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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89C02B it is the complementary color #763FD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89C02B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89C02B shade: #8EC026, #9FD239, #B0E44C, #C1F65F and #D2FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89C02B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89C02B shade: #89C02B, #78AE18, #679C05, #568A00 and #457800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89C02B shade: #89BF2B, #B0BF2B, #BFA62B, #BF7E2B and #BF562B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89C02B shade: #89BF2B, #61BF2B, #39BF2B, #2BBF46 and #2BBF6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89C02B shade matches the following richer shades: #89BF2B, #8ED218 and #93E505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89C02B shade: #89BF2B, #84AC3E, #7F9951, #7A8664 and #757377

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89C02B shade: #BFA72B, #B0BF2B, #89BF2B, #62BF2B and #3ABF2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89C02B shade: #597C1C, #719E24, #89BF2B, #9DD440 and #AEDB62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89C02B shade: #89C02B, #2BBF7F and #BA2BBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89C02B shade: #89C02B, #2B89BF and #BF2B89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89C02B shade: #89C02B, #2BBF7F, #622BBF and #BF2B6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89C02B shade: #89C02B, #2BBFAB, #622BBF and #BF2B3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 78 / 25

HEX #89C02B

RGB 137 192 43

HSL 82.15, 0.63%, 0.46%

LAB 71.69, -39.03, 63.86

 

Complementary color

CMYK 44 / 70 / 0 / 17

HEX #763FD4

RGB 118 63 212

HSL 262.15, 0.63%, 0.54%

LAB 41.47, 55.19, -68.03

 

CMYK 26 / 0 / 80 / 25

HEX #8EC026

RGB 142 192 38

HSL 79.48, 0.67%, 0.45%

LAB 71.95, -37.34, 65.68

 

CMYK 24 / 0 / 73 / 18

HEX #9FD239

RGB 159 210 57

HSL 80, 0.63%, 0.52%

LAB 78.32, -37.95, 66.1

 

CMYK 23 / 0 / 67 / 11

HEX #B0E44C

RGB 176 228 76

HSL 80.53, 0.74%, 0.6%

LAB 84.61, -38.39, 65.86

 

CMYK 22 / 0 / 61 / 4

HEX #C1F65F

RGB 193 246 95

HSL 81.06, 0.89%, 0.67%

LAB 90.81, -38.73, 65.24

 

CMYK 18 / 0 / 55 / 0

HEX #D2FF72

RGB 210 255 114

HSL 79.15, 1%, 0.72%

LAB 94.5, -34.92, 61.6

 

CMYK 29 / 0 / 78 / 25

HEX #89C02B

RGB 137 192 43

HSL 82.15, 0.63%, 0.46%

LAB 71.69, -39.03, 63.86

 

CMYK 31 / 0 / 86 / 32

HEX #78AE18

RGB 120 174 24

HSL 81.6, 0.76%, 0.39%

LAB 65.22, -38.32, 62.79

 

CMYK 34 / 0 / 97 / 39

HEX #679C05

RGB 103 156 5

HSL 81.06, 0.94%, 0.32%

LAB 58.67, -37.35, 60.27

 

CMYK 38 / 0 / 100 / 46

HEX #568A00

RGB 86 138 0

HSL 82.61, 1%, 0.27%

LAB 52.01, -36.03, 55.48

 

CMYK 43 / 0 / 100 / 53

HEX #457800

RGB 69 120 0

HSL 85.5, 1%, 0.24%

LAB 45.22, -34.54, 49.83

 

CMYK 28 / 0 / 77 / 25

HEX #89BF2B

RGB 137 191 43

HSL 81.89, 0.63%, 0.46%

LAB 71.39, -38.59, 63.58

 

CMYK 8 / 0 / 77 / 25

HEX #B0BF2B

RGB 176 191 43

HSL 66.08, 0.63%, 0.46%

LAB 73.98, -22.84, 66.91

 

