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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89DE51 it is the complementary color #7621AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89DE51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89DE51 shade: #8EDE4C, #9FF05F, #B0FF72, #C1FF85 and #D2FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89DE51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89DE51 shade: #89DE51, #78CC3E, #67BA2B, #56A818 and #459605

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89DE51 shade: #88DE4F, #AEDE4F, #D5DE4F, #DEC04F and #DE9A4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89DE51 shade: #88DE4F, #61DE4F, #4FDE64, #4FDE8A and #4FDEB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89DE51 shade matches the following richer shades: #88DE4F and #84EE3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89DE51 shade: #88DE4F, #8BCD60, #8FBC71, #92AB82 and #969A93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89DE51 shade: #D4DE4F, #AEDE4F, #88DE4F, #62DE4F and #4FDE62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89DE51 shade: #5EB723, #70D72D, #88DE4F, #9FE472 and #B7EB95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89DE51 shade: #89DE51, #4FDEC1 and #DE4FC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89DE51 shade: #89DE51, #4F88DE and #DE4F88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89DE51 shade: #89DE51, #4FDEC1, #A54FDE and #DE4F6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89DE51 shade: #89DE51, #4FCFDE, #A54FDE and #DE5E4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 64 / 13

HEX #89DE51

RGB 137 222 81

HSL 96.17, 0.68%, 0.59%

LAB 80.82, -49.26, 59.22

 

Complementary color

CMYK 32 / 81 / 0 / 32

HEX #7621AE

RGB 118 33 174

HSL 276.17, 0.68%, 0.41%

LAB 33.97, 58.68, -57.98

 

CMYK 36 / 0 / 66 / 13

HEX #8EDE4C

RGB 142 222 76

HSL 92.88, 0.69%, 0.58%

LAB 81.02, -48, 61.53

 

CMYK 34 / 0 / 60 / 6

HEX #9FF05F

RGB 159 240 95

HSL 93.52, 0.83%, 0.66%

LAB 87.25, -48.19, 60.78

 

CMYK 31 / 0 / 55 / 0

HEX #B0FF72

RGB 176 255 114

HSL 93.62, 1%, 0.72%

LAB 92.56, -47.02, 58.86

 

CMYK 24 / 0 / 48 / 0

HEX #C1FF85

RGB 193 255 133

HSL 90.49, 1%, 0.76%

LAB 93.69, -39.2, 51.8

 

CMYK 18 / 0 / 40 / 0

HEX #D2FF98

RGB 210 255 152

HSL 86.21, 1%, 0.8%

LAB 94.95, -31.01, 44.54

 

CMYK 38 / 0 / 64 / 13

HEX #89DE51

RGB 137 222 81

HSL 96.17, 0.68%, 0.59%

LAB 80.82, -49.26, 59.22

 

CMYK 41 / 0 / 70 / 20

HEX #78CC3E

RGB 120 204 62

HSL 95.49, 0.58%, 0.52%

LAB 74.53, -48.98, 59.82

 

CMYK 45 / 0 / 77 / 27

HEX #67BA2B

RGB 103 186 43

HSL 94.83, 0.62%, 0.45%

LAB 68.15, -48.5, 59.91

 

CMYK 49 / 0 / 86 / 34

HEX #56A818

RGB 86 168 24

HSL 94.17, 0.75%, 0.38%

LAB 61.7, -47.74, 59.08

 

CMYK 54 / 0 / 97 / 41

HEX #459605

RGB 69 150 5

HSL 93.52, 0.94%, 0.3%

LAB 55.16, -46.59, 56.8

 

CMYK 39 / 0 / 64 / 13

HEX #88DE4F

RGB 136 222 79

HSL 96.08, 0.68%, 0.59%

LAB 80.76, -49.75, 59.96

 

CMYK 22 / 0 / 64 / 13

HEX #AEDE4F

RGB 174 222 79

HSL 80.14, 0.68%, 0.59%

LAB 82.81, -36.24, 62.76

 

