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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89E159 it is the complementary color #761EA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89E159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89E159 shade: #8EE154, #9FF367, #B0FF7A, #C1FF8D and #D2FFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89E159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89E159 shade: #89E159, #78CF46, #67BD33, #56AB20 and #45990D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89E159 shade: #8AE15B, #AFE15B, #D3E15B, #E1CB5B and #E1A75B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89E159 shade: #8AE15B, #66E15B, #5BE174, #5BE198 and #5BE1BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89E159 shade matches the following richer shades: #8AE15B and #86F14C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89E159 shade: #8AE15B, #8FD16B, #94C27B, #98B28A and #9DA29A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89E159 shade: #D4E15B, #B0E15B, #8CE15B, #69E15B and #5BE172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89E159 shade: #5DC524, #72DB38, #8AE15B, #A3E77E and #BCEEA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89E159 shade: #89E159, #5BE1CB and #E15BC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89E159 shade: #89E159, #5B8CE1 and #E15B8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89E159 shade: #89E159, #5BE1CB, #B05BE1 and #E15B72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89E159 shade: #89E159, #5BCFE1, #B05BE1 and #E16D5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 60 / 12

HEX #89E159

RGB 137 225 89

HSL 98.82, 0.69%, 0.62%

LAB 81.78, -49.77, 56.91

 

Complementary color

CMYK 29 / 82 / 0 / 35

HEX #761EA6

RGB 118 30 166

HSL 278.82, 0.69%, 0.38%

LAB 32.99, 57.94, -54.78

 

CMYK 37 / 0 / 63 / 12

HEX #8EE154

RGB 142 225 84

HSL 95.32, 0.7%, 0.61%

LAB 81.97, -48.59, 59.3

 

CMYK 35 / 0 / 58 / 5

HEX #9FF367

RGB 159 243 103

HSL 96, 0.85%, 0.68%

LAB 88.19, -48.71, 58.41

 

CMYK 31 / 0 / 52 / 0

HEX #B0FF7A

RGB 176 255 122

HSL 95.64, 1%, 0.74%

LAB 92.64, -46.21, 55.38

 

CMYK 24 / 0 / 45 / 0

HEX #C1FF8D

RGB 193 255 141

HSL 92.63, 1%, 0.78%

LAB 93.79, -38.29, 48.15

 

CMYK 18 / 0 / 37 / 0

HEX #D2FFA0

RGB 210 255 160

HSL 88.42, 1%, 0.81%

LAB 95.06, -30.02, 40.79

 

CMYK 39 / 0 / 60 / 12

HEX #89E159

RGB 137 225 89

HSL 98.82, 0.69%, 0.62%

LAB 81.78, -49.77, 56.91

 

CMYK 42 / 0 / 66 / 19

HEX #78CF46

RGB 120 207 70

HSL 98.1, 0.59%, 0.54%

LAB 75.49, -49.57, 57.71

 

CMYK 46 / 0 / 73 / 26

HEX #67BD33

RGB 103 189 51

HSL 97.39, 0.58%, 0.47%

LAB 69.12, -49.19, 58.14

 

CMYK 50 / 0 / 81 / 33

HEX #56AB20

RGB 86 171 32

HSL 96.69, 0.68%, 0.4%

LAB 62.68, -48.55, 57.87

 

CMYK 55 / 0 / 92 / 40

HEX #45990D

RGB 69 153 13

HSL 96, 0.84%, 0.33%

LAB 56.16, -47.51, 56.34

 

CMYK 39 / 0 / 60 / 12

HEX #8AE15B

RGB 138 225 91

HSL 98.96, 0.69%, 0.62%

LAB 81.84, -49.26, 56.14

 

CMYK 22 / 0 / 60 / 12

HEX #AFE15B

RGB 175 225 91

HSL 82.39, 0.69%, 0.62%

LAB 83.82, -36.3, 58.9

 

