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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89740C it is the complementary color #768BF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89740C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89740C shade: #8E7407, #9F861A, #B0982D, #C1AA40 and #D2BC53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89740C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89740C shade: #89740C, #786200, #675000, #563E00 and #452C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89740C shade: #88730C, #88520C, #88300C, #880F0C and #880C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89740C shade: #88730C, #7B880C, #5A880C, #38880C and #17880C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89740C shade matches the following richer shades: #88730C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89740C shade: #88730C, #7C6B18, #706324, #645B30 and #58533C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89740C shade: #882F0C, #88500C, #88710C, #7E880C and #5D880C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89740C shade: #3C3305, #625309, #88730C, #AE930F and #D4B312

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89740C shade: #89740C, #0C880E and #400C88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89740C shade: #89740C, #0C8871 and #710C88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89740C shade: #89740C, #0C880E, #0C2388 and #880C86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89740C shade: #89740C, #0C8833, #0C2388 and #880C61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 91 / 46

HEX #89740C

RGB 137 116 12

HSL 49.92, 0.84%, 0.29%

LAB 49.3, -1.8, 52.76

 

Complementary color

CMYK 51 / 43 / 0 / 5

HEX #768BF3

RGB 118 139 243

HSL 229.92, 0.84%, 0.71%

LAB 60.59, 20.85, -54.67

 

CMYK 0 / 18 / 95 / 44

HEX #8E7407

RGB 142 116 7

HSL 48.44, 0.91%, 0.29%

LAB 49.81, 0.47, 54.39

 

CMYK 0 / 16 / 84 / 38

HEX #9F861A

RGB 159 134 26

HSL 48.72, 0.72%, 0.36%

LAB 56.58, -1.23, 56.03

 

CMYK 0 / 14 / 74 / 31

HEX #B0982D

RGB 176 152 45

HSL 49.01, 0.59%, 0.43%

LAB 63.24, -2.62, 56.22

 

CMYK 0 / 12 / 67 / 24

HEX #C1AA40

RGB 193 170 64

HSL 49.3, 0.51%, 0.5%

LAB 69.79, -3.76, 55.64

 

CMYK 0 / 10 / 60 / 18

HEX #D2BC53

RGB 210 188 83

HSL 49.61, 0.59%, 0.57%

LAB 76.25, -4.71, 54.71

 

CMYK 0 / 15 / 91 / 46

HEX #89740C

RGB 137 116 12

HSL 49.92, 0.84%, 0.29%

LAB 49.3, -1.8, 52.76

 

CMYK 0 / 18 / 100 / 53

HEX #786200

RGB 120 98 0

HSL 49, 1%, 0.24%

LAB 42.35, 0.11, 49.48

 

CMYK 0 / 22 / 100 / 60

HEX #675000

RGB 103 80 0

HSL 46.6, 1%, 0.2%

LAB 35.24, 2.38, 43.62

 

CMYK 0 / 28 / 100 / 66

HEX #563E00

RGB 86 62 0

HSL 43.26, 1%, 0.17%

LAB 27.91, 4.84, 37.34

 

CMYK 0 / 36 / 100 / 73

HEX #452C00

RGB 69 44 0

HSL 38.26, 1%, 0.14%

LAB 20.31, 7.51, 29.08

 

CMYK 0 / 15 / 91 / 47

HEX #88730C

RGB 136 115 12

HSL 49.84, 0.84%, 0.29%

LAB 48.91, -1.71, 52.41

 

CMYK 0 / 40 / 91 / 47

HEX #88520C

RGB 136 82 12

HSL 33.87, 0.84%, 0.29%

LAB 40.07, 17.47, 45.44

 

CMYK 0 / 65 / 91 / 47

HEX #88300C

RGB 136 48 12

HSL 17.42, 0.84%, 0.29%

LAB 32.65, 36.01, 39.65

 

CMYK 0 / 89 / 91 / 47

HEX #880F0C

RGB 136 15 12

HSL 1.45, 0.84%, 0.29%

LAB 28.39, 47.76, 36.33

 

CMYK 0 / 91 / 91 / 47

HEX #880C0C

RGB 136 12 12

HSL 0, 0.84%, 0.29%

LAB 28.18, 48.35, 36.16

 

CMYK 0 / 15 / 91 / 47

HEX #88730C

RGB 136 115 12

HSL 49.84, 0.84%, 0.29%

LAB 48.91, -1.71, 52.41

 

CMYK 10 / 0 / 91 / 47

HEX #7B880C

RGB 123 136 12

HSL 66.29, 0.84%, 0.29%

LAB 53.86, -19.21, 55.87

 

CMYK 34 / 0 / 91 / 47

HEX #5A880C

RGB 90 136 12

HSL 82.26, 0.84%, 0.29%

LAB 51.62, -33.28, 53.11

 

CMYK 59 / 0 / 91 / 47

HEX #38880C

RGB 56 136 12

HSL 98.71, 0.84%, 0.29%

LAB 50.07, -44.85, 51.18

 

CMYK 83 / 0 / 91 / 47

HEX #17880C

RGB 23 136 12

HSL 114.68, 0.84%, 0.29%

LAB 49.27, -51.58, 50.18

 

CMYK 0 / 15 / 91 / 47

HEX #88730C

RGB 136 115 12

HSL 49.84, 0.84%, 0.29%

LAB 48.91, -1.71, 52.41

 

CMYK 0 / 15 / 91 / 47

HEX #88730C

RGB 136 115 12

HSL 49.84, 0.84%, 0.29%

LAB 48.91, -1.71, 52.41

 