CMYK 0 / 13 / 77 / 25

HEX #BFA62B

RGB 191 166 43

HSL 49.86, 0.63%, 0.46%

LAB 68.4, -3.54, 62.29

 

CMYK 0 / 34 / 77 / 25

HEX #BF7E2B

RGB 191 126 43

HSL 33.65, 0.63%, 0.46%

LAB 58.2, 18.25, 52.73

 

CMYK 0 / 55 / 77 / 25

HEX #BF562B

RGB 191 86 43

HSL 17.43, 0.63%, 0.46%

LAB 49.38, 39.6, 44.04

 

CMYK 28 / 0 / 77 / 25

HEX #89BF2B

RGB 137 191 43

HSL 81.89, 0.63%, 0.46%

LAB 71.39, -38.59, 63.58

 

CMYK 49 / 0 / 77 / 25

HEX #61BF2B

RGB 97 191 43

HSL 98.11, 0.63%, 0.46%

LAB 69.45, -52.32, 61.07

 

CMYK 70 / 0 / 77 / 25

HEX #39BF2B

RGB 57 191 43

HSL 114.32, 0.63%, 0.46%

LAB 68.25, -62.04, 59.49

 

CMYK 77 / 0 / 63 / 25

HEX #2BBF46

RGB 43 191 70

HSL 130.95, 0.63%, 0.46%

LAB 68.18, -61.86, 49.04

 

CMYK 77 / 0 / 42 / 25

HEX #2BBF6E

RGB 43 191 110

HSL 147.16, 0.63%, 0.46%

LAB 68.68, -55.96, 30.3

 

CMYK 28 / 0 / 77 / 25

HEX #89BF2B

RGB 137 191 43

HSL 81.89, 0.63%, 0.46%

LAB 71.39, -38.59, 63.58

 

CMYK 32 / 0 / 89 / 18

HEX #8ED218

RGB 142 210 24

HSL 81.94, 0.79%, 0.46%

LAB 77.23, -45.63, 73.38

 

CMYK 36 / 0 / 98 / 10

HEX #93E505

RGB 147 229 5

HSL 81.96, 0.96%, 0.46%

LAB 83.05, -51.99, 80.39

 

CMYK 28 / 0 / 77 / 25

HEX #89BF2B

RGB 137 191 43

HSL 81.89, 0.63%, 0.46%

LAB 71.39, -38.59, 63.58

 

CMYK 23 / 0 / 64 / 33

HEX #84AC3E

RGB 132 172 62

HSL 81.82, 0.47%, 0.46%

LAB 65.56, -30.61, 50.56

 

CMYK 17 / 0 / 47 / 40

HEX #7F9951

RGB 127 153 81

HSL 81.67, 0.31%, 0.46%

LAB 59.79, -21.41, 34.71

 

CMYK 9 / 0 / 25 / 47

HEX #7A8664

RGB 122 134 100

HSL 81.18, 0.15%, 0.46%

LAB 54.14, -10.74, 16.89

 

CMYK 2 / 3 / 0 / 53

HEX #757377

RGB 117 115 119

HSL 270, 0.02%, 0.46%

LAB 48.73, 1.58, -1.94

 

CMYK 0 / 13 / 77 / 25

HEX #BFA72B

RGB 191 167 43

HSL 50.27, 0.63%, 0.46%

LAB 68.67, -4.07, 62.54

 

CMYK 8 / 0 / 77 / 25

HEX #B0BF2B

RGB 176 191 43

HSL 66.08, 0.63%, 0.46%

LAB 73.98, -22.84, 66.91

 

CMYK 28 / 0 / 77 / 25

HEX #89BF2B

RGB 137 191 43

HSL 81.89, 0.63%, 0.46%

LAB 71.39, -38.59, 63.58

 

CMYK 49 / 0 / 77 / 25

HEX #62BF2B

RGB 98 191 43

HSL 97.7, 0.63%, 0.46%

LAB 69.49, -52.02, 61.12

 

CMYK 70 / 0 / 77 / 25

HEX #3ABF2B

RGB 58 191 43

HSL 113.92, 0.63%, 0.46%

LAB 68.27, -61.86, 59.52

 

