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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8993CF it is the complementary color #766C30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8993CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8993CF shade: #8E93CA, #9FA5DD, #B0B7F0, #C1C9FF and #D2DBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8993CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8993CF shade: #8993CF, #7881BC, #676FA9, #565D96 and #454B83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8993CF shade: #8892CE, #9088CE, #A488CE, #B788CE and #CA88CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8993CF shade: #8892CE and #8888CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8993CF shade matches the following richer shades: #8892CE, #7A88DC, #6C7EE9 and #5F74F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8993CF shade: #8892CE, #959BC1, #A3A5B3, #B0AFA5 and #BEB998

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8993CF shade: #88B8CE, #88A5CE, #8892CE, #9088CE and #A388CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8993CF shade: #4D5CB6, #6A77C2, #8892CE, #A5ACDA and #C2C7E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8993CF shade: #8993CF, #CE88CB and #AECE88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8993CF shade: #8993CF, #CE8892 and #92CE88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8993CF shade: #8993CF, #CE88CB, #CEC488 and #88CE8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8993CF shade: #8993CF, #CE88B5, #CEC488 and #88CEA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 29 / 0 / 19

HEX #8993CF

RGB 137 147 207

HSL 231.43, 0.42%, 0.67%

LAB 62.25, 10.62, -31.99

 

Complementary color

CMYK 0 / 8 / 59 / 54

HEX #766C30

RGB 118 108 48

HSL 51.43, 0.42%, 0.33%

LAB 45.35, -4.4, 34.4

 

CMYK 30 / 27 / 0 / 21

HEX #8E93CA

RGB 142 147 202

HSL 235, 0.36%, 0.67%

LAB 62.41, 10.77, -28.91

 

CMYK 28 / 25 / 0 / 13

HEX #9FA5DD

RGB 159 165 221

HSL 234.19, 0.48%, 0.75%

LAB 69.11, 10.32, -29

 

CMYK 27 / 24 / 0 / 6

HEX #B0B7F0

RGB 176 183 240

HSL 233.44, 0.68%, 0.82%

LAB 75.69, 9.92, -29.12

 

CMYK 24 / 21 / 0 / 0

HEX #C1C9FF

RGB 193 201 255

HSL 232.26, 1%, 0.88%

LAB 82.02, 8.63, -27.36

 

CMYK 18 / 14 / 0 / 0

HEX #D2DBFF

RGB 210 219 255

HSL 228, 1%, 0.91%

LAB 87.77, 4.17, -18.52

 

CMYK 34 / 29 / 0 / 19

HEX #8993CF

RGB 137 147 207

HSL 231.43, 0.42%, 0.67%

LAB 62.25, 10.62, -31.99

 

CMYK 36 / 31 / 0 / 26

HEX #7881BC

RGB 120 129 188

HSL 232.06, 0.34%, 0.6%

LAB 55.4, 11.18, -31.99

 

CMYK 39 / 34 / 0 / 34

HEX #676FA9

RGB 103 111 169

HSL 232.73, 0.28%, 0.53%

LAB 48.41, 11.83, -32.04

 

CMYK 43 / 38 / 0 / 41

HEX #565D96

RGB 86 93 150

HSL 233.44, 0.27%, 0.46%

LAB 41.23, 12.62, -32.15

 

CMYK 47 / 43 / 0 / 49

HEX #454B83

RGB 69 75 131

HSL 234.19, 0.31%, 0.39%

LAB 33.85, 13.59, -32.34

 

CMYK 34 / 29 / 0 / 19

HEX #8892CE

RGB 136 146 206

HSL 231.43, 0.42%, 0.67%

LAB 61.87, 10.64, -32.02

 

CMYK 30 / 34 / 0 / 19

HEX #9088CE

RGB 144 136 206

HSL 246.86, 0.42%, 0.67%

LAB 59.88, 18.74, -35.06

 

CMYK 20 / 34 / 0 / 19

HEX #A488CE

RGB 164 136 206

HSL 264, 0.42%, 0.67%

LAB 61.62, 24.69, -32.23

 

CMYK 11 / 34 / 0 / 19

HEX #B788CE

RGB 183 136 206

HSL 280.29, 0.42%, 0.67%

LAB 63.45, 30.58, -29.24

 

CMYK 2 / 34 / 0 / 19

HEX #CA88CE

RGB 202 136 206

HSL 296.57, 0.42%, 0.67%

LAB 65.45, 36.58, -25.99

 

CMYK 34 / 29 / 0 / 19

HEX #8892CE

RGB 136 146 206

HSL 231.43, 0.42%, 0.67%

LAB 61.87, 10.64, -32.02

 

CMYK 34 / 34 / 0 / 19

HEX #8888CE

RGB 136 136 206

HSL 240, 0.42%, 0.67%

LAB 59.25, 16.45, -36.1

 

CMYK 34 / 29 / 0 / 19

HEX #8892CE

RGB 136 146 206

HSL 231.43, 0.42%, 0.67%

LAB 61.87, 10.64, -32.02

 

CMYK 45 / 38 / 0 / 14

HEX #7A88DC

RGB 122 136 220

HSL 231.43, 0.58%, 0.67%

LAB 58.89, 16.66, -44.58

 

CMYK 54 / 46 / 0 / 9

HEX #6C7EE9

RGB 108 126 233

HSL 231.36, 0.74%, 0.67%

LAB 56.08, 23.39, -56.36

 

CMYK 62 / 53 / 0 / 3

HEX #5F74F7

RGB 95 116 247

HSL 231.71, 0.9%, 0.67%

LAB 53.64, 31.53, -68.12

 

CMYK 34 / 29 / 0 / 19

HEX #8892CE

RGB 136 146 206

HSL 231.43, 0.42%, 0.67%

LAB 61.87, 10.64, -32.02

 

