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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89E688 it is the complementary color #761977. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89E688. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89E688 shade: #8EE683, #9FF896, #B0FFA9, #C1FFBC and #D2FFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89E688. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89E688 shade: #89E688, #78D475, #67C262, #56B04F and #459E3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89E688 shade: #8AE689, #A3E689, #BCE689, #D5E689 and #E6DE89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89E688 shade: #8AE689, #89E6A1, #89E6BA, #89E6D3 and #89E0E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89E688 shade matches the following richer shades: #8AE689, #7FF27E and #74FD72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89E688 shade: #8AE689, #95DA95, #A1CFA0, #ACC3AC and #B7B8B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89E688 shade: #BCE689, #A3E689, #8BE689, #89E6A0 and #89E6B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89E688 shade: #47D845, #68DF67, #8AE689, #ACEDAB and #CEF4CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89E688 shade: #89E688, #89D5E6 and #E689B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89E688 shade: #89E688, #898BE6 and #E6898B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89E688 shade: #89E688, #89D5E6, #E489E6 and #E69A89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89E688 shade: #89E688, #89B9E6, #E489E6 and #E6B689

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 41 / 10

HEX #89E688

RGB 137 230 136

HSL 119.36, 0.65%, 0.72%

LAB 83.8, -46.18, 37.3

 

Complementary color

CMYK 1 / 79 / 0 / 53

HEX #761977

RGB 118 25 119

HSL 299.36, 0.65%, 0.28%

LAB 29.1, 50.34, -32

 

CMYK 38 / 0 / 43 / 10

HEX #8EE683

RGB 142 230 131

HSL 113.33, 0.66%, 0.71%

LAB 83.96, -45.39, 40.03

 

CMYK 36 / 0 / 40 / 3

HEX #9FF896

RGB 159 248 150

HSL 114.49, 0.88%, 0.78%

LAB 90.19, -45.2, 38.84

 

CMYK 31 / 0 / 34 / 0

HEX #B0FFA9

RGB 176 255 169

HSL 115.12, 1%, 0.83%

LAB 93.28, -40.17, 33.64

 

CMYK 24 / 0 / 26 / 0

HEX #C1FFBC

RGB 193 255 188

HSL 115.52, 1%, 0.87%

LAB 94.52, -31.77, 25.91

 

CMYK 18 / 0 / 19 / 0

HEX #D2FFCF

RGB 210 255 207

HSL 116.25, 1%, 0.91%

LAB 95.88, -23.11, 18.28

 

CMYK 40 / 0 / 41 / 10

HEX #89E688

RGB 137 230 136

HSL 119.36, 0.65%, 0.72%

LAB 83.8, -46.18, 37.3

 

CMYK 43 / 0 / 45 / 17

HEX #78D475

RGB 120 212 117

HSL 118.11, 0.52%, 0.65%

LAB 77.5, -46.34, 38.54

 

CMYK 47 / 0 / 49 / 24

HEX #67C262

RGB 103 194 98

HSL 116.88, 0.44%, 0.57%

LAB 71.11, -46.43, 39.82

 

CMYK 51 / 0 / 55 / 31

HEX #56B04F

RGB 86 176 79

HSL 115.67, 0.38%, 0.5%

LAB 64.64, -46.4, 41.09

 

CMYK 56 / 0 / 62 / 38

HEX #459E3C

RGB 69 158 60

HSL 114.49, 0.45%, 0.43%

LAB 58.08, -46.16, 42.3

 

CMYK 40 / 0 / 40 / 10

HEX #8AE689

RGB 138 230 137

HSL 119.35, 0.65%, 0.72%

LAB 83.86, -45.74, 36.89

 

CMYK 29 / 0 / 40 / 10

HEX #A3E689

RGB 163 230 137

HSL 103.23, 0.65%, 0.72%

LAB 85.09, -37.8, 38.72

 

CMYK 18 / 0 / 40 / 10

HEX #BCE689

RGB 188 230 137

HSL 87.1, 0.65%, 0.72%

LAB 86.55, -29.06, 40.88

 

