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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8966AD it is the complementary color #769952. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8966AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8966AD shade: #8E66A8, #9F78BB, #B08ACE, #C19CE1 and #D2AEF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8966AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8966AD shade: #8966AD, #78549A, #674287, #563074 and #451E61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8966AD shade: #8967AD, #9C67AD, #AD67AB, #AD6798 and #AD6785

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8966AD shade: #8967AD, #7667AD and #6767AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8966AD shade matches the following richer shades: #8967AD, #8954C0, #8941D3, #882EE6 and #881BF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8966AD shade: #8967AD, #89799A, #8A8C87, #8A9F74 and #8AB261

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8966AD shade: #676AAD, #7667AD, #8967AD, #9B67AD and #AD67AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8966AD shade: #60447D, #755298, #8967AD, #9E81BB and #B39CCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8966AD shade: #8966AD, #AD677D and #67AD6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8966AD shade: #8966AD, #AD8967 and #67AD89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8966AD shade: #8966AD, #AD677D, #8BAD67 and #67AD97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8966AD shade: #8966AD, #AD6768, #8BAD67 and #67ADAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 41 / 0 / 32

HEX #8966AD

RGB 137 102 173

HSL 269.58, 0.3%, 0.54%

LAB 49.3, 28.35, -32.76

 

Complementary color

CMYK 23 / 0 / 46 / 40

HEX #769952

RGB 118 153 82

HSL 89.58, 0.3%, 0.46%

LAB 59.2, -24.84, 33.32

 

CMYK 15 / 39 / 0 / 34

HEX #8E66A8

RGB 142 102 168

HSL 276.36, 0.28%, 0.53%

LAB 49.59, 28.73, -29.34

 

CMYK 15 / 36 / 0 / 27

HEX #9F78BB

RGB 159 120 187

HSL 274.93, 0.33%, 0.6%

LAB 56.48, 27.97, -29.48

 

CMYK 15 / 33 / 0 / 19

HEX #B08ACE

RGB 176 138 206

HSL 273.53, 0.41%, 0.67%

LAB 63.23, 27.27, -29.64

 

CMYK 14 / 31 / 0 / 12

HEX #C19CE1

RGB 193 156 225

HSL 272.17, 0.53%, 0.75%

LAB 69.86, 26.62, -29.81

 

CMYK 14 / 29 / 0 / 4

HEX #D2AEF4

RGB 210 174 244

HSL 270.86, 0.76%, 0.82%

LAB 76.38, 26.02, -29.99

 

CMYK 21 / 41 / 0 / 32

HEX #8966AD

RGB 137 102 173

HSL 269.58, 0.3%, 0.54%

LAB 49.3, 28.35, -32.76

 

CMYK 22 / 45 / 0 / 40

HEX #78549A

RGB 120 84 154

HSL 270.86, 0.29%, 0.47%

LAB 42.26, 29.21, -32.71

 

CMYK 24 / 51 / 0 / 47

HEX #674287

RGB 103 66 135

HSL 272.17, 0.34%, 0.39%

LAB 35.06, 30.14, -32.67

 

CMYK 26 / 59 / 0 / 55

HEX #563074

RGB 86 48 116

HSL 273.53, 0.41%, 0.32%

LAB 27.72, 31.11, -32.6

 

CMYK 29 / 69 / 0 / 62

HEX #451E61

RGB 69 30 97

HSL 274.93, 0.53%, 0.25%

LAB 20.27, 31.96, -32.36

 

CMYK 21 / 40 / 0 / 32

HEX #8967AD

RGB 137 103 173

HSL 269.14, 0.3%, 0.54%

LAB 49.54, 27.76, -32.38

 

CMYK 10 / 40 / 0 / 32

HEX #9C67AD

RGB 156 103 173

HSL 285.43, 0.3%, 0.54%

LAB 51.59, 33.65, -29.02

 