CMYK 4 / 0 / 64 / 13

HEX #D5DE4F

RGB 213 222 79

HSL 63.78, 0.68%, 0.59%

LAB 85.48, -20.83, 66.39

 

CMYK 0 / 14 / 64 / 13

HEX #DEC04F

RGB 222 192 79

HSL 47.41, 0.68%, 0.59%

LAB 78.34, -1.98, 59.08

 

CMYK 0 / 31 / 64 / 13

HEX #DE9A4F

RGB 222 154 79

HSL 31.47, 0.68%, 0.59%

LAB 68.9, 18.16, 48.68

 

CMYK 39 / 0 / 64 / 13

HEX #88DE4F

RGB 136 222 79

HSL 96.08, 0.68%, 0.59%

LAB 80.76, -49.75, 59.96

 

CMYK 56 / 0 / 64 / 13

HEX #61DE4F

RGB 97 222 79

HSL 112.45, 0.68%, 0.59%

LAB 79.24, -61.02, 57.86

 

CMYK 64 / 0 / 55 / 13

HEX #4FDE64

RGB 79 222 100

HSL 128.81, 0.68%, 0.59%

LAB 78.94, -62.68, 48.19

 

CMYK 64 / 0 / 38 / 13

HEX #4FDE8A

RGB 79 222 138

HSL 144.76, 0.68%, 0.59%

LAB 79.47, -56.79, 30.23

 

CMYK 64 / 0 / 21 / 13

HEX #4FDEB0

RGB 79 222 176

HSL 160.7, 0.68%, 0.59%

LAB 80.2, -48.98, 11.44

 

CMYK 39 / 0 / 64 / 13

HEX #88DE4F

RGB 136 222 79

HSL 96.08, 0.68%, 0.59%

LAB 80.76, -49.75, 59.96

 

CMYK 45 / 0 / 74 / 7

HEX #84EE3E

RGB 132 238 62

HSL 96.14, 0.84%, 0.59%

LAB 85.2, -58.54, 70.7

 

CMYK 39 / 0 / 64 / 13

HEX #88DE4F

RGB 136 222 79

HSL 96.08, 0.68%, 0.59%

LAB 80.76, -49.75, 59.96

 

CMYK 32 / 0 / 53 / 20

HEX #8BCD60

RGB 139 205 96

HSL 96.33, 0.52%, 0.59%

LAB 76.07, -39.86, 47.18

 

CMYK 24 / 0 / 40 / 26

HEX #8FBC71

RGB 143 188 113

HSL 96, 0.36%, 0.59%

LAB 71.55, -28.5, 33.21

 

CMYK 15 / 0 / 24 / 33

HEX #92AB82

RGB 146 171 130

HSL 96.59, 0.2%, 0.59%

LAB 67.16, -16.35, 18.32

 

CMYK 3 / 0 / 5 / 40

HEX #969A93

RGB 150 154 147

HSL 94.29, 0.03%, 0.59%

LAB 63.1, -2.78, 3.16

 

CMYK 5 / 0 / 64 / 13

HEX #D4DE4F

RGB 212 222 79

HSL 64.2, 0.68%, 0.59%

LAB 85.4, -21.23, 66.28

 

CMYK 22 / 0 / 64 / 13

HEX #AEDE4F

RGB 174 222 79

HSL 80.14, 0.68%, 0.59%

LAB 82.81, -36.24, 62.76

 

CMYK 39 / 0 / 64 / 13

HEX #88DE4F

RGB 136 222 79

HSL 96.08, 0.68%, 0.59%

LAB 80.76, -49.75, 59.96

 

CMYK 56 / 0 / 64 / 13

HEX #62DE4F

RGB 98 222 79

HSL 112.03, 0.68%, 0.59%

LAB 79.27, -60.77, 57.91

 

CMYK 64 / 0 / 56 / 13

HEX #4FDE62

RGB 79 222 98

HSL 127.97, 0.68%, 0.59%

LAB 78.92, -62.93, 49.08

 

