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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #899CD53F it is the complementary color #76632A3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #899CD53F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #899CD53F shade: #8E9CD03F, #9FAEE33F, #B0C0F63F, #C1D2FF3F and #D2E4FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #899CD53F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #899CD53F shade: #899CD53F, #788AC23F, #6778AF3F, #56669C3F and #4554893F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #899CD53F shade: #8A9DD6, #8B8AD6, #A08AD6, #B48AD6 and #C98AD6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #899CD53F shade: #8A9DD6 and #8A8AD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #899CD53F shade matches the following richer shades: #8A9DD6, #7D97E3, #7090EF and #648AFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #899CD53F shade: #8A9DD6, #97A3C9, #A4AABC, #B0B0B0 and #BDB7A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #899CD53F shade: #8AC5D6, #8AB1D6, #8A9DD6, #8B8AD6 and #A08AD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #899CD53F shade: #4D6AC0, #6B83CB, #8A9DD6, #A9B7E1 and #C7D0EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #899CD53F shade: #899CD5, #D28AD6 and #BBD68A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #899CD53F shade: #899CD5, #D68A9D and #9DD68A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #899CD53F shade: #899CD5, #D28AD6, #D6C38A and #8ED68A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #899CD53F shade: #899CD5, #D68AC3, #D6C38A and #8AD69D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 7 / 0 / 4

HEX #899CD53F

RGBA 137 156 213 0.25

HSLA 225, 0.48%, 0.69%, 0.25

LABA 64.88, 7.05, -31.24, 0.25

 

Complementary color

CMYK 0 / 4 / 16 / 13

HEX #76632A3F

RGBA 118 99 42 0.25

HSLA 45, 0.48%, 0.31%, 0.25

LABA 42.68, 0.34, 34.47, 0.25

 

CMYK 8 / 6 / 0 / 5

HEX #8E9CD03F

RGBA 142 156 208 0.25

HSLA 227.27, 0.41%, 0.69%, 0.25

LABA 65.03, 7.17, -28.21, 0.25

 

CMYK 7 / 6 / 0 / 3

HEX #9FAEE33F

RGBA 159 174 227 0.25

HSLA 226.76, 0.55%, 0.76%, 0.25

LABA 71.68, 6.78, -28.33, 0.25

 

CMYK 7 / 5 / 0 / 1

HEX #B0C0F63F

RGBA 176 192 246 0.25

HSLA 226.29, 0.8%, 0.83%, 0.25

LABA 78.22, 6.43, -28.48, 0.25

 

CMYK 6 / 4 / 0 / 0

HEX #C1D2FF3F

RGBA 193 210 255 0.25

HSLA 223.55, 1%, 0.88%, 0.25

LABA 84.3, 3.81, -23.88, 0.25

 

CMYK 4 / 3 / 0 / 0

HEX #D2E4FF3F

RGBA 210 228 255 0.25

HSLA 216, 1%, 0.91%, 0.25

LABA 90.05, -0.53, -15.09, 0.25

 

CMYK 9 / 7 / 0 / 4

HEX #899CD53F

RGBA 137 156 213 0.25

HSLA 225, 0.48%, 0.69%, 0.25

LABA 64.88, 7.05, -31.24, 0.25

 

CMYK 10 / 7 / 0 / 6

HEX #788AC23F

RGBA 120 138 194 0.25

HSLA 225.41, 0.38%, 0.62%, 0.25

LABA 58.1, 7.55, -31.2, 0.25

 

CMYK 10 / 8 / 0 / 8

HEX #6778AF3F

RGBA 103 120 175 0.25

HSLA 225.83, 0.31%, 0.55%, 0.25

LABA 51.17, 8.13, -31.21, 0.25

 

CMYK 11 / 9 / 0 / 10

HEX #56669C3F

RGBA 86 102 156 0.25

HSLA 226.29, 0.29%, 0.47%, 0.25

LABA 44.06, 8.83, -31.28, 0.25

 

