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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89D53E it is the complementary color #762AC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89D53E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89D53E shade: #8ED539, #9FE74C, #B0F95F, #C1FF72 and #D2FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89D53E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89D53E shade: #89D53E, #78C32B, #67B118, #569F05 and #458D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89D53E shade: #89D53F, #B2D53F, #D5CF3F, #D5A73F and #D57E3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89D53E shade: #89D53F, #61D53F, #3FD545, #3FD56E and #3FD596

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89D53E shade matches the following richer shades: #89D53F, #89E82C and #89FB19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89D53E shade: #89D53F, #89C252, #89AF65, #8A9C78 and #8A898B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89D53E shade: #D5D03F, #B2D53F, #8AD53F, #62D53F and #3FD544

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89D53E shade: #609E23, #75C02A, #89D53F, #9EDC60 and #B3E482

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89D53E shade: #89D53E, #3FD5A8 and #D53FC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89D53E shade: #89D53E, #3F8AD5 and #D53F8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89D53E shade: #89D53E, #3FD5A8, #8A3FD5 and #D53F6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89D53E shade: #89D53E, #3FD5D5, #8A3FD5 and #D53F3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 71 / 16

HEX #89D53E

RGB 137 213 62

HSL 90.2, 0.64%, 0.54%

LAB 78.03, -46.97, 63.65

 

Complementary color

CMYK 39 / 78 / 0 / 24

HEX #762AC1

RGB 118 42 193

HSL 270.2, 0.64%, 0.46%

LAB 36.66, 59.73, -64.84

 

CMYK 33 / 0 / 73 / 16

HEX #8ED539

RGB 142 213 57

HSL 87.31, 0.65%, 0.53%

LAB 78.25, -45.53, 65.7

 

CMYK 31 / 0 / 67 / 9

HEX #9FE74C

RGB 159 231 76

HSL 87.87, 0.76%, 0.6%

LAB 84.51, -45.91, 65.46

 

CMYK 29 / 0 / 62 / 2

HEX #B0F95F

RGB 176 249 95

HSL 88.44, 0.93%, 0.67%

LAB 90.69, -46.16, 64.83

 

CMYK 24 / 0 / 55 / 0

HEX #C1FF72

RGB 193 255 114

HSL 86.38, 1%, 0.72%

LAB 93.48, -41.11, 60.17

 

CMYK 18 / 0 / 48 / 0

HEX #D2FF85

RGB 210 255 133

HSL 82.13, 1%, 0.76%

LAB 94.7, -33.13, 53.27

 

CMYK 36 / 0 / 71 / 16

HEX #89D53E

RGB 137 213 62

HSL 90.2, 0.64%, 0.54%

LAB 78.03, -46.97, 63.65

 

CMYK 38 / 0 / 78 / 24

HEX #78C32B

RGB 120 195 43

HSL 89.61, 0.64%, 0.47%

LAB 71.69, -46.48, 63.54

 

CMYK 42 / 0 / 86 / 31

HEX #67B118

RGB 103 177 24

HSL 89.02, 0.76%, 0.39%

LAB 65.27, -45.76, 62.48

 

CMYK 46 / 0 / 97 / 38

HEX #569F05

RGB 86 159 5

HSL 88.44, 0.94%, 0.32%

LAB 58.78, -44.72, 60

 

CMYK 51 / 0 / 100 / 45

HEX #458D00

RGB 69 141 0

HSL 90.64, 1%, 0.28%

LAB 52.19, -43.24, 55.28

 

CMYK 36 / 0 / 70 / 16

HEX #89D53F

RGB 137 213 63

HSL 90.4, 0.64%, 0.54%

LAB 78.03, -46.9, 63.29

 

CMYK 16 / 0 / 70 / 16

HEX #B2D53F

RGB 178 213 63

HSL 74, 0.64%, 0.54%

LAB 80.41, -31.57, 66.46

 

