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Color name
HEX #895C2A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #895C2A it is the complementary color #76A3D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #895C2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #895C2A shade: #8E5C25, #9F6E38, #B0804B, #C1925E and #D2A471

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #895C2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #895C2A shade: #895C2A, #784A17, #673804, #562600 and #451400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #895C2A shade: #895C2A, #89422A and #892A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #895C2A shade: #895C2A, #89752A, #82892A, #69892A and #4F892A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #895C2A shade matches the following richer shades: #895C2A, #975D1C and #A55D0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #895C2A shade: #895C2A, #7A5B38, #6C5A47, #5D5955 and #4F5964

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #895C2A shade: #892A2C, #89422A, #895B2A, #89742A and #84892A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #895C2A shade: #493117, #694720, #895C2A, #A87134 and #C48641

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #895C2A shade: #895C2A, #45892A and #352A89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #895C2A shade: #895C2A, #2A895B and #5B2A89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #895C2A shade: #895C2A, #45892A, #2A5889 and #6E2A89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #895C2A shade: #895C2A, #2A892C, #2A5889 and #892A87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 69 / 46

HEX #895C2A

RGB 137 92 42

HSL 31.58, 0.53%, 0.35%

LAB 42.97, 13.35, 35.42

 

Complementary color

CMYK 45 / 23 / 0 / 16

HEX #76A3D5

RGB 118 163 213

HSL 211.58, 0.53%, 0.65%

LAB 65.63, -1.94, -30.18

 

CMYK 0 / 35 / 74 / 44

HEX #8E5C25

RGB 142 92 37

HSL 31.43, 0.59%, 0.35%

LAB 43.56, 15.35, 38.77

 

CMYK 0 / 31 / 65 / 38

HEX #9F6E38

RGB 159 110 56

HSL 31.46, 0.48%, 0.42%

LAB 50.46, 13.81, 37.29

 

CMYK 0 / 27 / 57 / 31

HEX #B0804B

RGB 176 128 75

HSL 31.49, 0.4%, 0.49%

LAB 57.25, 12.53, 35.76

 

CMYK 0 / 24 / 51 / 24

HEX #C1925E

RGB 193 146 94

HSL 31.52, 0.44%, 0.56%

LAB 63.92, 11.47, 34.28

 

CMYK 0 / 22 / 46 / 18

HEX #D2A471

RGB 210 164 113

HSL 31.55, 0.52%, 0.63%

LAB 70.49, 10.56, 32.9

 

CMYK 0 / 33 / 69 / 46

HEX #895C2A

RGB 137 92 42

HSL 31.58, 0.53%, 0.35%

LAB 42.97, 13.35, 35.42

 

CMYK 0 / 38 / 81 / 53

HEX #784A17

RGB 120 74 23

HSL 31.55, 0.68%, 0.28%

LAB 35.89, 15.08, 36.76

 

CMYK 0 / 46 / 96 / 60

HEX #673804

RGB 103 56 4

HSL 31.52, 0.93%, 0.21%

LAB 28.7, 17.22, 37.34

 

CMYK 0 / 56 / 100 / 66

HEX #562600

RGB 86 38 0

HSL 26.51, 1%, 0.17%

LAB 21.45, 19.88, 31.11

 

CMYK 0 / 71 / 100 / 73

HEX #451400

RGB 69 20 0

HSL 17.39, 1%, 0.14%

LAB 14.21, 22.45, 21.66

 

CMYK 0 / 33 / 69 / 46

HEX #895C2A

RGB 137 92 42

HSL 31.58, 0.53%, 0.35%

LAB 42.97, 13.35, 35.42

 

CMYK 0 / 52 / 69 / 46

HEX #89422A

RGB 137 66 42

HSL 15.16, 0.53%, 0.35%

LAB 36.71, 28.31, 28.32

 

CMYK 0 / 69 / 69 / 46

HEX #892A2A

RGB 137 42 42

HSL 0, 0.53%, 0.35%

LAB 32.13, 40.3, 22.84

 

CMYK 0 / 33 / 69 / 46

HEX #895C2A

RGB 137 92 42

HSL 31.58, 0.53%, 0.35%

LAB 42.97, 13.35, 35.42

 

CMYK 0 / 15 / 69 / 46

HEX #89752A

RGB 137 117 42

HSL 47.37, 0.53%, 0.35%

LAB 49.75, -1.15, 42.69

 

CMYK 5 / 0 / 69 / 46

HEX #82892A

RGB 130 137 42

HSL 64.42, 0.53%, 0.35%

LAB 54.87, -15.35, 47.75

 

CMYK 23 / 0 / 69 / 46

HEX #69892A

RGB 105 137 42

HSL 80.21, 0.53%, 0.35%

LAB 53.02, -26.15, 45.26

 

CMYK 42 / 0 / 69 / 46

HEX #4F892A

RGB 79 137 42

HSL 96.63, 0.53%, 0.35%

LAB 51.52, -36.17, 43.24

 

CMYK 0 / 33 / 69 / 46

HEX #895C2A

RGB 137 92 42

HSL 31.58, 0.53%, 0.35%

LAB 42.97, 13.35, 35.42

 

CMYK 0 / 38 / 81 / 41

HEX #975D1C

RGB 151 93 28

HSL 31.71, 0.69%, 0.35%

LAB 44.93, 18.45, 44.61

 

CMYK 0 / 44 / 92 / 35

HEX #A55D0D

RGB 165 93 13

HSL 31.58, 0.85%, 0.35%

LAB 46.79, 24.29, 52.07

 

CMYK 0 / 33 / 69 / 46

HEX #895C2A

RGB 137 92 42

HSL 31.58, 0.53%, 0.35%

LAB 42.97, 13.35, 35.42

 

