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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89C5E5 it is the complementary color #763A1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89C5E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89C5E5 shade: #8EC5E0, #9FD7F3, #B0E9FF, #C1FBFF and #D2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89C5E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89C5E5 shade: #89C5E5, #78B3D2, #67A1BF, #568FAC and #457D99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89C5E5 shade: #89C5E5, #89ACE5, #8994E5, #9889E5 and #B089E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89C5E5 shade: #89C5E5, #89ACE5, #8994E5 and #8989E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89C5E5 shade matches the following richer shades: #89C5E5, #7EC9F0 and #72CCFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89C5E5 shade: #89C5E5, #95C1D9, #A1BECE, #ACBAC2 and #B8B7B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89C5E5 shade: #89E5D3, #89DFE5, #89C6E5, #89AEE5 and #8996E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89C5E5 shade: #46A4D6, #68B4DD, #89C5E5, #ABD6EC and #CDE6F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89C5E5 shade: #89C5E5, #BA89E5 and #E5DF89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89C5E5 shade: #89C5E5, #E589C6 and #C6E589

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89C5E5 shade: #89C5E5, #BA89E5, #E5A889 and #B4E589

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89C5E5 shade: #89C5E5, #D689E5, #E5A889 and #99E589

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 14 / 0 / 10

HEX #89C5E5

RGB 137 197 229

HSL 200.87, 0.64%, 0.72%

LAB 76.62, -11.21, -21.98

 

Complementary color

CMYK 0 / 51 / 78 / 54

HEX #763A1A

RGB 118 58 26

HSL 20.87, 0.64%, 0.28%

LAB 31.7, 23.73, 30.95

 

CMYK 37 / 12 / 0 / 12

HEX #8EC5E0

RGB 142 197 224

HSL 199.76, 0.57%, 0.72%

LAB 76.72, -11.18, -19.12

 

CMYK 35 / 12 / 0 / 5

HEX #9FD7F3

RGB 159 215 243

HSL 200, 0.78%, 0.79%

LAB 83.15, -11.27, -19.46

 

CMYK 31 / 9 / 0 / 0

HEX #B0E9FF

RGB 176 233 255

HSL 196.71, 1%, 0.85%

LAB 89.27, -13, -16.48

 

CMYK 24 / 2 / 0 / 0

HEX #C1FBFF

RGB 193 251 255

HSL 183.87, 1%, 0.88%

LAB 94.97, -17.24, -7.87

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 40 / 14 / 0 / 10

HEX #89C5E5

RGB 137 197 229

HSL 200.87, 0.64%, 0.72%

LAB 76.62, -11.21, -21.98

 

CMYK 43 / 15 / 0 / 18

HEX #78B3D2

RGB 120 179 210

HSL 200.67, 0.5%, 0.65%

LAB 70.1, -11.03, -21.66

 

CMYK 46 / 16 / 0 / 25

HEX #67A1BF

RGB 103 161 191

HSL 200.45, 0.41%, 0.58%

LAB 63.45, -10.81, -21.35

 

CMYK 50 / 17 / 0 / 33

HEX #568FAC

RGB 86 143 172

HSL 200.23, 0.34%, 0.51%

LAB 56.69, -10.52, -21.03

 

CMYK 55 / 18 / 0 / 40

HEX #457D99

RGB 69 125 153

HSL 200, 0.38%, 0.44%

LAB 49.78, -10.13, -20.71

 

CMYK 40 / 14 / 0 / 10

HEX #89C5E5

RGB 137 197 229

HSL 200.87, 0.64%, 0.72%

LAB 76.62, -11.21, -21.98

 

CMYK 40 / 25 / 0 / 10

HEX #89ACE5

RGB 137 172 229

HSL 217.17, 0.64%, 0.72%

LAB 69.81, 2.34, -32.43

 