CMYK 28 / 0 / 77 / 51

HEX #597C1C

RGB 89 124 28

HSL 81.88, 0.63%, 0.3%

LAB 47.78, -27.36, 45.19

 

CMYK 28 / 0 / 77 / 38

HEX #719E24

RGB 113 158 36

HSL 82.13, 0.63%, 0.38%

LAB 59.97, -33.3, 54.58

 

CMYK 28 / 0 / 77 / 25

HEX #89BF2B

RGB 137 191 43

HSL 81.89, 0.63%, 0.46%

LAB 71.39, -38.59, 63.58

 

CMYK 26 / 0 / 70 / 17

HEX #9DD440

RGB 157 212 64

HSL 82.3, 0.63%, 0.54%

LAB 78.82, -39.18, 64.08

 

CMYK 21 / 0 / 55 / 14

HEX #AEDB62

RGB 174 219 98

HSL 82.31, 0.63%, 0.62%

LAB 82.13, -33.31, 53.88

 

CMYK 29 / 0 / 78 / 25

HEX #89C02B

RGB 137 192 43

HSL 82.15, 0.63%, 0.46%

LAB 71.69, -39.03, 63.86

 

CMYK 77 / 0 / 34 / 25

HEX #2BBF7F

RGB 43 191 127

HSL 154.05, 0.63%, 0.46%

LAB 68.97, -52.63, 21.75

 

CMYK 3 / 77 / 0 / 25

HEX #BA2BBF

RGB 186 43 191

HSL 297.97, 0.63%, 0.46%

LAB 46.88, 71.34, -46.66

 

CMYK 29 / 0 / 78 / 25

HEX #89C02B

RGB 137 192 43

HSL 82.15, 0.63%, 0.46%

LAB 71.69, -39.03, 63.86

 

CMYK 77 / 28 / 0 / 25

HEX #2B89BF

RGB 43 137 191

HSL 201.89, 0.63%, 0.46%

LAB 54.2, -8.48, -35.84

 

CMYK 0 / 77 / 28 / 25

HEX #BF2B89

RGB 191 43 137

HSL 321.89, 0.63%, 0.46%

LAB 45.1, 64.79, -17.25

 

CMYK 29 / 0 / 78 / 25

HEX #89C02B

RGB 137 192 43

HSL 82.15, 0.63%, 0.46%

LAB 71.69, -39.03, 63.86

 

CMYK 77 / 0 / 34 / 25

HEX #2BBF7F

RGB 43 191 127

HSL 154.05, 0.63%, 0.46%

LAB 68.97, -52.63, 21.75

 

CMYK 49 / 77 / 0 / 25

HEX #622BBF

RGB 98 43 191

HSL 262.3, 0.63%, 0.46%

LAB 34.16, 55.81, -67.86

 

CMYK 0 / 77 / 44 / 25

HEX #BF2B6B

RGB 191 43 107

HSL 334.05, 0.63%, 0.46%

LAB 44.04, 61.58, -0.39

 

CMYK 29 / 0 / 78 / 25

HEX #89C02B

RGB 137 192 43

HSL 82.15, 0.63%, 0.46%

LAB 71.69, -39.03, 63.86

 

CMYK 77 / 0 / 10 / 25

HEX #2BBFAB

RGB 43 191 171

HSL 171.89, 0.63%, 0.46%

LAB 69.98, -41.99, -0.7

 

CMYK 49 / 77 / 0 / 25

HEX #622BBF

RGB 98 43 191

HSL 262.3, 0.63%, 0.46%

LAB 34.16, 55.81, -67.86

 

CMYK 0 / 77 / 67 / 25

HEX #BF2B3F

RGB 191 43 63

HSL 351.89, 0.63%, 0.46%

LAB 43.01, 58.34, 25.55

 

Description

Color code: HEX #89C02B | qconv.com Color code: HEX #89C02B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 192 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 192 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 78 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 78% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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