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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89AEFF3F it is the complementary color #7651003F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89AEFF3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89AEFF3F shade: #8EAEFA3F, #9FC0FF3F, #B0D2FF3F, #C1E4FF3F and #D2F6FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89AEFF3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89AEFF3F shade: #89AEFF3F, #789CEC3F, #678AD93F, #5678C63F and #4566B33F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89AEFF3F shade: #8AAEFF, #8A8FFF, #A48AFF, #C48AFF and #E38AFF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89AEFF3F shade: #8AAEFF, #8A8FFF and #8A8AFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89AEFF3F shade matches the following richer shades: #8AAEFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89AEFF3F shade: #8AAEFF, #93B2F6, #9DB6EC, #A6B9E3 and #B0BDD9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89AEFF3F shade: #8AEDFF, #8ACEFF, #8AAFFF, #8A90FF and #A38AFF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89AEFF3F shade: #3776FF, #6092FF, #8AAEFF, #B3CBFF and #DCE7FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89AEFF3F shade: #89AEFF, #F18AFF and #DEFF8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89AEFF3F shade: #89AEFF, #FF8AAF and #AFFF8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89AEFF3F shade: #89AEFF, #F18AFF, #FFDA8A and #97FF8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89AEFF3F shade: #89AEFF, #FF8AE9, #FFDA8A and #8AFF9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 8 / 0 / 0

HEX #89AEFF3F

RGBA 137 174 255 0.25

HSLA 221.19, 1%, 0.77%, 0.25

LABA 71.43, 8.49, -44.05, 0.25

 

Complementary color

CMYK 0 / 8 / 25 / 13

HEX #7651003F

RGBA 118 81 0 0.25

HSLA 41.19, 1%, 0.23%, 0.25

LABA 37.37, 9.23, 45.94, 0.25

 

CMYK 11 / 8 / 0 / 0

HEX #8EAEFA3F

RGBA 142 174 250 0.25

HSLA 222.22, 0.92%, 0.77%, 0.25

LABA 71.5, 8.28, -41.2, 0.25

 

CMYK 9 / 6 / 0 / 0

HEX #9FC0FF3F

RGBA 159 192 255 0.25

HSLA 219.38, 1%, 0.81%, 0.25

LABA 77.45, 4.01, -34.57, 0.25

 

CMYK 8 / 4 / 0 / 0

HEX #B0D2FF3F

RGBA 176 210 255 0.25

HSLA 214.18, 1%, 0.85%, 0.25

LABA 83.2, -1.07, -25.66, 0.25

 

CMYK 6 / 3 / 0 / 0

HEX #C1E4FF3F

RGBA 193 228 255 0.25

HSLA 206.13, 1%, 0.88%, 0.25

LABA 88.94, -5.62, -16.86, 0.25

 

CMYK 4 / 1 / 0 / 0

HEX #D2F6FF3F

RGBA 210 246 255 0.25

HSLA 192, 1%, 0.91%, 0.25

LABA 94.67, -9.73, -8.21, 0.25

 

CMYK 12 / 8 / 0 / 0

HEX #89AEFF3F

RGBA 137 174 255 0.25

HSLA 221.19, 1%, 0.77%, 0.25

LABA 71.43, 8.49, -44.05, 0.25

 

CMYK 12 / 8 / 0 / 2

HEX #789CEC3F

RGBA 120 156 236 0.25

HSLA 221.38, 0.75%, 0.7%, 0.25

LABA 64.82, 9.23, -44.12, 0.25

 

CMYK 13 / 9 / 0 / 4

HEX #678AD93F

RGBA 103 138 217 0.25

HSLA 221.58, 0.6%, 0.63%, 0.25

LABA 58.1, 10.11, -44.23, 0.25

 

CMYK 14 / 10 / 0 / 6

HEX #5678C63F

RGBA 86 120 198 0.25

HSLA 221.79, 0.5%, 0.56%, 0.25

LABA 51.25, 11.17, -44.38, 0.25

 

