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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #899E34 it is the complementary color #7661CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #899E34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #899E34 shade: #8E9E2F, #9FB042, #B0C255, #C1D468 and #D2E67B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #899E34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #899E34 shade: #899E34, #788C21, #677A0E, #566800 and #455600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #899E34 shade: #889D34, #9D9534, #9D7934, #9D5D34 and #9D4134

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #899E34 shade: #889D34, #6C9D34, #509D34, #349D35 and #349D51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #899E34 shade matches the following richer shades: #889D34, #92AE23, #9DBF12 and #A7D002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #899E34 shade: #889D34, #7E8C45, #747B56, #696A67 and #5F5978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #899E34 shade: #9D7834, #9D9434, #8A9D34, #6E9D34 and #529D34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #899E34 shade: #525F20, #6D7E2A, #889D34, #A3BC3F and #B3C85B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #899E34 shade: #899E34, #349D5C and #86349D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #899E34 shade: #899E34, #348A9D and #9D348A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #899E34 shade: #899E34, #349D5C, #47349D and #9D3475

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #899E34 shade: #899E34, #349D7C, #47349D and #9D3455

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 67 / 38

HEX #899E34

RGB 137 158 52

HSL 71.89, 0.5%, 0.41%

LAB 61.67, -22.48, 50.77

 

Complementary color

CMYK 42 / 52 / 0 / 20

HEX #7661CB

RGB 118 97 203

HSL 251.89, 0.5%, 0.59%

LAB 47.9, 34.01, -52.46

 

CMYK 10 / 0 / 70 / 38

HEX #8E9E2F

RGB 142 158 47

HSL 68.65, 0.54%, 0.4%

LAB 62.01, -20.66, 53.25

 

CMYK 10 / 0 / 63 / 31

HEX #9FB042

RGB 159 176 66

HSL 69.27, 0.45%, 0.47%

LAB 68.62, -21.27, 52.68

 

CMYK 9 / 0 / 56 / 24

HEX #B0C255

RGB 176 194 85

HSL 69.91, 0.47%, 0.55%

LAB 75.12, -21.74, 51.78

 

CMYK 9 / 0 / 51 / 17

HEX #C1D468

RGB 193 212 104

HSL 70.56, 0.56%, 0.62%

LAB 81.52, -22.09, 50.72

 

CMYK 9 / 0 / 47 / 10

HEX #D2E67B

RGB 210 230 123

HSL 71.21, 0.68%, 0.69%

LAB 87.84, -22.38, 49.61

 

CMYK 13 / 0 / 67 / 38

HEX #899E34

RGB 137 158 52

HSL 71.89, 0.5%, 0.41%

LAB 61.67, -22.48, 50.77

 

CMYK 14 / 0 / 76 / 45

HEX #788C21

RGB 120 140 33

HSL 71.21, 0.62%, 0.34%

LAB 54.93, -21.82, 50.98

 

CMYK 16 / 0 / 89 / 52

HEX #677A0E

RGB 103 122 14

HSL 70.56, 0.79%, 0.27%

LAB 48.05, -20.92, 50.03

 

CMYK 17 / 0 / 100 / 59

HEX #566800

RGB 86 104 0

HSL 70.38, 1%, 0.2%

LAB 41.02, -19.7, 47.09

 

CMYK 20 / 0 / 100 / 66

HEX #455600

RGB 69 86 0

HSL 71.86, 1%, 0.17%

LAB 33.82, -18.08, 41.09

 

CMYK 13 / 0 / 67 / 38

HEX #889D34

RGB 136 157 52

HSL 72, 0.5%, 0.41%

LAB 61.3, -22.4, 50.37

 

CMYK 0 / 5 / 67 / 38

HEX #9D9534

RGB 157 149 52

HSL 55.43, 0.5%, 0.41%

LAB 60.7, -9.1, 50.27

 

CMYK 0 / 23 / 67 / 38

HEX #9D7934

RGB 157 121 52

HSL 39.43, 0.5%, 0.41%

LAB 53.05, 6.37, 42.13

 

