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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #897EE44C it is the complementary color #76811B4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #897EE44C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #897EE44C shade: #8E7EDF4C, #9F90F24C, #B0A2FF4C, #C1B4FF4C and #D2C6FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #897EE44C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #897EE44C shade: #897EE44C, #786CD14C, #675ABE4C, #5648AB4C and #4536984C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #897EE44C shade: #887DE3, #A37DE3, #BF7DE3, #DB7DE3 and #E37DD0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #897EE44C shade: #887DE3 and #7D7DE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #897EE44C shade matches the following richer shades: #887DE3, #7E70F0 and #7463FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #897EE44C shade: #887DE3, #9289D7, #9C96CA, #A6A3BD and #B0B0B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #897EE44C shade: #7DA9E3, #7D8EE3, #877DE3, #A27DE3 and #BE7DE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #897EE44C shade: #4938D5, #695BDC, #887DE3, #A79FEB and #C6C1F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #897EE44C shade: #897EE4, #E37DC5 and #9BE37D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #897EE44C shade: #897EE4, #E3877D and #7DE387

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #897EE44C shade: #897EE4, #E37DC5, #D9E37D and #7DE39B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #897EE44C shade: #897EE4, #E37DA6, #D9E37D and #7DE3BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 13 / 0 / 3

HEX #897EE44C

RGBA 137 126 228 0.3

HSLA 246.47, 0.65%, 0.69%, 0.3

LABA 57.89, 28.56, -50.57, 0.3

 

Complementary color

CMYK 3 / 0 / 24 / 15

HEX #76811B4C

RGBA 118 129 27 0.3

HSLA 66.47, 0.65%, 0.31%, 0.3

LABA 51.42, -17.31, 49.71, 0.3

 

CMYK 11 / 13 / 0 / 4

HEX #8E7EDF4C

RGBA 142 126 223 0.3

HSLA 249.9, 0.6%, 0.68%, 0.3

LABA 58.04, 28.48, -47.51, 0.3

 

CMYK 10 / 12 / 0 / 2

HEX #9F90F24C

RGBA 159 144 242 0.3

HSLA 249.18, 0.79%, 0.76%, 0.3

LABA 64.75, 27.58, -47.35, 0.3

 

CMYK 9 / 11 / 0 / 0

HEX #B0A2FF4C

RGBA 176 162 255 0.3

HSLA 249.03, 1%, 0.82%, 0.3

LABA 71.07, 25.27, -44.41, 0.3

 

CMYK 7 / 9 / 0 / 0

HEX #C1B4FF4C

RGBA 193 180 255 0.3

HSLA 250.4, 1%, 0.85%, 0.3

LABA 76.8, 20.07, -35.39, 0.3

 

CMYK 5 / 7 / 0 / 0

HEX #D2C6FF4C

RGBA 210 198 255 0.3

HSLA 252.63, 1%, 0.89%, 0.3

LABA 82.55, 15.35, -26.44, 0.3

 

CMYK 12 / 13 / 0 / 3

HEX #897EE44C

RGBA 137 126 228 0.3

HSLA 246.47, 0.65%, 0.69%, 0.3

LABA 57.89, 28.56, -50.57, 0.3

 

CMYK 13 / 14 / 0 / 5

HEX #786CD14C

RGBA 120 108 209 0.3

HSLA 247.13, 0.52%, 0.62%, 0.3

LABA 51.06, 29.66, -50.82, 0.3

 

CMYK 14 / 16 / 0 / 8

HEX #675ABE4C

RGBA 103 90 190 0.3

HSLA 247.8, 0.43%, 0.55%, 0.3

LABA 44.11, 30.91, -51.1, 0.3

 

CMYK 15 / 17 / 0 / 10

HEX #5648AB4C

RGBA 86 72 171 0.3

HSLA 248.48, 0.41%, 0.48%, 0.3

LABA 37.03, 32.34, -51.4, 0.3

 