CMYK 0 / 40 / 1 / 32

HEX #AD67AB

RGB 173 103 171

HSL 301.71, 0.3%, 0.54%

LAB 53.52, 38.63, -24.72

 

CMYK 0 / 40 / 12 / 32

HEX #AD6798

RGB 173 103 152

HSL 318, 0.3%, 0.54%

LAB 52.79, 35.21, -14.74

 

CMYK 0 / 40 / 23 / 32

HEX #AD6785

RGB 173 103 133

HSL 334.29, 0.3%, 0.54%

LAB 52.15, 32.14, -4.5

 

CMYK 21 / 40 / 0 / 32

HEX #8967AD

RGB 137 103 173

HSL 269.14, 0.3%, 0.54%

LAB 49.54, 27.76, -32.38

 

CMYK 32 / 40 / 0 / 32

HEX #7667AD

RGB 118 103 173

HSL 252.86, 0.3%, 0.54%

LAB 47.71, 22.1, -35.38

 

CMYK 40 / 40 / 0 / 32

HEX #6767AD

RGB 103 103 173

HSL 240, 0.3%, 0.54%

LAB 46.45, 17.89, -37.46

 

CMYK 21 / 40 / 0 / 32

HEX #8967AD

RGB 137 103 173

HSL 269.14, 0.3%, 0.54%

LAB 49.54, 27.76, -32.38

 

CMYK 29 / 56 / 0 / 25

HEX #8954C0

RGB 137 84 192

HSL 269.44, 0.46%, 0.54%

LAB 46.26, 43.2, -48.62

 

CMYK 35 / 69 / 0 / 17

HEX #8941D3

RGB 137 65 211

HSL 269.59, 0.62%, 0.54%

LAB 43.95, 57.48, -63.32

 

CMYK 41 / 80 / 0 / 10

HEX #882EE6

RGB 136 46 230

HSL 269.35, 0.79%, 0.54%

LAB 42.61, 69.47, -76.36

 

CMYK 45 / 89 / 0 / 2

HEX #881BF9

RGB 136 27 249

HSL 269.46, 0.95%, 0.54%

LAB 42.55, 78.92, -87.2

 

CMYK 21 / 40 / 0 / 32

HEX #8967AD

RGB 137 103 173

HSL 269.14, 0.3%, 0.54%

LAB 49.54, 27.76, -32.38

 

CMYK 11 / 21 / 0 / 40

HEX #89799A

RGB 137 121 154

HSL 269.09, 0.14%, 0.54%

LAB 53.3, 12.79, -15.5

 

CMYK 1 / 0 / 4 / 45

HEX #8A8C87

RGB 138 140 135

HSL 84, 0.02%, 0.54%

LAB 57.95, -1.7, 2.4

 

CMYK 13 / 0 / 27 / 38

HEX #8A9F74

RGB 138 159 116

HSL 89.3, 0.18%, 0.54%

LAB 62.89, -15.36, 20.06

 

CMYK 22 / 0 / 46 / 30

HEX #8AB261

RGB 138 178 97

HSL 89.63, 0.34%, 0.54%

LAB 68.1, -27.6, 36.97

 

CMYK 40 / 39 / 0 / 32

HEX #676AAD

RGB 103 106 173

HSL 237.43, 0.3%, 0.54%

LAB 47.25, 16.05, -36.19

 

CMYK 32 / 40 / 0 / 32

HEX #7667AD

RGB 118 103 173

HSL 252.86, 0.3%, 0.54%

LAB 47.71, 22.1, -35.38

 

CMYK 21 / 40 / 0 / 32

HEX #8967AD

RGB 137 103 173

HSL 269.14, 0.3%, 0.54%

LAB 49.54, 27.76, -32.38

 

CMYK 10 / 40 / 0 / 32

HEX #9B67AD

RGB 155 103 173

HSL 284.57, 0.3%, 0.54%

LAB 51.48, 33.34, -29.21

 

CMYK 0 / 40 / 1 / 32

HEX #AD67AC

RGB 173 103 172

HSL 300.86, 0.3%, 0.54%

LAB 53.56, 38.82, -25.23

 