CMYK 12 / 10 / 0 / 12

HEX #4554893F

RGBA 69 84 137 0.25

HSLA 226.76, 0.33%, 0.4%, 0.25

LABA 36.77, 9.7, -31.41, 0.25

 

CMYK 36 / 27 / 0 / 16

HEX #8A9DD6

RGB 138 157 214

HSL 225, 0.48%, 0.69%

LAB 65.26, 7.03, -31.21

 

CMYK 35 / 36 / 0 / 16

HEX #8B8AD6

RGB 139 138 214

HSL 240.79, 0.48%, 0.69%

LAB 60.36, 18.25, -38.84

 

CMYK 25 / 36 / 0 / 16

HEX #A08AD6

RGB 160 138 214

HSL 257.37, 0.48%, 0.69%

LAB 62.09, 24.25, -36

 

CMYK 16 / 36 / 0 / 16

HEX #B48AD6

RGB 180 138 214

HSL 273.16, 0.48%, 0.69%

LAB 63.95, 30.25, -32.97

 

CMYK 6 / 36 / 0 / 16

HEX #C98AD6

RGB 201 138 214

HSL 289.74, 0.48%, 0.69%

LAB 66.1, 36.73, -29.47

 

CMYK 36 / 27 / 0 / 16

HEX #8A9DD6

RGB 138 157 214

HSL 225, 0.48%, 0.69%

LAB 65.26, 7.03, -31.21

 

CMYK 36 / 36 / 0 / 16

HEX #8A8AD6

RGB 138 138 214

HSL 240, 0.48%, 0.69%

LAB 60.28, 17.98, -38.96

 

CMYK 36 / 27 / 0 / 16

HEX #8A9DD6

RGB 138 157 214

HSL 225, 0.48%, 0.69%

LAB 65.26, 7.03, -31.21

 

CMYK 45 / 33 / 0 / 11

HEX #7D97E3

RGB 125 151 227

HSL 224.71, 0.65%, 0.69%

LAB 63.38, 10.66, -41.41

 

CMYK 53 / 40 / 0 / 6

HEX #7090EF

RGB 112 144 239

HSL 224.88, 0.8%, 0.69%

LAB 61.33, 15.38, -51.32

 

CMYK 60 / 45 / 0 / 1

HEX #648AFC

RGB 100 138 252

HSL 225, 0.96%, 0.69%

LAB 59.81, 20.75, -60.94

 

CMYK 36 / 27 / 0 / 16

HEX #8A9DD6

RGB 138 157 214

HSL 225, 0.48%, 0.69%

LAB 65.26, 7.03, -31.21

 

CMYK 25 / 19 / 0 / 21

HEX #97A3C9

RGB 151 163 201

HSL 225.6, 0.32%, 0.69%

LAB 67.27, 4.18, -20.84

 

CMYK 13 / 10 / 0 / 26

HEX #A4AABC

RGB 164 170 188

HSL 225, 0.15%, 0.69%

LAB 69.66, 1.55, -9.93

 

CMYK 0 / 0 / 0 / 31

HEX #B0B0B0

RGB 176 176 176

HSL 0, 0%, 0.69%

LAB 71.84, 0, -0.01

 

CMYK 0 / 3 / 14 / 26

HEX #BDB7A3

RGB 189 183 163

HSL 46.15, 0.16%, 0.69%

LAB 74.4, -1.32, 10.93

 

CMYK 36 / 8 / 0 / 16

HEX #8AC5D6

RGB 138 197 214

HSL 193.42, 0.48%, 0.69%

LAB 76.19, -14.76, -14.54

 

CMYK 36 / 17 / 0 / 16

HEX #8AB1D6

RGB 138 177 214

HSL 209.21, 0.48%, 0.69%

LAB 70.67, -4.12, -22.9

 

CMYK 36 / 27 / 0 / 16

HEX #8A9DD6

RGB 138 157 214

HSL 225, 0.48%, 0.69%

LAB 65.26, 7.03, -31.21

 

CMYK 35 / 36 / 0 / 16

HEX #8B8AD6

RGB 139 138 214

HSL 240.79, 0.48%, 0.69%

LAB 60.36, 18.25, -38.84

 

