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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89C2CD it is the complementary color #763D32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89C2CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89C2CD shade: #8EC2C8, #9FD4DB, #B0E6EE, #C1F8FF and #D2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89C2CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89C2CD shade: #89C2CD, #78B0BA, #679EA7, #568C94 and #457A81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89C2CD shade: #89C2CD, #89AFCD, #899DCD, #898BCD and #9989CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89C2CD shade: #89C2CD, #89AFCD, #899DCD, #898BCD and #8989CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89C2CD shade matches the following richer shades: #89C2CD, #7CCBDA, #6ED4E8 and #60DDF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89C2CD shade: #89C2CD, #97B8BF, #A4AFB1, #B2A6A4 and #C09D96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89C2CD shade: #89CDB3, #89CDC5, #89C2CD, #89B0CD and #899FCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89C2CD shade: #4FA4B4, #6CB3C0, #89C2CD, #A6D1D9 and #C3E0E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89C2CD shade: #89C2CD, #A189CD and #CDBC89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89C2CD shade: #89C2CD, #CD89C2 and #C2CD89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89C2CD shade: #89C2CD, #A189CD, #CD9389 and #B5CD89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89C2CD shade: #89C2CD, #B589CD, #CD9389 and #A1CD89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 5 / 0 / 20

HEX #89C2CD

RGB 137 194 205

HSL 189.71, 0.4%, 0.67%

LAB 75.02, -15.68, -11.42

 

Complementary color

CMYK 0 / 48 / 58 / 54

HEX #763D32

RGB 118 61 50

HSL 9.71, 0.4%, 0.33%

LAB 32.74, 23.68, 17.9

 

CMYK 29 / 3 / 0 / 22

HEX #8EC2C8

RGB 142 194 200

HSL 186.21, 0.35%, 0.67%

LAB 75.14, -15.45, -8.5

 

CMYK 27 / 3 / 0 / 14

HEX #9FD4DB

RGB 159 212 219

HSL 187, 0.45%, 0.74%

LAB 81.61, -15.4, -9.01

 

CMYK 26 / 3 / 0 / 7

HEX #B0E6EE

RGB 176 230 238

HSL 187.74, 0.65%, 0.81%

LAB 87.97, -15.36, -9.51

 

CMYK 24 / 3 / 0 / 0

HEX #C1F8FF

RGB 193 248 255

HSL 186.77, 1%, 0.88%

LAB 94.18, -15.75, -9.04

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 33 / 5 / 0 / 20

HEX #89C2CD

RGB 137 194 205

HSL 189.71, 0.4%, 0.67%

LAB 75.02, -15.68, -11.42

 

CMYK 35 / 5 / 0 / 27

HEX #78B0BA

RGB 120 176 186

HSL 189.09, 0.32%, 0.6%

LAB 68.45, -15.7, -10.93

 

CMYK 38 / 5 / 0 / 35

HEX #679EA7

RGB 103 158 167

HSL 188.44, 0.27%, 0.53%

LAB 61.76, -15.71, -10.43

 

CMYK 42 / 5 / 0 / 42

HEX #568C94

RGB 86 140 148

HSL 187.74, 0.26%, 0.46%

LAB 54.94, -15.7, -9.9

 

CMYK 47 / 5 / 0 / 49

HEX #457A81

RGB 69 122 129

HSL 187, 0.3%, 0.39%

LAB 47.97, -15.65, -9.34

 

CMYK 33 / 5 / 0 / 20

HEX #89C2CD

RGB 137 194 205

HSL 189.71, 0.4%, 0.67%

LAB 75.02, -15.68, -11.42

 

CMYK 33 / 15 / 0 / 20

HEX #89AFCD

RGB 137 175 205

HSL 206.47, 0.4%, 0.67%

LAB 69.74, -5.6, -19.37

 

CMYK 33 / 23 / 0 / 20

HEX #899DCD

RGB 137 157 205

HSL 222.35, 0.4%, 0.67%

LAB 64.84, 4.38, -26.87

 

