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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8970CF it is the complementary color #768F30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8970CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8970CF shade: #8E70CA, #9F82DD, #B094F0, #C1A6FF and #D2B8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8970CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8970CF shade: #8970CF, #785EBC, #674CA9, #563A96 and #452883

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8970CF shade: #8A71D0, #A471D0, #BD71D0, #D071C9 and #D071B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8970CF shade: #8A71D0 and #7171D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8970CF shade matches the following richer shades: #8A71D0, #8362DF, #7C53EE and #7544FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8970CF shade: #8A71D0, #9281C1, #9990B1, #A09FA2 and #A7AF93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8970CF shade: #718CD0, #7173D0, #8971D0, #A271D0 and #BB71D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8970CF shade: #5B3CB3, #7153C6, #8A71D0, #A490DA and #BDAFE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8970CF shade: #8970CF, #D071A5 and #80D071

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8970CF shade: #8970CF, #D08971 and #71D089

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8970CF shade: #8970CF, #D071A5, #B8D071 and #71D09C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8970CF shade: #8970CF, #D07189, #B8D071 and #71D0B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 46 / 0 / 19

HEX #8970CF

RGB 137 112 207

HSL 255.79, 0.5%, 0.63%

LAB 53.4, 31.07, -45.87

 

Complementary color

CMYK 17 / 0 / 66 / 44

HEX #768F30

RGB 118 143 48

HSL 75.79, 0.5%, 0.37%

LAB 55.8, -23.26, 45.89

 

CMYK 30 / 45 / 0 / 21

HEX #8E70CA

RGB 142 112 202

HSL 260, 0.46%, 0.62%

LAB 53.6, 31.13, -42.67

 

CMYK 28 / 41 / 0 / 13

HEX #9F82DD

RGB 159 130 221

HSL 259.12, 0.57%, 0.69%

LAB 60.39, 30.25, -42.58

 

CMYK 27 / 38 / 0 / 6

HEX #B094F0

RGB 176 148 240

HSL 258.26, 0.75%, 0.76%

LAB 67.05, 29.46, -42.53

 

CMYK 24 / 35 / 0 / 0

HEX #C1A6FF

RGB 193 166 255

HSL 258.2, 1%, 0.83%

LAB 73.44, 27.8, -40.61

 

CMYK 18 / 28 / 0 / 0

HEX #D2B8FF

RGB 210 184 255

HSL 261.97, 1%, 0.86%

LAB 79.16, 22.93, -31.63

 

CMYK 34 / 46 / 0 / 19

HEX #8970CF

RGB 137 112 207

HSL 255.79, 0.5%, 0.63%

LAB 53.4, 31.07, -45.87

 

CMYK 36 / 50 / 0 / 26

HEX #785EBC

RGB 120 94 188

HSL 256.6, 0.41%, 0.55%

LAB 46.48, 32.1, -46.05

 

CMYK 39 / 55 / 0 / 34

HEX #674CA9

RGB 103 76 169

HSL 257.42, 0.38%, 0.48%

LAB 39.44, 33.26, -46.25

 

CMYK 43 / 61 / 0 / 41

HEX #563A96

RGB 86 58 150

HSL 258.26, 0.44%, 0.41%

LAB 32.27, 34.52, -46.44

 

CMYK 47 / 69 / 0 / 49

HEX #452883

RGB 69 40 131

HSL 259.12, 0.53%, 0.34%

LAB 25.02, 35.83, -46.53

 

CMYK 34 / 46 / 0 / 18

HEX #8A71D0

RGB 138 113 208

HSL 255.79, 0.5%, 0.63%

LAB 53.78, 31.01, -45.83

 

CMYK 21 / 46 / 0 / 18

HEX #A471D0

RGB 164 113 208

HSL 272.21, 0.5%, 0.63%

LAB 56.34, 38.17, -41.61

 

CMYK 9 / 46 / 0 / 18

HEX #BD71D0

RGB 189 113 208

HSL 288, 0.5%, 0.63%

LAB 59.14, 45.34, -37.01

 

CMYK 0 / 46 / 3 / 18

HEX #D071C9

RGB 208 113 201

HSL 304.42, 0.5%, 0.63%

LAB 61.17, 49.61, -29.73

 

CMYK 0 / 46 / 15 / 18

HEX #D071B0

RGB 208 113 176

HSL 320.21, 0.5%, 0.63%

LAB 60.21, 45.44, -16.98

 

CMYK 34 / 46 / 0 / 18

HEX #8A71D0

RGB 138 113 208

HSL 255.79, 0.5%, 0.63%

LAB 53.78, 31.01, -45.83

 

CMYK 46 / 46 / 0 / 18

HEX #7171D0

RGB 113 113 208

HSL 240, 0.5%, 0.63%

LAB 51.7, 24.68, -49.27

 

CMYK 34 / 46 / 0 / 18

HEX #8A71D0

RGB 138 113 208

HSL 255.79, 0.5%, 0.63%

LAB 53.78, 31.01, -45.83

 

CMYK 41 / 56 / 0 / 13

HEX #8362DF

RGB 131 98 223

HSL 255.84, 0.66%, 0.63%

LAB 50.56, 41.99, -59.52

 

CMYK 48 / 65 / 0 / 7

HEX #7C53EE

RGB 124 83 238

HSL 255.87, 0.82%, 0.63%

LAB 47.81, 52.99, -72.45

 

CMYK 54 / 73 / 0 / 0

HEX #7544FE

RGB 117 68 254

HSL 255.81, 0.99%, 0.63%

LAB 45.73, 63.78, -84.83

 

CMYK 34 / 46 / 0 / 18

HEX #8A71D0

RGB 138 113 208

HSL 255.79, 0.5%, 0.63%

LAB 53.78, 31.01, -45.83

 

