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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89C31E it is the complementary color #763CE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89C31E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89C31E shade: #8EC319, #9FD52C, #B0E73F, #C1F952 and #D2FF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89C31E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89C31E shade: #89C31E, #78B10B, #679F00, #568D00 and #457B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89C31E shade: #89C21E, #B5C21E, #C2A31E, #C2771E and #C24B1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89C31E shade: #89C21E, #5CC21E, #30C21E, #1EC239 and #1EC265

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89C31E shade matches the following richer shades: #89C21E and #8ED40C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89C31E shade: #89C21E, #83B030, #7E9E43, #788C55 and #737967

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89C31E shade: #C2A41E, #B4C21E, #89C21E, #5DC21E and #31C21E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89C31E shade: #567B13, #6F9E19, #89C21E, #9FDE2C and #AFE44F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89C31E shade: #89C31E, #1EC278 and #BA1EC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89C31E shade: #89C31E, #1E89C2 and #C21E89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89C31E shade: #89C31E, #1EC278, #581EC2 and #C21E68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89C31E shade: #89C31E, #1EC2AA, #581EC2 and #C21E37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 85 / 24

HEX #89C31E

RGB 137 195 30

HSL 81.09, 0.73%, 0.44%

LAB 72.52, -40.88, 68.09

 

Complementary color

CMYK 48 / 73 / 0 / 12

HEX #763CE1

RGB 118 60 225

HSL 261.09, 0.73%, 0.56%

LAB 42.03, 59.99, -74.56

 

CMYK 27 / 0 / 87 / 24

HEX #8EC319

RGB 142 195 25

HSL 78.71, 0.77%, 0.43%

LAB 72.79, -39.13, 69.5

 

CMYK 25 / 0 / 79 / 16

HEX #9FD52C

RGB 159 213 44

HSL 79.17, 0.67%, 0.5%

LAB 79.12, -39.91, 70.87

 

CMYK 24 / 0 / 73 / 9

HEX #B0E73F

RGB 176 231 63

HSL 79.64, 0.78%, 0.58%

LAB 85.37, -40.51, 71.29

 

CMYK 22 / 0 / 67 / 2

HEX #C1F952

RGB 193 249 82

HSL 80.12, 0.93%, 0.65%

LAB 91.55, -40.97, 71.1

 

CMYK 18 / 0 / 60 / 0

HEX #D2FF65

RGB 210 255 101

HSL 77.53, 1%, 0.7%

LAB 94.38, -35.97, 66.98

 

CMYK 30 / 0 / 85 / 24

HEX #89C31E

RGB 137 195 30

HSL 81.09, 0.73%, 0.44%

LAB 72.52, -40.88, 68.09

 

CMYK 32 / 0 / 94 / 31

HEX #78B10B

RGB 120 177 11

HSL 80.6, 0.88%, 0.37%

LAB 66.11, -39.96, 65.79

 

CMYK 35 / 0 / 100 / 38

HEX #679F00

RGB 103 159 0

HSL 81.13, 1%, 0.31%

LAB 59.6, -38.77, 61.74

 

CMYK 39 / 0 / 100 / 45

HEX #568D00

RGB 86 141 0

HSL 83.4, 1%, 0.28%

LAB 52.98, -37.34, 56.23

 

CMYK 44 / 0 / 100 / 52

HEX #457B00

RGB 69 123 0

HSL 86.34, 1%, 0.24%

LAB 46.22, -35.84, 50.61

 

CMYK 29 / 0 / 85 / 24

HEX #89C21E

RGB 137 194 30

HSL 80.85, 0.73%, 0.44%

LAB 72.23, -40.45, 67.83

 

CMYK 7 / 0 / 85 / 24

HEX #B5C21E

RGB 181 194 30

HSL 64.76, 0.73%, 0.44%

LAB 75.14, -22.63, 71.47

 