CMYK 0 / 41 / 67 / 38

HEX #9D5D34

RGB 157 93 52

HSL 23.43, 0.5%, 0.41%

LAB 45.97, 22.34, 34.19

 

CMYK 0 / 59 / 67 / 38

HEX #9D4134

RGB 157 65 52

HSL 7.43, 0.5%, 0.41%

LAB 39.91, 37.45, 27.02

 

CMYK 13 / 0 / 67 / 38

HEX #889D34

RGB 136 157 52

HSL 72, 0.5%, 0.41%

LAB 61.3, -22.4, 50.37

 

CMYK 31 / 0 / 67 / 38

HEX #6C9D34

RGB 108 157 52

HSL 88, 0.5%, 0.41%

LAB 59.48, -33.71, 47.89

 

CMYK 49 / 0 / 67 / 38

HEX #509D34

RGB 80 157 52

HSL 104, 0.5%, 0.41%

LAB 58.1, -43.41, 46

 

CMYK 67 / 0 / 66 / 38

HEX #349D35

RGB 52 157 53

HSL 120.57, 0.5%, 0.41%

LAB 57.17, -50.62, 44.29

 

CMYK 67 / 0 / 48 / 38

HEX #349D51

RGB 52 157 81

HSL 136.57, 0.5%, 0.41%

LAB 57.5, -46.86, 31.08

 

CMYK 13 / 0 / 67 / 38

HEX #889D34

RGB 136 157 52

HSL 72, 0.5%, 0.41%

LAB 61.3, -22.4, 50.37

 

CMYK 16 / 0 / 80 / 32

HEX #92AE23

RGB 146 174 35

HSL 72.09, 0.67%, 0.41%

LAB 66.9, -27.47, 62.07

 

CMYK 18 / 0 / 91 / 25

HEX #9DBF12

RGB 157 191 18

HSL 71.79, 0.83%, 0.41%

LAB 72.54, -31.5, 70.91

 

CMYK 20 / 0 / 99 / 18

HEX #A7D002

RGB 167 208 2

HSL 71.94, 0.98%, 0.41%

LAB 78.07, -35.51, 77.31

 

CMYK 13 / 0 / 67 / 38

HEX #889D34

RGB 136 157 52

HSL 72, 0.5%, 0.41%

LAB 61.3, -22.4, 50.37

 

CMYK 10 / 0 / 51 / 45

HEX #7E8C45

RGB 126 140 69

HSL 71.83, 0.34%, 0.41%

LAB 55.71, -16.44, 35.92

 

CMYK 6 / 0 / 30 / 52

HEX #747B56

RGB 116 123 86

HSL 71.35, 0.18%, 0.41%

LAB 50.16, -9.29, 19.41

 

CMYK 1 / 0 / 3 / 58

HEX #696A67

RGB 105 106 103

HSL 80, 0.01%, 0.41%

LAB 44.65, -1, 1.54

 

CMYK 21 / 26 / 0 / 53

HEX #5F5978

RGB 95 89 120

HSL 251.61, 0.15%, 0.41%

LAB 39.47, 9.51, -16.64

 

CMYK 0 / 24 / 67 / 38

HEX #9D7834

RGB 157 120 52

HSL 38.86, 0.5%, 0.41%

LAB 52.78, 6.94, 41.84

 

CMYK 0 / 6 / 67 / 38

HEX #9D9434

RGB 157 148 52

HSL 54.86, 0.5%, 0.41%

LAB 60.42, -8.56, 49.98

 

CMYK 12 / 0 / 67 / 38

HEX #8A9D34

RGB 138 157 52

HSL 70.86, 0.5%, 0.41%

LAB 61.45, -21.55, 50.57

 

CMYK 30 / 0 / 67 / 38

HEX #6E9D34

RGB 110 157 52

HSL 86.86, 0.5%, 0.41%

LAB 59.6, -32.94, 48.05

 

