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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89E97A it is the complementary color #761685. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89E97A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89E97A shade: #8EE975, #9FFB88, #B0FF9B, #C1FFAE and #D2FFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89E97A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89E97A shade: #89E97A, #78D767, #67C554, #56B341 and #45A12E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89E97A shade: #8AEA7B, #A8EA7B, #C6EA7B, #E3EA7B and #EAD27B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89E97A shade: #8AEA7B, #7BEA8A, #7BEAA8, #7BEAC6 and #7BEAE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89E97A shade matches the following richer shades: #8AEA7B and #81F66F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89E97A shade: #8AEA7B, #93DD88, #9CD194, #A5C4A1 and #AEB8AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89E97A shade: #C7EA7B, #A9EA7B, #8CEA7B, #7BEA88 and #7BEAA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89E97A shade: #4BDE34, #6BE458, #8AEA7B, #AAEF9F and #C9F5C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89E97A shade: #89E97A, #7BE4EA and #EA7BB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89E97A shade: #89E97A, #7B8CEA and #EA7B8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89E97A shade: #89E97A, #7BE4EA, #D97BEA and #EA817B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89E97A shade: #89E97A, #7BC3EA, #D97BEA and #EAA27B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 48 / 9

HEX #89E97A

RGB 137 233 122

HSL 111.89, 0.72%, 0.7%

LAB 84.48, -49.38, 45.02

 

Complementary color

CMYK 11 / 83 / 0 / 48

HEX #761685

RGB 118 22 133

HSL 291.89, 0.72%, 0.3%

LAB 29.71, 53.75, -39.85

 

CMYK 39 / 0 / 50 / 9

HEX #8EE975

RGB 142 233 117

HSL 107.07, 0.73%, 0.69%

LAB 84.64, -48.48, 47.65

 

CMYK 37 / 0 / 46 / 2

HEX #9FFB88

RGB 159 251 136

HSL 108, 0.93%, 0.76%

LAB 90.85, -48.38, 46.47

 

CMYK 31 / 0 / 39 / 0

HEX #B0FF9B

RGB 176 255 155

HSL 107.4, 1%, 0.8%

LAB 93.07, -42.19, 40.28

 

CMYK 24 / 0 / 32 / 0

HEX #C1FFAE

RGB 193 255 174

HSL 105.93, 1%, 0.84%

LAB 94.28, -33.92, 32.62

 

CMYK 18 / 0 / 24 / 0

HEX #D2FFC1

RGB 210 255 193

HSL 103.55, 1%, 0.88%

LAB 95.61, -25.36, 25.03

 

CMYK 41 / 0 / 48 / 9

HEX #89E97A

RGB 137 233 122

HSL 111.89, 0.72%, 0.7%

LAB 84.48, -49.38, 45.02

 

CMYK 44 / 0 / 52 / 16

HEX #78D767

RGB 120 215 103

HSL 110.89, 0.58%, 0.62%

LAB 78.21, -49.44, 46.23

 

CMYK 48 / 0 / 57 / 23

HEX #67C554

RGB 103 197 84

HSL 109.91, 0.49%, 0.55%

LAB 71.86, -49.39, 47.41

 

CMYK 52 / 0 / 64 / 30

HEX #56B341

RGB 86 179 65

HSL 108.95, 0.47%, 0.48%

LAB 65.44, -49.17, 48.47

 

CMYK 57 / 0 / 71 / 37

HEX #45A12E

RGB 69 161 46

HSL 108, 0.56%, 0.41%

LAB 58.93, -48.68, 49.22

 

CMYK 41 / 0 / 47 / 8

HEX #8AEA7B

RGB 138 234 123

HSL 111.89, 0.73%, 0.7%

LAB 84.83, -49.36, 44.99

 

CMYK 28 / 0 / 47 / 8

HEX #A8EA7B

RGB 168 234 123

HSL 95.68, 0.73%, 0.7%

LAB 86.31, -39.66, 47.14

 

