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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89D362 it is the complementary color #762C9D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89D362. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89D362 shade: #8ED35D, #9FE570, #B0F783, #C1FF96 and #D2FFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89D362. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89D362 shade: #89D362, #78C14F, #67AF3C, #569D29 and #458B16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89D362 shade: #8AD364, #A8D364, #C6D364, #D3C264 and #D3A464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89D362 shade: #8AD364, #6CD364, #64D379, #64D398 and #64D3B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89D362 shade matches the following richer shades: #8AD364, #85E354 and #80F344

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89D362 shade: #8AD364, #8FC374, #94B384, #99A394 and #9E93A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89D362 shade: #C6D364, #A9D364, #8BD364, #6DD364 and #64D378

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89D362 shade: #5EB232, #72CA44, #8AD364, #A3DC84 and #BBE5A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89D362 shade: #89D362, #64D3C3 and #D364B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89D362 shade: #89D362, #648BD3 and #D3648B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89D362 shade: #89D362, #64D3C3, #AC64D3 and #D36475

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89D362 shade: #89D362, #64C3D3, #AC64D3 and #D37564

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 54 / 17

HEX #89D362

RGB 137 211 98

HSL 99.29, 0.56%, 0.61%

LAB 77.75, -42.95, 48.22

 

Complementary color

CMYK 25 / 72 / 0 / 38

HEX #762C9D

RGB 118 44 157

HSL 279.29, 0.56%, 0.39%

LAB 34.16, 50.68, -47.44

 

CMYK 33 / 0 / 56 / 17

HEX #8ED35D

RGB 142 211 93

HSL 95.08, 0.57%, 0.6%

LAB 77.95, -41.78, 50.83

 

CMYK 31 / 0 / 51 / 10

HEX #9FE570

RGB 159 229 112

HSL 95.9, 0.69%, 0.67%

LAB 84.27, -41.79, 49.74

 

CMYK 29 / 0 / 47 / 3

HEX #B0F783

RGB 176 247 131

HSL 96.72, 0.88%, 0.74%

LAB 90.5, -41.74, 48.61

 

CMYK 24 / 0 / 41 / 0

HEX #C1FF96

RGB 193 255 150

HSL 95.43, 1%, 0.79%

LAB 93.91, -37.2, 43.98

 

CMYK 18 / 0 / 34 / 0

HEX #D2FFA9

RGB 210 255 169

HSL 91.4, 1%, 0.83%

LAB 95.2, -28.84, 36.52

 

CMYK 35 / 0 / 54 / 17

HEX #89D362

RGB 137 211 98

HSL 99.29, 0.56%, 0.61%

LAB 77.75, -42.95, 48.22

 

CMYK 38 / 0 / 59 / 24

HEX #78C14F

RGB 120 193 79

HSL 98.42, 0.48%, 0.53%

LAB 71.35, -42.92, 49.3

 

CMYK 41 / 0 / 66 / 31

HEX #67AF3C

RGB 103 175 60

HSL 97.57, 0.49%, 0.46%

LAB 64.86, -42.75, 50.19

 

CMYK 45 / 0 / 74 / 38

HEX #569D29

RGB 86 157 41

HSL 96.72, 0.59%, 0.39%

LAB 58.28, -42.39, 50.68

 

CMYK 50 / 0 / 84 / 45

HEX #458B16

RGB 69 139 22

HSL 95.9, 0.73%, 0.32%

LAB 51.6, -41.71, 50.31

 

CMYK 35 / 0 / 53 / 17

HEX #8AD364

RGB 138 211 100

HSL 99.46, 0.56%, 0.61%

LAB 77.82, -42.39, 47.38

 

CMYK 20 / 0 / 53 / 17

HEX #A8D364

RGB 168 211 100

HSL 83.24, 0.56%, 0.61%

LAB 79.52, -31.66, 49.81

 

