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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #897DF8CE it is the complementary color #768207CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #897DF8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #897DF8CE shade: #8E7DF3CE, #9F8FFFCE, #B0A1FFCE, #C1B3FFCE and #D2C5FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #897DF8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #897DF8CE shade: #897DF8CE, #786BE5CE, #6759D2CE, #5647BFCE and #4535ACCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #897DF8CE shade: #887CF8, #AA7CF8, #CB7CF8, #ED7CF8 and #F87CE2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #897DF8CE shade: #887CF8 and #7C7CF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #897DF8CE shade matches the following richer shades: #887CF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #897DF8CE shade: #887CF8, #9187ED, #9A92E2, #A39ED7 and #ACA9CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #897DF8CE shade: #7CB4F8, #7C93F8, #877CF8, #A87CF8 and #C97CF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #897DF8CE shade: #412EF4, #6555F6, #887CF8, #ACA3FA and #CFCBFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #897DF8CE shade: #897DF8, #F87CD5 and #A3F87C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #897DF8CE shade: #897DF8, #F8877C and #7CF887

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #897DF8CE shade: #897DF8, #F87CD5, #EEF87C and #7CF89F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #897DF8CE shade: #897DF8, #F87CB0, #EEF87C and #7CF8C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 40 / 0 / 2

HEX #897DF8CE

RGBA 137 125 248 0.81

HSLA 245.85, 0.9%, 0.73%, 0.81

LABA 58.75, 34.77, -60.29, 0.81

 

Complementary color

CMYK 7 / 0 / 77 / 40

HEX #768207CE

RGBA 118 130 7 0.81

HSLA 65.85, 0.9%, 0.27%, 0.81

LABA 51.65, -18.46, 54.83, 0.81

 

CMYK 34 / 39 / 0 / 4

HEX #8E7DF3CE

RGBA 142 125 243 0.81

HSLA 248.64, 0.83%, 0.72%, 0.81

LABA 58.87, 34.52, -57.32, 0.81

 

CMYK 30 / 36 / 0 / 0

HEX #9F8FFFCE

RGBA 159 143 255 0.81

HSLA 248.57, 1%, 0.78%, 0.81

LABA 65.15, 31.57, -53.84, 0.81

 

CMYK 25 / 30 / 0 / 0

HEX #B0A1FFCE

RGBA 176 161 255 0.81

HSLA 249.57, 1%, 0.82%, 0.81

LABA 70.83, 25.83, -44.79, 0.81

 

CMYK 20 / 24 / 0 / 0

HEX #C1B3FFCE

RGBA 193 179 255 0.81

HSLA 251.05, 1%, 0.85%, 0.81

LABA 76.56, 20.62, -35.76, 0.81

 

CMYK 14 / 18 / 0 / 0

HEX #D2C5FFCE

RGBA 210 197 255 0.81

HSLA 253.45, 1%, 0.89%, 0.81

LABA 82.3, 15.89, -26.82, 0.81

 

CMYK 36 / 40 / 0 / 2

HEX #897DF8CE

RGBA 137 125 248 0.81

HSLA 245.85, 0.9%, 0.73%, 0.81

LABA 58.75, 34.77, -60.29, 0.81

 

CMYK 39 / 43 / 0 / 8

HEX #786BE5CE

RGBA 120 107 229 0.81

HSLA 246.39, 0.7%, 0.66%, 0.81

LABA 52.02, 36.07, -60.59, 0.81

 

CMYK 41 / 47 / 0 / 14

HEX #6759D2CE

RGBA 103 89 210 0.81

HSLA 246.94, 0.57%, 0.59%, 0.81

LABA 45.19, 37.53, -60.89, 0.81

 

CMYK 45 / 51 / 0 / 20

HEX #5647BFCE

RGBA 86 71 191 0.81

HSLA 247.5, 0.48%, 0.51%, 0.81

LABA 38.28, 39.17, -61.17, 0.81

 