CMYK 25 / 36 / 0 / 16

HEX #A08AD6

RGB 160 138 214

HSL 257.37, 0.48%, 0.69%

LAB 62.09, 24.25, -36

 

CMYK 60 / 45 / 0 / 25

HEX #4D6AC0

RGB 77 106 192

HSL 224.87, 0.48%, 0.53%

LAB 46.57, 16, -48.42

 

CMYK 47 / 35 / 0 / 20

HEX #6B83CB

RGB 107 131 203

HSL 225, 0.48%, 0.61%

LAB 55.76, 10.89, -40.03

 

CMYK 36 / 27 / 0 / 16

HEX #8A9DD6

RGB 138 157 214

HSL 225, 0.48%, 0.69%

LAB 65.26, 7.03, -31.21

 

CMYK 25 / 19 / 0 / 12

HEX #A9B7E1

RGB 169 183 225

HSL 225, 0.48%, 0.77%

LAB 74.66, 4.29, -22.63

 

CMYK 15 / 11 / 0 / 8

HEX #C7D0EB

RGB 199 208 235

HSL 225, 0.47%, 0.85%

LAB 83.57, 2.33, -14.32

 

CMYK 36 / 27 / 0 / 16

HEX #899CD5

RGB 137 156 213

HSL 225, 0.48%, 0.69%

LAB 64.88, 7.05, -31.24

 

CMYK 2 / 36 / 0 / 16

HEX #D28AD6

RGB 210 138 214

HSL 296.84, 0.48%, 0.69%

LAB 67.08, 39.54, -27.88

 

CMYK 13 / 0 / 36 / 16

HEX #BBD68A

RGB 187 214 138

HSL 81.32, 0.48%, 0.69%

LAB 82.11, -21.6, 34.63

 

CMYK 36 / 27 / 0 / 16

HEX #899CD5

RGB 137 156 213

HSL 225, 0.48%, 0.69%

LAB 64.88, 7.05, -31.24

 

CMYK 0 / 36 / 27 / 16

HEX #D68A9D

RGB 214 138 157

HSL 345, 0.48%, 0.69%

LAB 65.68, 31.5, 2.05

 

CMYK 27 / 0 / 36 / 16

HEX #9DD68A

RGB 157 214 138

HSL 105, 0.48%, 0.69%

LAB 80.23, -32.34, 31.82

 

CMYK 36 / 27 / 0 / 16

HEX #899CD5

RGB 137 156 213

HSL 225, 0.48%, 0.69%

LAB 64.88, 7.05, -31.24

 

CMYK 2 / 36 / 0 / 16

HEX #D28AD6

RGB 210 138 214

HSL 296.84, 0.48%, 0.69%

LAB 67.08, 39.54, -27.88

 

CMYK 0 / 9 / 36 / 16

HEX #D6C38A

RGB 214 195 138

HSL 45, 0.48%, 0.69%

LAB 79.13, -1.56, 31.11

 

CMYK 34 / 0 / 36 / 16

HEX #8ED68A

RGB 142 214 138

HSL 116.84, 0.48%, 0.69%

LAB 79.43, -37.3, 30.61

 

CMYK 36 / 27 / 0 / 16

HEX #899CD5

RGB 137 156 213

HSL 225, 0.48%, 0.69%

LAB 64.88, 7.05, -31.24

 

CMYK 0 / 36 / 9 / 16

HEX #D68AC3

RGB 214 138 195

HSL 315, 0.48%, 0.69%

LAB 66.83, 37.42, -17.61

 

CMYK 0 / 9 / 36 / 16

HEX #D6C38A

RGB 214 195 138

HSL 45, 0.48%, 0.69%

LAB 79.13, -1.56, 31.11

 

CMYK 36 / 0 / 27 / 16

HEX #8AD69D

RGB 138 214 157

HSL 135, 0.48%, 0.69%

LAB 79.57, -35.36, 20.89

 

Description

Color code: HEX #899CD53F | qconv.com Color code: HEX #899CD53F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 156 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 156 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 7 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 7% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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