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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #899A2B it is the complementary color #7665D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #899A2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #899A2B shade: #8E9A26, #9FAC39, #B0BE4C, #C1D05F and #D2E272

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #899A2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #899A2B shade: #899A2B, #788818, #677605, #566400 and #455200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #899A2B shade: #8A9B2C, #9B8E2C, #9B702C, #9B522C and #9B342C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #899A2B shade: #8A9B2C, #6C9B2C, #4E9B2C, #309B2C and #2C9B46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #899A2B shade matches the following richer shades: #8A9B2C, #95AB1C and #A0BB0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #899A2B shade: #8A9B2C, #7F8B3C, #747B4C, #696B5C and #5D5B6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #899A2B shade: #9B702C, #9B8E2C, #8A9B2C, #6D9B2C and #4F9B2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #899A2B shade: #515B1A, #6D7B23, #8A9B2C, #A7BB35 and #B9CD4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #899A2B shade: #899A2B, #2C9B53 and #7F2C9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #899A2B shade: #899A2B, #2C8A9B and #9B2C8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #899A2B shade: #899A2B, #2C9B53, #3C2C9B and #9B2C74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #899A2B shade: #899A2B, #2C9B74, #3C2C9B and #9B2C53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 72 / 40

HEX #899A2B

RGB 137 154 43

HSL 69.19, 0.56%, 0.39%

LAB 60.43, -21.02, 53.09

 

Complementary color

CMYK 44 / 52 / 0 / 17

HEX #7665D4

RGB 118 101 212

HSL 249.19, 0.56%, 0.61%

LAB 49.39, 34.22, -55.21

 

CMYK 8 / 0 / 75 / 40

HEX #8E9A26

RGB 142 154 38

HSL 66.21, 0.6%, 0.38%

LAB 60.78, -19.11, 55.37

 

CMYK 8 / 0 / 67 / 33

HEX #9FAC39

RGB 159 172 57

HSL 66.78, 0.5%, 0.45%

LAB 67.41, -19.87, 55.17

 

CMYK 7 / 0 / 60 / 25

HEX #B0BE4C

RGB 176 190 76

HSL 67.37, 0.47%, 0.52%

LAB 73.92, -20.47, 54.46

 

CMYK 7 / 0 / 54 / 18

HEX #C1D05F

RGB 193 208 95

HSL 67.96, 0.55%, 0.59%

LAB 80.33, -20.93, 53.5

 

CMYK 7 / 0 / 50 / 11

HEX #D2E272

RGB 210 226 114

HSL 68.57, 0.66%, 0.67%

LAB 86.66, -21.3, 52.43

 

CMYK 11 / 0 / 72 / 40

HEX #899A2B

RGB 137 154 43

HSL 69.19, 0.56%, 0.39%

LAB 60.43, -21.02, 53.09

 

CMYK 12 / 0 / 82 / 47

HEX #788818

RGB 120 136 24

HSL 68.57, 0.7%, 0.31%

LAB 53.67, -20.18, 52.73

 

CMYK 13 / 0 / 96 / 54

HEX #677605

RGB 103 118 5

HSL 67.96, 0.92%, 0.24%

LAB 46.78, -19.08, 50.9

 

CMYK 14 / 0 / 100 / 61

HEX #566400

RGB 86 100 0

HSL 68.4, 1%, 0.2%

LAB 39.74, -17.57, 46.12

 

CMYK 16 / 0 / 100 / 68

HEX #455200

RGB 69 82 0

HSL 69.51, 1%, 0.16%

LAB 32.48, -15.9, 40.08

 

CMYK 11 / 0 / 72 / 39

HEX #8A9B2C

RGB 138 155 44

HSL 69.19, 0.56%, 0.39%

LAB 60.81, -21.04, 53.11

 

CMYK 0 / 8 / 72 / 39

HEX #9B8E2C

RGB 155 142 44

HSL 52.97, 0.56%, 0.39%

LAB 58.51, -6.68, 51.3

 