CMYK 33 / 32 / 0 / 20

HEX #898BCD

RGB 137 139 205

HSL 238.24, 0.4%, 0.67%

LAB 60.06, 14.72, -34.26

 

CMYK 25 / 33 / 0 / 20

HEX #9989CD

RGB 153 137 205

HSL 254.12, 0.4%, 0.67%

LAB 60.84, 20.56, -32.94

 

CMYK 33 / 5 / 0 / 20

HEX #89C2CD

RGB 137 194 205

HSL 189.71, 0.4%, 0.67%

LAB 75.02, -15.68, -11.42

 

CMYK 33 / 15 / 0 / 20

HEX #89AFCD

RGB 137 175 205

HSL 206.47, 0.4%, 0.67%

LAB 69.74, -5.6, -19.37

 

CMYK 33 / 23 / 0 / 20

HEX #899DCD

RGB 137 157 205

HSL 222.35, 0.4%, 0.67%

LAB 64.84, 4.38, -26.87

 

CMYK 33 / 32 / 0 / 20

HEX #898BCD

RGB 137 139 205

HSL 238.24, 0.4%, 0.67%

LAB 60.06, 14.72, -34.26

 

CMYK 33 / 33 / 0 / 20

HEX #8989CD

RGB 137 137 205

HSL 240, 0.4%, 0.67%

LAB 59.54, 15.88, -35.07

 

CMYK 33 / 5 / 0 / 20

HEX #89C2CD

RGB 137 194 205

HSL 189.71, 0.4%, 0.67%

LAB 75.02, -15.68, -11.42

 

CMYK 43 / 7 / 0 / 15

HEX #7CCBDA

RGB 124 203 218

HSL 189.57, 0.56%, 0.67%

LAB 77.32, -20.41, -15.07

 

CMYK 53 / 9 / 0 / 9

HEX #6ED4E8

RGB 110 212 232

HSL 189.84, 0.73%, 0.67%

LAB 79.74, -24.32, -18.97

 

CMYK 61 / 10 / 0 / 4

HEX #60DDF5

RGB 96 221 245

HSL 189.66, 0.88%, 0.67%

LAB 82.27, -27.72, -22.11

 

CMYK 33 / 5 / 0 / 20

HEX #89C2CD

RGB 137 194 205

HSL 189.71, 0.4%, 0.67%

LAB 75.02, -15.68, -11.42

 

CMYK 21 / 4 / 0 / 25

HEX #97B8BF

RGB 151 184 191

HSL 190.5, 0.24%, 0.67%

LAB 72.64, -9.56, -7.25

 

CMYK 7 / 1 / 0 / 31

HEX #A4AFB1

RGB 164 175 177

HSL 189.23, 0.08%, 0.67%

LAB 70.68, -3.44, -2.36

 

CMYK 0 / 7 / 8 / 30

HEX #B2A6A4

RGB 178 166 164

HSL 8.57, 0.08%, 0.67%

LAB 69.05, 3.97, 2.58

 

CMYK 0 / 18 / 22 / 25

HEX #C09D96

RGB 192 157 150

HSL 10, 0.25%, 0.67%

LAB 67.67, 11.86, 8.53

 

CMYK 33 / 0 / 13 / 20

HEX #89CDB3

RGB 137 205 179

HSL 157.06, 0.4%, 0.67%

LAB 77.42, -27.1, 6.15

 

CMYK 33 / 0 / 4 / 20

HEX #89CDC5

RGB 137 205 197

HSL 172.94, 0.4%, 0.67%

LAB 77.88, -23.15, -2.86

 

CMYK 33 / 5 / 0 / 20

HEX #89C2CD

RGB 137 194 205

HSL 189.71, 0.4%, 0.67%

LAB 75.02, -15.68, -11.42

 

CMYK 33 / 14 / 0 / 20

HEX #89B0CD

RGB 137 176 205

HSL 205.59, 0.4%, 0.67%

LAB 70.02, -6.15, -18.95

 