CMYK 0 / 16 / 85 / 24

HEX #C2A31E

RGB 194 163 30

HSL 48.66, 0.73%, 0.44%

LAB 67.84, -1.04, 65.83

 

CMYK 0 / 39 / 85 / 24

HEX #C2771E

RGB 194 119 30

HSL 32.56, 0.73%, 0.44%

LAB 56.84, 22.96, 56.57

 

CMYK 0 / 61 / 85 / 24

HEX #C24B1E

RGB 194 75 30

HSL 16.46, 0.73%, 0.44%

LAB 47.75, 45.59, 48.75

 

CMYK 29 / 0 / 85 / 24

HEX #89C21E

RGB 137 194 30

HSL 80.85, 0.73%, 0.44%

LAB 72.23, -40.45, 67.83

 

CMYK 53 / 0 / 85 / 24

HEX #5CC21E

RGB 92 194 30

HSL 97.32, 0.73%, 0.44%

LAB 70.14, -55.54, 65.21

 

CMYK 75 / 0 / 85 / 24

HEX #30C21E

RGB 48 194 30

HSL 113.41, 0.73%, 0.44%

LAB 68.97, -65.22, 63.72

 

CMYK 85 / 0 / 71 / 24

HEX #1EC239

RGB 30 194 57

HSL 129.88, 0.73%, 0.44%

LAB 68.86, -65.62, 55.06

 

CMYK 85 / 0 / 48 / 24

HEX #1EC265

RGB 30 194 101

HSL 145.98, 0.73%, 0.44%

LAB 69.33, -59.97, 35.7

 

CMYK 29 / 0 / 85 / 24

HEX #89C21E

RGB 137 194 30

HSL 80.85, 0.73%, 0.44%

LAB 72.23, -40.45, 67.83

 

CMYK 33 / 0 / 94 / 17

HEX #8ED40C

RGB 142 212 12

HSL 81, 0.89%, 0.44%

LAB 77.79, -46.71, 75.51

 

CMYK 29 / 0 / 85 / 24

HEX #89C21E

RGB 137 194 30

HSL 80.85, 0.73%, 0.44%

LAB 72.23, -40.45, 67.83

 

CMYK 26 / 0 / 73 / 31

HEX #83B030

RGB 131 176 48

HSL 81.09, 0.57%, 0.44%

LAB 66.59, -33.84, 57.18

 

CMYK 20 / 0 / 58 / 38

HEX #7E9E43

RGB 126 158 67

HSL 81.1, 0.4%, 0.44%

LAB 61.04, -25.8, 43.16

 

CMYK 14 / 0 / 39 / 45

HEX #788C55

RGB 120 140 85

HSL 81.82, 0.24%, 0.44%

LAB 55.49, -17, 27.04

 

CMYK 5 / 0 / 15 / 53

HEX #737967

RGB 115 121 103

HSL 80, 0.08%, 0.44%

LAB 49.86, -5.76, 9.11

 

CMYK 0 / 15 / 85 / 24

HEX #C2A41E

RGB 194 164 30

HSL 49.02, 0.73%, 0.44%

LAB 68.1, -1.57, 66.05

 

CMYK 7 / 0 / 85 / 24

HEX #B4C21E

RGB 180 194 30

HSL 65.12, 0.73%, 0.44%

LAB 75.06, -23.05, 71.38

 

CMYK 29 / 0 / 85 / 24

HEX #89C21E

RGB 137 194 30

HSL 80.85, 0.73%, 0.44%

LAB 72.23, -40.45, 67.83

 

CMYK 52 / 0 / 85 / 24

HEX #5DC21E

RGB 93 194 30

HSL 96.95, 0.73%, 0.44%

LAB 70.18, -55.26, 65.25

 

CMYK 75 / 0 / 85 / 24

HEX #31C21E

RGB 49 194 30

HSL 113.05, 0.73%, 0.44%

LAB 68.99, -65.06, 63.74

 