CMYK 15 / 11 / 0 / 7

HEX #4566B33F

RGBA 69 102 179 0.25

HSLA 222, 0.44%, 0.49%, 0.25

LABA 44.27, 12.48, -44.57, 0.25

 

CMYK 46 / 32 / 0 / 0

HEX #8AAEFF

RGB 138 174 255

HSL 221.54, 1%, 0.77%

LAB 71.48, 8.73, -43.95

 

CMYK 46 / 44 / 0 / 0

HEX #8A8FFF

RGB 138 143 255

HSL 237.44, 1%, 0.77%

LAB 63.56, 26.53, -56.46

 

CMYK 36 / 46 / 0 / 0

HEX #A48AFF

RGB 164 138 255

HSL 253.33, 1%, 0.77%

LAB 64.39, 35.66, -55.01

 

CMYK 23 / 46 / 0 / 0

HEX #C48AFF

RGB 196 138 255

HSL 269.74, 1%, 0.77%

LAB 67.38, 43.99, -50.1

 

CMYK 11 / 46 / 0 / 0

HEX #E38AFF

RGB 227 138 255

HSL 285.64, 1%, 0.77%

LAB 70.68, 52.45, -44.67

 

CMYK 46 / 32 / 0 / 0

HEX #8AAEFF

RGB 138 174 255

HSL 221.54, 1%, 0.77%

LAB 71.48, 8.73, -43.95

 

CMYK 46 / 44 / 0 / 0

HEX #8A8FFF

RGB 138 143 255

HSL 237.44, 1%, 0.77%

LAB 63.56, 26.53, -56.46

 

CMYK 46 / 46 / 0 / 0

HEX #8A8AFF

RGB 138 138 255

HSL 240, 1%, 0.77%

LAB 62.34, 29.44, -58.41

 

CMYK 46 / 32 / 0 / 0

HEX #8AAEFF

RGB 138 174 255

HSL 221.54, 1%, 0.77%

LAB 71.48, 8.73, -43.95

 

CMYK 46 / 32 / 0 / 0

HEX #8AAEFF

RGB 138 174 255

HSL 221.54, 1%, 0.77%

LAB 71.48, 8.73, -43.95

 

CMYK 40 / 28 / 0 / 4

HEX #93B2F6

RGB 147 178 246

HSL 221.21, 0.85%, 0.77%

LAB 72.69, 6.21, -37.16

 

CMYK 33 / 23 / 0 / 7

HEX #9DB6EC

RGB 157 182 236

HSL 221.01, 0.68%, 0.77%

LAB 73.98, 4.05, -29.7

 

CMYK 27 / 19 / 0 / 11

HEX #A6B9E3

RGB 166 185 227

HSL 221.31, 0.52%, 0.77%

LAB 75.05, 2.78, -23.14

 

CMYK 19 / 13 / 0 / 15

HEX #B0BDD9

RGB 176 189 217

HSL 220.98, 0.35%, 0.77%

LAB 76.46, 1.37, -15.52

 

CMYK 46 / 7 / 0 / 0

HEX #8AEDFF

RGB 138 237 255

HSL 189.23, 1%, 0.77%

LAB 88.54, -24.52, -17.75

 

CMYK 46 / 19 / 0 / 0

HEX #8ACEFF

RGB 138 206 255

HSL 205.13, 1%, 0.77%

LAB 80.05, -8.76, -30.67

 

CMYK 46 / 31 / 0 / 0

HEX #8AAFFF

RGB 138 175 255

HSL 221.03, 1%, 0.77%

LAB 71.75, 8.16, -43.54

 

CMYK 46 / 44 / 0 / 0

HEX #8A90FF

RGB 138 144 255

HSL 236.92, 1%, 0.77%

LAB 63.81, 25.95, -56.06

 

CMYK 36 / 46 / 0 / 0

HEX #A38AFF

RGB 163 138 255

HSL 252.82, 1%, 0.77%

LAB 64.31, 35.41, -55.15

 