CMYK 6 / 0 / 60 / 12

HEX #D3E15B

RGB 211 225 91

HSL 66.27, 0.69%, 0.62%

LAB 86.23, -22.3, 62.24

 

CMYK 0 / 10 / 60 / 12

HEX #E1CB5B

RGB 225 203 91

HSL 50.15, 0.69%, 0.62%

LAB 81.55, -5.61, 57.39

 

CMYK 0 / 26 / 60 / 12

HEX #E1A75B

RGB 225 167 91

HSL 34.03, 0.69%, 0.62%

LAB 72.5, 13.26, 47.03

 

CMYK 39 / 0 / 60 / 12

HEX #8AE15B

RGB 138 225 91

HSL 98.96, 0.69%, 0.62%

LAB 81.84, -49.26, 56.14

 

CMYK 55 / 0 / 60 / 12

HEX #66E15B

RGB 102 225 91

HSL 115.07, 0.69%, 0.62%

LAB 80.42, -59.66, 54.14

 

CMYK 60 / 0 / 48 / 12

HEX #5BE174

RGB 91 225 116

HSL 131.19, 0.69%, 0.62%

LAB 80.37, -59.08, 42.43

 

CMYK 60 / 0 / 32 / 12

HEX #5BE198

RGB 91 225 152

HSL 147.31, 0.69%, 0.62%

LAB 80.93, -53.02, 25.06

 

CMYK 60 / 0 / 16 / 12

HEX #5BE1BC

RGB 91 225 188

HSL 163.43, 0.69%, 0.62%

LAB 81.68, -45.34, 7.24

 

CMYK 39 / 0 / 60 / 12

HEX #8AE15B

RGB 138 225 91

HSL 98.96, 0.69%, 0.62%

LAB 81.84, -49.26, 56.14

 

CMYK 44 / 0 / 68 / 5

HEX #86F14C

RGB 134 241 76

HSL 98.91, 0.85%, 0.62%

LAB 86.26, -58.14, 66.92

 

CMYK 39 / 0 / 60 / 12

HEX #8AE15B

RGB 138 225 91

HSL 98.96, 0.69%, 0.62%

LAB 81.84, -49.26, 56.14

 

CMYK 32 / 0 / 49 / 18

HEX #8FD16B

RGB 143 209 107

HSL 98.82, 0.53%, 0.62%

LAB 77.58, -39, 43.8

 

CMYK 24 / 0 / 37 / 24

HEX #94C27B

RGB 148 194 123

HSL 98.87, 0.37%, 0.62%

LAB 73.75, -28.18, 30.93

 

CMYK 15 / 0 / 22 / 30

HEX #98B28A

RGB 152 178 138

HSL 99, 0.21%, 0.62%

LAB 69.72, -16.44, 17.55

 

CMYK 3 / 0 / 5 / 36

HEX #9DA29A

RGB 157 162 154

HSL 97.5, 0.04%, 0.62%

LAB 66.01, -3.31, 3.53

 

CMYK 6 / 0 / 60 / 12

HEX #D4E15B

RGB 212 225 91

HSL 65.82, 0.69%, 0.62%

LAB 86.31, -21.9, 62.34

 

CMYK 22 / 0 / 60 / 12

HEX #B0E15B

RGB 176 225 91

HSL 81.94, 0.69%, 0.62%

LAB 83.88, -35.92, 58.98

 

CMYK 38 / 0 / 60 / 12

HEX #8CE15B

RGB 140 225 91

HSL 98.06, 0.69%, 0.62%

LAB 81.94, -48.61, 56.27

 

CMYK 53 / 0 / 60 / 12

HEX #69E15B

RGB 105 225 91

HSL 113.73, 0.69%, 0.62%

LAB 80.52, -58.89, 54.28

 

CMYK 60 / 0 / 49 / 12

HEX #5BE172

RGB 91 225 114

HSL 130.3, 0.69%, 0.62%

LAB 80.34, -59.37, 43.36

 