CMYK 30 / 0 / 85 / 52

HEX #567B13

RGB 86 123 19

HSL 81.35, 0.73%, 0.28%

LAB 47.22, -28.58, 47.55

 

CMYK 30 / 0 / 84 / 38

HEX #6F9E19

RGB 111 158 25

HSL 81.2, 0.73%, 0.36%

LAB 59.8, -34.59, 57.64

 

CMYK 29 / 0 / 85 / 24

HEX #89C21E

RGB 137 194 30

HSL 80.85, 0.73%, 0.44%

LAB 72.23, -40.45, 67.83

 

CMYK 28 / 0 / 80 / 13

HEX #9FDE2C

RGB 159 222 44

HSL 81.24, 0.73%, 0.52%

LAB 81.73, -43.83, 73.22

 

CMYK 23 / 0 / 65 / 11

HEX #AFE44F

RGB 175 228 79

HSL 81.34, 0.73%, 0.6%

LAB 84.57, -38.57, 64.64

 

CMYK 30 / 0 / 85 / 24

HEX #89C31E

RGB 137 195 30

HSL 81.09, 0.73%, 0.44%

LAB 72.52, -40.88, 68.09

 

CMYK 85 / 0 / 38 / 24

HEX #1EC278

RGB 30 194 120

HSL 152.93, 0.73%, 0.44%

LAB 69.62, -56.51, 26.3

 

CMYK 4 / 85 / 0 / 24

HEX #BA1EC2

RGB 186 30 194

HSL 297.07, 0.73%, 0.44%

LAB 45.99, 74.93, -49.83

 

CMYK 30 / 0 / 85 / 24

HEX #89C31E

RGB 137 195 30

HSL 81.09, 0.73%, 0.44%

LAB 72.52, -40.88, 68.09

 

CMYK 85 / 29 / 0 / 24

HEX #1E89C2

RGB 30 137 194

HSL 200.85, 0.73%, 0.44%

LAB 54.09, -8.65, -37.74

 

CMYK 0 / 85 / 29 / 24

HEX #C21E89

RGB 194 30 137

HSL 320.85, 0.73%, 0.44%

LAB 44.52, 68.73, -18.07

 

CMYK 30 / 0 / 85 / 24

HEX #89C31E

RGB 137 195 30

HSL 81.09, 0.73%, 0.44%

LAB 72.52, -40.88, 68.09

 

CMYK 85 / 0 / 38 / 24

HEX #1EC278

RGB 30 194 120

HSL 152.93, 0.73%, 0.44%

LAB 69.62, -56.51, 26.3

 

CMYK 55 / 85 / 0 / 24

HEX #581EC2

RGB 88 30 194

HSL 261.22, 0.73%, 0.44%

LAB 31.57, 60.41, -73.93

 

CMYK 0 / 85 / 46 / 24

HEX #C21E68

RGB 194 30 104

HSL 332.93, 0.73%, 0.44%

LAB 43.36, 65.41, 0.55

 

CMYK 30 / 0 / 85 / 24

HEX #89C31E

RGB 137 195 30

HSL 81.09, 0.73%, 0.44%

LAB 72.52, -40.88, 68.09

 

CMYK 85 / 0 / 12 / 24

HEX #1EC2AA

RGB 30 194 170

HSL 171.22, 0.73%, 0.44%

LAB 70.71, -44.71, 0.89

 

CMYK 55 / 85 / 0 / 24

HEX #581EC2

RGB 88 30 194

HSL 261.22, 0.73%, 0.44%

LAB 31.57, 60.41, -73.93

 

CMYK 0 / 85 / 72 / 24

HEX #C21E37

RGB 194 30 55

HSL 350.85, 0.73%, 0.44%

LAB 42.27, 62.23, 29.68

 

Description

Color code: HEX #89C31E | qconv.com Color code: HEX #89C31E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 195 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 195 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 85 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 85% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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