CMYK 0 / 3 / 70 / 16

HEX #D5CF3F

RGB 213 207 63

HSL 57.6, 0.64%, 0.54%

LAB 81.36, -14.3, 68.27

 

CMYK 0 / 22 / 70 / 16

HEX #D5A73F

RGB 213 167 63

HSL 41.6, 0.64%, 0.54%

LAB 70.97, 6.44, 57.9

 

CMYK 0 / 41 / 70 / 16

HEX #D57E3F

RGB 213 126 63

HSL 25.2, 0.64%, 0.54%

LAB 61.16, 28.52, 47.57

 

CMYK 36 / 0 / 70 / 16

HEX #89D53F

RGB 137 213 63

HSL 90.4, 0.64%, 0.54%

LAB 78.03, -46.9, 63.29

 

CMYK 54 / 0 / 70 / 16

HEX #61D53F

RGB 97 213 63

HSL 106.4, 0.64%, 0.54%

LAB 76.37, -59.15, 61.06

 

CMYK 70 / 0 / 68 / 16

HEX #3FD545

RGB 63 213 69

HSL 122.4, 0.64%, 0.54%

LAB 75.5, -66.04, 57.58

 

CMYK 70 / 0 / 48 / 16

HEX #3FD56E

RGB 63 213 110

HSL 138.8, 0.64%, 0.54%

LAB 75.93, -60.96, 39.65

 

CMYK 70 / 0 / 30 / 16

HEX #3FD596

RGB 63 213 150

HSL 154.8, 0.64%, 0.54%

LAB 76.59, -53.62, 20.05

 

CMYK 36 / 0 / 70 / 16

HEX #89D53F

RGB 137 213 63

HSL 90.4, 0.64%, 0.54%

LAB 78.03, -46.9, 63.29

 

CMYK 41 / 0 / 81 / 9

HEX #89E82C

RGB 137 232 44

HSL 90.32, 0.8%, 0.54%

LAB 83.55, -55.59, 74.45

 

CMYK 45 / 0 / 90 / 2

HEX #89FB19

RGB 137 251 25

HSL 90.27, 0.97%, 0.54%

LAB 89.1, -63.36, 82.97

 

CMYK 36 / 0 / 70 / 16

HEX #89D53F

RGB 137 213 63

HSL 90.4, 0.64%, 0.54%

LAB 78.03, -46.9, 63.29

 

CMYK 29 / 0 / 58 / 24

HEX #89C252

RGB 137 194 82

HSL 90.54, 0.48%, 0.54%

LAB 72.57, -37.1, 49.56

 

CMYK 22 / 0 / 42 / 31

HEX #89AF65

RGB 137 175 101

HSL 90.81, 0.32%, 0.54%

LAB 67.22, -26.01, 33.79

 

CMYK 12 / 0 / 23 / 39

HEX #8A9C78

RGB 138 156 120

HSL 90, 0.15%, 0.54%

LAB 62.11, -13.13, 16.78

 

CMYK 1 / 1 / 0 / 45

HEX #8A898B

RGB 138 137 139

HSL 270, 0.01%, 0.54%

LAB 57.23, 0.77, -0.94

 

CMYK 0 / 2 / 70 / 16

HEX #D5D03F

RGB 213 208 63

HSL 58, 0.64%, 0.54%

LAB 81.63, -14.8, 68.53

 

CMYK 16 / 0 / 70 / 16

HEX #B2D53F

RGB 178 213 63

HSL 74, 0.64%, 0.54%

LAB 80.41, -31.57, 66.46

 

CMYK 35 / 0 / 70 / 16

HEX #8AD53F

RGB 138 213 63

HSL 90, 0.64%, 0.54%

LAB 78.08, -46.55, 63.36

 

CMYK 54 / 0 / 70 / 16

HEX #62D53F

RGB 98 213 63

HSL 106, 0.64%, 0.54%

LAB 76.4, -58.88, 61.11

 