CMYK 7 / 0 / 40 / 10

HEX #D5E689

RGB 213 230 137

HSL 70.97, 0.65%, 0.72%

LAB 88.23, -19.75, 43.37

 

CMYK 0 / 3 / 40 / 10

HEX #E6DE89

RGB 230 222 137

HSL 54.84, 0.65%, 0.72%

LAB 87.42, -9.22, 42.61

 

CMYK 40 / 0 / 40 / 10

HEX #8AE689

RGB 138 230 137

HSL 119.35, 0.65%, 0.72%

LAB 83.86, -45.74, 36.89

 

CMYK 40 / 0 / 30 / 10

HEX #89E6A1

RGB 137 230 161

HSL 135.48, 0.65%, 0.72%

LAB 84.22, -42.14, 25.16

 

CMYK 40 / 0 / 19 / 10

HEX #89E6BA

RGB 137 230 186

HSL 151.61, 0.65%, 0.72%

LAB 84.72, -37.41, 12.85

 

CMYK 40 / 0 / 8 / 10

HEX #89E6D3

RGB 137 230 211

HSL 167.74, 0.65%, 0.72%

LAB 85.31, -32.05, 0.56

 

CMYK 40 / 3 / 0 / 10

HEX #89E0E6

RGB 137 224 230

HSL 183.87, 0.65%, 0.72%

LAB 84.14, -24.68, -11.19

 

CMYK 40 / 0 / 40 / 10

HEX #8AE689

RGB 138 230 137

HSL 119.35, 0.65%, 0.72%

LAB 83.86, -45.74, 36.89

 

CMYK 48 / 0 / 48 / 5

HEX #7FF27E

RGB 127 242 126

HSL 119.48, 0.82%, 0.72%

LAB 86.76, -55.36, 45.85

 

CMYK 54 / 0 / 55 / 1

HEX #74FD72

RGB 116 253 114

HSL 119.14, 0.97%, 0.72%

LAB 89.48, -63.89, 54.61

 

CMYK 40 / 0 / 40 / 10

HEX #8AE689

RGB 138 230 137

HSL 119.35, 0.65%, 0.72%

LAB 83.86, -45.74, 36.89

 

CMYK 32 / 0 / 32 / 15

HEX #95DA95

RGB 149 218 149

HSL 120, 0.48%, 0.72%

LAB 81.13, -35.14, 27.27

 

CMYK 22 / 0 / 23 / 19

HEX #A1CFA0

RGB 161 207 160

HSL 118.72, 0.33%, 0.72%

LAB 78.89, -24.12, 18.55

 

CMYK 12 / 0 / 12 / 24

HEX #ACC3AC

RGB 172 195 172

HSL 120, 0.16%, 0.72%

LAB 76.55, -12.19, 8.93

 

CMYK 1 / 0 / 1 / 28

HEX #B7B8B7

RGB 183 184 183

HSL 120, 0.01%, 0.72%

LAB 74.68, -0.53, 0.38

 

CMYK 18 / 0 / 40 / 10

HEX #BCE689

RGB 188 230 137

HSL 87.1, 0.65%, 0.72%

LAB 86.55, -29.06, 40.88

 

CMYK 29 / 0 / 40 / 10

HEX #A3E689

RGB 163 230 137

HSL 103.23, 0.65%, 0.72%

LAB 85.09, -37.8, 38.72

 

CMYK 40 / 0 / 40 / 10

HEX #8BE689

RGB 139 230 137

HSL 118.71, 0.65%, 0.72%

LAB 83.91, -45.44, 36.96

 

CMYK 40 / 0 / 30 / 10

HEX #89E6A0

RGB 137 230 160

HSL 134.84, 0.65%, 0.72%

LAB 84.2, -42.32, 25.65

 

CMYK 40 / 0 / 20 / 10

HEX #89E6B9

RGB 137 230 185

HSL 150.97, 0.65%, 0.72%

LAB 84.7, -37.62, 13.35

 

