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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89C8D3 it is the complementary color #76372C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89C8D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #89C8D3: #8EC8CE, #9FDAE1, #B0ECF4, #C1FEFF and #D2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89C8D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #89C8D3: #89C8D3, #78B6C0, #67A4AD, #56929A and #458087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 5 / 0 / 17

HEX #89C8D3

RGB 137 200 211

HSL 188.92, 0.46%, 0.68%

LAB 76.88, -17.31, -11.89

 

Complementary color

CMYK 0 / 53 / 63 / 54

HEX #76372C

RGB 118 55 44

HSL 8.92, 0.46%, 0.32%

LAB 31.27, 26.6, 19.78

 

CMYK 31 / 3 / 0 / 19

HEX #8EC8CE

RGB 142 200 206

HSL 185.63, 0.4%, 0.68%

LAB 76.99, -17.13, -9

 

CMYK 29 / 3 / 0 / 12

HEX #9FDAE1

RGB 159 218 225

HSL 186.36, 0.52%, 0.75%

LAB 83.42, -17.08, -9.51

 

CMYK 28 / 3 / 0 / 4

HEX #B0ECF4

RGB 176 236 244

HSL 187.06, 0.76%, 0.82%

LAB 89.74, -17.03, -10.01

 

CMYK 24 / 0 / 0 / 0

HEX #C1FEFF

RGB 193 254 255

HSL 180.97, 1%, 0.88%

LAB 95.76, -18.71, -6.69

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 35 / 5 / 0 / 17

HEX #89C8D3

RGB 137 200 211

HSL 188.92, 0.46%, 0.68%

LAB 76.88, -17.31, -11.89

 

CMYK 38 / 5 / 0 / 25

HEX #78B6C0

RGB 120 182 192

HSL 188.33, 0.36%, 0.61%

LAB 70.35, -17.32, -11.39

 

CMYK 40 / 5 / 0 / 32

HEX #67A4AD

RGB 103 164 173

HSL 187.71, 0.3%, 0.54%

LAB 63.71, -17.32, -10.88

 

CMYK 44 / 5 / 0 / 40

HEX #56929A

RGB 86 146 154

HSL 187.06, 0.28%, 0.47%

LAB 56.95, -17.29, -10.34

 

CMYK 49 / 5 / 0 / 47

HEX #458087

RGB 69 128 135

HSL 186.36, 0.32%, 0.4%

LAB 50.04, -17.21, -9.76

 

CMYK 35 / 5 / 0 / 17

HEX #89C8D3

RGB 137 200 211

HSL 188.92, 0.46%, 0.68%

LAB 76.88, -17.31, -11.89

 

CMYK 36 / 10 / 0 / 18

HEX #87BCD2

RGB 135 188 210

HSL 197.6, 0.45%, 0.68%

LAB 73.4, -11.86, -16.59

 

CMYK 36 / 17 / 0 / 18

HEX #87AFD2

RGB 135 175 210

HSL 208, 0.45%, 0.68%

LAB 69.8, -4.89, -22.04

 

CMYK 36 / 22 / 0 / 18

HEX #87A3D2

RGB 135 163 210

HSL 217.6, 0.45%, 0.68%

LAB 66.52, 1.75, -27.07

 

CMYK 36 / 29 / 0 / 18

HEX #8796D2

RGB 135 150 210

HSL 228, 0.45%, 0.68%

LAB 63.02, 9.12, -32.46

 

CMYK 35 / 5 / 0 / 17

HEX #89C8D3

RGB 137 200 211

HSL 188.92, 0.46%, 0.68%

LAB 76.88, -17.31, -11.89

 

CMYK 29 / 0 / 0 / 97

HEX #050707

RGB 5 7 7

HSL 180, 0.17%, 0.02%

LAB 1.8, -0.52, -0.18

 

CMYK 34 / 5 / 0 / 77

HEX #26373A

RGB 38 55 58

HSL 189, 0.21%, 0.19%

LAB 21.76, -6.01, -4.11

 

CMYK 35 / 6 / 0 / 57

HEX #47676D

RGB 71 103 109

HSL 189.47, 0.21%, 0.35%

LAB 41.44, -9.93, -7.1

 

CMYK 35 / 5 / 0 / 37

HEX #6898A0

RGB 104 152 160

HSL 188.57, 0.23%, 0.52%

LAB 59.83, -14.02, -9.35

 

CMYK 35 / 5 / 0 / 17

HEX #89C8D3

RGB 137 200 211

HSL 188.92, 0.46%, 0.68%

LAB 76.88, -17.31, -11.89

 

CMYK 24 / 36 / 0 / 18

HEX #A087D2

RGB 160 135 210

HSL 260, 0.45%, 0.68%

LAB 61.18, 25, -35.18

 

CMYK 0 / 10 / 36 / 18

HEX #D2BE87

RGB 210 190 135

HSL 44, 0.45%, 0.68%

LAB 77.45, -0.88, 30.38

 

CMYK 35 / 5 / 0 / 17

HEX #89C8D3

RGB 137 200 211

HSL 188.92, 0.46%, 0.68%

LAB 76.88, -17.31, -11.89

 

CMYK 0 / 36 / 5 / 18

HEX #D287C8

RGB 210 135 200

HSL 308, 0.45%, 0.68%

LAB 65.9, 38.58, -21.87

 

CMYK 5 / 0 / 36 / 18

HEX #C8D287

RGB 200 210 135

HSL 68, 0.45%, 0.68%

LAB 81.9, -15.07, 36.07

 

CMYK 35 / 5 / 0 / 17

HEX #89C8D3

RGB 137 200 211

HSL 188.92, 0.46%, 0.68%

LAB 76.88, -17.31, -11.89

 

CMYK 24 / 36 / 0 / 18

HEX #A087D2

RGB 160 135 210

HSL 260, 0.45%, 0.68%

LAB 61.18, 25, -35.18

 

CMYK 0 / 31 / 36 / 18

HEX #D29187

RGB 210 145 135

HSL 8, 0.45%, 0.68%

LAB 66.29, 23.32, 15.23

 

CMYK 12 / 0 / 36 / 18

HEX #B9D287

RGB 185 210 135

HSL 80, 0.45%, 0.68%

LAB 80.83, -20.77, 34.46

 

CMYK 35 / 5 / 0 / 17

HEX #89C8D3

RGB 137 200 211

HSL 188.92, 0.46%, 0.68%

LAB 76.88, -17.31, -11.89

 

CMYK 13 / 36 / 0 / 18

HEX #B787D2

RGB 183 135 210

HSL 278.4, 0.45%, 0.68%

LAB 63.38, 31.98, -31.59

 

CMYK 0 / 31 / 36 / 18

HEX #D29187

RGB 210 145 135

HSL 8, 0.45%, 0.68%

LAB 66.29, 23.32, 15.23

 

CMYK 22 / 0 / 36 / 18

HEX #A3D287

RGB 163 210 135

HSL 97.6, 0.45%, 0.68%

LAB 79.4, -28.8, 32.33

 

Description

Color code: HEX #89C8D3 | qconv.com Color code: HEX #89C8D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 200 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 200 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 5 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 5% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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