CMYK 6 / 0 / 53 / 17

HEX #C6D364

RGB 198 211 100

HSL 67.03, 0.56%, 0.61%

LAB 81.57, -19.98, 52.74

 

CMYK 0 / 8 / 53 / 17

HEX #D3C264

RGB 211 194 100

HSL 50.81, 0.56%, 0.61%

LAB 78.08, -6.1, 48.9

 

CMYK 0 / 22 / 53 / 17

HEX #D3A464

RGB 211 164 100

HSL 34.59, 0.56%, 0.61%

LAB 70.4, 9.75, 39.62

 

CMYK 35 / 0 / 53 / 17

HEX #8AD364

RGB 138 211 100

HSL 99.46, 0.56%, 0.61%

LAB 77.82, -42.39, 47.38

 

CMYK 49 / 0 / 53 / 17

HEX #6CD364

RGB 108 211 100

HSL 115.68, 0.56%, 0.61%

LAB 76.49, -51.65, 45.47

 

CMYK 53 / 0 / 43 / 17

HEX #64D379

RGB 100 211 121

HSL 131.35, 0.56%, 0.61%

LAB 76.48, -50.8, 35.08

 

CMYK 53 / 0 / 28 / 17

HEX #64D398

RGB 100 211 152

HSL 148.11, 0.56%, 0.61%

LAB 77.02, -45.26, 19.75

 

CMYK 53 / 0 / 14 / 17

HEX #64D3B6

RGB 100 211 182

HSL 164.32, 0.56%, 0.61%

LAB 77.68, -38.74, 4.72

 

CMYK 35 / 0 / 53 / 17

HEX #8AD364

RGB 138 211 100

HSL 99.46, 0.56%, 0.61%

LAB 77.82, -42.39, 47.38

 

CMYK 41 / 0 / 63 / 11

HEX #85E354

RGB 133 227 84

HSL 99.44, 0.72%, 0.61%

LAB 82.14, -52.31, 59.38

 

CMYK 47 / 0 / 72 / 5

HEX #80F344

RGB 128 243 68

HSL 99.43, 0.88%, 0.61%

LAB 86.56, -61.23, 69.99

 

CMYK 35 / 0 / 53 / 17

HEX #8AD364

RGB 138 211 100

HSL 99.46, 0.56%, 0.61%

LAB 77.82, -42.39, 47.38

 

CMYK 27 / 0 / 41 / 24

HEX #8FC374

RGB 143 195 116

HSL 99.49, 0.4%, 0.61%

LAB 73.63, -31.42, 34.34

 

CMYK 17 / 0 / 26 / 30

HEX #94B384

RGB 148 179 132

HSL 99.57, 0.24%, 0.61%

LAB 69.61, -19.39, 20.61

 

CMYK 6 / 0 / 9 / 36

HEX #99A394

RGB 153 163 148

HSL 100, 0.08%, 0.61%

LAB 65.83, -6.41, 6.57

 

CMYK 4 / 10 / 0 / 36

HEX #9E93A4

RGB 158 147 164

HSL 278.82, 0.09%, 0.61%

LAB 62.35, 7.31, -7.46

 

CMYK 6 / 0 / 53 / 17

HEX #C6D364

RGB 198 211 100

HSL 67.03, 0.56%, 0.61%

LAB 81.57, -19.98, 52.74

 

CMYK 20 / 0 / 53 / 17

HEX #A9D364

RGB 169 211 100

HSL 82.7, 0.56%, 0.61%

LAB 79.58, -31.28, 49.9

 

CMYK 34 / 0 / 53 / 17

HEX #8BD364

RGB 139 211 100

HSL 98.92, 0.56%, 0.61%

LAB 77.87, -42.06, 47.45

 

CMYK 48 / 0 / 53 / 17

HEX #6DD364

RGB 109 211 100

HSL 115.14, 0.56%, 0.61%

LAB 76.53, -51.37, 45.52

 

CMYK 53 / 0 / 43 / 17

HEX #64D378

RGB 100 211 120

HSL 130.81, 0.56%, 0.61%

LAB 76.47, -50.96, 35.57

 

