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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89A8F0 it is the complementary color #76570F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89A8F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89A8F0 shade: #8EA8EB, #9FBAFE, #B0CCFF, #C1DEFF and #D2F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89A8F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89A8F0 shade: #89A8F0, #7896DD, #6784CA, #5672B7 and #4560A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89A8F0 shade: #8AA8F0, #8A8DF0, #A28AF0, #BE8AF0 and #D98AF0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89A8F0 shade: #8AA8F0, #8A8DF0 and #8A8AF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89A8F0 shade matches the following richer shades: #8AA8F0 and #7FA4FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89A8F0 shade: #8AA8F0, #94ADE5, #9FB1DA, #AAB5D0 and #B5B9C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89A8F0 shade: #8AE0F0, #8AC5F0, #8AAAF0, #8A8FF0 and #A08AF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89A8F0 shade: #4172E6, #658DEB, #8AA8F0, #AEC3F4 and #D3DEF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89A8F0 shade: #89A8F0, #E48AF0 and #D3F08A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89A8F0 shade: #89A8F0, #F08AAA and #AAF08A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89A8F0 shade: #89A8F0, #E48AF0, #F0CF8A and #96F08A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89A8F0 shade: #89A8F0, #F08ADD, #F0CF8A and #8AF09C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 30 / 0 / 6

HEX #89A8F0

RGB 137 168 240

HSL 221.94, 0.77%, 0.74%

LAB 69.19, 7.63, -39.39

 

Complementary color

CMYK 0 / 26 / 87 / 54

HEX #76570F

RGB 118 87 15

HSL 41.94, 0.77%, 0.26%

LAB 39.07, 6.02, 42.72

 

CMYK 40 / 29 / 0 / 8

HEX #8EA8EB

RGB 142 168 235

HSL 223.23, 0.7%, 0.74%

LAB 69.29, 7.53, -36.48

 

CMYK 37 / 27 / 0 / 0

HEX #9FBAFE

RGB 159 186 254

HSL 222.95, 0.98%, 0.81%

LAB 75.85, 7.04, -36.51

 

CMYK 31 / 20 / 0 / 0

HEX #B0CCFF

RGB 176 204 255

HSL 218.73, 1%, 0.85%

LAB 81.64, 2.13, -28.04

 

CMYK 24 / 13 / 0 / 0

HEX #C1DEFF

RGB 193 222 255

HSL 211.94, 1%, 0.88%

LAB 87.39, -2.51, -19.2

 

CMYK 18 / 6 / 0 / 0

HEX #D2F0FF

RGB 210 240 255

HSL 200, 1%, 0.91%

LAB 93.12, -6.69, -10.5

 

CMYK 43 / 30 / 0 / 6

HEX #89A8F0

RGB 137 168 240

HSL 221.94, 0.77%, 0.74%

LAB 69.19, 7.63, -39.39

 

CMYK 46 / 32 / 0 / 13

HEX #7896DD

RGB 120 150 221

HSL 222.18, 0.6%, 0.67%

LAB 62.53, 8.27, -39.43

 

CMYK 49 / 35 / 0 / 21

HEX #6784CA

RGB 103 132 202

HSL 222.42, 0.48%, 0.6%

LAB 55.74, 9.03, -39.51

 

CMYK 53 / 38 / 0 / 28

HEX #5672B7

RGB 86 114 183

HSL 222.68, 0.4%, 0.53%

LAB 48.8, 9.95, -39.63

 

CMYK 58 / 41 / 0 / 36

HEX #4560A4

RGB 69 96 164

HSL 222.95, 0.41%, 0.46%

LAB 41.71, 11.09, -39.81

 

CMYK 43 / 30 / 0 / 6

HEX #8AA8F0

RGB 138 168 240

HSL 222.35, 0.77%, 0.74%

LAB 69.26, 7.88, -39.29

 

CMYK 43 / 41 / 0 / 6

HEX #8A8DF0

RGB 138 141 240

HSL 238.24, 0.77%, 0.74%

LAB 62.29, 23.41, -50.24

 

CMYK 33 / 43 / 0 / 6

HEX #A28AF0

RGB 162 138 240

HSL 254.12, 0.77%, 0.74%

LAB 63.47, 31.28, -48.26

 

CMYK 21 / 43 / 0 / 6

HEX #BE8AF0

RGB 190 138 240

HSL 270.59, 0.77%, 0.74%

LAB 66.07, 38.96, -43.98

 

CMYK 10 / 43 / 0 / 6

HEX #D98AF0

RGB 217 138 240

HSL 286.47, 0.77%, 0.74%

LAB 68.91, 46.67, -39.33

 

CMYK 43 / 30 / 0 / 6

HEX #8AA8F0

RGB 138 168 240

HSL 222.35, 0.77%, 0.74%

LAB 69.26, 7.88, -39.29

 

CMYK 43 / 41 / 0 / 6

HEX #8A8DF0

RGB 138 141 240

HSL 238.24, 0.77%, 0.74%

LAB 62.29, 23.41, -50.24

 

CMYK 43 / 43 / 0 / 6

HEX #8A8AF0

RGB 138 138 240

HSL 240, 0.77%, 0.74%

LAB 61.54, 25.16, -51.42

 

CMYK 43 / 30 / 0 / 6

HEX #8AA8F0

RGB 138 168 240

HSL 222.35, 0.77%, 0.74%

LAB 69.26, 7.88, -39.29

 

CMYK 49 / 34 / 0 / 2

HEX #7FA4FA

RGB 127 164 250

HSL 221.95, 0.92%, 0.74%

LAB 67.99, 10.4, -46.76

 

CMYK 43 / 30 / 0 / 6

HEX #8AA8F0

RGB 138 168 240

HSL 222.35, 0.77%, 0.74%

LAB 69.26, 7.88, -39.29

 

