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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89669A it is the complementary color #769965. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89669A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89669A shade: #8E6695, #9F78A8, #B08ABB, #C19CCE and #D2AEE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89669A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89669A shade: #89669A, #785487, #674274, #563061 and #451E4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89669A shade: #886699, #966699, #99668E, #996680 and #996673

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89669A shade: #886699, #7B6699, #6D6699 and #666699

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89669A shade matches the following richer shades: #886699, #8F51AE, #973DC2, #9E28D7 and #A513EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89669A shade: #886699, #817B84, #7A8F70, #73A45B and #6CB946

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89669A shade: #6D6699, #7A6699, #886699, #966699 and #99668F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89669A shade: #5C4567, #725580, #886699, #9C7FAA and #AF98BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89669A shade: #89669A, #99666D and #669974

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89669A shade: #89669A, #998866 and #669988

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89669A shade: #89669A, #99666D, #779966 and #669992

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89669A shade: #89669A, #996F66, #779966 and #669199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 34 / 0 / 40

HEX #89669A

RGB 137 102 154

HSL 280.38, 0.2%, 0.5%

LAB 48.45, 23.98, -22.92

 

Complementary color

CMYK 23 / 0 / 34 / 40

HEX #769965

RGB 118 153 101

HSL 100.38, 0.2%, 0.5%

LAB 59.5, -22.16, 23.51

 

CMYK 5 / 32 / 0 / 42

HEX #8E6695

RGB 142 102 149

HSL 291.06, 0.19%, 0.49%

LAB 48.79, 24.59, -19.4

 

CMYK 5 / 29 / 0 / 34

HEX #9F78A8

RGB 159 120 168

HSL 288.75, 0.22%, 0.56%

LAB 55.72, 23.9, -19.74

 

CMYK 6 / 26 / 0 / 27

HEX #B08ABB

RGB 176 138 187

HSL 286.53, 0.26%, 0.64%

LAB 62.5, 23.26, -20.07

 

CMYK 6 / 24 / 0 / 19

HEX #C19CCE

RGB 193 156 206

HSL 284.4, 0.34%, 0.71%

LAB 69.16, 22.68, -20.4

 

CMYK 7 / 23 / 0 / 12

HEX #D2AEE1

RGB 210 174 225

HSL 282.35, 0.46%, 0.78%

LAB 75.71, 22.14, -20.73

 

CMYK 11 / 34 / 0 / 40

HEX #89669A

RGB 137 102 154

HSL 280.38, 0.2%, 0.5%

LAB 48.45, 23.98, -22.92

 

CMYK 11 / 38 / 0 / 47

HEX #785487

RGB 120 84 135

HSL 282.35, 0.23%, 0.43%

LAB 41.35, 24.74, -22.68

 

CMYK 11 / 43 / 0 / 55

HEX #674274

RGB 103 66 116

HSL 284.4, 0.27%, 0.36%

LAB 34.07, 25.57, -22.44

 

CMYK 11 / 51 / 0 / 62

HEX #563061

RGB 86 48 97

HSL 286.53, 0.34%, 0.28%

LAB 26.61, 26.45, -22.15

 

CMYK 12 / 62 / 0 / 69

HEX #451E4E

RGB 69 30 78

HSL 288.75, 0.44%, 0.21%

LAB 18.99, 27.27, -21.7

 

CMYK 11 / 33 / 0 / 40

HEX #886699

RGB 136 102 153

HSL 280, 0.2%, 0.5%

LAB 48.31, 23.42, -22.56

 

CMYK 2 / 33 / 0 / 40

HEX #966699

RGB 150 102 153

HSL 296.47, 0.2%, 0.5%

LAB 49.84, 28.13, -20.07

 

CMYK 0 / 33 / 7 / 40

HEX #99668E

RGB 153 102 142

HSL 312.94, 0.2%, 0.5%

LAB 49.77, 27.04, -13.65

 