CMYK 0 / 28 / 72 / 39

HEX #9B702C

RGB 155 112 44

HSL 36.76, 0.56%, 0.39%

LAB 50.38, 10.11, 43.03

 

CMYK 0 / 47 / 72 / 39

HEX #9B522C

RGB 155 82 44

HSL 20.54, 0.56%, 0.39%

LAB 43.04, 27.17, 35.13

 

CMYK 0 / 66 / 72 / 39

HEX #9B342C

RGB 155 52 44

HSL 4.32, 0.56%, 0.39%

LAB 37.13, 42.4, 28.4

 

CMYK 11 / 0 / 72 / 39

HEX #8A9B2C

RGB 138 155 44

HSL 69.19, 0.56%, 0.39%

LAB 60.81, -21.04, 53.11

 

CMYK 30 / 0 / 72 / 39

HEX #6C9B2C

RGB 108 155 44

HSL 85.41, 0.56%, 0.39%

LAB 58.8, -33.38, 50.44

 

CMYK 50 / 0 / 72 / 39

HEX #4E9B2C

RGB 78 155 44

HSL 101.62, 0.56%, 0.39%

LAB 57.31, -43.91, 48.44

 

CMYK 69 / 0 / 72 / 39

HEX #309B2C

RGB 48 155 44

HSL 117.84, 0.56%, 0.39%

LAB 56.34, -51.61, 47.13

 

CMYK 72 / 0 / 55 / 39

HEX #2C9B46

RGB 44 155 70

HSL 134.05, 0.56%, 0.39%

LAB 56.51, -49.32, 35.45

 

CMYK 11 / 0 / 72 / 39

HEX #8A9B2C

RGB 138 155 44

HSL 69.19, 0.56%, 0.39%

LAB 60.81, -21.04, 53.11

 

CMYK 13 / 0 / 84 / 33

HEX #95AB1C

RGB 149 171 28

HSL 69.23, 0.72%, 0.39%

LAB 66.21, -25, 63.43

 

CMYK 14 / 0 / 94 / 27

HEX #A0BB0C

RGB 160 187 12

HSL 69.26, 0.88%, 0.39%

LAB 71.58, -28.47, 71.07

 

CMYK 11 / 0 / 72 / 39

HEX #8A9B2C

RGB 138 155 44

HSL 69.19, 0.56%, 0.39%

LAB 60.81, -21.04, 53.11

 

CMYK 9 / 0 / 57 / 45

HEX #7F8B3C

RGB 127 139 60

HSL 69.11, 0.4%, 0.39%

LAB 55.38, -16.36, 40.08

 

CMYK 6 / 0 / 38 / 52

HEX #747B4C

RGB 116 123 76

HSL 68.94, 0.24%, 0.39%

LAB 49.98, -10.69, 24.84

 

CMYK 2 / 0 / 14 / 58

HEX #696B5C

RGB 105 107 92

HSL 68, 0.08%, 0.39%

LAB 44.65, -3.7, 8.15

 

CMYK 14 / 16 / 0 / 58

HEX #5D5B6C

RGB 93 91 108

HSL 247.06, 0.09%, 0.39%

LAB 39.4, 4.6, -9.39

 

CMYK 0 / 28 / 72 / 39

HEX #9B702C

RGB 155 112 44

HSL 36.76, 0.56%, 0.39%

LAB 50.38, 10.11, 43.03

 

CMYK 0 / 8 / 72 / 39

HEX #9B8E2C

RGB 155 142 44

HSL 52.97, 0.56%, 0.39%

LAB 58.51, -6.68, 51.3

 

CMYK 11 / 0 / 72 / 39

HEX #8A9B2C

RGB 138 155 44

HSL 69.19, 0.56%, 0.39%

LAB 60.81, -21.04, 53.11

 

CMYK 30 / 0 / 72 / 39

HEX #6D9B2C

RGB 109 155 44

HSL 84.86, 0.56%, 0.39%

LAB 58.86, -32.99, 50.52

 

