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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89962D it is the complementary color #7669D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89962D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89962D shade: #8E9628, #9FA83B, #B0BA4E, #C1CC61 and #D2DE74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89962D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89962D shade: #89962D, #78841A, #677207, #566000 and #454E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89962D shade: #88952D, #95862D, #956A2D, #954E2D and #95312D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89962D shade: #88952D, #6C952D, #50952D, #34952D and #2D9542

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89962D shade matches the following richer shades: #88952D, #94A51D and #A0B50D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89962D shade: #88952D, #7C863C, #71764C, #65665C and #59576B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89962D shade: #956A2D, #95862D, #89952D, #6D952D and #51952D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89962D shade: #4E561A, #6B7523, #88952D, #A5B536 and #BAC94B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89962D shade: #89962D, #2D954E and #782D95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89962D shade: #89962D, #2D8995 and #952D89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89962D shade: #89962D, #2D954E, #392D95 and #952D74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89962D shade: #89962D, #2D956D, #392D95 and #952D55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 70 / 41

HEX #89962D

RGB 137 150 45

HSL 67.43, 0.54%, 0.38%

LAB 59.27, -18.86, 51.16

 

Complementary color

CMYK 44 / 50 / 0 / 18

HEX #7669D2

RGB 118 105 210

HSL 247.43, 0.54%, 0.62%

LAB 50.23, 31.26, -52.73

 

CMYK 5 / 0 / 73 / 41

HEX #8E9628

RGB 142 150 40

HSL 64.36, 0.58%, 0.37%

LAB 59.63, -16.95, 53.56

 

CMYK 5 / 0 / 65 / 34

HEX #9FA83B

RGB 159 168 59

HSL 64.95, 0.48%, 0.45%

LAB 66.28, -17.72, 53.18

 

CMYK 5 / 0 / 58 / 27

HEX #B0BA4E

RGB 176 186 78

HSL 65.56, 0.44%, 0.52%

LAB 72.82, -18.31, 52.36

 

CMYK 5 / 0 / 52 / 20

HEX #C1CC61

RGB 193 204 97

HSL 66.17, 0.51%, 0.59%

LAB 79.26, -18.79, 51.34

 

CMYK 5 / 0 / 48 / 13

HEX #D2DE74

RGB 210 222 116

HSL 66.79, 0.62%, 0.66%

LAB 85.61, -19.17, 50.23

 

CMYK 9 / 0 / 70 / 41

HEX #89962D

RGB 137 150 45

HSL 67.43, 0.54%, 0.38%

LAB 59.27, -18.86, 51.16

 

CMYK 9 / 0 / 80 / 48

HEX #78841A

RGB 120 132 26

HSL 66.79, 0.67%, 0.31%

LAB 52.48, -18.03, 51.05

 

CMYK 10 / 0 / 94 / 55

HEX #677207

RGB 103 114 7

HSL 66.17, 0.88%, 0.24%

LAB 45.54, -16.91, 49.5

 

CMYK 10 / 0 / 100 / 62

HEX #566000

RGB 86 96 0

HSL 66.25, 1%, 0.19%

LAB 38.45, -15.4, 45.17

 

CMYK 12 / 0 / 100 / 69

HEX #454E00

RGB 69 78 0

HSL 66.92, 1%, 0.15%

LAB 31.15, -13.67, 39.09

 

CMYK 9 / 0 / 70 / 42

HEX #88952D

RGB 136 149 45

HSL 67.5, 0.54%, 0.38%

LAB 58.9, -18.78, 50.76

 

CMYK 0 / 10 / 70 / 42

HEX #95862D

RGB 149 134 45

HSL 51.35, 0.54%, 0.38%

LAB 55.71, -4.97, 47.9

 

CMYK 0 / 29 / 70 / 42

HEX #956A2D

RGB 149 106 45

HSL 35.19, 0.54%, 0.38%

LAB 48.12, 10.88, 39.93

 