CMYK 23 / 20 / 0 / 24

HEX #959BC1

RGB 149 155 193

HSL 231.82, 0.26%, 0.67%

LAB 64.71, 6.15, -20.3

 

CMYK 9 / 8 / 0 / 30

HEX #A3A5B3

RGB 163 165 179

HSL 232.5, 0.1%, 0.67%

LAB 67.98, 2.08, -7.45

 

CMYK 0 / 1 / 6 / 31

HEX #B0AFA5

RGB 176 175 165

HSL 54.55, 0.07%, 0.67%

LAB 71.29, -1.46, 5.24

 

CMYK 0 / 3 / 20 / 25

HEX #BEB998

RGB 190 185 152

HSL 52.11, 0.23%, 0.67%

LAB 74.77, -3.72, 17.41

 

CMYK 34 / 11 / 0 / 19

HEX #88B8CE

RGB 136 184 206

HSL 198.86, 0.42%, 0.67%

LAB 72.21, -10.47, -16.19

 

CMYK 34 / 20 / 0 / 19

HEX #88A5CE

RGB 136 165 206

HSL 215.14, 0.42%, 0.67%

LAB 66.98, -0.13, -24.14

 

CMYK 34 / 29 / 0 / 19

HEX #8892CE

RGB 136 146 206

HSL 231.43, 0.42%, 0.67%

LAB 61.87, 10.64, -32.02

 

CMYK 30 / 34 / 0 / 19

HEX #9088CE

RGB 144 136 206

HSL 246.86, 0.42%, 0.67%

LAB 59.88, 18.74, -35.06

 

CMYK 21 / 34 / 0 / 19

HEX #A388CE

RGB 163 136 206

HSL 263.14, 0.42%, 0.67%

LAB 61.53, 24.39, -32.38

 

CMYK 58 / 49 / 0 / 29

HEX #4D5CB6

RGB 77 92 182

HSL 231.43, 0.42%, 0.51%

LAB 42.17, 21.45, -49.65

 

CMYK 45 / 39 / 0 / 24

HEX #6A77C2

RGB 106 119 194

HSL 231.14, 0.42%, 0.59%

LAB 52.01, 15.14, -40.81

 

CMYK 34 / 29 / 0 / 19

HEX #8892CE

RGB 136 146 206

HSL 231.43, 0.42%, 0.67%

LAB 61.87, 10.64, -32.02

 

CMYK 24 / 21 / 0 / 15

HEX #A5ACDA

RGB 165 172 218

HSL 232.08, 0.42%, 0.75%

LAB 71.26, 7.49, -24.02

 

CMYK 16 / 13 / 0 / 10

HEX #C2C7E6

RGB 194 199 230

HSL 231.67, 0.42%, 0.83%

LAB 80.76, 4.49, -15.93

 

CMYK 34 / 29 / 0 / 19

HEX #8993CF

RGB 137 147 207

HSL 231.43, 0.42%, 0.67%

LAB 62.25, 10.62, -31.99

 

CMYK 0 / 34 / 1 / 19

HEX #CE88CB

RGB 206 136 203

HSL 302.57, 0.42%, 0.67%

LAB 65.78, 37.3, -23.77

 

CMYK 16 / 0 / 34 / 19

HEX #AECE88

RGB 174 206 136

HSL 87.43, 0.42%, 0.67%

LAB 78.99, -22.76, 31.4

 

CMYK 34 / 29 / 0 / 19

HEX #8993CF

RGB 137 147 207

HSL 231.43, 0.42%, 0.67%

LAB 62.25, 10.62, -31.99

 

CMYK 0 / 34 / 29 / 19

HEX #CE8892

RGB 206 136 146

HSL 351.43, 0.42%, 0.67%

LAB 64, 28.12, 5.73

 

CMYK 29 / 0 / 34 / 19

HEX #92CE88

RGB 146 206 136

HSL 111.43, 0.42%, 0.67%

LAB 77.3, -32.62, 28.85

 

CMYK 34 / 29 / 0 / 19

HEX #8993CF

RGB 137 147 207

HSL 231.43, 0.42%, 0.67%

LAB 62.25, 10.62, -31.99

 

CMYK 0 / 34 / 1 / 19

HEX #CE88CB

RGB 206 136 203

HSL 302.57, 0.42%, 0.67%

LAB 65.78, 37.3, -23.77

 

CMYK 0 / 5 / 34 / 19

HEX #CEC488

RGB 206 196 136

HSL 51.43, 0.42%, 0.67%

LAB 78.68, -5.46, 31.43

 

CMYK 34 / 0 / 33 / 19

HEX #88CE8B

RGB 136 206 139

HSL 122.57, 0.42%, 0.67%

LAB 76.82, -35.4, 26.56

 

CMYK 34 / 29 / 0 / 19

HEX #8993CF

RGB 137 147 207

HSL 231.43, 0.42%, 0.67%

LAB 62.25, 10.62, -31.99

 

CMYK 0 / 34 / 12 / 19

HEX #CE88B5

RGB 206 136 181

HSL 321.43, 0.42%, 0.67%

LAB 65.02, 33.43, -12.58

 

CMYK 0 / 5 / 34 / 19

HEX #CEC488

RGB 206 196 136

HSL 51.43, 0.42%, 0.67%

LAB 78.68, -5.46, 31.43

 

CMYK 34 / 0 / 22 / 19

HEX #88CEA0

RGB 136 206 160

HSL 140.57, 0.42%, 0.67%

LAB 77.23, -31.68, 16.03

 

Description

Color code: HEX #8993CF | qconv.com Color code: HEX #8993CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 147 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 147 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 29 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 29% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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