CMYK 78 / 54 / 0 / 0

HEX #3776FF

RGB 55 118 255

HSL 221.1, 1%, 0.61%

LAB 52.94, 27.86, -73.77

 

CMYK 62 / 43 / 0 / 0

HEX #6092FF

RGB 96 146 255

HSL 221.13, 1%, 0.69%

LAB 61.88, 16.27, -59.28

 

CMYK 46 / 32 / 0 / 0

HEX #8AAEFF

RGB 138 174 255

HSL 221.54, 1%, 0.77%

LAB 71.48, 8.73, -43.95

 

CMYK 30 / 20 / 0 / 0

HEX #B3CBFF

RGB 179 203 255

HSL 221.05, 1%, 0.85%

LAB 81.57, 3.51, -28.12

 

CMYK 14 / 9 / 0 / 0

HEX #DCE7FF

RGB 220 231 255

HSL 221.14, 1%, 0.93%

LAB 91.5, 1.01, -12.85

 

CMYK 46 / 32 / 0 / 0

HEX #89AEFF

RGB 137 174 255

HSL 221.19, 1%, 0.77%

LAB 71.43, 8.49, -44.05

 

CMYK 5 / 46 / 0 / 0

HEX #F18AFF

RGB 241 138 255

HSL 292.82, 1%, 0.77%

LAB 72.29, 56.33, -42.03

 

CMYK 13 / 0 / 46 / 0

HEX #DEFF8A

RGB 222 255 138

HSL 76.92, 1%, 0.77%

LAB 95.53, -28.2, 52.12

 

CMYK 46 / 32 / 0 / 0

HEX #89AEFF

RGB 137 174 255

HSL 221.19, 1%, 0.77%

LAB 71.43, 8.49, -44.05

 

CMYK 0 / 46 / 31 / 0

HEX #FF8AAF

RGB 255 138 175

HSL 341.03, 1%, 0.77%

LAB 71.24, 48.24, 0.66

 

CMYK 31 / 0 / 46 / 0

HEX #AFFF8A

RGB 175 255 138

HSL 101.03, 1%, 0.77%

LAB 92.78, -44.72, 48.11

 

CMYK 46 / 32 / 0 / 0

HEX #89AEFF

RGB 137 174 255

HSL 221.19, 1%, 0.77%

LAB 71.43, 8.49, -44.05

 

CMYK 5 / 46 / 0 / 0

HEX #F18AFF

RGB 241 138 255

HSL 292.82, 1%, 0.77%

LAB 72.29, 56.33, -42.03

 

CMYK 0 / 15 / 46 / 0

HEX #FFDA8A

RGB 255 218 138

HSL 41.03, 1%, 0.77%

LAB 88.56, 2.76, 44

 

CMYK 41 / 0 / 46 / 0

HEX #97FF8A

RGB 151 255 138

HSL 113.33, 1%, 0.77%

LAB 91.66, -52.2, 46.46

 

CMYK 46 / 32 / 0 / 0

HEX #89AEFF

RGB 137 174 255

HSL 221.19, 1%, 0.77%

LAB 71.43, 8.49, -44.05

 

CMYK 0 / 46 / 9 / 0

HEX #FF8AE9

RGB 255 138 233

HSL 311.28, 1%, 0.77%

LAB 73.1, 56.54, -28.64

 

CMYK 0 / 15 / 46 / 0

HEX #FFDA8A

RGB 255 218 138

HSL 41.03, 1%, 0.77%

LAB 88.56, 2.76, 44

 

CMYK 46 / 0 / 38 / 0

HEX #8AFF9F

RGB 138 255 159

HSL 130.77, 1%, 0.77%

LAB 91.43, -52.8, 35.84

 

Description

Color code: HEX #89AEFF3F | qconv.com Color code: HEX #89AEFF3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 174 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 174 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 8 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 8% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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