CMYK 0 / 14 / 81 / 51

HEX #7C6B18

RGB 124 107 24

HSL 49.8, 0.68%, 0.29%

LAB 45.45, -2.49, 45.48

 

CMYK 0 / 12 / 68 / 56

HEX #706324

RGB 112 99 36

HSL 49.74, 0.51%, 0.29%

LAB 41.99, -2.94, 36.54

 

CMYK 0 / 9 / 52 / 61

HEX #645B30

RGB 100 91 48

HSL 49.62, 0.35%, 0.29%

LAB 38.56, -2.88, 25.95

 

CMYK 0 / 6 / 32 / 65

HEX #58533C

RGB 88 83 60

HSL 49.29, 0.19%, 0.29%

LAB 35.18, -2.08, 14.24

 

CMYK 0 / 65 / 91 / 47

HEX #882F0C

RGB 136 47 12

HSL 16.94, 0.84%, 0.29%

LAB 32.47, 36.49, 39.51

 

CMYK 0 / 41 / 91 / 47

HEX #88500C

RGB 136 80 12

HSL 32.9, 0.84%, 0.29%

LAB 39.58, 18.64, 45.06

 

CMYK 0 / 17 / 91 / 47

HEX #88710C

RGB 136 113 12

HSL 48.87, 0.84%, 0.29%

LAB 48.35, -0.57, 51.96

 

CMYK 7 / 0 / 91 / 47

HEX #7E880C

RGB 126 136 12

HSL 64.84, 0.84%, 0.29%

LAB 54.1, -17.85, 56.16

 

CMYK 32 / 0 / 91 / 47

HEX #5D880C

RGB 93 136 12

HSL 80.81, 0.84%, 0.29%

LAB 51.79, -32.08, 53.32

 

CMYK 0 / 15 / 92 / 76

HEX #3C3305

RGB 60 51 5

HSL 50.18, 0.85%, 0.13%

LAB 21.35, -1.69, 27.86

 

CMYK 0 / 15 / 91 / 62

HEX #625309

RGB 98 83 9

HSL 49.89, 0.83%, 0.21%

LAB 35.6, -1.67, 40.74

 

CMYK 0 / 15 / 91 / 47

HEX #88730C

RGB 136 115 12

HSL 49.84, 0.84%, 0.29%

LAB 48.91, -1.71, 52.41

 

CMYK 0 / 16 / 91 / 32

HEX #AE930F

RGB 174 147 15

HSL 49.81, 0.84%, 0.37%

LAB 61.57, -1.75, 63.34

 

CMYK 0 / 16 / 92 / 17

HEX #D4B312

RGB 212 179 18

HSL 49.79, 0.84%, 0.45%

LAB 73.73, -1.79, 73.76

 

CMYK 0 / 15 / 91 / 46

HEX #89740C

RGB 137 116 12

HSL 49.92, 0.84%, 0.29%

LAB 49.3, -1.8, 52.76

 

CMYK 91 / 0 / 90 / 47

HEX #0C880E

RGB 12 136 14

HSL 120.97, 0.84%, 0.29%

LAB 49.15, -52.64, 49.6

 

CMYK 53 / 91 / 0 / 47

HEX #400C88

RGB 64 12 136

HSL 265.16, 0.84%, 0.29%

LAB 20.56, 48.86, -57.01

 

CMYK 0 / 15 / 91 / 46

HEX #89740C

RGB 137 116 12

HSL 49.92, 0.84%, 0.29%

LAB 49.3, -1.8, 52.76

 

CMYK 91 / 0 / 17 / 47

HEX #0C8871

RGB 12 136 113

HSL 168.87, 0.84%, 0.29%

LAB 50.55, -36.44, 3.69

 

CMYK 17 / 91 / 0 / 47

HEX #710C88

RGB 113 12 136

HSL 288.87, 0.84%, 0.29%

LAB 28.25, 55.74, -44.12

 

CMYK 0 / 15 / 91 / 46

HEX #89740C

RGB 137 116 12

HSL 49.92, 0.84%, 0.29%

LAB 49.3, -1.8, 52.76

 

CMYK 91 / 0 / 90 / 47

HEX #0C880E

RGB 12 136 14

HSL 120.97, 0.84%, 0.29%

LAB 49.15, -52.64, 49.6

 

CMYK 91 / 74 / 0 / 47

HEX #0C2388

RGB 12 35 136

HSL 228.87, 0.84%, 0.29%

LAB 20.27, 33.42, -57.61

 

CMYK 0 / 91 / 1 / 47

HEX #880C86

RGB 136 12 134

HSL 300.97, 0.84%, 0.29%

LAB 32.3, 59.52, -36.14

 

CMYK 0 / 15 / 91 / 46

HEX #89740C

RGB 137 116 12

HSL 49.92, 0.84%, 0.29%

LAB 49.3, -1.8, 52.76

 

CMYK 91 / 0 / 63 / 47

HEX #0C8833

RGB 12 136 51

HSL 138.87, 0.84%, 0.29%

LAB 49.41, -49.45, 36.29

 

CMYK 91 / 74 / 0 / 47

HEX #0C2388

RGB 12 35 136

HSL 228.87, 0.84%, 0.29%

LAB 20.27, 33.42, -57.61

 

CMYK 0 / 91 / 29 / 47

HEX #880C61

RGB 136 12 97

HSL 318.87, 0.84%, 0.29%

LAB 30.3, 54.29, -15.74

 

Description

Color code: HEX #89740C | qconv.com Color code: HEX #89740C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 116 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 116 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 91 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 91% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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