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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89E46F it is the complementary color #761B90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89E46F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89E46F shade: #8EE46A, #9FF67D, #B0FF90, #C1FFA3 and #D2FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89E46F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89E46F shade: #89E46F, #78D25C, #67C049, #56AE36 and #459C23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89E46F shade: #88E36D, #A7E36D, #C7E36D, #E3E06D and #E3C06D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89E46F shade: #88E36D, #6DE373, #6DE393, #6DE3B3 and #6DE3D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89E46F shade matches the following richer shades: #88E36D and #80F15F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89E46F shade: #88E36D, #8FD57B, #97C789, #9FB997 and #A7ABA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89E46F shade: #C8E36D, #A8E36D, #89E36D, #6DE371 and #6DE391

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89E46F shade: #4FD529, #6BDD4B, #88E36D, #A4EA90 and #C0F0B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89E46F shade: #89E46F, #6DE3DF and #E36DB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89E46F shade: #89E46F, #6D89E3 and #E36D89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89E46F shade: #89E46F, #6DE3DF, #C86DE3 and #E36D71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89E46F shade: #89E46F, #6DC4E3, #C86DE3 and #E38D6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 51 / 11

HEX #89E46F

RGB 137 228 111

HSL 106.67, 0.68%, 0.66%

LAB 82.89, -48.67, 48.29

 

Complementary color

CMYK 18 / 81 / 0 / 44

HEX #761B90

RGB 118 27 144

HSL 286.67, 0.68%, 0.34%

LAB 30.99, 54.37, -44.61

 

CMYK 38 / 0 / 54 / 11

HEX #8EE46A

RGB 142 228 106

HSL 102.3, 0.69%, 0.65%

LAB 83.06, -47.67, 50.88

 

CMYK 35 / 0 / 49 / 4

HEX #9FF67D

RGB 159 246 125

HSL 103.14, 0.87%, 0.73%

LAB 89.28, -47.62, 49.74

 

CMYK 31 / 0 / 44 / 0

HEX #B0FF90

RGB 176 255 144

HSL 102.7, 1%, 0.78%

LAB 92.91, -43.65, 45.42

 

CMYK 24 / 0 / 36 / 0

HEX #C1FFA3

RGB 193 255 163

HSL 100.43, 1%, 0.82%

LAB 94.1, -35.49, 37.86

 

CMYK 18 / 0 / 29 / 0

HEX #D2FFB6

RGB 210 255 182

HSL 96.99, 1%, 0.86%

LAB 95.41, -27.02, 30.31

 

CMYK 40 / 0 / 51 / 11

HEX #89E46F

RGB 137 228 111

HSL 106.67, 0.68%, 0.66%

LAB 82.89, -48.67, 48.29

 

CMYK 43 / 0 / 56 / 18

HEX #78D25C

RGB 120 210 92

HSL 105.76, 0.57%, 0.59%

LAB 76.59, -48.67, 49.44

 

CMYK 46 / 0 / 62 / 25

HEX #67C049

RGB 103 192 73

HSL 104.87, 0.49%, 0.52%

LAB 70.22, -48.55, 50.48

 

CMYK 51 / 0 / 69 / 32

HEX #56AE36

RGB 86 174 54

HSL 104, 0.53%, 0.45%

LAB 63.77, -48.23, 51.29

 

CMYK 56 / 0 / 78 / 39

HEX #459C23

RGB 69 156 35

HSL 103.14, 0.63%, 0.37%

LAB 57.23, -47.61, 51.56

 

CMYK 40 / 0 / 52 / 11

HEX #88E36D

RGB 136 227 109

HSL 106.27, 0.68%, 0.66%

LAB 82.53, -48.8, 48.78

 

CMYK 26 / 0 / 52 / 11

HEX #A7E36D

RGB 167 227 109

HSL 90.51, 0.68%, 0.66%

LAB 84.1, -38.43, 51.04

 