CMYK 33 / 22 / 0 / 20

HEX #899FCD

RGB 137 159 205

HSL 220.59, 0.4%, 0.67%

LAB 65.38, 3.25, -26.04

 

CMYK 56 / 9 / 0 / 29

HEX #4FA4B4

RGB 79 164 180

HSL 189.5, 0.4%, 0.51%

LAB 62.93, -21, -16.08

 

CMYK 44 / 7 / 0 / 25

HEX #6CB3C0

RGB 108 179 192

HSL 189.29, 0.4%, 0.59%

LAB 68.92, -18.86, -13.6

 

CMYK 33 / 5 / 0 / 20

HEX #89C2CD

RGB 137 194 205

HSL 189.71, 0.4%, 0.67%

LAB 75.02, -15.68, -11.42

 

CMYK 24 / 4 / 0 / 15

HEX #A6D1D9

RGB 166 209 217

HSL 189.41, 0.4%, 0.75%

LAB 81.14, -12.26, -8.59

 

CMYK 15 / 2 / 0 / 10

HEX #C3E0E5

RGB 195 224 229

HSL 188.82, 0.4%, 0.83%

LAB 87.28, -8.5, -5.67

 

CMYK 33 / 5 / 0 / 20

HEX #89C2CD

RGB 137 194 205

HSL 189.71, 0.4%, 0.67%

LAB 75.02, -15.68, -11.42

 

CMYK 21 / 33 / 0 / 20

HEX #A189CD

RGB 161 137 205

HSL 261.18, 0.4%, 0.67%

LAB 61.55, 22.97, -31.8

 

CMYK 0 / 8 / 33 / 20

HEX #CDBC89

RGB 205 188 137

HSL 45, 0.4%, 0.67%

LAB 76.53, -1.56, 28.03

 

CMYK 33 / 5 / 0 / 20

HEX #89C2CD

RGB 137 194 205

HSL 189.71, 0.4%, 0.67%

LAB 75.02, -15.68, -11.42

 

CMYK 0 / 33 / 5 / 20

HEX #CD89C2

RGB 205 137 194

HSL 309.71, 0.4%, 0.67%

LAB 65.57, 34.8, -19.07

 

CMYK 5 / 0 / 33 / 20

HEX #C2CD89

RGB 194 205 137

HSL 69.71, 0.4%, 0.67%

LAB 80.14, -14.61, 32.66

 

CMYK 33 / 5 / 0 / 20

HEX #89C2CD

RGB 137 194 205

HSL 189.71, 0.4%, 0.67%

LAB 75.02, -15.68, -11.42

 

CMYK 21 / 33 / 0 / 20

HEX #A189CD

RGB 161 137 205

HSL 261.18, 0.4%, 0.67%

LAB 61.55, 22.97, -31.8

 

CMYK 0 / 28 / 33 / 20

HEX #CD9389

RGB 205 147 137

HSL 8.82, 0.4%, 0.67%

LAB 66.25, 20.55, 13.98

 

CMYK 12 / 0 / 33 / 20

HEX #B5CD89

RGB 181 205 137

HSL 81.18, 0.4%, 0.67%

LAB 79.21, -19.53, 31.26

 

CMYK 33 / 5 / 0 / 20

HEX #89C2CD

RGB 137 194 205

HSL 189.71, 0.4%, 0.67%

LAB 75.02, -15.68, -11.42

 

CMYK 12 / 33 / 0 / 20

HEX #B589CD

RGB 181 137 205

HSL 278.82, 0.4%, 0.67%

LAB 63.44, 29.18, -28.71

 

CMYK 0 / 28 / 33 / 20

HEX #CD9389

RGB 205 147 137

HSL 8.82, 0.4%, 0.67%

LAB 66.25, 20.55, 13.98

 

CMYK 21 / 0 / 33 / 20

HEX #A1CD89

RGB 161 205 137

HSL 98.82, 0.4%, 0.67%

LAB 77.9, -26.82, 29.29

 

Description

Color code: HEX #89C2CD | qconv.com Color code: HEX #89C2CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 194 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 194 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 5 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 5% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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