color code: HEX #89EB56 | qconv.com Color code: HEX #89EB56 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 235 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 235 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 63 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 63% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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