CMYK 12 / 0 / 52 / 11

HEX #C7E36D

RGB 199 227 109

HSL 74.24, 0.68%, 0.66%

LAB 86.1, -26.52, 53.9

 

CMYK 0 / 1 / 52 / 11

HEX #E3E06D

RGB 227 224 109

HSL 58.47, 0.68%, 0.66%

LAB 87.36, -14.01, 55.9

 

CMYK 0 / 15 / 52 / 11

HEX #E3C06D

RGB 227 192 109

HSL 42.2, 0.68%, 0.66%

LAB 79.12, 2.3, 46.1

 

CMYK 40 / 0 / 52 / 11

HEX #88E36D

RGB 136 227 109

HSL 106.27, 0.68%, 0.66%

LAB 82.53, -48.8, 48.78

 

CMYK 52 / 0 / 49 / 11

HEX #6DE373

RGB 109 227 115

HSL 123.05, 0.68%, 0.66%

LAB 81.53, -55.71, 44.47

 

CMYK 52 / 0 / 35 / 11

HEX #6DE393

RGB 109 227 147

HSL 139.32, 0.68%, 0.66%

LAB 82, -50.73, 29.17

 

CMYK 52 / 0 / 21 / 11

HEX #6DE3B3

RGB 109 227 179

HSL 155.59, 0.68%, 0.66%

LAB 82.62, -44.5, 13.4

 

CMYK 52 / 0 / 7 / 11

HEX #6DE3D2

RGB 109 227 210

HSL 171.36, 0.68%, 0.66%

LAB 83.36, -37.4, -1.89

 

CMYK 40 / 0 / 52 / 11

HEX #88E36D

RGB 136 227 109

HSL 106.27, 0.68%, 0.66%

LAB 82.53, -48.8, 48.78

 

CMYK 47 / 0 / 61 / 5

HEX #80F15F

RGB 128 241 95

HSL 106.44, 0.84%, 0.66%

LAB 86.17, -58.27, 59.19

 

CMYK 40 / 0 / 52 / 11

HEX #88E36D

RGB 136 227 109

HSL 106.27, 0.68%, 0.66%

LAB 82.53, -48.8, 48.78

 

CMYK 33 / 0 / 42 / 16

HEX #8FD57B

RGB 143 213 123

HSL 106.67, 0.52%, 0.66%

LAB 78.96, -38.73, 37.63

 

CMYK 24 / 0 / 31 / 22

HEX #97C789

RGB 151 199 137

HSL 106.45, 0.36%, 0.66%

LAB 75.6, -27.43, 26.09

 

CMYK 14 / 0 / 18 / 27

HEX #9FB997

RGB 159 185 151

HSL 105.88, 0.2%, 0.66%

LAB 72.43, -15.32, 14.34

 

CMYK 2 / 0 / 4 / 33

HEX #A7ABA5

RGB 167 171 165

HSL 100, 0.03%, 0.66%

LAB 69.51, -2.54, 2.58

 

CMYK 12 / 0 / 52 / 11

HEX #C8E36D

RGB 200 227 109

HSL 73.73, 0.68%, 0.66%

LAB 86.17, -26.13, 54

 

CMYK 26 / 0 / 52 / 11

HEX #A8E36D

RGB 168 227 109

HSL 90, 0.68%, 0.66%

LAB 84.16, -38.07, 51.12

 

CMYK 40 / 0 / 52 / 11

HEX #89E36D

RGB 137 227 109

HSL 105.76, 0.68%, 0.66%

LAB 82.57, -48.49, 48.85

 

CMYK 52 / 0 / 50 / 11

HEX #6DE371

RGB 109 227 113

HSL 122.03, 0.68%, 0.66%

LAB 81.5, -55.98, 45.4

 

CMYK 52 / 0 / 36 / 11

HEX #6DE391

RGB 109 227 145

HSL 138.31, 0.68%, 0.66%

LAB 81.97, -51.08, 30.14

 