CMYK 16 / 19 / 0 / 12

HEX #4536984C

RGBA 69 54 152 0.3

HSLA 249.18, 0.48%, 0.4%, 0.3

LABA 29.84, 33.98, -51.68, 0.3

 

CMYK 40 / 45 / 0 / 11

HEX #887DE3

RGB 136 125 227

HSL 246.47, 0.65%, 0.69%

LAB 57.51, 28.62, -50.62

 

CMYK 28 / 45 / 0 / 11

HEX #A37DE3

RGB 163 125 227

HSL 262.35, 0.65%, 0.69%

LAB 59.89, 35.67, -46.7

 

CMYK 16 / 45 / 0 / 11

HEX #BF7DE3

RGB 191 125 227

HSL 278.82, 0.65%, 0.69%

LAB 62.75, 43.45, -41.99

 

CMYK 4 / 45 / 0 / 11

HEX #DB7DE3

RGB 219 125 227

HSL 295.29, 0.65%, 0.69%

LAB 65.96, 51.45, -36.74

 

CMYK 0 / 45 / 8 / 11

HEX #E37DD0

RGB 227 125 208

HSL 311.18, 0.65%, 0.69%

LAB 66.18, 50.49, -25.75

 

CMYK 40 / 45 / 0 / 11

HEX #887DE3

RGB 136 125 227

HSL 246.47, 0.65%, 0.69%

LAB 57.51, 28.62, -50.62

 

CMYK 45 / 45 / 0 / 11

HEX #7D7DE3

RGB 125 125 227

HSL 240, 0.65%, 0.69%

LAB 56.66, 25.95, -52.03

 

CMYK 40 / 45 / 0 / 11

HEX #887DE3

RGB 136 125 227

HSL 246.47, 0.65%, 0.69%

LAB 57.51, 28.62, -50.62

 

CMYK 48 / 53 / 0 / 6

HEX #7E70F0

RGB 126 112 240

HSL 246.56, 0.81%, 0.69%

LAB 54.36, 37.64, -62.96

 

CMYK 54 / 61 / 0 / 1

HEX #7463FD

RGB 116 99 253

HSL 246.62, 0.97%, 0.69%

LAB 51.53, 47.05, -74.81

 

CMYK 40 / 45 / 0 / 11

HEX #887DE3

RGB 136 125 227

HSL 246.47, 0.65%, 0.69%

LAB 57.51, 28.62, -50.62

 

CMYK 32 / 36 / 0 / 16

HEX #9289D7

RGB 146 137 215

HSL 246.92, 0.49%, 0.69%

LAB 60.7, 21.05, -38.82

 

CMYK 23 / 26 / 0 / 21

HEX #9C96CA

RGB 156 150 202

HSL 246.92, 0.33%, 0.69%

LAB 64.28, 13.3, -25.94

 

CMYK 12 / 14 / 0 / 26

HEX #A6A3BD

RGB 166 163 189

HSL 246.92, 0.16%, 0.69%

LAB 68, 6.29, -12.96

 

CMYK 0 / 0 / 0 / 31

HEX #B0B0B0

RGB 176 176 176

HSL 0, 0%, 0.69%

LAB 71.84, 0, -0.01

 

CMYK 45 / 26 / 0 / 11

HEX #7DA9E3

RGB 125 169 227

HSL 214.12, 0.65%, 0.69%

LAB 68.23, 0.41, -33.84

 

CMYK 45 / 37 / 0 / 11

HEX #7D8EE3

RGB 125 142 227

HSL 230, 0.65%, 0.69%

LAB 61, 15.91, -45.14

 

CMYK 41 / 45 / 0 / 11

HEX #877DE3

RGB 135 125 227

HSL 245.88, 0.65%, 0.69%

LAB 57.43, 28.37, -50.75

 

CMYK 29 / 45 / 0 / 11

HEX #A27DE3

RGB 162 125 227

HSL 261.76, 0.65%, 0.69%

LAB 59.79, 35.4, -46.85

 

CMYK 16 / 45 / 0 / 11

HEX #BE7DE3

RGB 190 125 227

HSL 278.24, 0.65%, 0.69%

LAB 62.64, 43.17, -42.17

 