CMYK 40 / 35 / 0 / 10

HEX #8994E5

RGB 137 148 229

HSL 232.83, 0.64%, 0.72%

LAB 63.47, 16, -42.31

 

CMYK 34 / 40 / 0 / 10

HEX #9889E5

RGB 152 137 229

HSL 249.78, 0.64%, 0.72%

LAB 61.85, 26.34, -44.78

 

CMYK 23 / 40 / 0 / 10

HEX #B089E5

RGB 176 137 229

HSL 265.43, 0.64%, 0.72%

LAB 63.98, 33.02, -41.28

 

CMYK 40 / 14 / 0 / 10

HEX #89C5E5

RGB 137 197 229

HSL 200.87, 0.64%, 0.72%

LAB 76.62, -11.21, -21.98

 

CMYK 40 / 25 / 0 / 10

HEX #89ACE5

RGB 137 172 229

HSL 217.17, 0.64%, 0.72%

LAB 69.81, 2.34, -32.43

 

CMYK 40 / 35 / 0 / 10

HEX #8994E5

RGB 137 148 229

HSL 232.83, 0.64%, 0.72%

LAB 63.47, 16, -42.31

 

CMYK 40 / 40 / 0 / 10

HEX #8989E5

RGB 137 137 229

HSL 240, 0.64%, 0.72%

LAB 60.66, 22.41, -46.73

 

CMYK 40 / 14 / 0 / 10

HEX #89C5E5

RGB 137 197 229

HSL 200.87, 0.64%, 0.72%

LAB 76.62, -11.21, -21.98

 

CMYK 48 / 16 / 0 / 6

HEX #7EC9F0

RGB 126 201 240

HSL 200.53, 0.79%, 0.72%

LAB 77.58, -13.03, -26.48

 

CMYK 55 / 19 / 0 / 1

HEX #72CCFC

RGB 114 204 252

HSL 200.87, 0.96%, 0.72%

LAB 78.34, -13.78, -31.78

 

CMYK 40 / 14 / 0 / 10

HEX #89C5E5

RGB 137 197 229

HSL 200.87, 0.64%, 0.72%

LAB 76.62, -11.21, -21.98

 

CMYK 31 / 11 / 0 / 15

HEX #95C1D9

RGB 149 193 217

HSL 201.18, 0.47%, 0.72%

LAB 75.79, -8.87, -16.71

 

CMYK 22 / 8 / 0 / 19

HEX #A1BECE

RGB 161 190 206

HSL 201.33, 0.31%, 0.72%

LAB 75.36, -6.29, -11.3

 

CMYK 11 / 4 / 0 / 24

HEX #ACBAC2

RGB 172 186 194

HSL 201.82, 0.15%, 0.72%

LAB 74.69, -3.2, -5.7

 

CMYK 0 / 1 / 1 / 28

HEX #B8B7B7

RGB 184 183 183

HSL 0, 0.01%, 0.72%

LAB 74.49, 0.35, 0.12

 

CMYK 40 / 0 / 8 / 10

HEX #89E5D3

RGB 137 229 211

HSL 168.26, 0.64%, 0.72%

LAB 85.03, -31.58, 0.15

 

CMYK 40 / 3 / 0 / 10

HEX #89DFE5

RGB 137 223 229

HSL 183.91, 0.64%, 0.72%

LAB 83.84, -24.43, -11.12

 

CMYK 40 / 14 / 0 / 10

HEX #89C6E5

RGB 137 198 229

HSL 200.22, 0.64%, 0.72%

LAB 76.9, -11.73, -21.56

 

CMYK 40 / 24 / 0 / 10

HEX #89AEE5

RGB 137 174 229

HSL 215.87, 0.64%, 0.72%

LAB 70.35, 1.23, -31.6

 

CMYK 40 / 34 / 0 / 10

HEX #8996E5

RGB 137 150 229

HSL 231.52, 0.64%, 0.72%

LAB 63.99, 14.85, -41.49

 