CMYK 63 / 0 / 81 / 16

HEX #4FD529

RGB 79 213 41

HSL 106.74, 0.68%, 0.5%

LAB 75.71, -64.91, 67.31

 

CMYK 52 / 0 / 66 / 13

HEX #6BDD4B

RGB 107 221 75

HSL 106.85, 0.68%, 0.58%

LAB 79.24, -58.43, 59.58

 

CMYK 40 / 0 / 52 / 11

HEX #88E36D

RGB 136 227 109

HSL 106.27, 0.68%, 0.66%

LAB 82.53, -48.8, 48.78

 

CMYK 30 / 0 / 38 / 8

HEX #A4EA90

RGB 164 234 144

HSL 106.67, 0.68%, 0.74%

LAB 86.38, -38.3, 36.91

 

CMYK 20 / 0 / 25 / 6

HEX #C0F0B3

RGB 192 240 179

HSL 107.21, 0.67%, 0.82%

LAB 90.22, -26.48, 24.58

 

CMYK 40 / 0 / 51 / 11

HEX #89E46F

RGB 137 228 111

HSL 106.67, 0.68%, 0.66%

LAB 82.89, -48.67, 48.29

 

CMYK 52 / 0 / 2 / 11

HEX #6DE3DF

RGB 109 227 223

HSL 177.97, 0.68%, 0.66%

LAB 83.71, -34.15, -8.24

 

CMYK 0 / 52 / 19 / 11

HEX #E36DB8

RGB 227 109 184

HSL 321.86, 0.68%, 0.66%

LAB 62.28, 54.59, -18.16

 

CMYK 40 / 0 / 51 / 11

HEX #89E46F

RGB 137 228 111

HSL 106.67, 0.68%, 0.66%

LAB 82.89, -48.67, 48.29

 

CMYK 52 / 40 / 0 / 11

HEX #6D89E3

RGB 109 137 227

HSL 225.76, 0.68%, 0.66%

LAB 58.68, 15.14, -48.87

 

CMYK 0 / 52 / 40 / 11

HEX #E36D89

RGB 227 109 137

HSL 345.76, 0.68%, 0.66%

LAB 60.85, 48.58, 6.72

 

CMYK 40 / 0 / 51 / 11

HEX #89E46F

RGB 137 228 111

HSL 106.67, 0.68%, 0.66%

LAB 82.89, -48.67, 48.29

 

CMYK 52 / 0 / 2 / 11

HEX #6DE3DF

RGB 109 227 223

HSL 177.97, 0.68%, 0.66%

LAB 83.71, -34.15, -8.24

 

CMYK 12 / 52 / 0 / 11

HEX #C86DE3

RGB 200 109 227

HSL 286.27, 0.68%, 0.66%

LAB 60.57, 54.24, -45.35

 

CMYK 0 / 52 / 50 / 11

HEX #E36D71

RGB 227 109 113

HSL 357.97, 0.68%, 0.66%

LAB 60.3, 46.2, 19.79

 

CMYK 40 / 0 / 51 / 11

HEX #89E46F

RGB 137 228 111

HSL 106.67, 0.68%, 0.66%

LAB 82.89, -48.67, 48.29

 

CMYK 52 / 14 / 0 / 11

HEX #6DC4E3

RGB 109 196 227

HSL 195.76, 0.68%, 0.66%

LAB 75, -17.82, -23.49

 

CMYK 12 / 52 / 0 / 11

HEX #C86DE3

RGB 200 109 227

HSL 286.27, 0.68%, 0.66%

LAB 60.57, 54.24, -45.35

 

CMYK 0 / 38 / 52 / 11

HEX #E38D6D

RGB 227 141 109

HSL 16.27, 0.68%, 0.66%

LAB 66.89, 29.4, 30.77

 

Description

Color code: HEX #89E46F | qconv.com Color code: HEX #89E46F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 228 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 228 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 51 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 51% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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