CMYK 0 / 33 / 16 / 40

HEX #996680

RGB 153 102 128

HSL 329.41, 0.2%, 0.5%

LAB 49.29, 24.55, -6.04

 

CMYK 0 / 33 / 25 / 40

HEX #996673

RGB 153 102 115

HSL 344.71, 0.2%, 0.5%

LAB 48.9, 22.45, 1.14

 

CMYK 11 / 33 / 0 / 40

HEX #886699

RGB 136 102 153

HSL 280, 0.2%, 0.5%

LAB 48.31, 23.42, -22.56

 

CMYK 20 / 33 / 0 / 40

HEX #7B6699

RGB 123 102 153

HSL 264.71, 0.2%, 0.5%

LAB 46.99, 19.13, -24.7

 

CMYK 29 / 33 / 0 / 40

HEX #6D6699

RGB 109 102 153

HSL 248.24, 0.2%, 0.5%

LAB 45.71, 14.67, -26.8

 

CMYK 33 / 33 / 0 / 40

HEX #666699

RGB 102 102 153

HSL 240, 0.2%, 0.5%

LAB 45.12, 12.52, -27.76

 

CMYK 11 / 33 / 0 / 40

HEX #886699

RGB 136 102 153

HSL 280, 0.2%, 0.5%

LAB 48.31, 23.42, -22.56

 

CMYK 18 / 53 / 0 / 32

HEX #8F51AE

RGB 143 81 174

HSL 280, 0.36%, 0.5%

LAB 45.33, 42.21, -39.55

 

CMYK 22 / 69 / 0 / 24

HEX #973DC2

RGB 151 61 194

HSL 280.6, 0.52%, 0.5%

LAB 43.96, 58.31, -53.38

 

CMYK 27 / 81 / 0 / 16

HEX #9E28D7

RGB 158 40 215

HSL 280.46, 0.69%, 0.5%

LAB 43.79, 71.48, -65.75

 

CMYK 30 / 92 / 0 / 7

HEX #A513EC

RGB 165 19 236

HSL 280.37, 0.85%, 0.5%

LAB 44.97, 80.96, -75.75

 

CMYK 11 / 33 / 0 / 40

HEX #886699

RGB 136 102 153

HSL 280, 0.2%, 0.5%

LAB 48.31, 23.42, -22.56

 

CMYK 2 / 7 / 0 / 48

HEX #817B84

RGB 129 123 132

HSL 280, 0.04%, 0.5%

LAB 52.4, 4.07, -4.08

 

CMYK 15 / 0 / 22 / 44

HEX #7A8F70

RGB 122 143 112

HSL 100.65, 0.12%, 0.5%

LAB 57.03, -13.6, 14.05

 

CMYK 30 / 0 / 45 / 36

HEX #73A45B

RGB 115 164 91

HSL 100.27, 0.29%, 0.5%

LAB 62.47, -30.14, 32.69

 

CMYK 42 / 0 / 62 / 27

HEX #6CB946

RGB 108 185 70

HSL 100.17, 0.45%, 0.5%

LAB 68.26, -44.39, 49.67

 

CMYK 29 / 33 / 0 / 40

HEX #6D6699

RGB 109 102 153

HSL 248.24, 0.2%, 0.5%

LAB 45.71, 14.67, -26.8

 

CMYK 20 / 33 / 0 / 40

HEX #7A6699

RGB 122 102 153

HSL 263.53, 0.2%, 0.5%

LAB 46.9, 18.8, -24.86

 

CMYK 11 / 33 / 0 / 40

HEX #886699

RGB 136 102 153

HSL 280, 0.2%, 0.5%

LAB 48.31, 23.42, -22.56

 

CMYK 2 / 33 / 0 / 40

HEX #966699

RGB 150 102 153

HSL 296.47, 0.2%, 0.5%

LAB 49.84, 28.13, -20.07

 