CMYK 47 / 0 / 72 / 30

HEX #5EB232

RGB 94 178 50

HSL 99.38, 0.56%, 0.45%

LAB 65.32, -47.7, 54.55

 

CMYK 44 / 0 / 66 / 21

HEX #72CA44

RGB 114 202 68

HSL 99.4, 0.56%, 0.53%

LAB 73.7, -49.62, 56.53

 

CMYK 35 / 0 / 53 / 17

HEX #8AD364

RGB 138 211 100

HSL 99.46, 0.56%, 0.61%

LAB 77.82, -42.39, 47.38

 

CMYK 26 / 0 / 40 / 14

HEX #A3DC84

RGB 163 220 132

HSL 98.86, 0.56%, 0.69%

LAB 82.18, -33.91, 37.47

 

CMYK 18 / 0 / 28 / 10

HEX #BBE5A4

RGB 187 229 164

HSL 98.77, 0.56%, 0.77%

LAB 86.64, -25.24, 27.36

 

CMYK 35 / 0 / 54 / 17

HEX #89D362

RGB 137 211 98

HSL 99.29, 0.56%, 0.61%

LAB 77.75, -42.95, 48.22

 

CMYK 53 / 0 / 8 / 17

HEX #64D3C3

RGB 100 211 195

HSL 171.35, 0.56%, 0.61%

LAB 78.02, -35.61, -1.77

 

CMYK 0 / 53 / 13 / 17

HEX #D364B7

RGB 211 100 183

HSL 315.14, 0.56%, 0.61%

LAB 58.4, 53.91, -23.72

 

CMYK 35 / 0 / 54 / 17

HEX #89D362

RGB 137 211 98

HSL 99.29, 0.56%, 0.61%

LAB 77.75, -42.95, 48.22

 

CMYK 53 / 34 / 0 / 17

HEX #648BD3

RGB 100 139 211

HSL 218.92, 0.56%, 0.61%

LAB 57.92, 6.97, -41.16

 

CMYK 0 / 53 / 34 / 17

HEX #D3648B

RGB 211 100 139

HSL 338.92, 0.56%, 0.61%

LAB 56.91, 47.78, -0.44

 

CMYK 35 / 0 / 54 / 17

HEX #89D362

RGB 137 211 98

HSL 99.29, 0.56%, 0.61%

LAB 77.75, -42.95, 48.22

 

CMYK 53 / 0 / 8 / 17

HEX #64D3C3

RGB 100 211 195

HSL 171.35, 0.56%, 0.61%

LAB 78.02, -35.61, -1.77

 

CMYK 18 / 53 / 0 / 17

HEX #AC64D3

RGB 172 100 211

HSL 278.92, 0.56%, 0.61%

LAB 54.65, 48.08, -45.93

 

CMYK 0 / 53 / 45 / 17

HEX #D36475

RGB 211 100 117

HSL 350.81, 0.56%, 0.61%

LAB 56.33, 45.33, 11.63

 

CMYK 35 / 0 / 54 / 17

HEX #89D362

RGB 137 211 98

HSL 99.29, 0.56%, 0.61%

LAB 77.75, -42.95, 48.22

 

CMYK 53 / 8 / 0 / 17

HEX #64C3D3

RGB 100 195 211

HSL 188.65, 0.56%, 0.61%

LAB 73.83, -23.68, -16.63

 

CMYK 18 / 53 / 0 / 17

HEX #AC64D3

RGB 172 100 211

HSL 278.92, 0.56%, 0.61%

LAB 54.65, 48.08, -45.93

 

CMYK 0 / 45 / 53 / 17

HEX #D37564

RGB 211 117 100

HSL 9.19, 0.56%, 0.61%

LAB 59.43, 35.05, 25.64

 

Description

Color code: HEX #89D362 | qconv.com Color code: HEX #89D362 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 211 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 211 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 54 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 54% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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