CMYK 35 / 24 / 0 / 10

HEX #94ADE5

RGB 148 173 229

HSL 221.48, 0.61%, 0.74%

LAB 70.76, 4.74, -30.9

 

CMYK 27 / 19 / 0 / 15

HEX #9FB1DA

RGB 159 177 218

HSL 221.69, 0.44%, 0.74%

LAB 72.15, 2.93, -22.71

 

CMYK 18 / 13 / 0 / 18

HEX #AAB5D0

RGB 170 181 208

HSL 222.63, 0.29%, 0.74%

LAB 73.64, 1.82, -14.91

 

CMYK 8 / 6 / 0 / 23

HEX #B5B9C5

RGB 181 185 197

HSL 225, 0.12%, 0.74%

LAB 75.17, 0.95, -6.54

 

CMYK 43 / 7 / 0 / 6

HEX #8AE0F0

RGB 138 224 240

HSL 189.41, 0.77%, 0.74%

LAB 84.49, -21.94, -15.96

 

CMYK 43 / 18 / 0 / 6

HEX #8AC5F0

RGB 138 197 240

HSL 205.29, 0.77%, 0.74%

LAB 77.06, -8.05, -27.23

 

CMYK 43 / 29 / 0 / 6

HEX #8AAAF0

RGB 138 170 240

HSL 221.18, 0.77%, 0.74%

LAB 69.78, 6.75, -38.47

 

CMYK 43 / 40 / 0 / 6

HEX #8A8FF0

RGB 138 143 240

HSL 237.06, 0.77%, 0.74%

LAB 62.79, 22.24, -49.44

 

CMYK 33 / 43 / 0 / 6

HEX #A08AF0

RGB 160 138 240

HSL 252.94, 0.77%, 0.74%

LAB 63.29, 30.75, -48.54

 

CMYK 72 / 50 / 0 / 10

HEX #4172E6

RGB 65 114 230

HSL 222.18, 0.77%, 0.58%

LAB 50.54, 22.42, -63.71

 

CMYK 57 / 40 / 0 / 8

HEX #658DEB

RGB 101 141 235

HSL 222.09, 0.77%, 0.66%

LAB 59.72, 13.62, -51.7

 

CMYK 43 / 30 / 0 / 6

HEX #8AA8F0

RGB 138 168 240

HSL 222.35, 0.77%, 0.74%

LAB 69.26, 7.88, -39.29

 

CMYK 29 / 20 / 0 / 4

HEX #AEC3F4

RGB 174 195 244

HSL 222, 0.76%, 0.82%

LAB 78.79, 3.75, -26.54

 

CMYK 15 / 11 / 0 / 2

HEX #D3DEF9

RGB 211 222 249

HSL 222.63, 0.76%, 0.9%

LAB 88.41, 1.65, -14.38

 

CMYK 43 / 30 / 0 / 6

HEX #89A8F0

RGB 137 168 240

HSL 221.94, 0.77%, 0.74%

LAB 69.19, 7.63, -39.39

 

CMYK 5 / 43 / 0 / 6

HEX #E48AF0

RGB 228 138 240

HSL 292.94, 0.77%, 0.74%

LAB 70.15, 49.85, -37.3

 

CMYK 12 / 0 / 43 / 6

HEX #D3F08A

RGB 211 240 138

HSL 77.06, 0.77%, 0.74%

LAB 90.78, -25.21, 46.07

 

CMYK 43 / 30 / 0 / 6

HEX #89A8F0

RGB 137 168 240

HSL 221.94, 0.77%, 0.74%

LAB 69.19, 7.63, -39.39

 

CMYK 0 / 43 / 29 / 6

HEX #F08AAA

RGB 240 138 170

HSL 341.18, 0.77%, 0.74%

LAB 69.19, 42.48, 0.23

 

CMYK 29 / 0 / 43 / 6

HEX #AAF08A

RGB 170 240 138

HSL 101.18, 0.77%, 0.74%

LAB 88.31, -39.8, 42.42

 

CMYK 43 / 30 / 0 / 6

HEX #89A8F0

RGB 137 168 240

HSL 221.94, 0.77%, 0.74%

LAB 69.19, 7.63, -39.39

 

CMYK 5 / 43 / 0 / 6

HEX #E48AF0

RGB 228 138 240

HSL 292.94, 0.77%, 0.74%

LAB 70.15, 49.85, -37.3

 

CMYK 0 / 14 / 43 / 6

HEX #F0CF8A

RGB 240 207 138

HSL 40.59, 0.77%, 0.74%

LAB 84.48, 2.48, 38.52

 

CMYK 38 / 0 / 43 / 6

HEX #96F08A

RGB 150 240 138

HSL 112.94, 0.77%, 0.74%

LAB 87.31, -46.23, 40.94

 

CMYK 43 / 30 / 0 / 6

HEX #89A8F0

RGB 137 168 240

HSL 221.94, 0.77%, 0.74%

LAB 69.19, 7.63, -39.39

 

CMYK 0 / 43 / 8 / 6

HEX #F08ADD

RGB 240 138 221

HSL 311.18, 0.77%, 0.74%

LAB 70.82, 50.07, -25.71

 

CMYK 0 / 14 / 43 / 6

HEX #F0CF8A

RGB 240 207 138

HSL 40.59, 0.77%, 0.74%

LAB 84.48, 2.48, 38.52

 

CMYK 43 / 0 / 35 / 6

HEX #8AF09C

RGB 138 240 156

HSL 130.59, 0.77%, 0.74%

LAB 87.06, -47.03, 31.55

 

Description

Color code: HEX #89A8F0 | qconv.com Color code: HEX #89A8F0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 168 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 168 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 30 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 30% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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