CMYK 70 / 0 / 68 / 16

HEX #3FD544

RGB 63 213 68

HSL 122, 0.64%, 0.54%

LAB 75.49, -66.13, 57.96

 

CMYK 39 / 0 / 78 / 38

HEX #609E23

RGB 96 158 35

HSL 90.24, 0.64%, 0.38%

LAB 59.03, -39.76, 53.69

 

CMYK 39 / 0 / 78 / 25

HEX #75C02A

RGB 117 192 42

HSL 90, 0.64%, 0.46%

LAB 70.63, -46.33, 62.8

 

CMYK 36 / 0 / 70 / 16

HEX #89D53F

RGB 137 213 63

HSL 90.4, 0.64%, 0.54%

LAB 78.03, -46.9, 63.29

 

CMYK 28 / 0 / 56 / 14

HEX #9EDC60

RGB 158 220 96

HSL 90, 0.64%, 0.62%

LAB 81.46, -39.82, 53.76

 

CMYK 21 / 0 / 43 / 11

HEX #B3E482

RGB 179 228 130

HSL 90, 0.64%, 0.7%

LAB 85.34, -32.22, 42.68

 

CMYK 36 / 0 / 71 / 16

HEX #89D53E

RGB 137 213 62

HSL 90.2, 0.64%, 0.54%

LAB 78.03, -46.97, 63.65

 

CMYK 70 / 0 / 21 / 16

HEX #3FD5A8

RGB 63 213 168

HSL 162, 0.64%, 0.54%

LAB 76.96, -49.6, 11.04

 

CMYK 0 / 70 / 7 / 16

HEX #D53FC6

RGB 213 63 198

HSL 306, 0.64%, 0.54%

LAB 53.79, 72.02, -39.48

 

CMYK 36 / 0 / 71 / 16

HEX #89D53E

RGB 137 213 62

HSL 90.2, 0.64%, 0.54%

LAB 78.03, -46.97, 63.65

 

CMYK 70 / 35 / 0 / 16

HEX #3F8AD5

RGB 63 138 213

HSL 210, 0.64%, 0.54%

LAB 56.13, 1.36, -45.22

 

CMYK 0 / 70 / 35 / 16

HEX #D53F8A

RGB 213 63 138

HSL 330, 0.64%, 0.54%

LAB 51.31, 64.13, -8.08

 

CMYK 36 / 0 / 71 / 16

HEX #89D53E

RGB 137 213 62

HSL 90.2, 0.64%, 0.54%

LAB 78.03, -46.97, 63.65

 

CMYK 70 / 0 / 21 / 16

HEX #3FD5A8

RGB 63 213 168

HSL 162, 0.64%, 0.54%

LAB 76.96, -49.6, 11.04

 

CMYK 35 / 70 / 0 / 16

HEX #8A3FD5

RGB 138 63 213

HSL 270, 0.64%, 0.54%

LAB 43.89, 59.06, -64.56

 

CMYK 0 / 70 / 49 / 16

HEX #D53F6C

RGB 213 63 108

HSL 342, 0.64%, 0.54%

LAB 50.43, 61.21, 8.71

 

CMYK 36 / 0 / 71 / 16

HEX #89D53E

RGB 137 213 62

HSL 90.2, 0.64%, 0.54%

LAB 78.03, -46.97, 63.65

 

CMYK 70 / 0 / 0 / 16

HEX #3FD5D5

RGB 63 213 213

HSL 180, 0.64%, 0.54%

LAB 78.14, -37.9, -11.34

 

CMYK 35 / 70 / 0 / 16

HEX #8A3FD5

RGB 138 63 213

HSL 270, 0.64%, 0.54%

LAB 43.89, 59.06, -64.56

 

CMYK 0 / 70 / 70 / 16

HEX #D53F3F

RGB 213 63 63

HSL 0, 0.64%, 0.54%

LAB 49.57, 58.24, 34.48

 

Description

Color code: HEX #89D53E | qconv.com Color code: HEX #89D53E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 213 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 213 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 71 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 71% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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