CMYK 23 / 46 / 0 / 51

HEX #60447D

RGB 96 68 125

HSL 269.47, 0.3%, 0.38%

LAB 34.19, 24.26, -27.92

 

CMYK 23 / 46 / 0 / 40

HEX #755298

RGB 117 82 152

HSL 270, 0.3%, 0.46%

LAB 41.35, 29.01, -32.97

 

CMYK 21 / 40 / 0 / 32

HEX #8967AD

RGB 137 103 173

HSL 269.14, 0.3%, 0.54%

LAB 49.54, 27.76, -32.38

 

CMYK 16 / 31 / 0 / 27

HEX #9E81BB

RGB 158 129 187

HSL 270, 0.3%, 0.62%

LAB 58.56, 22.49, -26.27

 

CMYK 11 / 23 / 0 / 21

HEX #B39CCA

RGB 179 156 202

HSL 270, 0.3%, 0.7%

LAB 67.74, 17.26, -20.46

 

CMYK 21 / 41 / 0 / 32

HEX #8966AD

RGB 137 102 173

HSL 269.58, 0.3%, 0.54%

LAB 49.3, 28.35, -32.76

 

CMYK 0 / 40 / 28 / 32

HEX #AD677D

RGB 173 103 125

HSL 341.14, 0.3%, 0.54%

LAB 51.91, 30.96, -0.12

 

CMYK 40 / 0 / 38 / 32

HEX #67AD6C

RGB 103 173 108

HSL 124.29, 0.3%, 0.54%

LAB 64.85, -35.8, 26.66

 

CMYK 21 / 41 / 0 / 32

HEX #8966AD

RGB 137 102 173

HSL 269.58, 0.3%, 0.54%

LAB 49.3, 28.35, -32.76

 

CMYK 0 / 21 / 40 / 32

HEX #AD8967

RGB 173 137 103

HSL 29.14, 0.3%, 0.54%

LAB 59.67, 9.01, 23.44

 

CMYK 40 / 0 / 21 / 32

HEX #67AD89

RGB 103 173 137

HSL 149.14, 0.3%, 0.54%

LAB 65.42, -30.36, 11.67

 

CMYK 21 / 41 / 0 / 32

HEX #8966AD

RGB 137 102 173

HSL 269.58, 0.3%, 0.54%

LAB 49.3, 28.35, -32.76

 

CMYK 0 / 40 / 28 / 32

HEX #AD677D

RGB 173 103 125

HSL 341.14, 0.3%, 0.54%

LAB 51.91, 30.96, -0.12

 

CMYK 20 / 0 / 40 / 32

HEX #8BAD67

RGB 139 173 103

HSL 89.14, 0.3%, 0.54%

LAB 66.79, -24.01, 32.23

 

CMYK 40 / 0 / 13 / 32

HEX #67AD97

RGB 103 173 151

HSL 161.14, 0.3%, 0.54%

LAB 65.75, -27.3, 4.4

 

CMYK 21 / 41 / 0 / 32

HEX #8966AD

RGB 137 102 173

HSL 269.58, 0.3%, 0.54%

LAB 49.3, 28.35, -32.76

 

CMYK 0 / 40 / 40 / 32

HEX #AD6768

RGB 173 103 104

HSL 359.14, 0.3%, 0.54%

LAB 51.36, 28.2, 11.53

 

CMYK 20 / 0 / 40 / 32

HEX #8BAD67

RGB 139 173 103

HSL 89.14, 0.3%, 0.54%

LAB 66.79, -24.01, 32.23

 

CMYK 40 / 0 / 1 / 32

HEX #67ADAC

RGB 103 173 172

HSL 179.14, 0.3%, 0.54%

LAB 66.33, -22.23, -6.43

 

Description

Color code: HEX #8966AD | qconv.com Color code: HEX #8966AD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 102 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 102 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 41 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 41% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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