CMYK 0 / 33 / 7 / 40

HEX #99668F

RGB 153 102 143

HSL 311.76, 0.2%, 0.5%

LAB 49.81, 27.23, -14.18

 

CMYK 11 / 33 / 0 / 60

HEX #5C4567

RGB 92 69 103

HSL 280.59, 0.2%, 0.34%

LAB 32.94, 16.85, -16.1

 

CMYK 11 / 34 / 0 / 50

HEX #725580

RGB 114 85 128

HSL 280.47, 0.2%, 0.42%

LAB 40.63, 20.51, -19.59

 

CMYK 11 / 33 / 0 / 40

HEX #886699

RGB 136 102 153

HSL 280, 0.2%, 0.5%

LAB 48.31, 23.42, -22.56

 

CMYK 8 / 25 / 0 / 33

HEX #9C7FAA

RGB 156 127 170

HSL 280.47, 0.2%, 0.58%

LAB 57.22, 19.27, -18.63

 

CMYK 6 / 18 / 0 / 27

HEX #AF98BA

RGB 175 152 186

HSL 280.59, 0.2%, 0.66%

LAB 65.84, 14.85, -14.47

 

CMYK 11 / 34 / 0 / 40

HEX #89669A

RGB 137 102 154

HSL 280.38, 0.2%, 0.5%

LAB 48.45, 23.98, -22.92

 

CMYK 0 / 33 / 29 / 40

HEX #99666D

RGB 153 102 109

HSL 351.76, 0.2%, 0.5%

LAB 48.73, 21.55, 4.48

 

CMYK 33 / 0 / 24 / 40

HEX #669974

RGB 102 153 116

HSL 136.47, 0.2%, 0.5%

LAB 58.85, -25.13, 14.14

 

CMYK 11 / 34 / 0 / 40

HEX #89669A

RGB 137 102 154

HSL 280.38, 0.2%, 0.5%

LAB 48.45, 23.98, -22.92

 

CMYK 0 / 11 / 33 / 40

HEX #998866

RGB 153 136 102

HSL 40, 0.2%, 0.5%

LAB 57.41, 1.11, 20.63

 

CMYK 33 / 0 / 11 / 40

HEX #669988

RGB 102 153 136

HSL 160, 0.2%, 0.5%

LAB 59.33, -20.92, 3.52

 

CMYK 11 / 34 / 0 / 40

HEX #89669A

RGB 137 102 154

HSL 280.38, 0.2%, 0.5%

LAB 48.45, 23.98, -22.92

 

CMYK 0 / 33 / 29 / 40

HEX #99666D

RGB 153 102 109

HSL 351.76, 0.2%, 0.5%

LAB 48.73, 21.55, 4.48

 

CMYK 22 / 0 / 33 / 40

HEX #779966

RGB 119 153 102

HSL 100, 0.2%, 0.5%

LAB 59.58, -21.63, 23.08

 

CMYK 33 / 0 / 5 / 40

HEX #669992

RGB 102 153 146

HSL 171.76, 0.2%, 0.5%

LAB 59.6, -18.6, -1.75

 

CMYK 11 / 34 / 0 / 40

HEX #89669A

RGB 137 102 154

HSL 280.38, 0.2%, 0.5%

LAB 48.45, 23.98, -22.92

 

CMYK 0 / 27 / 33 / 40

HEX #996F66

RGB 153 111 102

HSL 10.59, 0.2%, 0.5%

LAB 50.8, 15.37, 11.57

 

CMYK 22 / 0 / 33 / 40

HEX #779966

RGB 119 153 102

HSL 100, 0.2%, 0.5%

LAB 59.58, -21.63, 23.08

 

CMYK 33 / 5 / 0 / 40

HEX #669199

RGB 102 145 153

HSL 189.41, 0.2%, 0.5%

LAB 57.44, -12.59, -8.95

 

Description

Color code: HEX #89669A | qconv.com Color code: HEX #89669A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 102 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 102 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 34 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 34% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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