CMYK 49 / 0 / 81 / 28

HEX #5EB723

RGB 94 183 35

HSL 96.08, 0.68%, 0.43%

LAB 66.8, -50.59, 60.93

 

CMYK 48 / 0 / 79 / 16

HEX #70D72D

RGB 112 215 45

HSL 96.35, 0.68%, 0.51%

LAB 77.42, -56.82, 68.19

 

CMYK 39 / 0 / 64 / 13

HEX #88DE4F

RGB 136 222 79

HSL 96.08, 0.68%, 0.59%

LAB 80.76, -49.75, 59.96

 

CMYK 30 / 0 / 50 / 11

HEX #9FE472

RGB 159 228 114

HSL 96.32, 0.68%, 0.67%

LAB 84, -41.12, 48.48

 

CMYK 22 / 0 / 37 / 8

HEX #B7EB95

RGB 183 235 149

HSL 96.28, 0.68%, 0.75%

LAB 87.8, -31.62, 36.47

 

CMYK 38 / 0 / 64 / 13

HEX #89DE51

RGB 137 222 81

HSL 96.17, 0.68%, 0.59%

LAB 80.82, -49.26, 59.22

 

CMYK 64 / 0 / 13 / 13

HEX #4FDEC1

RGB 79 222 193

HSL 167.83, 0.68%, 0.59%

LAB 80.6, -44.94, 3

 

CMYK 0 / 64 / 13 / 13

HEX #DE4FC1

RGB 222 79 193

HSL 312.17, 0.68%, 0.59%

LAB 57.05, 67.62, -31.41

 

CMYK 38 / 0 / 64 / 13

HEX #89DE51

RGB 137 222 81

HSL 96.17, 0.68%, 0.59%

LAB 80.82, -49.26, 59.22

 

CMYK 64 / 39 / 0 / 13

HEX #4F88DE

RGB 79 136 222

HSL 216.08, 0.68%, 0.59%

LAB 56.63, 8.21, -49.44

 

CMYK 0 / 64 / 39 / 13

HEX #DE4F88

RGB 222 79 136

HSL 336.08, 0.68%, 0.59%

LAB 54.97, 60.38, -1.31

 

CMYK 38 / 0 / 64 / 13

HEX #89DE51

RGB 137 222 81

HSL 96.17, 0.68%, 0.59%

LAB 80.82, -49.26, 59.22

 

CMYK 64 / 0 / 13 / 13

HEX #4FDEC1

RGB 79 222 193

HSL 167.83, 0.68%, 0.59%

LAB 80.6, -44.94, 3

 

CMYK 26 / 64 / 0 / 13

HEX #A54FDE

RGB 165 79 222

HSL 276.08, 0.68%, 0.59%

LAB 50.53, 59.24, -58.8

 

CMYK 0 / 64 / 51 / 13

HEX #DE4F6C

RGB 222 79 108

HSL 347.83, 0.68%, 0.59%

LAB 54.24, 57.74, 14.28

 

CMYK 38 / 0 / 64 / 13

HEX #89DE51

RGB 137 222 81

HSL 96.17, 0.68%, 0.59%

LAB 80.82, -49.26, 59.22

 

CMYK 64 / 7 / 0 / 13

HEX #4FCFDE

RGB 79 207 222

HSL 186.29, 0.68%, 0.59%

LAB 77.02, -30.28, -17.82

 

CMYK 26 / 64 / 0 / 13

HEX #A54FDE

RGB 165 79 222

HSL 276.08, 0.68%, 0.59%

LAB 50.53, 59.24, -58.8

 

CMYK 0 / 58 / 64 / 13

HEX #DE5E4F

RGB 222 94 79

HSL 6.29, 0.68%, 0.59%

LAB 56.19, 49.06, 33.7

 

Description

Color code: HEX #89DE51 | qconv.com Color code: HEX #89DE51 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 222 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 222 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 64 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 64% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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