CMYK 24 / 33 / 0 / 24

HEX #9281C1

RGB 146 129 193

HSL 255.94, 0.34%, 0.63%

LAB 57.71, 20.14, -31.08

 

CMYK 14 / 19 / 0 / 31

HEX #9990B1

RGB 153 144 177

HSL 256.36, 0.17%, 0.63%

LAB 61.56, 10.03, -16.05

 

CMYK 1 / 2 / 0 / 36

HEX #A09FA2

RGB 160 159 162

HSL 260, 0.02%, 0.63%

LAB 65.65, 0.94, -1.44

 

CMYK 5 / 0 / 16 / 31

HEX #A7AF93

RGB 167 175 147

HSL 77.14, 0.15%, 0.63%

LAB 70.16, -7.85, 13.42

 

CMYK 46 / 33 / 0 / 18

HEX #718CD0

RGB 113 140 208

HSL 222.95, 0.5%, 0.63%

LAB 58.81, 8.54, -38.03

 

CMYK 46 / 45 / 0 / 18

HEX #7173D0

RGB 113 115 208

HSL 238.74, 0.5%, 0.63%

LAB 52.2, 23.47, -48.46

 

CMYK 34 / 46 / 0 / 18

HEX #8971D0

RGB 137 113 208

HSL 255.16, 0.5%, 0.63%

LAB 53.69, 30.75, -45.98

 

CMYK 22 / 46 / 0 / 18

HEX #A271D0

RGB 162 113 208

HSL 270.95, 0.5%, 0.63%

LAB 56.13, 37.6, -41.95

 

CMYK 10 / 46 / 0 / 18

HEX #BB71D0

RGB 187 113 208

HSL 286.74, 0.5%, 0.63%

LAB 58.91, 44.76, -37.4

 

CMYK 49 / 66 / 0 / 30

HEX #5B3CB3

RGB 91 60 179

HSL 255.63, 0.5%, 0.47%

LAB 35.42, 42.84, -58.74

 

CMYK 43 / 58 / 0 / 22

HEX #7153C6

RGB 113 83 198

HSL 255.65, 0.5%, 0.55%

LAB 43.91, 39.65, -56.02

 

CMYK 34 / 46 / 0 / 18

HEX #8A71D0

RGB 138 113 208

HSL 255.79, 0.5%, 0.63%

LAB 53.78, 31.01, -45.83

 

CMYK 25 / 34 / 0 / 15

HEX #A490DA

RGB 164 144 218

HSL 256.22, 0.5%, 0.71%

LAB 64.08, 22.97, -35.1

 

CMYK 17 / 23 / 0 / 11

HEX #BDAFE4

RGB 189 175 228

HSL 255.85, 0.5%, 0.79%

LAB 74.24, 15.52, -24.76

 

CMYK 34 / 46 / 0 / 19

HEX #8970CF

RGB 137 112 207

HSL 255.79, 0.5%, 0.63%

LAB 53.4, 31.07, -45.87

 

CMYK 0 / 46 / 21 / 18

HEX #D071A5

RGB 208 113 165

HSL 327.16, 0.5%, 0.63%

LAB 59.83, 43.76, -11.23

 

CMYK 38 / 0 / 46 / 18

HEX #80D071

RGB 128 208 113

HSL 110.53, 0.5%, 0.63%

LAB 76.61, -42.74, 39.49

 

CMYK 34 / 46 / 0 / 19

HEX #8970CF

RGB 137 112 207

HSL 255.79, 0.5%, 0.63%

LAB 53.4, 31.07, -45.87

 

CMYK 0 / 34 / 46 / 18

HEX #D08971

RGB 208 137 113

HSL 15.16, 0.5%, 0.63%

LAB 63.75, 24.4, 24.01

 

CMYK 46 / 0 / 34 / 18

HEX #71D089

RGB 113 208 137

HSL 135.16, 0.5%, 0.63%

LAB 76.33, -43.46, 26.76

 

CMYK 34 / 46 / 0 / 19

HEX #8970CF

RGB 137 112 207

HSL 255.79, 0.5%, 0.63%

LAB 53.4, 31.07, -45.87

 

CMYK 0 / 46 / 21 / 18

HEX #D071A5

RGB 208 113 165

HSL 327.16, 0.5%, 0.63%

LAB 59.83, 43.76, -11.23

 

CMYK 12 / 0 / 46 / 18

HEX #B8D071

RGB 184 208 113

HSL 75.16, 0.5%, 0.63%

LAB 79.89, -22.77, 44.29

 

CMYK 46 / 0 / 25 / 18

HEX #71D09C

RGB 113 208 156

HSL 147.16, 0.5%, 0.63%

LAB 76.69, -39.91, 17.25

 

CMYK 34 / 46 / 0 / 19

HEX #8970CF

RGB 137 112 207

HSL 255.79, 0.5%, 0.63%

LAB 53.4, 31.07, -45.87

 

CMYK 0 / 46 / 34 / 18

HEX #D07189

RGB 208 113 137

HSL 344.84, 0.5%, 0.63%

LAB 59, 39.94, 3.71

 

CMYK 12 / 0 / 46 / 18

HEX #B8D071

RGB 184 208 113

HSL 75.16, 0.5%, 0.63%

LAB 79.89, -22.77, 44.29

 

CMYK 46 / 0 / 12 / 18

HEX #71D0B8

RGB 113 208 184

HSL 164.84, 0.5%, 0.63%

LAB 77.33, -33.89, 3.2

 

Description

Color code: HEX #8970CF | qconv.com Color code: HEX #8970CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 112 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 112 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 46 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 46% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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