CMYK 67 / 23 / 0 / 16

HEX #46A4D6

RGB 70 164 214

HSL 200.83, 0.64%, 0.56%

LAB 63.92, -12.05, -33.54

 

CMYK 53 / 19 / 0 / 13

HEX #68B4DD

RGB 104 180 221

HSL 201.03, 0.63%, 0.64%

LAB 70.04, -12.2, -27.84

 

CMYK 40 / 14 / 0 / 10

HEX #89C5E5

RGB 137 197 229

HSL 200.87, 0.64%, 0.72%

LAB 76.62, -11.21, -21.98

 

CMYK 28 / 9 / 0 / 7

HEX #ABD6EC

RGB 171 214 236

HSL 200.31, 0.63%, 0.8%

LAB 83.34, -9.07, -15.39

 

CMYK 16 / 6 / 0 / 4

HEX #CDE6F4

RGB 205 230 244

HSL 201.54, 0.64%, 0.88%

LAB 89.91, -5.39, -9.58

 

CMYK 40 / 14 / 0 / 10

HEX #89C5E5

RGB 137 197 229

HSL 200.87, 0.64%, 0.72%

LAB 76.62, -11.21, -21.98

 

CMYK 19 / 40 / 0 / 10

HEX #BA89E5

RGB 186 137 229

HSL 271.96, 0.64%, 0.72%

LAB 64.95, 35.91, -39.69

 

CMYK 0 / 3 / 40 / 10

HEX #E5DF89

RGB 229 223 137

HSL 56.09, 0.64%, 0.72%

LAB 87.6, -10.11, 42.82

 

CMYK 40 / 14 / 0 / 10

HEX #89C5E5

RGB 137 197 229

HSL 200.87, 0.64%, 0.72%

LAB 76.62, -11.21, -21.98

 

CMYK 0 / 40 / 14 / 10

HEX #E589C6

RGB 229 137 198

HSL 320.22, 0.64%, 0.72%

LAB 68.48, 43.36, -16.63

 

CMYK 14 / 0 / 40 / 10

HEX #C6E589

RGB 198 229 137

HSL 80.22, 0.64%, 0.72%

LAB 86.92, -24.91, 41.49

 

CMYK 40 / 14 / 0 / 10

HEX #89C5E5

RGB 137 197 229

HSL 200.87, 0.64%, 0.72%

LAB 76.62, -11.21, -21.98

 

CMYK 19 / 40 / 0 / 10

HEX #BA89E5

RGB 186 137 229

HSL 271.96, 0.64%, 0.72%

LAB 64.95, 35.91, -39.69

 

CMYK 0 / 27 / 40 / 10

HEX #E5A889

RGB 229 168 137

HSL 20.22, 0.64%, 0.72%

LAB 73.85, 18.57, 24.83

 

CMYK 21 / 0 / 40 / 10

HEX #B4E589

RGB 180 229 137

HSL 91.96, 0.64%, 0.72%

LAB 85.78, -31.46, 39.8

 

CMYK 40 / 14 / 0 / 10

HEX #89C5E5

RGB 137 197 229

HSL 200.87, 0.64%, 0.72%

LAB 76.62, -11.21, -21.98

 

CMYK 7 / 40 / 0 / 10

HEX #D689E5

RGB 214 137 229

HSL 290.22, 0.64%, 0.72%

LAB 67.91, 44.16, -34.86

 

CMYK 0 / 27 / 40 / 10

HEX #E5A889

RGB 229 168 137

HSL 20.22, 0.64%, 0.72%

LAB 73.85, 18.57, 24.83

 

CMYK 33 / 0 / 40 / 10

HEX #99E589

RGB 153 229 137

HSL 109.57, 0.64%, 0.72%

LAB 84.29, -40.64, 37.58

 

Description

Color code: HEX #89C5E5 | qconv.com Color code: HEX #89C5E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 197 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 197 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 14 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 14% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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