CMYK 15 / 0 / 47 / 8

HEX #C6EA7B

RGB 198 234 123

HSL 79.46, 0.73%, 0.7%

LAB 88.1, -28.84, 49.75

 

CMYK 3 / 0 / 47 / 8

HEX #E3EA7B

RGB 227 234 123

HSL 63.78, 0.73%, 0.7%

LAB 90.14, -17.72, 52.69

 

CMYK 0 / 10 / 47 / 8

HEX #EAD27B

RGB 234 210 123

HSL 47.03, 0.73%, 0.7%

LAB 84.49, -2.92, 45.93

 

CMYK 41 / 0 / 47 / 8

HEX #8AEA7B

RGB 138 234 123

HSL 111.89, 0.73%, 0.7%

LAB 84.83, -49.36, 44.99

 

CMYK 47 / 0 / 41 / 8

HEX #7BEA8A

RGB 123 234 138

HSL 128.11, 0.73%, 0.7%

LAB 84.43, -51.5, 37

 

CMYK 47 / 0 / 28 / 8

HEX #7BEAA8

RGB 123 234 168

HSL 144.32, 0.73%, 0.7%

LAB 84.94, -46.36, 22.44

 

CMYK 47 / 0 / 15 / 8

HEX #7BEAC6

RGB 123 234 198

HSL 160.54, 0.73%, 0.7%

LAB 85.57, -40.23, 7.71

 

CMYK 47 / 0 / 3 / 8

HEX #7BEAE3

RGB 123 234 227

HSL 176.22, 0.73%, 0.7%

LAB 86.31, -33.47, -6.46

 

CMYK 41 / 0 / 47 / 8

HEX #8AEA7B

RGB 138 234 123

HSL 111.89, 0.73%, 0.7%

LAB 84.83, -49.36, 44.99

 

CMYK 48 / 0 / 55 / 4

HEX #81F66F

RGB 129 246 111

HSL 112, 0.88%, 0.7%

LAB 87.84, -58.23, 54.13

 

CMYK 41 / 0 / 47 / 8

HEX #8AEA7B

RGB 138 234 123

HSL 111.89, 0.73%, 0.7%

LAB 84.83, -49.36, 44.99

 

CMYK 33 / 0 / 38 / 13

HEX #93DD88

RGB 147 221 136

HSL 112.24, 0.56%, 0.7%

LAB 81.67, -39.16, 34.62

 

CMYK 25 / 0 / 29 / 18

HEX #9CD194

RGB 156 209 148

HSL 112.13, 0.4%, 0.7%

LAB 78.93, -28.78, 24.88

 

CMYK 16 / 0 / 18 / 23

HEX #A5C4A1

RGB 165 196 161

HSL 113.14, 0.23%, 0.7%

LAB 76.1, -17.09, 14.16

 

CMYK 5 / 0 / 6 / 28

HEX #AEB8AD

RGB 174 184 173

HSL 114.55, 0.07%, 0.7%

LAB 73.74, -5.54, 4.38

 

CMYK 15 / 0 / 47 / 8

HEX #C7EA7B

RGB 199 234 123

HSL 78.92, 0.73%, 0.7%

LAB 88.17, -28.47, 49.84

 

CMYK 28 / 0 / 47 / 8

HEX #A9EA7B

RGB 169 234 123

HSL 95.14, 0.73%, 0.7%

LAB 86.36, -39.31, 47.22

 

CMYK 40 / 0 / 47 / 8

HEX #8CEA7B

RGB 140 234 123

HSL 110.81, 0.73%, 0.7%

LAB 84.92, -48.76, 45.11

 

CMYK 47 / 0 / 42 / 8

HEX #7BEA88

RGB 123 234 136

HSL 127.03, 0.73%, 0.7%

LAB 84.4, -51.81, 37.96

 

CMYK 47 / 0 / 29 / 8

HEX #7BEAA6

RGB 123 234 166

HSL 143.24, 0.73%, 0.7%

LAB 84.9, -46.74, 23.42

 