CMYK 66 / 74 / 0 / 16

HEX #4938D5

RGB 73 56 213

HSL 246.5, 0.65%, 0.53%

LAB 36.08, 52.59, -77.61

 

CMYK 52 / 59 / 0 / 14

HEX #695BDC

RGB 105 91 220

HSL 246.51, 0.65%, 0.61%

LAB 46.52, 39.77, -64.45

 

CMYK 40 / 45 / 0 / 11

HEX #887DE3

RGB 136 125 227

HSL 246.47, 0.65%, 0.69%

LAB 57.51, 28.62, -50.62

 

CMYK 29 / 32 / 0 / 8

HEX #A79FEB

RGB 167 159 235

HSL 246.32, 0.66%, 0.77%

LAB 68.76, 19.48, -37.18

 

CMYK 18 / 20 / 0 / 5

HEX #C6C1F2

RGB 198 193 242

HSL 246.12, 0.65%, 0.85%

LAB 79.93, 11.55, -23.57

 

CMYK 40 / 45 / 0 / 11

HEX #897EE4

RGB 137 126 228

HSL 246.47, 0.65%, 0.69%

LAB 57.89, 28.56, -50.57

 

CMYK 0 / 45 / 13 / 11

HEX #E37DC5

RGB 227 125 197

HSL 317.65, 0.65%, 0.69%

LAB 65.77, 48.7, -20.2

 

CMYK 32 / 0 / 45 / 11

HEX #9BE37D

RGB 155 227 125

HSL 102.35, 0.65%, 0.69%

LAB 83.65, -40.71, 42.71

 

CMYK 40 / 45 / 0 / 11

HEX #897EE4

RGB 137 126 228

HSL 246.47, 0.65%, 0.69%

LAB 57.89, 28.56, -50.57

 

CMYK 0 / 41 / 45 / 11

HEX #E3877D

RGB 227 135 125

HSL 5.88, 0.65%, 0.69%

LAB 65.86, 34.09, 20.55

 

CMYK 45 / 0 / 41 / 11

HEX #7DE387

RGB 125 227 135

HSL 125.88, 0.65%, 0.69%

LAB 82.4, -48.53, 35.89

 

CMYK 40 / 45 / 0 / 11

HEX #897EE4

RGB 137 126 228

HSL 246.47, 0.65%, 0.69%

LAB 57.89, 28.56, -50.57

 

CMYK 0 / 45 / 13 / 11

HEX #E37DC5

RGB 227 125 197

HSL 317.65, 0.65%, 0.69%

LAB 65.77, 48.7, -20.2

 

CMYK 4 / 0 / 45 / 11

HEX #D9E37D

RGB 217 227 125

HSL 65.88, 0.65%, 0.69%

LAB 87.57, -18.01, 48.44

 

CMYK 45 / 0 / 32 / 11

HEX #7DE39B

RGB 125 227 155

HSL 137.65, 0.65%, 0.69%

LAB 82.73, -45.22, 26.15

 

CMYK 40 / 45 / 0 / 11

HEX #897EE4

RGB 137 126 228

HSL 246.47, 0.65%, 0.69%

LAB 57.89, 28.56, -50.57

 

CMYK 0 / 45 / 27 / 11

HEX #E37DA6

RGB 227 125 166

HSL 335.88, 0.65%, 0.69%

LAB 64.76, 44.14, -4.2

 

CMYK 4 / 0 / 45 / 11

HEX #D9E37D

RGB 217 227 125

HSL 65.88, 0.65%, 0.69%

LAB 87.57, -18.01, 48.44

 

CMYK 45 / 0 / 18 / 11

HEX #7DE3BA

RGB 125 227 186

HSL 155.88, 0.65%, 0.69%

LAB 83.36, -39.19, 10.86

 

Description

Color code: HEX #897EE44C | qconv.com Color code: HEX #897EE44C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 126 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 126 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 13 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 13% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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