CMYK 0 / 48 / 70 / 42

HEX #954E2D

RGB 149 78 45

HSL 19.04, 0.54%, 0.38%

LAB 41.26, 26.9, 32.34

 

CMYK 0 / 67 / 70 / 42

HEX #95312D

RGB 149 49 45

HSL 2.31, 0.54%, 0.38%

LAB 35.55, 41.65, 25.65

 

CMYK 9 / 0 / 70 / 42

HEX #88952D

RGB 136 149 45

HSL 67.5, 0.54%, 0.38%

LAB 58.9, -18.78, 50.76

 

CMYK 28 / 0 / 70 / 42

HEX #6C952D

RGB 108 149 45

HSL 83.65, 0.54%, 0.38%

LAB 56.95, -30.51, 48.15

 

CMYK 46 / 0 / 70 / 42

HEX #50952D

RGB 80 149 45

HSL 99.81, 0.54%, 0.38%

LAB 55.47, -40.72, 46.15

 

CMYK 65 / 0 / 70 / 42

HEX #34952D

RGB 52 149 45

HSL 115.96, 0.54%, 0.38%

LAB 54.46, -48.53, 44.78

 

CMYK 70 / 0 / 56 / 42

HEX #2D9542

RGB 45 149 66

HSL 132.12, 0.54%, 0.38%

LAB 54.5, -47.49, 35.04

 

CMYK 9 / 0 / 70 / 42

HEX #88952D

RGB 136 149 45

HSL 67.5, 0.54%, 0.38%

LAB 58.9, -18.78, 50.76

 

CMYK 10 / 0 / 82 / 35

HEX #94A51D

RGB 148 165 29

HSL 67.5, 0.7%, 0.38%

LAB 64.4, -22.43, 61.57

 

CMYK 12 / 0 / 93 / 29

HEX #A0B50D

RGB 160 181 13

HSL 67.5, 0.87%, 0.38%

LAB 69.86, -25.56, 69.59

 

CMYK 9 / 0 / 70 / 42

HEX #88952D

RGB 136 149 45

HSL 67.5, 0.54%, 0.38%

LAB 58.9, -18.78, 50.76

 

CMYK 7 / 0 / 55 / 47

HEX #7C863C

RGB 124 134 60

HSL 68.11, 0.38%, 0.38%

LAB 53.67, -15.01, 38.04

 

CMYK 4 / 0 / 36 / 54

HEX #71764C

RGB 113 118 76

HSL 67.14, 0.22%, 0.38%

LAB 48.25, -9.19, 22.54

 

CMYK 1 / 0 / 10 / 60

HEX #65665C

RGB 101 102 92

HSL 66, 0.05%, 0.38%

LAB 42.83, -2.38, 5.52

HEX #65665C

CMYK 17 / 19 / 0 / 58

HEX #59576B

RGB 89 87 107

HSL 246, 0.1%, 0.38%

LAB 37.85, 5.37, -11.15

HEX #59576B

CMYK 0 / 29 / 70 / 42

HEX #956A2D

RGB 149 106 45

HSL 35.19, 0.54%, 0.38%

LAB 48.12, 10.88, 39.93

 

CMYK 0 / 10 / 70 / 42

HEX #95862D

RGB 149 134 45

HSL 51.35, 0.54%, 0.38%

LAB 55.71, -4.97, 47.9

 

CMYK 8 / 0 / 70 / 42

HEX #89952D

RGB 137 149 45

HSL 66.92, 0.54%, 0.38%

LAB 58.98, -18.35, 50.87

 

CMYK 27 / 0 / 70 / 42

HEX #6D952D

RGB 109 149 45

HSL 83.08, 0.54%, 0.38%

LAB 57.01, -30.11, 48.24

 

CMYK 46 / 0 / 70 / 42

HEX #51952D

RGB 81 149 45

HSL 99.23, 0.54%, 0.38%

LAB 55.52, -40.39, 46.21

 