CMYK 49 / 0 / 72 / 39

HEX #4F9B2C

RGB 79 155 44

HSL 101.08, 0.56%, 0.39%

LAB 57.35, -43.6, 48.5

 

CMYK 11 / 0 / 71 / 64

HEX #515B1A

RGB 81 91 26

HSL 69.23, 0.56%, 0.23%

LAB 36.57, -13.84, 34.65

 

CMYK 11 / 0 / 72 / 52

HEX #6D7B23

RGB 109 123 35

HSL 69.55, 0.56%, 0.31%

LAB 48.93, -17.76, 44.09

 

CMYK 11 / 0 / 72 / 39

HEX #8A9B2C

RGB 138 155 44

HSL 69.19, 0.56%, 0.39%

LAB 60.81, -21.04, 53.11

 

CMYK 11 / 0 / 72 / 27

HEX #A7BB35

RGB 167 187 53

HSL 68.96, 0.56%, 0.47%

LAB 72.24, -24.19, 61.74

 

CMYK 10 / 0 / 62 / 20

HEX #B9CD4D

RGB 185 205 77

HSL 69.38, 0.56%, 0.55%

LAB 78.76, -24.08, 59.47

 

CMYK 11 / 0 / 72 / 40

HEX #899A2B

RGB 137 154 43

HSL 69.19, 0.56%, 0.39%

LAB 60.43, -21.02, 53.09

 

CMYK 72 / 0 / 46 / 39

HEX #2C9B53

RGB 44 155 83

HSL 141.08, 0.56%, 0.39%

LAB 56.69, -47.24, 28.96

 

CMYK 18 / 72 / 0 / 39

HEX #7F2C9B

RGB 127 44 155

HSL 284.86, 0.56%, 0.39%

LAB 35.36, 52.2, -44.23

 

CMYK 11 / 0 / 72 / 40

HEX #899A2B

RGB 137 154 43

HSL 69.19, 0.56%, 0.39%

LAB 60.43, -21.02, 53.09

 

CMYK 72 / 11 / 0 / 39

HEX #2C8A9B

RGB 44 138 155

HSL 189.19, 0.56%, 0.39%

LAB 53.04, -21.24, -16.97

 

CMYK 0 / 72 / 11 / 39

HEX #9B2C8A

RGB 155 44 138

HSL 309.19, 0.56%, 0.39%

LAB 38.91, 55.72, -27.95

 

CMYK 11 / 0 / 72 / 40

HEX #899A2B

RGB 137 154 43

HSL 69.19, 0.56%, 0.39%

LAB 60.43, -21.02, 53.09

 

CMYK 72 / 0 / 46 / 39

HEX #2C9B53

RGB 44 155 83

HSL 141.08, 0.56%, 0.39%

LAB 56.69, -47.24, 28.96

 

CMYK 61 / 72 / 0 / 39

HEX #3C2C9B

RGB 60 44 155

HSL 248.65, 0.56%, 0.39%

LAB 27.1, 39.4, -58.03

 

CMYK 0 / 72 / 25 / 39

HEX #9B2C74

RGB 155 44 116

HSL 321.08, 0.56%, 0.39%

LAB 37.9, 52.51, -15.88

 

CMYK 11 / 0 / 72 / 40

HEX #899A2B

RGB 137 154 43

HSL 69.19, 0.56%, 0.39%

LAB 60.43, -21.02, 53.09

 

CMYK 72 / 0 / 25 / 39

HEX #2C9B74

RGB 44 155 116

HSL 158.92, 0.56%, 0.39%

LAB 57.31, -40.41, 11.66

 

CMYK 61 / 72 / 0 / 39

HEX #3C2C9B

RGB 60 44 155

HSL 248.65, 0.56%, 0.39%

LAB 27.1, 39.4, -58.03

 

CMYK 0 / 72 / 46 / 39

HEX #9B2C53

RGB 155 44 83

HSL 338.92, 0.56%, 0.39%

LAB 36.73, 48.66, 3.3

 

Description

Color code: HEX #899A2B | qconv.com Color code: HEX #899A2B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 154 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 154 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 72 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 72% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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