CMYK 53 / 0 / 82 / 23

HEX #5DC524

RGB 93 197 36

HSL 98.76, 0.69%, 0.46%

LAB 71.14, -56.09, 64.61

 

CMYK 48 / 0 / 74 / 14

HEX #72DB38

RGB 114 219 56

HSL 98.65, 0.69%, 0.54%

LAB 78.77, -57.11, 66.12

 

CMYK 39 / 0 / 60 / 12

HEX #8AE15B

RGB 138 225 91

HSL 98.96, 0.69%, 0.62%

LAB 81.84, -49.26, 56.14

 

CMYK 29 / 0 / 45 / 9

HEX #A3E77E

RGB 163 231 126

HSL 98.86, 0.69%, 0.7%

LAB 85.22, -39.67, 44.29

 

CMYK 21 / 0 / 32 / 7

HEX #BCEEA1

RGB 188 238 161

HSL 98.96, 0.69%, 0.78%

LAB 89.12, -29.61, 32.22

 

CMYK 39 / 0 / 60 / 12

HEX #89E159

RGB 137 225 89

HSL 98.82, 0.69%, 0.62%

LAB 81.78, -49.77, 56.91

 

CMYK 60 / 0 / 10 / 12

HEX #5BE1CB

RGB 91 225 203

HSL 170.15, 0.69%, 0.62%

LAB 82.05, -41.72, -0.16

 

CMYK 0 / 60 / 14 / 12

HEX #E15BC2

RGB 225 91 194

HSL 313.88, 0.69%, 0.62%

LAB 59.33, 63.64, -28.41

 

CMYK 39 / 0 / 60 / 12

HEX #89E159

RGB 137 225 89

HSL 98.82, 0.69%, 0.62%

LAB 81.78, -49.77, 56.91

 

CMYK 60 / 38 / 0 / 12

HEX #5B8CE1

RGB 91 140 225

HSL 218.06, 0.69%, 0.62%

LAB 58.43, 9.01, -48.22

 

CMYK 0 / 60 / 38 / 12

HEX #E15B8C

RGB 225 91 140

HSL 338.06, 0.69%, 0.62%

LAB 57.45, 56.63, 0.02

 

CMYK 39 / 0 / 60 / 12

HEX #89E159

RGB 137 225 89

HSL 98.82, 0.69%, 0.62%

LAB 81.78, -49.77, 56.91

 

CMYK 60 / 0 / 10 / 12

HEX #5BE1CB

RGB 91 225 203

HSL 170.15, 0.69%, 0.62%

LAB 82.05, -41.72, -0.16

 

CMYK 22 / 60 / 0 / 12

HEX #B05BE1

RGB 176 91 225

HSL 278.06, 0.69%, 0.62%

LAB 54.18, 56.67, -54.56

 

CMYK 0 / 60 / 49 / 12

HEX #E15B72

RGB 225 91 114

HSL 349.7, 0.69%, 0.62%

LAB 56.79, 54.06, 14.33

 

CMYK 39 / 0 / 60 / 12

HEX #89E159

RGB 137 225 89

HSL 98.82, 0.69%, 0.62%

LAB 81.78, -49.77, 56.91

 

CMYK 60 / 8 / 0 / 12

HEX #5BCFE1

RGB 91 207 225

HSL 188.06, 0.69%, 0.62%

LAB 77.45, -27.44, -18.75

 

CMYK 22 / 60 / 0 / 12

HEX #B05BE1

RGB 176 91 225

HSL 278.06, 0.69%, 0.62%

LAB 54.18, 56.67, -54.56

 

CMYK 0 / 52 / 60 / 12

HEX #E16D5B

RGB 225 109 91

HSL 8.06, 0.69%, 0.62%

LAB 59.62, 43.72, 31.34

 

Description

Color code: HEX #89E159 | qconv.com Color code: HEX #89E159 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 225 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 225 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 60 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 60% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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