CMYK 9 / 0 / 70 / 66

HEX #4E561A

RGB 78 86 26

HSL 68, 0.54%, 0.22%

LAB 34.7, -12.45, 32.63

 

CMYK 9 / 0 / 70 / 54

HEX #6B7523

RGB 107 117 35

HSL 67.32, 0.54%, 0.3%

LAB 46.93, -15.46, 42.01

 

CMYK 9 / 0 / 70 / 42

HEX #88952D

RGB 136 149 45

HSL 67.5, 0.54%, 0.38%

LAB 58.9, -18.78, 50.76

 

CMYK 9 / 0 / 70 / 29

HEX #A5B536

RGB 165 181 54

HSL 67.56, 0.54%, 0.46%

LAB 70.39, -22.01, 59.51

 

CMYK 7 / 0 / 63 / 21

HEX #BAC94B

RGB 186 201 75

HSL 67.14, 0.54%, 0.54%

LAB 77.71, -21.86, 59.21

 

CMYK 9 / 0 / 70 / 41

HEX #89962D

RGB 137 150 45

HSL 67.43, 0.54%, 0.38%

LAB 59.27, -18.86, 51.16

 

CMYK 70 / 0 / 48 / 42

HEX #2D954E

RGB 45 149 78

HSL 139.04, 0.54%, 0.38%

LAB 54.66, -45.61, 29.04

 

CMYK 19 / 70 / 0 / 42

HEX #782D95

RGB 120 45 149

HSL 283.27, 0.54%, 0.38%

LAB 34.07, 48.94, -42.72

 

CMYK 9 / 0 / 70 / 41

HEX #89962D

RGB 137 150 45

HSL 67.43, 0.54%, 0.38%

LAB 59.27, -18.86, 51.16

 

CMYK 70 / 8 / 0 / 42

HEX #2D8995

RGB 45 137 149

HSL 186.92, 0.54%, 0.38%

LAB 52.53, -22.5, -14.26

 

CMYK 0 / 70 / 8 / 42

HEX #952D89

RGB 149 45 137

HSL 306.92, 0.54%, 0.38%

LAB 37.97, 53.68, -28.87

 

CMYK 9 / 0 / 70 / 41

HEX #89962D

RGB 137 150 45

HSL 67.43, 0.54%, 0.38%

LAB 59.27, -18.86, 51.16

 

CMYK 70 / 0 / 48 / 42

HEX #2D954E

RGB 45 149 78

HSL 139.04, 0.54%, 0.38%

LAB 54.66, -45.61, 29.04

 

CMYK 62 / 70 / 0 / 42

HEX #392D95

RGB 57 45 149

HSL 246.92, 0.54%, 0.38%

LAB 26.5, 36.41, -55.35

 

CMYK 0 / 70 / 22 / 42

HEX #952D74

RGB 149 45 116

HSL 319.04, 0.54%, 0.38%

LAB 36.98, 50.48, -17.38

 

CMYK 9 / 0 / 70 / 41

HEX #89962D

RGB 137 150 45

HSL 67.43, 0.54%, 0.38%

LAB 59.27, -18.86, 51.16

 

CMYK 70 / 0 / 27 / 42

HEX #2D956D

RGB 45 149 109

HSL 156.92, 0.54%, 0.38%

LAB 55.23, -39.32, 12.71

 

CMYK 62 / 70 / 0 / 42

HEX #392D95

RGB 57 45 149

HSL 246.92, 0.54%, 0.38%

LAB 26.5, 36.41, -55.35

 

CMYK 0 / 70 / 43 / 42

HEX #952D55

RGB 149 45 85

HSL 336.92, 0.54%, 0.38%

LAB 35.83, 46.61, 0.58

 

Description

Color code: HEX #89962D | qconv.com Color code: HEX #89962D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 150 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 150 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 70 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 70% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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