CMYK 66 / 0 / 77 / 13

HEX #4BDE34

RGB 75 222 52

HSL 111.88, 0.72%, 0.54%

LAB 78.45, -68.05, 66.68

 

CMYK 53 / 0 / 61 / 11

HEX #6BE458

RGB 107 228 88

HSL 111.86, 0.72%, 0.62%

LAB 81.47, -59.8, 56.66

 

CMYK 41 / 0 / 47 / 8

HEX #8AEA7B

RGB 138 234 123

HSL 111.89, 0.73%, 0.7%

LAB 84.83, -49.36, 44.99

 

CMYK 29 / 0 / 33 / 6

HEX #AAEF9F

RGB 170 239 159

HSL 111.75, 0.71%, 0.78%

LAB 88.34, -36.4, 32.02

 

CMYK 18 / 0 / 21 / 4

HEX #C9F5C2

RGB 201 245 194

HSL 111.76, 0.72%, 0.86%

LAB 92.41, -23.44, 20

 

CMYK 41 / 0 / 48 / 9

HEX #89E97A

RGB 137 233 122

HSL 111.89, 0.72%, 0.7%

LAB 84.48, -49.38, 45.02

 

CMYK 47 / 3 / 0 / 8

HEX #7BE4EA

RGB 123 228 234

HSL 183.24, 0.73%, 0.7%

LAB 84.81, -28.86, -12.37

 

CMYK 0 / 47 / 21 / 8

HEX #EA7BB8

RGB 234 123 184

HSL 327.03, 0.73%, 0.7%

LAB 65.84, 49.96, -12.69

 

CMYK 41 / 0 / 48 / 9

HEX #89E97A

RGB 137 233 122

HSL 111.89, 0.72%, 0.7%

LAB 84.48, -49.38, 45.02

 

CMYK 47 / 40 / 0 / 8

HEX #7B8CEA

RGB 123 140 234

HSL 230.81, 0.73%, 0.7%

LAB 60.7, 18.67, -49.51

 

CMYK 0 / 47 / 40 / 8

HEX #EA7B8C

RGB 234 123 140

HSL 350.81, 0.73%, 0.7%

LAB 64.61, 44.41, 10.48

 

CMYK 41 / 0 / 48 / 9

HEX #89E97A

RGB 137 233 122

HSL 111.89, 0.72%, 0.7%

LAB 84.48, -49.38, 45.02

 

CMYK 47 / 3 / 0 / 8

HEX #7BE4EA

RGB 123 228 234

HSL 183.24, 0.73%, 0.7%

LAB 84.81, -28.86, -12.37

 

CMYK 7 / 47 / 0 / 8

HEX #D97BEA

RGB 217 123 234

HSL 290.81, 0.73%, 0.7%

LAB 65.64, 53.21, -41.14

 

CMYK 0 / 45 / 47 / 8

HEX #EA817B

RGB 234 129 123

HSL 3.24, 0.73%, 0.7%

LAB 65.45, 39.63, 21.27

 

CMYK 41 / 0 / 48 / 9

HEX #89E97A

RGB 137 233 122

HSL 111.89, 0.72%, 0.7%

LAB 84.48, -49.38, 45.02

 

CMYK 47 / 17 / 0 / 8

HEX #7BC3EA

RGB 123 195 234

HSL 201.08, 0.73%, 0.7%

LAB 75.56, -12.23, -26.35

 

CMYK 7 / 47 / 0 / 8

HEX #D97BEA

RGB 217 123 234

HSL 290.81, 0.73%, 0.7%

LAB 65.64, 53.21, -41.14

 

CMYK 0 / 31 / 47 / 8

HEX #EAA27B

RGB 234 162 123

HSL 21.08, 0.73%, 0.7%

LAB 72.74, 22.29, 30.98

 

Description

Color code: HEX #89E97A | qconv.com Color code: HEX #89E97A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 233 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 233 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 48 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 48% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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