CMYK 0 / 25 / 54 / 52

HEX #7A5B38

RGB 122 91 56

HSL 31.82, 0.37%, 0.35%

LAB 41.07, 8.17, 24.99

 

CMYK 0 / 17 / 34 / 58

HEX #6C5A47

RGB 108 90 71

HSL 30.81, 0.21%, 0.35%

LAB 39.51, 4.25, 13.72

 

CMYK 0 / 4 / 9 / 64

HEX #5D5955

RGB 93 89 85

HSL 30, 0.04%, 0.35%

LAB 38.07, 0.81, 2.88

 

CMYK 21 / 11 / 0 / 61

HEX #4F5964

RGB 79 89 100

HSL 211.43, 0.12%, 0.35%

LAB 37.35, -1.24, -7.64

 

CMYK 0 / 69 / 68 / 46

HEX #892A2C

RGB 137 42 44

HSL 358.74, 0.53%, 0.35%

LAB 32.16, 40.42, 21.62

 

CMYK 0 / 52 / 69 / 46

HEX #89422A

RGB 137 66 42

HSL 15.16, 0.53%, 0.35%

LAB 36.71, 28.31, 28.32

 

CMYK 0 / 34 / 69 / 46

HEX #895B2A

RGB 137 91 42

HSL 30.95, 0.53%, 0.35%

LAB 42.71, 13.93, 35.13

 

CMYK 0 / 15 / 69 / 46

HEX #89742A

RGB 137 116 42

HSL 46.74, 0.53%, 0.35%

LAB 49.47, -0.59, 42.39

 

CMYK 4 / 0 / 69 / 46

HEX #84892A

RGB 132 137 42

HSL 63.16, 0.53%, 0.35%

LAB 55.04, -14.45, 47.97

 

CMYK 0 / 33 / 68 / 71

HEX #493117

RGB 73 49 23

HSL 31.2, 0.52%, 0.19%

LAB 22.57, 7.69, 20.68

 

CMYK 0 / 32 / 70 / 59

HEX #694720

RGB 105 71 32

HSL 32.05, 0.53%, 0.27%

LAB 33.17, 10.26, 28.72

 

CMYK 0 / 33 / 69 / 46

HEX #895C2A

RGB 137 92 42

HSL 31.58, 0.53%, 0.35%

LAB 42.97, 13.35, 35.42

 

CMYK 0 / 33 / 69 / 34

HEX #A87134

RGB 168 113 52

HSL 31.55, 0.53%, 0.43%

LAB 52.27, 15.84, 41.65

 

CMYK 0 / 32 / 67 / 23

HEX #C48641

RGB 196 134 65

HSL 31.6, 0.53%, 0.51%

LAB 60.93, 17.13, 45.74

 

CMYK 0 / 33 / 69 / 46

HEX #895C2A

RGB 137 92 42

HSL 31.58, 0.53%, 0.35%

LAB 42.97, 13.35, 35.42

 

CMYK 50 / 0 / 69 / 46

HEX #45892A

RGB 69 137 42

HSL 102.95, 0.53%, 0.35%

LAB 51.06, -39.51, 42.61

 

CMYK 61 / 69 / 0 / 46

HEX #352A89

RGB 53 42 137

HSL 246.95, 0.53%, 0.35%

LAB 24.38, 33.62, -51.39

 

CMYK 0 / 33 / 69 / 46

HEX #895C2A

RGB 137 92 42

HSL 31.58, 0.53%, 0.35%

LAB 42.97, 13.35, 35.42

 

CMYK 69 / 0 / 34 / 46

HEX #2A895B

RGB 42 137 91

HSL 150.95, 0.53%, 0.35%

LAB 50.85, -38.79, 16.85

 

CMYK 34 / 69 / 0 / 46

HEX #5B2A89

RGB 91 42 137

HSL 270.95, 0.53%, 0.35%

LAB 28.61, 41.05, -44.33

 

CMYK 0 / 33 / 69 / 46

HEX #895C2A

RGB 137 92 42

HSL 31.58, 0.53%, 0.35%

LAB 42.97, 13.35, 35.42

 

CMYK 50 / 0 / 69 / 46

HEX #45892A

RGB 69 137 42

HSL 102.95, 0.53%, 0.35%

LAB 51.06, -39.51, 42.61

 

CMYK 69 / 36 / 0 / 46

HEX #2A5889

RGB 42 88 137

HSL 210.95, 0.53%, 0.35%

LAB 36.51, 1.21, -31.9

 

CMYK 20 / 69 / 0 / 46

HEX #6E2A89

RGB 110 42 137

HSL 282.95, 0.53%, 0.35%

LAB 31.29, 45.39, -39.86

 

CMYK 0 / 33 / 69 / 46

HEX #895C2A

RGB 137 92 42

HSL 31.58, 0.53%, 0.35%

LAB 42.97, 13.35, 35.42

 

CMYK 69 / 0 / 68 / 46

HEX #2A892C

RGB 42 137 44

HSL 121.26, 0.53%, 0.35%

LAB 50.17, -46.43, 40.52

 

CMYK 69 / 36 / 0 / 46

HEX #2A5889

RGB 42 88 137

HSL 210.95, 0.53%, 0.35%

LAB 36.51, 1.21, -31.9

 

CMYK 0 / 69 / 1 / 46

HEX #892A87

RGB 137 42 135

HSL 301.26, 0.53%, 0.35%

LAB 35.45, 51.52, -31.75

 

Description

Color code: HEX #895C2A | qconv.com Color code: HEX #895C2A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 92 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 92 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 69 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 69% 46% C M Y K

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Provide designers and agencies with accurate color values.

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