CMYK 49 / 56 / 0 / 26

HEX #4535ACCE

RGBA 69 53 172 0.81

HSLA 248.07, 0.53%, 0.44%, 0.81

LABA 31.32, 40.96, -61.35, 0.81

 

CMYK 45 / 50 / 0 / 3

HEX #887CF8

RGB 136 124 248

HSL 245.81, 0.9%, 0.73%

LAB 58.44, 35.13, -60.8

 

CMYK 31 / 50 / 0 / 3

HEX #AA7CF8

RGB 170 124 248

HSL 262.26, 0.9%, 0.73%

LAB 61.43, 43.21, -55.85

 

CMYK 18 / 50 / 0 / 3

HEX #CB7CF8

RGB 203 124 248

HSL 278.23, 0.9%, 0.73%

LAB 64.87, 51.72, -50.17

 

CMYK 4 / 50 / 0 / 3

HEX #ED7CF8

RGB 237 124 248

HSL 294.68, 0.9%, 0.73%

LAB 68.89, 60.78, -43.57

 

CMYK 0 / 50 / 9 / 3

HEX #F87CE2

RGB 248 124 226

HSL 310.65, 0.9%, 0.73%

LAB 69.37, 60.09, -30.61

 

CMYK 45 / 50 / 0 / 3

HEX #887CF8

RGB 136 124 248

HSL 245.81, 0.9%, 0.73%

LAB 58.44, 35.13, -60.8

 

CMYK 50 / 50 / 0 / 3

HEX #7C7CF8

RGB 124 124 248

HSL 240, 0.9%, 0.73%

LAB 57.54, 32.53, -62.3

 

CMYK 45 / 50 / 0 / 3

HEX #887CF8

RGB 136 124 248

HSL 245.81, 0.9%, 0.73%

LAB 58.44, 35.13, -60.8

 

CMYK 45 / 50 / 0 / 3

HEX #887CF8

RGB 136 124 248

HSL 245.81, 0.9%, 0.73%

LAB 58.44, 35.13, -60.8

 

CMYK 39 / 43 / 0 / 7

HEX #9187ED

RGB 145 135 237

HSL 245.88, 0.74%, 0.73%

LAB 61.19, 27.81, -50.3

 

CMYK 32 / 35 / 0 / 11

HEX #9A92E2

RGB 154 146 226

HSL 246, 0.58%, 0.73%

LAB 64.1, 20.94, -39.58

 

CMYK 24 / 27 / 0 / 16

HEX #A39ED7

RGB 163 158 215

HSL 245.26, 0.42%, 0.73%

LAB 67.39, 14.01, -28.33

 

CMYK 16 / 17 / 0 / 20

HEX #ACA9CC

RGB 172 169 204

HSL 245.14, 0.26%, 0.73%

LAB 70.53, 8.17, -17.4

 

CMYK 50 / 27 / 0 / 3

HEX #7CB4F8

RGB 124 180 248

HSL 212.9, 0.9%, 0.73%

LAB 72.03, 0.11, -39.37

 

CMYK 50 / 41 / 0 / 3

HEX #7C93F8

RGB 124 147 248

HSL 228.87, 0.9%, 0.73%

LAB 63.28, 18.97, -53.12

 

CMYK 46 / 50 / 0 / 3

HEX #877CF8

RGB 135 124 248

HSL 245.32, 0.9%, 0.73%

LAB 58.36, 34.91, -60.93

 

CMYK 32 / 50 / 0 / 3

HEX #A87CF8

RGB 168 124 248

HSL 261.29, 0.9%, 0.73%

LAB 61.24, 42.71, -56.17

 

CMYK 19 / 50 / 0 / 3

HEX #C97CF8

RGB 201 124 248

HSL 277.26, 0.9%, 0.73%

LAB 64.65, 51.19, -50.54

 