CMYK 67 / 0 / 68 / 15

HEX #47D845

RGB 71 216 69

HSL 119.18, 0.65%, 0.56%

LAB 76.61, -65.57, 58.81

 

CMYK 53 / 0 / 54 / 13

HEX #68DF67

RGB 104 223 103

HSL 119.5, 0.65%, 0.64%

LAB 80.01, -57.01, 48.25

 

CMYK 40 / 0 / 40 / 10

HEX #8AE689

RGB 138 230 137

HSL 119.35, 0.65%, 0.72%

LAB 83.86, -45.74, 36.89

 

CMYK 27 / 0 / 28 / 7

HEX #ACEDAB

RGB 172 237 171

HSL 119.09, 0.65%, 0.8%

LAB 88.1, -32.95, 25.6

 

CMYK 16 / 0 / 16 / 4

HEX #CEF4CD

RGB 206 244 205

HSL 118.46, 0.64%, 0.88%

LAB 92.68, -19.44, 14.76

 

CMYK 40 / 0 / 41 / 10

HEX #89E688

RGB 137 230 136

HSL 119.36, 0.65%, 0.72%

LAB 83.8, -46.18, 37.3

 

CMYK 40 / 7 / 0 / 10

HEX #89D5E6

RGB 137 213 230

HSL 190.97, 0.65%, 0.72%

LAB 81.08, -19.2, -15.77

 

CMYK 0 / 40 / 23 / 10

HEX #E689B0

RGB 230 137 176

HSL 334.84, 0.65%, 0.72%

LAB 67.91, 40.37, -5.16

 

CMYK 40 / 0 / 41 / 10

HEX #89E688

RGB 137 230 136

HSL 119.36, 0.65%, 0.72%

LAB 83.8, -46.18, 37.3

 

CMYK 40 / 40 / 0 / 10

HEX #898BE6

RGB 137 139 230

HSL 238.71, 0.65%, 0.72%

LAB 61.22, 21.52, -46.41

 

CMYK 0 / 40 / 40 / 10

HEX #E6898B

RGB 230 137 139

HSL 358.71, 0.65%, 0.72%

LAB 66.96, 35.66, 14.28

 

CMYK 40 / 0 / 41 / 10

HEX #89E688

RGB 137 230 136

HSL 119.36, 0.65%, 0.72%

LAB 83.8, -46.18, 37.3

 

CMYK 40 / 7 / 0 / 10

HEX #89D5E6

RGB 137 213 230

HSL 190.97, 0.65%, 0.72%

LAB 81.08, -19.2, -15.77

 

CMYK 1 / 40 / 0 / 10

HEX #E489E6

RGB 228 137 230

HSL 298.71, 0.65%, 0.72%

LAB 69.54, 48.51, -32.76

 

CMYK 0 / 33 / 40 / 10

HEX #E69A89

RGB 230 154 137

HSL 10.97, 0.65%, 0.72%

LAB 70.69, 26.44, 20.56

 

CMYK 40 / 0 / 41 / 10

HEX #89E688

RGB 137 230 136

HSL 119.36, 0.65%, 0.72%

LAB 83.8, -46.18, 37.3

 

CMYK 40 / 20 / 0 / 10

HEX #89B9E6

RGB 137 185 230

HSL 209.03, 0.65%, 0.72%

LAB 73.37, -4.53, -27.49

 

CMYK 1 / 40 / 0 / 10

HEX #E489E6

RGB 228 137 230

HSL 298.71, 0.65%, 0.72%

LAB 69.54, 48.51, -32.76

 

CMYK 0 / 21 / 40 / 10

HEX #E6B689

RGB 230 182 137

HSL 29.03, 0.65%, 0.72%

LAB 77.33, 11.51, 29.51

 

Description

Color code: HEX #89E688 | qconv.com Color code: HEX #89E688 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 230 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 230 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 41 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 41% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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