CMYK 48 / 0 / 67 / 38

HEX #529D34

RGB 82 157 52

HSL 102.86, 0.5%, 0.41%

LAB 58.18, -42.79, 46.12

 

CMYK 14 / 0 / 66 / 63

HEX #525F20

RGB 82 95 32

HSL 72.38, 0.5%, 0.25%

LAB 37.99, -15.13, 33.36

 

CMYK 13 / 0 / 67 / 51

HEX #6D7E2A

RGB 109 126 42

HSL 72.14, 0.5%, 0.33%

LAB 49.91, -18.86, 42.09

 

CMYK 13 / 0 / 67 / 38

HEX #889D34

RGB 136 157 52

HSL 72, 0.5%, 0.41%

LAB 61.3, -22.4, 50.37

 

CMYK 13 / 0 / 66 / 26

HEX #A3BC3F

RGB 163 188 63

HSL 72, 0.5%, 0.49%

LAB 72.3, -25.73, 57.91

 

CMYK 11 / 0 / 55 / 22

HEX #B3C85B

RGB 179 200 91

HSL 71.56, 0.5%, 0.57%

LAB 77.07, -22.96, 51.32

 

CMYK 13 / 0 / 67 / 38

HEX #899E34

RGB 137 158 52

HSL 71.89, 0.5%, 0.41%

LAB 61.67, -22.48, 50.77

 

CMYK 67 / 0 / 41 / 38

HEX #349D5C

RGB 52 157 92

HSL 142.86, 0.5%, 0.41%

LAB 57.67, -44.94, 25.46

 

CMYK 15 / 67 / 0 / 38

HEX #86349D

RGB 134 52 157

HSL 286.86, 0.5%, 0.41%

LAB 37.77, 50.75, -41.53

 

CMYK 13 / 0 / 67 / 38

HEX #899E34

RGB 137 158 52

HSL 71.89, 0.5%, 0.41%

LAB 61.67, -22.48, 50.77

 

CMYK 67 / 12 / 0 / 38

HEX #348A9D

RGB 52 138 157

HSL 190.86, 0.5%, 0.41%

LAB 53.32, -19.37, -17.67

 

CMYK 0 / 67 / 12 / 38

HEX #9D348A

RGB 157 52 138

HSL 310.86, 0.5%, 0.41%

LAB 40.34, 53.14, -25.68

 

CMYK 13 / 0 / 67 / 38

HEX #899E34

RGB 137 158 52

HSL 71.89, 0.5%, 0.41%

LAB 61.67, -22.48, 50.77

 

CMYK 67 / 0 / 41 / 38

HEX #349D5C

RGB 52 157 92

HSL 142.86, 0.5%, 0.41%

LAB 57.67, -44.94, 25.46

 

CMYK 55 / 67 / 0 / 38

HEX #47349D

RGB 71 52 157

HSL 250.86, 0.5%, 0.41%

LAB 29.99, 37.14, -54.48

 

CMYK 0 / 67 / 25 / 38

HEX #9D3475

RGB 157 52 117

HSL 322.86, 0.5%, 0.41%

LAB 39.43, 50.04, -14.14

 

CMYK 13 / 0 / 67 / 38

HEX #899E34

RGB 137 158 52

HSL 71.89, 0.5%, 0.41%

LAB 61.67, -22.48, 50.77

 

CMYK 67 / 0 / 21 / 38

HEX #349D7C

RGB 52 157 124

HSL 161.14, 0.5%, 0.41%

LAB 58.32, -38.02, 8.61

 

CMYK 55 / 67 / 0 / 38

HEX #47349D

RGB 71 52 157

HSL 250.86, 0.5%, 0.41%

LAB 29.99, 37.14, -54.48

 

CMYK 0 / 67 / 46 / 38

HEX #9D3455

RGB 157 52 85

HSL 341.14, 0.5%, 0.41%

LAB 38.34, 46.22, 4.38

 

Description

Color code: HEX #899E34 | qconv.com Color code: HEX #899E34 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 158 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 158 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 67 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 67% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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