CMYK 73 / 81 / 0 / 4

HEX #412EF4

RGB 65 46 244

HSL 245.76, 0.9%, 0.57%

LAB 37.13, 65.81, -93.56

 

CMYK 59 / 65 / 0 / 4

HEX #6555F6

RGB 101 85 246

HSL 245.96, 0.9%, 0.65%

LAB 46.87, 50.45, -78.56

 

CMYK 45 / 50 / 0 / 3

HEX #887CF8

RGB 136 124 248

HSL 245.81, 0.9%, 0.73%

LAB 58.44, 35.13, -60.8

 

CMYK 31 / 35 / 0 / 2

HEX #ACA3FA

RGB 172 163 250

HSL 246.21, 0.9%, 0.81%

LAB 70.78, 22.36, -42.18

 

CMYK 18 / 19 / 0 / 1

HEX #CFCBFC

RGB 207 203 252

HSL 244.9, 0.89%, 0.89%

LAB 83.45, 11.1, -23.5

 

CMYK 45 / 50 / 0 / 3

HEX #897DF8

RGB 137 125 248

HSL 245.85, 0.9%, 0.73%

LAB 58.75, 34.77, -60.29

 

CMYK 0 / 50 / 14 / 3

HEX #F87CD5

RGB 248 124 213

HSL 316.94, 0.9%, 0.73%

LAB 68.88, 58.07, -24.16

 

CMYK 34 / 0 / 50 / 3

HEX #A3F87C

RGB 163 248 124

HSL 101.13, 0.9%, 0.73%

LAB 90.03, -47.29, 51.17

 

CMYK 45 / 50 / 0 / 3

HEX #897DF8

RGB 137 125 248

HSL 245.85, 0.9%, 0.73%

LAB 58.75, 34.77, -60.29

 

CMYK 0 / 46 / 50 / 3

HEX #F8877C

RGB 248 135 124

HSL 5.32, 0.9%, 0.73%

LAB 68.56, 41.84, 25.22

 

CMYK 50 / 0 / 46 / 3

HEX #7CF887

RGB 124 248 135

HSL 125.32, 0.9%, 0.73%

LAB 88.53, -57.27, 43.73

 

CMYK 45 / 50 / 0 / 3

HEX #897DF8

RGB 137 125 248

HSL 245.85, 0.9%, 0.73%

LAB 58.75, 34.77, -60.29

 

CMYK 0 / 50 / 14 / 3

HEX #F87CD5

RGB 248 124 213

HSL 316.94, 0.9%, 0.73%

LAB 68.88, 58.07, -24.16

 

CMYK 4 / 0 / 50 / 3

HEX #EEF87C

RGB 238 248 124

HSL 64.84, 0.9%, 0.73%

LAB 94.64, -20.12, 57.79

 

CMYK 50 / 0 / 36 / 3

HEX #7CF89F

RGB 124 248 159

HSL 136.94, 0.9%, 0.73%

LAB 88.89, -53.54, 32.38

 

CMYK 45 / 50 / 0 / 3

HEX #897DF8

RGB 137 125 248

HSL 245.85, 0.9%, 0.73%

LAB 58.75, 34.77, -60.29

 

CMYK 0 / 50 / 29 / 3

HEX #F87CB0

RGB 248 124 176

HSL 334.84, 0.9%, 0.73%

LAB 67.66, 52.91, -5.27

 

CMYK 4 / 0 / 50 / 3

HEX #EEF87C

RGB 238 248 124

HSL 64.84, 0.9%, 0.73%

LAB 94.64, -20.12, 57.79

 

CMYK 50 / 0 / 21 / 3

HEX #7CF8C4

RGB 124 248 196

HSL 154.84, 0.9%, 0.73%

LAB 89.58, -46.57, 14.46

 

Description

Color code: HEX #897DF8CE | qconv.com Color code: HEX #897DF8CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 125 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 125 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 40 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 40% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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